Recorded, mixed & mastered on 14 Mar 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Synths, effects

This original version of "Never Burn" was submitted as part of Naviar Haiku 584, Heaven And Earth

heaven and earth:
neither exists apart from
snow fluttering down

by: Kajiwara Hashin

Kajiwara Hashin was born in 1864 and studied under Kyoshi. Although Hashin is not very well-known as a poet, this particular haiku that he wrote is quite popular worldwide: it was first translated by Miyamori Asataro and later by R. H. Blyth.

Drawing/Photography - Jim Lemanowicz, 30 Mar 2017, West 46th St, NYC, USA

©2025 Jim Lemanowicz

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge

#soundart #naviarhaiku #naviarhaiku584 #experimentalmusic #heaven #electronicmusic #sounddesign #ableton #burn #earth

Never Burn (naviarhaiku584)

Solo ronroco, 2 microphones, a great sounding room, some convolution reverb added.

This is  a simple idea I've been practising today, recorded Thursday 8th may 2025 at noon, first and only take.
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later released with an alternate version, multitracked:
https://daniel-diaz-ronroco-lullaby.sbmt.to/
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For this collaborative project:

https://llllllll.co/t/disquiet-junto-project-0697-first-third/

Ronroco Lulaby (disquiet0697)

the forest is listening_NAVIARHAIKU592

2025-05-20

something is ringing here

looking around, then looking up, moonstruck

Bright and shiny_NAVIARHAIKU593

Petrichor

Sound Ripples is a sound installation by Marco Sebastiano Alessi, created for the Sapporo Tenjinyama Art Studio. Inspired by the cultural legacy of the Ainu people, Alessi and members of the online music community Naviar Records reflected on the roots of their own local traditions, and created sounds inspired by the landscapes and stories of their respective environments.
Combining field recordings from across Japan, ambient compositions by Naviar Records’ community, and sounds captured during Alessi’s time in Sapporo, this installation invites listeners to experience sound as a vessel of memory, transmission, and transformation.
This immersive experience aims to highlight the importance of music as a connector that brings cultures into dialogue: a medium that transcends space and time to build bridges between distant communities.

Sound Ripples sound installation

2025-06-03

TCNE7-20250603

Prompt 701 of the Disquiet Junto had us break a piece of music into segments and fill the gaps with something new,

My contribution is an interpretation of Scelsi's "Quattro Pezzi su una nota sola", its four pieces interrupted by narrative interstitials. Features ebow on slide steel, piano, and organic vocals. The script was adapted from https://www.allmusic.com/composition/mc0002378353.

More on the 701st weekly Disquiet Junto project, Gap Ear — The Assignment: Break apart a piece of music and fill the resulting spaces — at https://disquiet.com/0701/

Scelsi's Piano (disquiet0701)

concept of a trip

https://ediz.bandcamp.com/album/meat-ep

Meat EP is a stripped-down collection of contrasts

an ambient piece drift around the edge, unsolved

a sparse transmission

the title track leans into electro, sharp, minimalistic

"Gate Keeper" reappears as a dub echo

the forest is listening_NAVIARHAIKU592

mike shockley