‘Aye Aye Mi Mi’ is the second single from Mano Le Tough’s new album, ‘At The Moment’ which is coming soon on Pampa Records; . The single really highlights the vocal & instrumental skills of the Irish producer, resulting in an indie dance ear-worm that’s hard to shake.

“It’s the only tune on the record that survived from my original batch of demos and sketches” says Mano. “It’s a kind of reflection on narcissism, social media saturation and the ego”.

Release Date Single `Aye Aye Mi Mi´:  2 july 2021
Release Date Album `At The Moment´: 20 august 2021

At The Moment

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Mano Le Tough – Aye Aye Mi Mi (12" Mix) SNIPPET

Out Now on W+L Records

https://wolfandlambrecords.lnk.to/wlm98

Love 2 Dance

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Jack Priest - Love 2 Dance

` Project

AK - 2021'

In what one could probably call "the lost remixes", we unearthed two unpublished cuts which fell to the roadside for any number of inane reasons that we have forgotten since. What we didn't forget, however, is how damn fine these reworks are. Take for example MICHAEL MAYER's take on KAITO's "Behind My Life", an obvious highlight on both Kaito's EP and full-length offerings last year, but as the rest of his work not really lending itself to radical remix treatments - the typical ambience of a Kaito track is too delicate, it seems, for the good ole "let's stick a fatter bass drum underneath it and be gone" routine. That's when you realize how masterful a remixer Michael Mayer actually is, turning the epic soundscapes of the original inside out and into a relentlessly grooving house stomper. The melodic break is where it's at on this one, giving them punters ample space to get truly lost in sound. The flipside holds its own set of surprises with SASCHIENNE's ingenious boogie reboot of MOHN's "Saturn" off their 2012 debut album. Originally a kind of kraut-infused synth jam with all the time in the world for the contemplation of infinite truths and the possibility of space travel, it has now become a tightly knit space cowboy opera full of special effects and exciting laser shootouts. Because you know what they say: a vocoder a day keeps the doctor away. 

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Kaito - Behind My Life (Michael Mayer Mix)

The Golden Filter- Kill Me- John Talabot Killed In Room 616 Refix

Yellow Curbs

All We Need

Eterno Inverno

Artist: Garry Todd
Title: Time Goes On feat. Nat Page
Label: BPitch Control
Cat. No.: BPC321
Format: 12" / Digital
Release date: 22.01.2016

“Club music that makes you wanna dance” – Garry Todd’s description of his art is as simple as that. And he’s right: it doesn’t mess about, it goes straight for your motor controls, and it’s really making waves on the club scene. We could also add that it’s in the house domain, it doesn’t cater to any clichés, and it has a certain twist that points to a natural-born talent. But who is this Garry Todd? He has a label, called Contemporary Scarecrow. It serves as his platform for both music and fashion. As a teenager he danced to sets from Masters At Work. Six years ago, having caught the house and techno bug and feeling the longing for an endless summer, he began a nomadic existence between Australia, Ibiza and his home in the UK. Making notable strides down under, he became a central figure as a DJ, producer and promoter in the nascent club scene in and around Sydney. In his own productions he delicately and subtly explores the house genre. His recent debut album “Nora Lilian” is just bursting with unique ideas – prepared on the TR-909, a Roland Juno-60 synth and supported with vocals from a few friends. 

“Time Goes On” marks the first EP release from the album. The title track dances around the enchantingly presented voice of Nat Page and uses stirring claps and a frenzied synth line to bring it to the clubs – the true destination of this magic number. With “Go Green” – a track not included on the album – the globetrotter serves up charming froggy basslines and rasping acid hi-hats that ultimately lead to an ethereal, beatless synth texture. The EP then gets a special ingredient – a whole side of the vinyl is allocated to one of the stand-out cuts from the album, “Anniversary Track”, which Garry Todd extends to 13 minutes of epic, psychedelic deepness, without leaving any of the suspense behind. “I am doing something I love, and that I am grateful for,” he says of his work. This gratitude and love can be felt in every beat, every chord, every melody. And he can be sure that it’s reciprocated – deeply and sincerely!


Sideral (BCN Version)

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