Award-winning Munich-based DJ and producer Dan Gerous is renowned far beyond Germany's borders for his high-energy and versatile sets and edits. His deep-rooted Hip Hop & Dancehall influences are evident in both his productions and DJ sets, which are driven by bass-heavy dance music. Seamlessly blending Baile, (Miami) Bass, Dancehall, Shatta, Afro, House, Amapiano, RnB, Jersey, and more, he crafts his vision of the ultimate club night.

With his ear always tuned to the pulse of the global club scene, Monsieur Dangereux has developed an precise sense for upcoming trends, staying one step ahead of most others. Just as remarkable is his ability to read the audience, skillfully balancing underground vibes and mass appeal in his sets. These talents earned him a Top 10 spot at the Red Bull 3Style World Championships in Tokyo.

When he’s not touring clubs worldwide as a solo artist, you’ll likely find Dan Gerous teaming up with his partner Notfx as the duo Crux Pistols, either in the studio or lighting up a festival stage. Beyond touring and producing, Dan was also a driving force behind Munich’s iconic Hip Hop club Crux from 2009 to 2020, leaving a lasting mark on the city’s nightlife.

PUPPET REBELLION's name was written in capitals just now to get your attention. Once they have that attention, they will draw you in further with their uncompromisingly heartfelt lyrics and edgy, in your face contemporary musical arrangements which are meticulously designed to move your body and mind.

There are many artists out there vying for your time, but a quick glance at Puppet Rebellion's already impressive list of achievements prove to show that this fiercely independent band is the real deal. Having formed in January 2013, the band have already amassed a huge following on social media, helped in no small part by their close ties with both Manchester football clubs, having been selected by Manchester City FC for their 'Goal of the Month' feature and being played half-time at Old Trafford during a Manchester United Champions League game.

The band have so far released two critically acclaimed EPs, ('Chemical Friends' and 'No Means Yes'), tracks of which can be heard when they play their status affirming and sold-out energetic shows around the nation's Northern capital (including main support slots with 'Catfish & The Bottlemen' & 'Reverend and the Makers') and other venues across the UK.

So many bands, so little time. Make sure you give Puppet Rebellion the attention they deserve.

Louder Than War said...

 “There's a huge buzz in Manchester around Puppet Rebellion. To see a crowd singing along to a band that can count its gigs on both hands is a sign of greater and bigger things to come. Already, there’s a feeling that they could be huge given the right breaks"

City Life said...

"Their relentless riffs, tight rhythms and fervent vocals ooze the stomping potential that could easily find you raucously jerking your way round an indie club dancefloor. Move over Bloc Party and Interpol, there's a new guitar sensation in town!"

Little Indie Blogs said... 

“Puppet Rebellion prove themselves to be one the strongest and most confident bands in Manchester at the moment. They've been a band for barely a year, yet are already making waves both in their city and further afield, thanks in no small part to the depth of their musical prowess and intelligent lyricism"

Acid Peacock Promotions said...

"Puppet rebellion were something else, Simon Monaghan played the crowd like it was a massive venue, with a setlist that shouldn't belong to an unsigned band. The whole outfit were tight, focused and exceeded the hype that was laid out before their arrival. It really will not surprise anyone in attendance if they are a household name in the imminent future." 


Polaroids & Polar Bears said...

"The lyrics are (weighty comparison alert) so very Smithsian in their resonance and delivery. The Industrial Revolution may be a thing of the past, but Manchester is still capable of pumping out first-class, guitar-wielding produce."

Fortitude Magazine said...

"'No Means Yes' is the awe inspiring EP by Puppet Rebellion.  It will make you drop what you are doing and listen from beginning to end as all five tracks have their own unique stand out moments yet compliment each other with the most elegant yet dark and dirty riffs and lyrics"

U & I Magazine said...

“The intelligent and sharp lyricism combined with a fresh take on a well-trodden genre make Puppet Rebellion one of the most exciting acts to emerge from Manchester in 2013, and with their live shows doing nothing to hamper their reputation it's clear that the band have absolutely no intention of slowing down their ascent to the top of their game”

Bitter Sweet Symphonies said...

"There’s a real finesse to this band that becomes clear throughout this EP and again through their live performances. You get a real sense when listening to Puppet Rebellion of being part of something bigger than yourself, you can’t help but feel proud of them. They are a true credit to Manchester and of course, to the music scene here in the UK"

Hooting & Howling Magazine said...

"Their heady blend of no-nonsense indie pop and intelligent lyricism propels the band above and beyond the confines of their local scene and upholds a distinct universality to their music that belies the relatively short space of time the band have been together. Definitely an act to keep your eye on over the next 12 months"

Music vs the World said...

"Since they burst onto the Manchester indie scene in 2013, Puppet Rebellion have accumulated fans like nobody’s business. They’ve just got this natural something or other that makes people love them. It’s not something you can learn, I don’t think. They’ve just got it in their blood. It takes bands years and years to get to anywhere near approaching this stage, doesn’t it?"

Bleach & Cologne said...

"Puppet Rebellion are destined to be big. Huge. Gargantuan. Gi-frigging-normous. Susan Boyle's-monobrow massive"

Rock ‘n’ Roll in My Soul said... 

"No Means Yes is gravity-defying splendor. Beauty, heartache and love span over five tracks – each superb independently, and as a collective. A record with a punch and then some, Puppet Rebellion seem to be inching dangerously closer to iconic status with their sophomore EP."

Rock Britain said...

"Puppet Rebellion have a lot of potential and they are unleashing it gradually. The band have so much to offer that we can only guess what to expect from them in the future. This intelligent outfit are as far from being a cliché as it’s humanly possible. If you trust Puppet Rebellion with saving real music, they won’t let you down for sure. After all, one doesn’t drive people crazy with their music within the first year after formation and, most certainly, doesn’t get played during half time at Old Trafford for nothing."

Given To Sound said... 

“There’s a feeling when you listen to the EP that it isn’t designed to slowly grow on you, it’s almost as if it doesn’t want to wait for that, it’s not going to politely sit and wait for you to mull it over and decide if it’s interesting or not – it’s going to grab you by the unmentionables and take you on a quality ride.”


One of the most prominent national acts to come out of the Binghamton, New York music scene, Driftwood, is at heart a Rock band. Carving out a name for themselves with electrifying live performances, they bring one of the most unique, raw sounds to 
the Americana/Roots scene. Incorporating upright bass, banjo, acoustic guitar and violin, the ghost of traditional American folk music lives in their palette. But the melodies, the harmonies and the lyrics are something else entirely. “We started off playing Rock in high school. Then Jazz and Classical music in college. Then we dove head first into Folk and Bluegrass. At some point I guess we kind of met in the middle”, says guitarist/songwriter Dan Forsyth. Drawing on aspects of everything from Old-time to 1960’s R&B, the music is crafted to serve the songs. With fast growing audiences singing along at live shows, it’s easy to tell the primary focus is on song. “We recognized early on that one of our strongest points was songwriting. The greatest songs transcend genre and time and this was one of the motivating ideas behind the band at the start”, says banjo player/songwriter Joe Kollar. Trading lead vocals between Forsyth, Kollar and violinist/songwriter Claire Byrne, the group’s stage dynamics are as captivating as the songs. “I give so much of myself when I play because I deem it necessary in order to do the music justice”, says Byrne, who’s violin shredding performances are legendary among fans. Songs or shredding, “There’s a reason people won’t let them off the stage”, says Jess Novak from The Syracuse New Times. 

Formed in 2005, the band spent four years playing just about anywhere they could. “We just wanted to be able to play for any crowd and turn heads”, says banjo player Joe Kollar. “We played everywhere. Coffee houses, bars, churches, rock clubs, Bluegrass festivals and the streets…a lot on the streets. We didn’t make any money but what we learned was invaluable”. After the release of their Debut CD “Rally Day” in 2009, the band has spent most of the last 3 years on the road. With club and festival appearances alongside of artists such as Bela Fleck, Rusted Root, Del McCoury, Brett Dennen, The Wailers, Railroad Earth, Rubblebucket and Donna the Buffalo, Driftwood is making serious waves on the East Coast scene. In the last year they played over 170 shows. With the release of their newest CD “A Rock & Roll Heart” in 2011, the band landed spins on a slew of great radio shows and stations such as WFUV’s Sunday Breakfast with John Platt; KZSU, Stanford, CA; WCBE, Columbus, OH; and WDVX, Knoxville, TN. In the summer of 2012, the band was afforded their own summer tour blog on the website of the local Binghamton paper, The Press and Sun Bulletin.

Check Me Out On Facebook.com/Djsparka 
Twitter: @DjSparka
Instagram: DjSparka
Www.DjSparka.com

DJ Sparka! Just say the name and you already know what this Brooklyn born party rocker is about. But by the way he moves crowds now, you would never guess that Sparka wasn’t always into spinning records. He originally expressed his love for music through producing and song writing. He didn’t jump on the turn tables till he moved to Toronto in 2008 and fell in love with the diverse Canadian culture. The energy of the city resonated with Sparka, and the DJ was born.
In that short period of time, DJ Sparka has played with some of Toronto’s biggest DJs and in some of the most sought after venues. His history of producing and song writing has helped make the transition a lot easier and now Sparka is a certified show starter! Spinning everything from house to hip-hop, DJ Sparka is definitely a name to look out for. 
Sparka’s success is based on his motto: know where you’re playing and know who you’re playing for. Music doesn’t change, but how you play the music will make the difference in whether you move the crowd. Sparka has followed his own advice and is ready to take centre stage. 


 Listen to my 'CRIB RADIO' :
For some straight up DISCO-SOUL JAMS!!!!!!
http://www.crossfaderstudios.com/prochatrooms/index.php?roomID=1
I-phones & Devices:
http://tunein.com/radio/Crib-Radio-with-Jay-Negron-s229167/

 
You can Download the shows here:
 http://ajskidiscomix.blogspot.com/

BIO:
* What is your full name?
Juan Jay Negron 

* Where and when were you born?
July 1956 in TheBronx, NY, USA

* When did you get bitten by the Disco bug?
I always liked fast music with a beat. That started when I was a youngster. I started collecting records at the age of 6. No slow songs, They were all fast with a beat.
(Chubby Checker, DeeDee Sharp, Joey Dee & The
Starliters)
When Disco came out, I was already in.

* How come you started DJ'ing? Was it something you wanted to do, or did
it just "happen"?
It sorta just happened thru my love of music. Let me explain.
When I was a kid (ages 6-13) I used to study radio.
I used to study the DJs; Dan Ingram & Frankie Crocker were my favorite Radio DJs.
At college (1973) I was a Radio DJ at the Lehman College radio station WHLC 590 AM.
I was 16 yrs old and even playing hookey from class to do my show.
It was an uptempo R&B/Funk/Rock show. (Motown/Philly Sound/Rare Earth/Santana)
Eventually I was dropped from school for non-attendance, and the show died with it.

During the next year I met a neighborhood guy named Paul Solari, who was actually a club DJ.
He passed the corner where I was playing my latest cassette featuring some home made edits
of some current hits. ("Masterpiece" by The Temptations, "Jungle Fever", "Living For The City", "Mighty Love")
He liked the edits. He invited me to come to the club and I jumped at the invitation.
Soon he was showing me his craft--beat mixing---Gerrard turntables with no speed control.
He taught me everything, BPM, mixing during the intros & not the vocals, segue, double-copies,
self made extended versions using two 45s. He taught, I listened and got real good at it.
Paul became my mentor. We would spend 18 out of 24 hours together rapping about, disecting, listning to, debating
about MUSIC.

* Who was the first DJ you heard?
The first Club DJ I heard was at a place on W.81 st & Central Park West in 1971.
I was 15 years old and snuck in the club with a false ID. I paid $5 and they gave me a ticket to get a drink--->in the bar next door!!!
The club didn't serve liquor.
It had all kind of different color lights, strobe, and people dancing wall-to-wall.
I immedietly was excited.
He was playing "Funky Nassau"---and that's the first thing I noticed.
I said to myself, I have that record home.
Then he played "Get On The Good Foot" by James Brown.
I said, WOW, I have that too.
I wound up having over 75% of the music he played and that was a boss feeling.
I said to myself, I could do this too.
So I spent the rest of the night watching him go from song to song, using a toggle switch.
No mixing---no cueing---No headphones.
Crowd was screaming to his selection all night.
At the end of the night, I thought, I've got to do this again.
I got bitten by the bug.

* Did you have any DJ "mentor(s)" or someone who influenced you? Some
comments on them?

My mentor/teacher was the man previously mentioned, Paul Solari. I was so young 16 & 1/2 years old so he had to teach me everything:

How to act, how to behave with bosses, who to respect at the club, who to keep away from, etc.

In addition what songs do the club like & don't like.

My taste at the time was very soul, pop & funk orientated.
I didn't know about the 'underground hustle music'.

He taught me that also.

* Could you name some of your personal favorite DJ's of the Disco era?

My absolute favorite was Walter Gibbons.

We used to go to Galaxy 21 after work to listen to him spin. Our clubs closed at 4am---Walter would be getting warmed up around that time. He would go until 11am sometimes. He had his own 'home made' remixes that he would play. He also worked on a 'tri-amp' system in which he would have separate volume controls for the bass, treble, & midrange.

He would work the controls in & out to make a different sound everytime he played the song.

It was incredible. He once played the break from "10%" and "Disco Party" back & forth, changing the bass, horns, & highs in & out, song to song; the place went nuts!!!!

Another DJ I loved was Francois Kervorkian.

He would take chances and be very progressive with his music. At 5am with the crowd screaming on he switched genres and went from "Super Freak" to "Bedsitter" to "Cake" to "Start Me Up" and back to
'D' Train. The crowd screamed even more. And he has remixes no one had. "Bedsitter" & "Cake" were a couple of them--->took me 2 months to find. (imports)

* What do you think made you a top DJ? Any specific skills, special
technics or...?

I didn't invent the wheel or anything. I like to spin with momentum. I don't like to keep it on the same plane. I like to be progressing to an emotional upswing. It has to keep going up or it has to change.

If I see people on the dance floor getting bored even a little, I will change the music completely and start over. I want them hooping & hollering; havin' fun.

Another thing that made me a lil different is that I liked to have my own versions of the top songs. I made lots of plates at Sunshine Sound and even more on reel-to-reel or cassette.

* When did you start DJ'ing? Which was your first gig and how did you get it?

Paul Solari, my teacher/mentor gave me my first gig.

It was at 'The Last Laugh'--it was latin night - Thursday night and I had to play in between The Joe Cuba Sextette, a very popular salsa band from the late 60s. I was young & nervous and Paul would not be there--I was on my own and I did well.
I remember playing "Love's Theme" for the 1st time that night and people asking me "what is that song?".

I knew I was there to stay.

The first 2 places I worked at (Last Laugh & The Playhouse) was very Mob orientated places. I was young & naive to this fact. An older gentleman asked me to play Frank Sinatra; I then told him that I didn't have any and we don't play that here anyway. (I told him with the boldest face that a scrawney 17 year old could muster up)---The boss was there 10 minutes later looking in the closet for an old dusty Sinatra LP that he had stashed just in case; he was very very nervous as he pleaded/ordered me to play it. I naively asked him why? The people will stop dancing. This was at the height of the night. He was shaking at this point and said "Just do it NOW!"


* Have you ever worked with something else - Or is DJ'ing your life?

I've had different great jobs in my life.

I was a bus driver for the New York City Transit Authority for 10 years.(self-explanitory)

and I was a case manager/court liason for NYC T.A.S.C. {Treatment Alternatives for Street Crime}

I assessed defendants in prison for admission into various residential drug treatment programs.

That went on for 10 years.

I had my own problems with addiction.

With the help of Narcotics Anonymous I finally delt with my own demons. One day at a time!!!!!!

* Which clubs (and years) have you played?

The Last Laugh was my first in 1974.(3 months)

The Playhouse was 1975-1976.. (18 months)

Act III was 1976. (4 months)

Tropicalia was 1976-1980 (3 & 1/2 years)

Pegasus was 1980-1982 (18 months)

The Roof Top was 1984. I played there for 3 weekends until I was fired for partying in the booth. (I won't get into it here)

Any favorite club of those?

Obviously Tropicalia 'cause it was the most famous & beautiful club. The Playhouse because I was so young and could play ANYTHING there and they loved it!

* Would you say there Was a different crowd in each of the clubs? Were
there songs that were floorfillers in one club that didn't work in another
club?

Absolutely---In the Bronx, I was well known. People would come to hear me play & to hear NEW music. That was easy. Once I went into Tropicalia in Manhattan, an established club, they didn't care for what I used to play in the Bronx and wanted to be entertained in a different way. They were like 6 months behind in the music, and I had to adjust BIG TIME!!!

When I got to Tropicalia they were into "MIDNIGHT LOVE AFFAIR", "LADY BUMP", & "TRY ME" and in the Bronx we were over those songs already. So I had to get the crowds favor by playing their favorites while training them to like newer music at the same time.

I worked there 5-6 nights a week so it was easy but still a task. Took me the better part of a year to do this. Ask Louis Pegno, who was the doorman. He would see the frustration in me from time to time.

* Can you name some special "anthems" for some of these clubs?

The Playhouse: "ZING WENT THE STRINGS", "DATE WITH THE RAIN", "LA LA PEACE SONG", "WHEN THE FUEL RUNS OUT", "LOOK ME UP", "HONEY BEE"

Tropicalia: "DISCO PARTY", "TEN PERCENT", "DEVIL'S GUN", LOVE & KISSES, "THIS TIME BABY", "MAGIC BIRD OF FIRE", "I FEEL LOVE", "B-2"

Pegasus: "JUST A TOUCH OF LOVE", "JUST A LITTLE BIT OF JAZZ", "I'LL DO ANYTHING FOR YOU", "I'M IN LOVE", "AND THE BEAT GOES ON", "LOVE IS THE MESSAGE", "HEARTBEAT", "GIVE ME", "NIGHTS, FEEL LIKE GETTIN DOWN"

* Any comments or special memories from these clubs?

So many memories!!

Like the time Peter Martins the owner of Tropicalia threw George McCrae out of the DJ booth & club because he wasn't dressed properly (he had a jeans suit on)--Peter thought he was one of my friends from around the way. George was bringing me his latest 12" "LOVE IN MOTION / GIVIN BACK THE FEELIN"

At The Playhouse we booked The Trammps to play live on a saturday night in '75. We thought it would be 4 dudes lip-singing to their hits like American Bandstand or Soul Train. I mean they only has 4 singles out--no album yet--they were pretty cheap to get--only $1100 total for 2 sets.

They came with a 14 piece band--2 vans full, complete with a baby grand piano--they did ALL the Philly Sound hits to perfection: "LOVE TRAIN", "TIME", "BACK STABBERS", "THE LOVE I LOST", "SATISFACTION GUARANTEED", and their 4 singles:

"ZING......", "WHERE DO WE GO FROM HERE / SHOUT", "LOVE EPIDEMIC", & "TRUSTING HEART".

They even did "SEXY" (MFSB's hit at the time).

I was pleasantly shocked!!!!! (for days)


* How did you land your first residency? Which Club was that?

The Playhouse was the first where I was the house DJ.

Paul Solari got US the job; we were partners.

He was like my agent, he did all the talking, all the negotiating, all the scheduling.

The other clubs I got on my own, thru the owner visiting where I was working (Tropicalia) or auditioning (Pegasus).


* Can you tell more about the Tropicalia? The Club, interior, DJ booth, location, bars and so on...

Tropicalia was beautiful. Mirrored walls. Silver shiny dance floor. Very elegant. DJ booth was not huge (one huge step up from the dance floor), but I could fit 3 crates of records in the shelves so it was ample. When you walked in the bar was to the left, tables to the right, bright colors all around, very elegant. Then the back room was huge & dark--flashing lights bouncing off the mirrors & dance floor--it was very hard to see.

* What about Pegasus, where were it located? What did you do when the
building were sold, did you quit DJ'ing, or?

Pegasus was on 2nd Avenue between 63 & 64 street.

I had to earn respect there. I was the only white person in a black club, so on appearence I didn't have much credibility at first. Only the backing of the floor manager who hired me. It took a few nights but I settled in nicely. I knew I was in when the bartender, a LL fan and Paradise Garage member, gave me the thumbs up!!!

When Pegasus was closed I didn't look for a DJ gig right away. The music was changing and the atmosphere was changing. I knew I just couldn't go to ANY club and play what I played to any crowd. Disco was split up to different factions in 1982.

Freestyle & HiNRG clubs abounded where "Funkytown" & "It's Raining Men" & "So Many Men" were must plays and I didn't want to do that.

The clubs that I could play freely were few & far between; and they were taken up already by new & hungrier DJs. Like I was when I was 17-20 years old.

Now I had a full time job (bus driver, paying me well with medical benefits) and I was happy doing private parties once in a while. That's when my problem with addiction went into full bloom. (I missed alot of songs between '84-'90)

* Since you're one of the classic "Disco-DJ's" - have you got
any comments on how the DJ was regarded in the beginning and how it has changed during the years?
Also, any comments on the techniques, equipment and stuff like that?

In the beginning the DJ was the guy who broke the music. In The Playhouse the crowd EXPECTED me to play all the BRAND NEW HOT music at the height of the night--1am. They went there for that. Up to 1980 the DJs ruled. After that Radio ruled. The dancing crowd listened to Disco Radio that would play the same 20 songs and would start expecting the DJs to do the same----and a lot of DJs did. There were many DJs that got good gigs being human juke boxes and that ruined it for many.
Many club owners concerned with business only would hire a DJ that would cater to the radio crowd.

If a DJ balked, he would be 'out' and the owner would hire someone that would.

There were clubs that played 'progressive' but were few and far between.

* Which music is the easiest to mix?

I guess the newer music is because the breaks are prevalent and the beats are constant, but if you are not careful what you program, 'like sounding beats' can get pretty boring. You can be technically the best mixer and have a pretty boring set. It's not always about the mix. It's about the atmosphere & the music you play.

* Easier or harder to mix back in the Disco days compared to today?

Easier to mix today, but harder to judge a dance floor.


* How
would you describe your playing style? Any "trademarks"?

Like noted above, momentum, drama, emotion, & happy music.

* Do you remember/can you tell which was your best gig ever?

Tropicalia & Pegasus are tied.

I could play the new mixed in with the classics at any given time.

* Do you or did you know many of the other great DJ's of the Disco era?

I seen most of them at the record pool (99 Prince St.)
I generally kept with myself & my friends Paul Solari & David C.

David had 2 nights at Ipanema, and then a residency at Coatails Disco.

*Have you got any comments/memories/info about them?

No we did not keep in touch. I have reunited with Paul thru this site. We are in touch now constantly; trading music & reminiscing

* Many Disco DJ's went into remixing as well - have you ever been
remixing?
Only private remixes. Nothing released.

* I know you did the "Hollywood Dub" acetate, did you do other
mixes/remixes as well?

I've done many on acetate (Paul has them all) and on Reel & cassette. The story about the Hollywood Dub is on Disco Patrick's website.

http://www.discopatrick.com/home/14-jay-hollywood.html


* Can you tell how you worked when creating these remixes? And what drove
you to do them?

Mostly Me & Paul were inspired by Tom Moulton & Walter Gibbons. They didn't change the music. They just wanted to get the best part of the song longer & better suited for the dance floor. And that's what I did.

* What about Record Pools- Which did you belong to and when (how long)?
Did you recieve much records from them? Most records you got in a
day/week?

First before the Record Pools, Me & Paul used to go to the record companies to get product. Each company had mostly the same DJs getting music. Then Billy Smith the promo guy of 20th Century Records circulated his list that most of the companies adopted to be "the list"---if you was not on the list, you wasn't getting any music.

I was a charter member of the first record pool called "The Record Pool" at 99 Prince St. It was run by David Mancuso, David Rodriguez, & Steve D'Aquisto.

After politics was going to tear the pool apart many DJs went with Judy Weinstein's "For The Record" run by Eddie Rivera, the 'Cork & Bottle' DJ.

I went to LI Disco DJs run by Jackie McCloy. I knew him and I knew he ran a tight ship. None of his DJs were bogus. The most records I got in a week was around 50 with an average weekly pick up of 35. Only a few were good---lots of BS music being pushed on us at the time.

* Which other DJ's was members of the same Record Pool, any one of them
you were good friends with?

I wasn't "good friends" with any, but I used to pal around with Bacho (everyone did)

* Have you still got your DJ record collection? Or have you sold it off?

I still have most of my records---I used to give at least 100-200 discs away each year ('77-'00)---I figured if I didn't play them, I didn't need them. I was foolish. Wish I had some of 'em back!!--I still have about 2,000 discs behind my couch.

*You must have got a HUGE (and GREAT) collection if you've kept all your
records
during the years.

I kept the cream of the crop.

* Could you name some of your favorite Disco songs? Like some kind of Top
Ten or likewise...

That's always hard! ok, today it's:

"DISCO PARTY"--"10%"--"MY LOVE IS FREE"--"HIT & RUN"--"DOCTOR LOVE"--"DREAMING A DREAM"--"THAT'S WHERE THE HAPPY PEOPLE GO"--"BAD LUCK"--"MAKE IT FUNKY"--"HEARTBEAT"

Did I tell you that I love the Philly Sound??


* Did you like Disco music during that era, or was it just a job? (Since
you were a DJ I guess you liked it !)

It started going bad for me when real commercial bubble gum songs (to me) started being real big hits: "FUNKYTOWN", "IT'S RAINING MEN", "SO MANY MEN", Viola Wills, all the freestyle sounding the same drove me away for awhile. When HOUSE, which I see as a direct decendant of Disco, came on I got interested again. Artists like Ten City, Jamiroquai, C&C, & Incognito brought it back for me.

* If you could choose one Disco track that would describe you, which track
would it be?

"DISCO PARTY" The Trammps.

"you only go around once in life, and it's about time you have some spice; all work & no play makes a very dull day, yea,yea, yo, yaaaaaaaaaaaaaaaaaaaaaoh!!!"

* What kind of music do you personally preffer?

Music that moves me---mostly Disco/House/Funk with momentum.

That narrow it down for you??

I just LOVE music.


* Since you DJ's helped launching many fine artists during the years...
Any special ones you wanna mention?

The Trammps, I told the story above.

* Do you still know or have contact with any other of the old Disco
acts/divas/DJ's from the late 70's early 80's?

None;
Barry White used to hang in Tropicalia every Tues & Weds; He used to have his own table in the corner and would hate when he heard his songs played.

Ashford & Simpson lived across the street from Pegasus and would bring me their latest projects when they would be ready to release them.

Phyliss Hyman used to come to Pegasus all the time.

I am in touch at least every week with Bobby Vitteritti, Lary Sanders, Danny Pooch, and of course my main man Paul Solari; we have become 'best friends' again after all these years!!!

* Anything else you can think of that you wanna tell me about? All
information is very welcome, some fun happenings....
My life is wonderful now. I have a sweetheart (My Patty-Ann) that shares my life & love for this music (not as crazy as I am) and I have my CRIBS RADIO Show with hundreds of listeners where I share my music & my thoughts with on a weekly basis.

WHO GOT IT BETTER THAN ME??????!!

 

ABOUT US

What's up, what's up? To begin with, my name is De-Va'Je Mathis. I am an R&B singer born and raised in Aiken, South Carolina. 
Musically, my different tone of voice makes me stand out. I have a rare sound and just by my appearance you can guess, I stand out from a crowd. 
I've been musically active for 12 years, which started with my deceased cousin, Young Chuck, whom encouraged me to sing beginning at the age of 16. 
Young Chuck, who is now deceased, inspired me to pursue music. 
I am currently promoting my new hit single "In The Mirror" (beat produced by Cashous Clay), which will be released on December 25, 2014. Make sure you go PURCHASE it on iTunes, Amazon MP3, Google Play, Spotify, CD Baby, Rhapsody and many others. Also, go check out and PURCHASE a song I'm featured on "Personal Stripper" by Skooby Dukes ft. De-Va'Je. 
My goal with my music is to make hits that excite and hype my fans when they hear it. I want them to enjoy it and for it to relax them while its playing.

Music is many things to me... 
A hobby because I enjoy what I do.... A career because I want to expand my work and incorporate and work with other major artists. It is also my way of life because I wake up daily with my mind focused on music and ready to write a new hit; when I'm writing music it relieves my stress.

I hope to inspire many such as; children, adults, and elderly people. I want to be able to present my way of music to all ages. 
I'm working towards spreading my music globally. 
You can find more information about me on 
My Social Networks.
Facebook: Devaje Mathis 
Twitter: @DevajeMathis
Instagram: @Musicaltunes_devaje
Sound Cloud: Soundcloud.com/devajemathis

DJ Persist has been involved in the music industry since the age of 17. He worked in radio, and hosted his own show, then decided to learn more about the craft. After traveling and performing through college, he moved back to Chicago to pursue DJing full time, and has been doing what he loves for the past 18 years. He had held several nightclub residencies in the city of Chicago, an experience that enhances his performance at weddings.
Today, DJ Persist has expanded his services to include A/V and Photo Booth services to become a well-known, award winning company. DJ Persist strives to give you the best in customer service by listening to your needs to provide for you an unforgettable event!

Anyone's Guess is a three-piece, female fronted rock band from Florida, inspired by the sounds of 30 Seconds to Mars, Sick Puppies, Foo Fighters, NIN and Alanis Morissette. 
Anyone's Guess is a three piece, female-fronted, rock band from Orlando, FL. Since forming in late 2006, Anyone's Guess has released four albums which put them on the underground radar in both USA and UK, through college and internet radio play. In 2012 the band was approached by the CEO of Red Dragon Records (Spectra Music Group) after a successful crowd-funding campaign for their second studio album. They signed a one album contract with RDR, with an option to renew, and in 2012 released ‘March in the Dark: Chapter I’ under the label. Their single ‘Apathy’ was an instant success and caught the attention of Bubba the Love Sponge (Sirius-syndicated FM show), where the band performed a three-song, in-studio, live set with a glowing response from the hosts and the audience. 

The band has shared the stage with national touring bands like 12 Stones, Straight Line Stitch, Bellusira, Letters from the Fire, and The Letter Black, played the House of Blues, and spent extensive time building a live presence in the eastern half of United States.  After the life-cycle of the album, Anyone’s Guess  decided not to renew the label contract for their fourth album “March in the Dark: Chapter II” citing “vision differences” as the main reason. Their song 'Leavin' is licensed to Synchup for TV syndication and the most recent single "Unthinkable" was a featured song of the day in Revolver Magazine's newsletter. 

The band has just finished recording their fifth album 'Commitment Issues' with producer Brian Virtue (30 Seconds to Mars, Chevelle, Jane's Addiction), which is being released in late 2016.


A veteran in the industry, Gonzo has been DJing since 1992.  Learning his craft by mixing vinyl without the benefit of today’s technology has given Gonzo a great advantage in today’s ever growing DJ industry.
 
What separates Gonzo from his fellow DJs is his unique taste and vast knowledge of different genres of music that he demonstrates throughout his sets.  He has a knack for reading and playing to any type of crowd in any type of venue.

Starting at a young age he had a passion for music. After saving enough money to buy his first set up he would play his parents records which included genres like funk, disco, and 80's pop.  His constant practice of mixing these different genres back and forth is now popularly known as “Open Format.”

Growing up in Brooklyn, NY in the era of the “mega clubs” Gonzo was fortunate enough to experience such legendary New York Night Clubs as The Palladium, Limelight, Expo, Carbon, The Roxy and Sound Factory. Being able to hear the DJ’s of this era mix records without modern technology and control a room inspired him to practice his craft.  Since then he has played all over the country not only playing clubs but private and corporate events for such notables:  ABC’s Quantico, NBC’s Shades of Blue, Netflix’s Master of None, Jennifer Lopez, The Chainsmokers, The Gap, Hyatt Hotels, Adidas and Guess.

Gonzo’s distinct sound can be heard during his unique sets that incorporate some of his "bootlegs" and remixes. Check him out on SoundCloud, Facebook, Twitter and Instagram @djgonzonyc

For Bookings email  - mgmt@djgonzonyc.com

Hale Edna is following