Fond Memories

back when I was recording the John Denver song "Take Me Home, Country Roads" with the fine gentlemen in The Eclectic Collective, my 8 yr old daughter loved the song so much she began singing it ALL THE TIME. This is a quick little recording of her singing the chorus. Pretty amazingly expressive singing for a youngster if I do say so myself! 

Here's the full recording with the Eclectic Collective:
https://soundcloud.com/user-432503709/take-me-home-country-roads-eclectic-collective?si=124fd64d50bb42bca0caa9b197a975c2&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Country Roads (daughter sings chorus)

I was very lucky to team up with the very talented Mike Fox on this song. I hope you like it as much as I do. Thanks for stopping by to listen 😃

Lyrics

She came to me like 
Wind through the trees
She danced and twirled
And rustled my leaves
With each rotation
She picked up speed

A force of nature
Wild and swift
She swept me up
And I couldn't resist
I yearned for her touch 
And the taste of her kiss

My gypsy gale
Was a hot summer breeze
A friend to both the birds and the bees
She was the air that I needed to breath
But my gypsy gale
Came and went as she pleased

I struggled on 
While she was away
Searching for reasons
Why she should stay
Yet the truth was there
In front of my face

My gypsy gale
Was a hot summer breeze
A friend to both the birds and the bees
She was the air that I needed to breath
But my gypsy gale
Came and went as she pleased

I am the tree
That needs roots to grow
And she is the wind
So I let her go

My gypsy gale
Was a hot summer breeze
A friend to both the birds and the bees
She was the air that I needed to breath
But my gypsy gale
Came and went as she pleased

No Album

Gypsy Gale - Fox and Brennan

DESILLUSION     (translation after the French text)
Chant : Karine 
Paroles et musique : Alain Illos 

ON SE LAISSAIT GUIDER PAR LE VENT
AU MONDE PERDU DES REVES D'ENFANT
ON REVAIT
QUE L'ARRIVÉE D'UN PERSONNAGE
QUI PARTAGERAIT SES PRINTEMPS
POURRAIT BRISER TOUS LES SERMENTS
ET QU'ON NE VERRAIT PLUS SOUVENT
LES NUAGES

ON SE LAISSAIT PORTER PAR DES ERREURS
DES MESSAGES FLOUS DE NOS RANCOEURS
ON SENTAIT
QUE LA ROUTE SERAIT COURTE MAIS BELLE
A CONDITION D'Y ACCEDER
NE FAIRE QUE DES CHOIX PERSONNEL
MONTER LES MARCHES POUR ACCEDER  
AUX NUAGES

DES FLOTS DE SENTIMENTS
DES DESILLUSIONS DES PEINES
PARFOIS UNE LUEUR SOUDAINE
NOUS PROMENE
D'UN BOUT À L'AUTRE D'UNE VIE.

Desillusion

WE LET OURSELVES BE GUIDED BY THE WIND
TO THE LOST WORLD OF CHILDHOOD DREAMS
WE REVEALED
THAT THE ARRIVAL OF A CHARACTER
WHO WOULD SHARE HER SPRINGS
COULD BREAK ALL OATHS
AND WE'D NEVER SEE
THE CLOUDS


WE'D LET OURSELVES BE CARRIED ALONG BY MISTAKES
BLURRED MESSAGES OF OUR RESENTMENTS
WE FELT
THAT THE ROAD WOULD BE SHORT BUT BEAUTIFUL
AS LONG AS WE GOT THERE
MAKING ONLY PERSONAL CHOICES
CLIMB THE STEPS TO REACH  
TO THE CLOUDS

FLOODS OF FEELINGS
DESILLUSIONS SORROWS
SOMETIMES A SUDDEN GLOW
PROMISES US
FROM ONE END OF A LIFE TO THE OTHER.

Désillusion  avec Karine

TASCAM DR-05

san diego seranade - tom waits (cover)

Abidemi is a feminine name, meaning born in the absence of her father.

This is one of the tracks included in the Mediterrâneo piece (https://soundcloud.com/jfcpetruscastrus/mediterraneo-full-v38-x05). 

Here I took out the track and made some small additions.

Market sound from Freesound 406313

Abidemi nasceu na ausência do seu pai, que partira para um porto de mar. Marujo num navio rumo ao Sul, rumo ao Sol, no horizonte. Abidemi cresceu à espera do seu pai que partira para nunca mais voltar. Ele nunca lhe escreveu, nem a viu a olhar o poente. A olhar...

Abidemi

This is another track in my work-in-progress album "Sleep, My Boy" (2024), to appear by the end of this year. In it, my idea is to collect only this and another already released track, "Sleep, My Boy", but each of them will have a full, electro-symphonic version as well as acoustic versions.

The track was composed in GarageBand iOS spontaneously in the early morning of 19 September 2024 and mixed and arranged in Logic Pro on 29 September 2024. It was released here on SoundCloud on 19 October 2024.

The composition was inspired by my recently-born gorgeous grandson, while he was far away from me for long, travelling with his family. Apart from this electro-symphonic version, it also has 3 "acoustic" versions - the initial one for piano and the subsequent ones, respectively, for strings and for synthesisers: I intend to post these versions too as tracks coming later in the same album.

The artwork cover for the track as well as for the album uses a photo I took on 3 July 2024 that I cropped and annotated in Mac OS Preview on 17 August 2024.

Duration: 4:19 minutes
Tempo: 124 bpm
Time Signature: 4/4
Key Signature: D

Digital instruments used, in the order of composing and recording:

1. Synthesizer - Classics - Dreams and Visions
2. Synthesizer - Classics - Evolving Shades
3. Synthesizer - Classics - Formant Flutters
4. Synthesizer - Sound Effects - Cymbal Swell
5. Piano - Steinway Grand Piano
6. Strings - String Ensemble
7. Synthesizer - Bass - Synthetic Double Bass
8. Electronic Drum Kit - Solaris
9. Arpeggiator - Synth Bells - Contemplative Bells
10. Synthesizer - Soundscape - Synthetic Chatter

Thinking of You

Take

Smooth Vets Quad

Electronic music visionary Pye Corner Audio, a master of blending nostalgia with forward-thinking production, has carved out a unique niche in the electronic music landscape. Drawing inspiration from 1970s and 80s synthesizer music, and cinematic soundtracks, his work often evokes a sense of eerie futurism.

Lapsus Records is proud to present Where Things Are Hollow: No Tomorrow, a comprehensive box set revisiting and expanding his acclaimed Where Things Are Hollow series. This release includes the first two volumes—with Volume 2 featuring an unreleased track—and two additional chapters that further enrich the series’ narrative. Once again, Pye Corner Audio delivers innovative soundscapes, drawing inspiration from ambient techno, foggy electronica, and experimental slow disco.

The third installment unveils a constellation of entirely new tracks, weaving the ambient, synthwave, and retro-futuristic textures that define Jenkins' work. Meanwhile, Where Things Are Hollow 4 amplifies this universe, incorporating reinterpretations by some of today’s most visionary artists: Alessandro Cortini, Kaitlyn Aurelia Smith, Lord Of The Isles, and Surgeons Girl, alongside the popular 2020 John Talabot remix of "Resist".

As with previous entries, the visual identity of Where Things Are Hollow: No Tomorrow is a striking collaboration between Basora Studio and renowned illustrator Alex Trochut, offering a visual counterpart to the series' otherworldly audio.

With all tracks remastered for the occasion, Where Things Are Hollow: No Tomorrow is a testament to Jenkins' enduring influence and creative evolution, cementing Pye Corner Audio as a key figure in modern electronic music. 

Written and produced by Martin Jenkins.
Additional production and reinterpretations: A1 by Alessandro Cortini, A2 by Neil McDonald, B1 by Oriol Riverola, B2 by Sinead McMillan, and B3 by Kaitlyn Aurelia Smith.
Artwork by Alex Trochut & Basora.
Mastered by Pedro Pina.
LPS41.
©️ & ℗ 2025 Lapsus Records.
www.lapsus.cat

lapsus.bandcamp.com

Buy Link: https://pyecorneraudio.bandcamp.com/album/where-things-are-hollow-no-tomorrow

Buy Link (Bandcamp)

Pye Corner Audio - Mainframe (Kaitlyn Aurelia Smith Remix) [LPS41]

The final track from the upcoming fifth album by falcon - Forgiven. Video:- https://youtu.be/qwVs3c97YrY

Forgiven

Outro (prod.deadpxl)

Listen or just listen either way you will be listening to the message.

Smooth Vets Quad

DJTJ West End Chops