@sound23-941370948: Thank you so much.....Happy new Year !!!! :-)))

Your music is a fantastic and wonderful gift, beautiful done 💖

Damn these steel drums are so nice, thats a beautiful composition

wowowowowowo love that instrument ! really cool bro

Here’s a Journey into sound...The Original track was made with Korg Gadget then I used Ableton Live for the remix. Starts off in LoFi to get the full effect but as it advances into the mix it expands into stereo. Enjoy fam!

Time Flux -2021- Remix 92 BPM

This recording is a completed work of Wild Christopher's work "Jolene (Ever Find Your Forever Man)" with my guitar playing. "Jolene" is based on "Let Me Know", one of the "Paploviante Open Collab" pieces.
I received warm compliments and words of welcome from both of them. I am very grateful.I would like to thank them from the bottom of my heart for including me in their wonderful work.

This work is over 6 minutes long. My guitar playing starts with a low volume and rhythm. About a third of the way through, my guitar starts playing to complement Christopher's great singing.

Below are links to each work.

Wild Christopher-Jolene (Ever Find Your Forever Man) - Paploviante Open Collab
https://soundcloud.com/neon-blur/jolene-ever-find-your-forever-man-paploviante-open-collab

Let Me Know - Offer Open Collaboration 80 Bpm(Paploviante and friends)
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

"Let Me Know" by Paul (one of the "Paploviante Open Collab" pieces)
A few days after the release, he received a number of really excellent works. I was really surprised by the ability of the artists to finish such amazing works in such a short period of time.

Results Offer Open Collaboration Let Me Know(Paploviante)
https://soundcloud.com/paul-racle/sets/results-offer-open

Chord= A ,E
Key = E

After listening to the above works, I realized immediately. Simplifying the scales that form the melody, assuming the case of playing the guitar, it was divided into the case of  Cm/E pentatonic, and the case of  Cm/E and Em/G pentatonic. I thought, ``This is a great exercise for me. For example, putting four songs together on one track, listening to them all in order, and playing the guitar along with each scale is a very useful daily practice. I could imagine that this would be useful not only for myself, but also for most people who are learning to play the guitar.

For example, alternately play the following:
1)Cm/E　Pentatonic scale(Key = E)
2) Cm/E, Em/G Pentatonic scale(Chord = A7,E7)
2) '  Am/C,Cm/E,(Em/G) Pentatonic scale

It's easy to envision it that way, but first, what do I do with the first one? So I started playing guitar while listening to Wild Christopher's "Jolene".
I found it possible to use two chords, A and E7, and finish off with some rock'n'roll backing, but it's too simplistic a way to spice up Christopher's cool and passionate vocals. 

So I took the plunge and tried using the A7 and E7 chords to make a blues rock song. And I was convinced that depending on the way I played, I could proceed without discomfort. An image of the rough blues rock of the early 1970s came to mind. However, I was conscious of keeping the taste of the country blues that was popular before that.

I thought that Wild Christopher's wonderful singing voice would suit slightly rough guitar playing based on precise rhythm composition. A playing style that many great guitarists and predecessors have developed over the decades. I hope that people who come across this piece will want to listen to it again and again :))

Wild Christopher - Jolene - Paploviante Open Collab ft.JUNZO on electric guitars

Wild Christopher - Jolene - Paploviante(Let Me Know) ft.JUNZO on electric guitars

This Thing You Call Love

"Chilly Morning"

Lately, the nights have been really cold and in the morning, the grass and rooftops are all covered with frost. It’s beautiful… and chilly. So I was working on a song and at some stage I came to think that this name would suit the song!

This was played by me using my old Korg digital stage piano as a master keyboard and the following instruments: 
- Piano/EP layer: Keyscape (Yamaha C7 Grand Piano/LA Piano + MKS EP)
- Electric piano: Keyscape/Rhodes - LA Custom Suitcase
- Lead layer: Yamaha Montage 8 (DX7 French Horn), UVI FMX4OP (Power Lead), Arturia Prophet-5 & Jup-8 V, AAS Lounge Lizard EP-4
- Strings: UVI Orchestral Suite, String Ensemble
- Drums: UVI Emulation II+ (cf. E-mu Emulator, Drumulator, SP12)
- Bass: Arturia Acid V

Recorded with Cubase Pro 12 using Yamaha Montage 8 as an audio interface. Mixed and mastered with iZotope Neutron 4 & Ozone 11.

Chilly Morning

High Speed Train

Life is a wonderful gift..... Let's enjoy it

Imagen de Gerd Altmann en Pixabay

A Look At Life

I was so impressed with Ian's vocal capture and delivery I had to do something with it. I had this groove going on in 094 bpm and was browsing Ian's page when I came across " Tha Boss with tha sauce acapella 094 bpm ... Perfect!!!... Many thanks for this Ian man!
Vocals :- IPG1 https://soundcloud.com/ipg1/tha-boss-with-tha-sauce-vox-94-bpm
Music,composition,arrangement,mix and production ... Pablo 
Mastered at Retro-Tone https://soundcloud.com/pablocambo

The boss with tha sauce

The Boss with tha sauce

Tha Boss With Tha Sauce /// "In Tha Groove" IPG1 /// CAMBERELLI

Just a 9/8

I decided to use nylon strings on the two electric acoustic guitars I own. One day, after purchasing it online and overcoming some challenges, I dozed off for a while. Then I suddenly got up and started playing the blues, intending to tune it. I thought it wasn't that bad, so I just recorded it using a microphone. Since it's an electric acoustic guitar, it has a pickup, but I decided not to use it this time. The decision was made that it might be better to record with a microphone to take advantage of the tones of the nylon strings.

A7/D7/A7/A7
D7/D7/A7/A7
E7/D7/A7/E7

A Look At Life

Vicent

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