øø[][][] live sets ™ [][][]øø 
Part Curator of BAKE LE CAKE events øø
-----------> 2 book : bakelecakeleipig@gmail.com
https://soundcloud.com/hydratedj

UPCOMING GIGS :
12 . 11. 21 - KRAKE FESTIVAL ( Berlin ) 

PAST GIGS :
04.09.2021 - Tarmac Festival ( Allstedt )
27.08.2021 - Lusatia Festival  ( Brandenburg )
07.08.2021 - Sounds Garten ( Berlin )
03.10.20 - Tension techno ( Chemnitz )
27.09.20 - Festwiese Closing ( Leipzig ) 
07.03.20 - SLOT ( Hamburg )
28.02.20 - Mensch Meier ( Berlin ) 
14.02.20 - Acid Cake @ Mjut ( Leipzig )
24.01.20 - Elipamanoke ( Leipzig )
17.01.20 - Bake le Cake @ Mjut ( Leipzig )
11.01.20 - Love Foundation @Fiese Remiese ( Berlin )
31.12.19 - Mensch Meier NYE ( Berlin )
31.12.19 - ELipamanoke NYE ( Leipzig )
29.11.19 - Bake Le Cake X KillekilI @ IFZ ( leipzig )
23.11.19 - Griessmulhe ( Berlin )  
03.11.19 - Kater Blau ( Berlin )
25.10.2019 - Mjut ( Leipzig ) 
18.10.2019 - Bake Le Cake @ Union Francaise ( Montreal ) 
11.10.2019 - Bar La Shop ( Montreal ) 
27.09.2019 - Elipamanoke ( Leipzig ) 
21.09.2019 - PAL ( Hamburg ) 
20.09.2019 - Polygon ( Berlin )
14.09.2019 - STAUB @ About Blank ( Berlin ) 
14.09.2019 - Secret Location ( Berlin ) 
24.08.2019 - KulturLounge ( Leipzig )
09.08.2019 - ZilZalp Festival  
27.07.2019 - Bake Le Cake X Zur Klappe @ Zur Klappe ( Berlin )
19.07.2019 - Outta Cake Warehouse Rave ( TBA, leipzig ) 
29.06.19 - FUSION FESTIVAL 
19.06.19 - BLC @ Monarch ( Berlin)
13.06.19 - KulturLounge ( Leipzig ) 
10.05.19 - Bake Le Cake ( Leipzig )
11.05.19 - Mensch Meier ( Berlin ) 
30.03.19 - City Club (Augsburg)
09.03.19 - Sektor Evolution (Dresden)
16.02.19 - Moloch (Hamburg) 
09.02.19 - Mjut (Leipzig) 
18.01.19 - Mjut (Leipzig) 
01.01.19 - SO&SO (Leipzig)
31.12.18 - Elipamanoke (Leipzig) 
06.12.18 - IFZ  (Leipzig) 
24.08.18 - Jack Bimski Festival (Tutow)
18.08.18 - Elipamanoke (Leipzig) 
17.08.18 - Liason auf der Alm (Prenzlau)
03.08.18 - ZilpZalp Festival (Groitzsch)
14.07.18 - Mensch Meier (Berlin)
07.07.18 - Distillery (Leipzig) 
19.05.18 - Bake le cake/elipamanoke (Leipzig)
18.05.18 - Ifz (Leipzig)
27.04.18 - So&so (Leipzig)
07.04.18 - Elipamanoke (Leipzig)
24.03.18 - Tjpj (Leipzig)
16.02.18 - Bake le cake/elipamanoke (Leipzig)
11.02.18 - Mensch Meier (Berlin)
09.02.18 - Elipamanoke (Leipzig) 
06.01.18 - IFZ  (Leipzig)
01.01.18 - So&so (Leipzig)
31.12.17 - Elipamanoke (Leipzig)
17.12.17 - Lost Artfestival, Willner Brauerei (Berlin)
16.12.17 - KulturLounge ( Leipzig ) 
09.12.17 - Elipamanoke (Leipzig)
27.10.17 - Bake le cake/elipamanoke (Leipzig)
21.10.17 - OSTXXX (Leipzig)
21.09.17 - Paris Electronic Week (Paris)
01.09.17 - Unknown Place (Nurnberg)
11.08.17 - ZilpZalp festival (Leipzig)
22.07.17 -  Monis Rache Festival (Tutow)
09.07.17 -  Johnny Knüppel (Berlin)
07.07.17 - MACH festival (Halle) 
01.07.17  - SO&SO (Leipzig)
.....etc.....etc.....etc...  ( Montreal )

Volta, whose real name is Raphaël, has been one of the cornerstones of the Swiss electronic scene for over 25 years. Born in 1982, he was immersed in music from a young age, captivated by his brother's turntables. At 10 years old, he started composing on his first synthesizer and attended Hug Musique in Lausanne, a place that would later become his employer.
Passionate about the first Swiss raves of the 90s, Volta drew inspiration from the raw and visionary sounds of Emmanuel Top, Underground Resistance, Kraftwerk, and The Prodigy. By the age of 18, he was already DJing at Space in Ibiza, and he built his reputation on Swiss and European stages alongside icons such as Vitalic, DJ Hell, and Marco Carola. He is known for his exclusively vinyl sets, where technique and sonic curiosity make each performance a unique experience.
In 2003, he founded VR Records, a vinyl shop that became a cult destination, and then R-Productions, which organized landmark events such as Les Pirates Audio and Les Moulins Bleus, where he supported the local scene and provided a platform for emerging talents. That same year, he launched the VR School, a DJing and music production school, where he shares his knowledge with passion and discipline. The Chocolate DJ Contest, which he has been contributing to from the start, has uncovered several rising stars.
On the production side, his remix for Jesse Somfay in 2006 was praised by artists like Ellen Allien and Richie Hawtin. Alongside Salvatore Freda, he released several EPs on prestigious labels such as Liebe Detail, Music Man, and Remote Area, with tracks played by Carl Cox and Luciano.
Today, at the helm of Wavestudios, an agency specializing in sound design for brands, Volta continues to DJ, teach, and elevate the Swiss techno scene, notably through events like Club François. His unwavering commitment and generosity have earned him the respect of the scene, both for his career and for his dedication to sharing his knowledge.

Ian Dewhirst D.J. Biography

Ian Dewhirst started his D.J. career in 1971 at the age of 16 years old with a warm-up slot at Leeds Central for Northern Soul DJ Legend Tony Banks. Following several successful weeks of ‘warming-up’ Tony left the venue and Ian took over as resident at one of the North’s most respected Northern Soul venues.

Following his success at Leeds Central, Ian started finding more and more Northern Soul U.S. imports and both his record collection and reputation started to grow. By 1972-1973 Ian secured several other residencies including weekly and bi-monthly all-nighters at Wigan Casino, Cleethorpes Pier and Sheffield Samantha’s. This was during the ‘golden age’ of Northern Soul where Ian discovered and played such records as The Carstair’s “It Really Hurts Me Girl”, The Tomangos “I Really Love You”, Tobi Legend’s “Time Will Pass You By”, The Four Perfection’s “I’m Not Strong Enough”, Gerri Grainger’s “I Go To Pieces”, Lenny Curtis’s “Nothing Can Help You Know”, Clyde McPhatters’s “Please Give Me One More Chance” and Yvonne Baker’s “You Didn’t Say A Word” among many others.

Following his growing disillusionment at the way that record prices were escalating and the amount he was personally being charged for ‘unknown’ records, Ian decided to move to Los Angeles and search for Northern Soul rarities himself. So, in 1975 Ian moved to the U.S.A. and started hunting for rare up-tempo Northern Soul records. Within weeks he discovered many major rarities and new ‘unknown’ records including Willie Hutch’s “The Duck”/”Love Runs Out”, Judy Street’s “What” and literally hundred’s of other records which have since become Northern Soul classics.

Whilst in Los Angeles, Ian became involved in co-producing a Motown medley disco record, which was eventually called “Uptown Festival” by a group named and formed by Ian called Shalamar. The record was signed to Don Cornelius’s Soul Train records where it topped the Billboard dance charts for 6 weeks, hit the U.S. top 20 pop charts and eventually sold one million copies around the world by the end of 1976.

Ian returned from the U.S. after a highly successful 6 month stay and immediately returned to deejaying on the rapidly emerging Northern Jazz/Funk/Disco circuit with residencies at Leeds Central and all-dayers at Blackpool Mecca, Manchester Ritz, Nottingham Palais and Birmingham Locarno along with Colin Curtis, Ian Levine, Neil Rushton and Paul Schofield.

In 1979, following his success on the Northern Jazz/Funk/Disco circuit, Ian was invited to become resident DJ at the U.K.’s first U.S. style dance club – Leeds Warehouse. He was taught to mix by U.S. DJ Greg James and with his new skills Ian started mixing more eclectic styles of music which included Disco, Funk, Jazz-Funk, Electro and other styles from 1979-83. Whilst at the Warehouse Ian also introduced Soft Cell’s Marc Almond to Gloria Jones’ “Tainted Love” which later went on to become a 34 million-selling worldwide hit for Soft Cell and the longest running record ever on Billboard’s U.S. Top 50 singles chart.

In late 1983 Ian moved to London and commenced work with EMI Records as Head Of Club Promotion/A&R where he scored instant successes with Ashford & Simpson, Maze, Freddie Jackson, Lillo Thomas, Tavares and Diana Ross. During this period Ian also introduced the Pet Shop Boys to EMI where they shortly scored a worldwide No.1 hit with “West End Girls” and forged a successful, career thereafter. Ian also commenced a Saturday night DJ Residency at The Playground at The Lyceum Theatre in London with Rusty Egan and Steve Strange.  

Ian then moved onto Serious Records where he compiled and oversaw the Upfront and Best Of House series before moving to Island Records and overseeing Sly & Robbie’s only U.K. hit with “Boops (Here To Go)” and the signing of the Wild Bunch, who later mutated into Massive Attack and Soul 11 Soul.

In 1990 Ian conceived and created the Mastercuts series which became the biggest-selling none T.V. advertised compilation series in the U.K. with such genres as Classic Funk, Classic Jazz-Funk, Classic P-Funk, Classic Mellow, Classic Mix, Classic House, Classic Electro, Classic Salsoul, Classic Rare-Groove etc, etc. During the period from 1990-1995 Ian did a number of prestigious guest slots on various Radio shows including Kiss FM and GLR. 

In 1998 Ian helped found Simply Vinyl where he re-released over 400 albums on 180 gram vinyl and over 80 12” Dance Classics with the S12 series.

In 2003 Ian became co-owner of Suss’d Records and embarked on a huge re-release campaign for the legendary New York dance label Salsoul Records with over 90 releases in the last three years of operation.

As a result of the renewed interest in 1970’s and 80’s dance music, Ian started to DJ again with residencies at The Salmon & Compass in Islington and The Medicine Bar in Shoreditch and assorted guest appearances at Turnmills in Farringdon, Pop, Herbal, Cargo and The New Marquee in Central London as well as occasionally heading up North to the Hi-Fi Club's 'Move On Up' New Years Eve do's. The reaction to Ian’s sets has rekindled his enthusiasm for the wheels of steel and his gigs are now becoming sell-outs.

Recent gigs have included Vintage 2010, Sands Ibiza, Es Vive Hotel Ibiza, Aura Ibiza, The Baltic Soul Weekender, The Blackpool Soul Weekender, The Birmingham Luxury Soul Weekender.

Ian currently runs Harmless Records for the Demon Music Group with such hit series as Disco Discharge, Backbeats, Philly Re-Grooved, Mellow Mellow, Pulp Fusion, Jumpin’, Trax Re-Edited, Mixology: The Definitive Salsoul Remixes, Weekender, Philadelphia International: The Re-Edits, Philadelphia International: The Tom Moulton Remixes, Philadelphia International: The 40th Anniversary Box Set, Holy Spirit and coming up shortly, "Inspired: Blood, Soul, Sweat & Cheers" and "Mixoolgy: Sam Record Extended Plays". 

Also watch out for the Original Mastercuts Show which Ian broadcasts live every fortnight on Sunday afternoon between 2.00-4.00pm on www.starpointradio.com. The show is now the most popular on the station and reached 1000’s of listeners across the world every week with the downloads being every bit as popular as the live broadcasts. The show has now been running for over 5 years now and prides itself on never regularly repeating the same tracks with an average 100 hours of original programming every year. 


MASSIVE GROOVE RECORDS is a recording label was established  in 2010 with the purpose of promoting new talented producers, and is proud to see how many of them had evolved since then. 
Some even appealed to a broader audience and climbed up into the single charts. MGR clearly started as one of the leading electro-house labels, breaking into unknown territories with genre defining releases. Massive Groove Records prides itself on keeping one step ahead in the market, offering merchandise, downloads, ringtones , CD purchases on their website alongside a personal service...
Our main purpose is to expose new talents who sure bring us the most exclusive underground sounds with the likes of DJ’s and electronic music lovers!
Massive Groove Records Records is dealing with major digital shops:
7 Digital 
Amazon MP3
Audiojelly
Armadadownloads 
Beatport 
clear365
Dance Music Hub 
Dance-Tunes 
Deezer 
Digital Tunes
Discogs 
dj.fr
Dogsonacid
Download.Trancemoon
DJ Tunes
Djdownload 
DJMR 
eMusic 
hmvdigital
iMesh
iTunes 
Juno Records  
mFlow 
Millward Brown
Mix.dj
Mixmag 
Mndigital
Napster 
Nokia Music Store  
Nowtrax 
Play.com
Playnow-arena
Qriocity
Satellite Records
Shop2download 
Soundium 
Spotify 
Stompy 
Synacor
Trackitdown 
TraxSource 
Three.co.uk
Tescodigital
tesco.com/mobilenetwork
Tunes4djs
TuneTribe 
VidZone 	
verizonwireless
Vidzone
Vodafone
Wasabeat 
Warchild
Web-records
We7
What People Play
You Load 
Zune
Zvooq

I wanted to let people know , that it’s a time of love, people unite with each other, to give all my personal energy and motivation to go ahead , live happily, understand, that there is no splitting in world nations. The most important thing in my mind was to reach people, who are frustrated, socially unactive, to make them believe that they still can do a lot in this life and be happy around their families, brothers and sisters.

The song was recorded in Riga, which is a capital of a country, named Latvia. This is where I am originally from. I decided to people, which live in capital suburbs, look ahead in the sky and breath in more fresh air, then often around the “concrete jungle” they live around.



The music…
From my new music track you can expect a lot of energy, my life understanding, the things that I care and worry about every day. The great thing about my track is that it comes with everyday life activities of simple people. Whether you are in a shop, fitness club, swimming pool, or just walking in the park with your girlfriend, never forget that the nation is here to help you. The special thing about this music track is that it meant to be heard all over the world, people can succeed a lot when they unite.

 


LONDON…
My place of birth was Latvia, Riga. For the last 2 years i’m a permanent resident in UK, living in London. The people around suburb , where i live, mostly like rock music, old classics, like Queen, UB40. The great place to go in London is a Hampton Court, the King’s Palace, which is a tour in a history for all day. I definitely suggest to visit it for everyone, once they got in UK.

Music Industry…
I think that the World Music business is very different, there are so many unknown talents in each country of the world. Music has no borders and what’s most important thing it has no limits. You can perform, influence others, be proud that people are heard, respect your hard work.

The pros are that with a help of social networks, people can find you, help you to promote your music, think with one mind with you. so that the audience would describe it as a hit.

The cons is that it is hard to start being in music business, you need to have understanding of how to record the sounds and put the right words, so that the audience would describe it as a hit. I think it’s even more psychologically, this is where you think not only about yourself.

I would love to get 5 minutes alone with rapper Jay-Z….
I admire his strength, time planning, how he unites the nation with his songs.

It's the early 1980's, and Morgan Khan has just released the first of his seminal "Street Sounds Electro" series. A short lived collection of compilation albums that bought the underground soundtrack of an emerging culture from New York & Los Angeles, to the small rundown towns of Maggie Thatcher's Britain.
From that point on, John was hooked on this "underground" music culture as it quickly evolved from Electro to Hip Hop. Gathering and soaking up any information he could find about, DJ culture (scratching & mixing), the clothing (tracksuits & trainers), and even it's art (graffiti).
Like any addiction, many things were sacrificed in the pursuit of awesome.Paper Round money got diverted from the ‘normal’ social activities of a young teenager, towards more important items…. such as vinyl records. A couple of cheap belt driven records players (with no pitch control) and a cheap audio mixer from the local Tandys Electronics store were purchased. Not a perfect set-up, but it provided hours of entertainment. Beat matching was not particularly important for Hip Hop. Beats of different tempo’s could be dropped from one to another easily without being too jarring. What was important was scratching and beat looping. These skills were learnt. Mixtapes were made.An after school job brought in better money and so the turntable set-up got replaced with better equipment. Still belt driven, but proper DJ decks with pitch control and more robust needles… and with that came the knowledge of beat matching.
Shortly after leaving school a new cultural shift was beginning to stir across Britain.
Whispers of things called Acid House Parties or “Illegal Raves” began to creep out in the media. The weird shop that sold joss sticks, extravagant smoking contraptions and second-hand Reggae records began to also sell strange cassette tapes. Ordinary household TDK-D60’s but with a homemade inlay sleeve made from a cut up event flyer, and a white sticker on the spine with names like Carl Cox, Ellis Dee, DJ Seduction, Grooverider, & Micky Finn.These tapes would be Johns introduction to a new obsession. Where and what is this music being played? And how do you get hold of it? Not in this town, that’s for sure!
The music was amazing. Experimental beats, monstrous basses, insane synths….
A year on he discovers specialist shops such as Bang-in Tunes in Coventry and FibreOptic in Leamington Spa. Shops run by actual DJ’s & Artists on the rave scene, stocking vinyl with white labels with track names written on them in black marker pen. A new vinyl collection begins to take shape.
Distrax starts to go to the early legal all night venues such as the Eclipse in Coventry, and Equinox @ Milwaukees near Bedford allowing him to witness and indulge in the rave phenomenon first hand.
In 1991, a friend of John introduces him to a home computer called a Commodore Amiga 500, and in particular, what the Amiga can do musically. With the addition of a cheap and simple analogue-to-digital convertor plugged into the back, the Amiga could be turned into a fully fledged Audio Sampler.
John quickly grabbed his mother’s Littlewoods catalogue and bagged himself an Amiga 500+ at a bargain few quid a week. This was John’s first foray into the world of music production.
 Tooled up with a set of technics SL1210s, he first dropped on the radar through the hardcore / techno scene, sharing flyer space for events with the likes of DJ Unknown, Clarkee, Billy Bunter & Vinyl Junkie. He soon branched out with original productions released on Rancid Records, Euphoria Records and Bluebeck Records. At present Distrax can be located keeping up the good work with frequent releases, collaborations, and foraging for undiscovered talent deserving of a platform as an integral part of the Red Alfa Records crew, along with a regular internet DJ slot on www.globaldnb.com
each Wednesday 2-4pm.


The Uncut Connection 
Bringing you DJ mixes and the best in Deep Underground House and tech house music, along with special guest mixes from various producers and record labels too.

All hand picked and chosen by Dave Simpson

The Uncut Connection sound cloud page features the PE Sessions (Punctuated Equilibrium Selection Section)are available to listen to share or download.

(For a fuller history, read below)

Dave is dedicated to musical integrity, through good quality, Deep Underground House Music, Techno and Cutting Edge Dance Music. Occasionally adding select genre’s and styles, like Nu Disco and IndieDance, with deeper and grittier sounding vibes, which he brings to his audiences for both The Uncut Connection Internet Radio shows and his Shudderfunk parties.

Dave gave birth to The Uncut Connection which evolved from FootTherapy, who were DJ duo Dave Simpson and Gary Welch, when they hosted their weekly Internet Radio Show The Underground Solution and their Gutterfunk monthly parties 

During their growth as FootTherapy, they were proud to have had the pleasure to display the talents of many World renowned, UK and International underground DJs, artists and acts.
These guests were specially handpicked by Dave and Gary (FootTherapy) for their involvement and commitment to the underground vibe, sound and scene. Their relentless approach to creating a one stop shop for good quality, meant their show and parties rapidly became a who’s who of what was happening on the scene at the time. 
During these years, although many of these guests were still mostly unknown, all of them already had deep rooted careers and influence in both the underground (and some in the mainstream) scenes of Underground House Music and Techno. 
These guests included the likes of, Asad Rizvi, Brett Johnson (Texas), Grant Dell, Rob Mello, DJ Vectif (Prague), D’Julz (Paris), Big Hair, Gideon Jackson, Tom Gillieron, Eddie Richards, Rhythm Plate, Dan Ghenacia (Paris), Tim Red, Luke Vb, Mr C, Mark Dale, Ravi McArthur, Household Recordings, Mike Surreal, Jane Fitz, Loft Recordings, Tempo ONeil, Nathan Coles, Nils Hess, Pash Ostovar, Dave Mothersole, Demarkus Lewis, Inland Knights, Chris Duckenfield, Jon Marsh, Liz Edwards, Stefan Goldman, Milton Jackson and Pure Science to name but a few.

Not long after their peak in 2006 and after a short break of fusing ideas, re tweaking of levels, and slight shifts of roles for Dave and Gary, Dave returned with the UncutConnection Live Internet Radio Shows and Shudderfunk parties to secret venues, and continues spreading the sound of cutting edge dance music again, whilst Gary continues to have an involvement, but from behind the scenes.

Although the sound has become much more easily available to the masses through the advancement of technology, media and fashion, and also as a result of this and normal evolution of attitudes, the sound has also become sub genre’d, renamed and in some cases misunderstood and represented, but The Uncut Connection’s underlying dedication to Integrity and good quality remains the same as it always was before. 
Whilst adding some select genre’s and styles to the overall presentation like Nu Disco and IndieDance which is a slower, sometimes darker edged and trippier electronic music, their foundations remain firmly footed within the deeper and grittier sounding vibes from House and Techno music, for both the internet radio show and their Shudderfunk Parties. 

Dave continues to be almost spiritually committed to the vibe, with an open ear on the pulse of the sound, and with an unquenchable thirst and desire to continue to smash down the boundaries of formulaic music and common routine. 
Dave's The Uncut Connection brings to the world stage good quality, live weekly internet radio shows, dedicated in hunting down both old and new and relevant guests for guest mixes, label releases, previews of acts and forthcoming artists which have so far featured both well known and unknown guests, including exclusive guest mixes and previews from talent such as, Tim Paris, Stefan Cordery, Kinetic Groove, Ashton Floyd, Danny Paintin, Nathan Coles, Wiggle, Daimon Santo, Asad Rizvi, Ross Allen, Sharam Jey, Tony Pockets, Saytek, Mark Tamsett, Sean Harvey, Tom Lown, Sarah LP, Terry Francis, Rob Mello, Rich Pack, Paul Soul, Ellergy, Marko Adulo, Dijan Kober (Zagreb), Dirty Doering (Germany), and Alex Gas (Rome) with many more in the pipeline. 

The tip of the Iceberg is reached, cooling sufficiently, for you to dip your toe comfortably into the water…

The Uncut Connection UNCUT shows are all featured INCLUDING TRACKLISTING on Mixcloud http://www.mixcloud.com/uncutconnection/

ANTI-TANK:
This mysterious Newcastle Duo combine a love of late 1970's European disco with a love of 1980's EBM and Industrial Music, whist the influence of Acid house also looms large over there musical landscape.

Formed mid 2010 from the ashes of a previous genre busting beat group (unnamed for top secret reasons unknown), Mickey X and Krippa they began by putting a very Northern English spin on top of their European influences. The space disco meets Geordie swagger 
(Geordie-O Moroder anyone?) of their track 'Everything's Gone Black' tells the true tale of Krippa's time lost in another dimension whist in an intensive care unit. While their booming New Wave/EBM track 'It's Over' reflects on the way the british economic downturn has hit Tyneside.

ANTI-TANK are a unique sound and energy amongst an ever blander British musical and cultural landscape.

Sucking in and Spitting out musical influences as diverse as Donna Summer, Nitzer Ebb, Pet Shop Boys, The Fall, Human League, DAF, Black Devil Disco Club, Daft Punk, Front 242, Ron Hardy, Throbbing Gristle, Sylvester, Bauhaus, John Carpenter, The Birthday Party, ACR, Patrick Cowley and the KLF.

THE PORTERS:
Extreme hoarders of all things analogue, valve and transistor based.  Accomplished remixers, producers, engineers, soundtrack composers, and occasional piano recitalists.


House Beat recordsis a sublabel from Massive Groove Records was established  in 2011 with the purpose of promoting new talented producers, and is proud to see how many of them had evolved since then.
Some even appealed to a broader audience and climbed up into the single charts. Great Stuff clearly started as one of the leading electro-house labels, breaking into unknown territories with genre defining releases. House Beat Records prides itself on keeping one step ahead in the market, offering merchandise, downloads, ringtones &amp; CD purchases on their website alongside a personal service...
Our main purpose is to expose new talents who sure bring us the most exclusive underground sounds with the likes of DJ’s and electronic music lovers!

Beatport	
TrackItDown	
iTunes	
7 Digital	
Audiojelly	
DJ MR	
DJ Tunes	
Dance Music Hub	
Dance Tunes	
DanceDownloads	
Digital Tunes	
Ibiza Dance	
Imusica	
Jamvana	
JunoDonwload	
King Beat	
Napster	
P-Tracks	
Spotify	
Wasabeat	

Zen Beats	
DownDigi	
Nowtrax	
Deezer	
Mflow	
Tunes 4 Djs	
Traxsource	
Satellite Records	
AmazonMP3	
Rhapsody	
eMusic	
Dj.shop.de	
Grooveshark	
Gogoyoko	
ZVOOQ	
Beatlabel	
Flyzik	
Beatrax
 Amazon, Beatlabel, Beatrax, Beatport, Digital Tunes, Dj Shop.de, Downdigi, Emusic, Iheart, Itunes, JunoDownload, Mflow/Bloom, Psonar, Rhapsody, Spotify, Trackitdown, Traxsource, Tunes 4 Djs, Vidzone, Wasabeat, We7 and What People Play

River Jadyn is following