I just released two ambient electronic tracks under my real name, Julien Guillot, on No Slack Records "Seasons 2022 (S/S)" compilation.

“Seasons 2022 (S/S)” is No Slack Records’ 5th installment of the biannual “Seasons” compilation series. For this year’s Spring/Summer release, artists from France, Japan, South Korea, Seattle, Toronto came together. The result is a whimsical electronic journey weaving analog ambience, heady bass and modular jams.

Jeremy Blake, a seattle based producer and musician, starts off the compilation with a somber electro-acoustic track. Then Japanese composer and contemporary artist Pollypraha (Takeyuki Hakozaki) retains the calmness flow with his ambient modular composition.

The third and seventh tracks are by French producer Julien Guillot aka Stazma. The tracks are like etudes in modular synthesis. The fourth track continues the experimental nature with “M0rph” by Livigesh, a South Korean producer and artist.

“Neverending Unrelenting Goodtimes” by Tornoto based electronic producer Dark Tapes takes the compilation into a dimension where it feels like one is in a traveling spaceship looking out the window.
Then the compilation continues with a heady bass track “MDTES101” by Seoul based producer Jeongjeon. The compilation closes with Flower Manson’s psychedelically leaning track “Grn.5”

Seasons 2022 (S/S)

Julien Guillot - Under a Strong Wind

Synth Track created for KVR OSC-168 using Cherry Audio Voltage Modular

All Glitchy sounds are intentional

DAW: Presonus Studio One
Tracks: 4
VSTs: Presonus Fat Channel, Beat Delay, Room Reverb, Limiter
Klangelm IVG12, Melda Wave Shaper, Valhalla super massive

FrankH - Abandoned Radio - OSC - 168 - VM

9 Zebralette, OTT, You Wa Shock, Bitwig convolution, Bitwig Limiter, TDR Nova. DAW: Bitwig OSC #191 Zebralette

The curious zebra

55ish instances of zebralette using Reaper 6.83

OTT, ReaLimit, LoudMax, TSOM's B&S, Supermassive Valhalla, Raum, A1TriggerGate, ReEQ, TDR Kotelnikov, Replika, Reaverb, A1StereoControl

LUFS-I = 11.1

The last 7 minutes are very slow ambient which isn't popular in OSC and of course it's long. Feel free to skip if that's a problem for you, although just to be clear, I love it. 

Thank you Jas (white noise), TSOM (cymbals), Exponent (exophase!) for sound design help.

OSC191 Forgotten Dream (Zebralette 6th)

Entry for One Synth Challenge 191 - U-he Zebralette 2

Made in Reaper using 39 instances of Zebralette 2 for 15 voice-split single layer instruments.
No 3rd party noises of any kind were involved. 
Light clean-up duties were performed at track level by TDR Nova.
A touch of snipping done by GClip and Flux Bittersweet on the drum.
Some delay was provided by HY-Delay 4 
Reverberation courtesy of U-he Protoverb and Valhalla Supermassive, 
with a little help from their friends:  HOFA System Pan, TDR Nova, A1 Stereo Control and JS Mixer.
Somewhat reluctantly living on the master bus are TDR Kotelnikov, A1 Stereo Control, Limiter No6, and Flux Bittersweet.

Looking At You

Progetto per un call for works per flauto e fixed media, abbandonato per difficoltà e dubbi riguardo la partitura del flauto. 
2 contrabassi, tape delay, e flauto (canale destro, tongue ram).


Project for a call for works for flute and fixed media, abandoned due to difficulties and doubts about the flute score. 
2 double basses, tape delay, and flute (right channel, tongue ram).

FIRST-Tongue Ram [disquiet0697]

Disquiet Junto Project 0698: Second Third
The Assignment: Record the second third of a trio.

I chose a track randomly from the lines thread last week and ended up with @xhg 's field recording (https://soundcloud.com/xhg/disquiet0697-sunday-morning-gardening).  All the sounds I used for the beat came from xhg's recording and I tried to take cues from it as well.  For example, I tried to match the steps in the middle section for the pace, 109BPM.  I used a resonator set to G# because the bell heard in the last third of the recording is roughly a G#.

Look what I Found in the Garden (Disquiet0698) (feat. xhg)

Moons of S (Buchla)

:: Live experimental eurorack composition limited to a few modules ::

George Crumb

:: getting close to Buchla territory here with Plaits at least to my ears :: Live take to 2 track, little heavy on the verb ::