I LOVE COMPUTERS (Feat Arturo Spirazones)

Hell Yeah Recordings are pleased to announce they have been tempted into the reissue market. As such, the label starts a new off shoot, PERDIO (roughly meaning ‘lost’ in Portuguese) which will focus on putting out re-issues and new remixes of classic or forgotten gems. The fist one is a newly remastered instrumental version and new Francisco Dub of Giorgia Morandi’s ‘Children of the Sky’, a cover of the italo-classic “Figli delle Stelle by Alan Sorrenti which just happened to be released 40 years ago. 
 
The label has been two years in the planning and all started when label boss Marco was at the Gratis Club season closing party a few years ago when cult Italian figure Francisco (of Edizioni Mondo/Jolly Music) was DJing. “At some point, he came out with the instrumental of this tune, and I was in heaven,” remembers Marco. “It was a super cheap Italo 12" from Ala Bianca in Italy, a “bad” cover of Figli delle Stelle... I asked Francisco if he was up for editing the track in case I got rights, and here we are.”
 
The brilliant , remastered, original is seven sizzling minutes of elastic Italo house with happy chords that reach for the skies. Naive melodies and keys add to the colourful effect and cannot help to sweep your heart and get your feet tapping, especially with the rugged bassline that probs it up and the big drums that help drive it along. The special Francisco Dub Edit then builds and builds leaving the main hook for the very end... when it arrives you will be sent into raptures of Italo joy. 

Ban Ban Ton Ton review
banbantonton.com/2018/02/22/mix-looking-for-the-balearic-beat-february-2018/

Chris Coco "the Francisco edit is a magnificent extended version of an old track that sounds surprisingly current and exciting."

DJ Support by Kenji Takimi, Phil Mison, Max Essa, Balearic Gabba Sound System...

Giorgia Morandi - Children of the Sky (Original Instrumental)

Chicago's NOBLE SQUARE RECORDINGS ninth release goes overseas for an incredible compilation. Featured track is ANAXANDER'S boogie-centric "STREET SLANG" which is a sonic beatdown of disco rhythms and super funky synth work.   Master touch audio mastering by Glenn Underground. 
Digital: 
https://noblesquarerecordings.bandcamp.com/album/boogie-vibes
Available mid JULY 2018 on 12" vinyl. 

http://www.groovedis.com/shop/groovedis.com/shop/827275.html
https://www.amoeba.com/boogie-vibes-12-various-artists/albums/4059291/
https://www.redeyerecords.co.uk/vinyl/96863-nsrvinyl009-boogie-vibes-1-va
https://www.hhv.de/shop/en/item/v-a-boogie-vibes-1-590062
https://www.juno.co.uk/products/boogie-vibes-1/688151-01/
https://www.dustygroove.com/item/888327/Anaxander-Snuff-Crew-ISoul8:Boogie-Vibes-EP-Street-Slang-Pleasant-Journey-P-Boogie
https://www.oye-records.com/releases/anaxander-snuff-crew-r-miranda-volcov-boogie-vibes

Boogie Vibes

Anaxander Street Slang

LIES-130
Daniel Holt-Demonic City
from upcoming three track ep
to be released March 2018

Buy direct

Daniel Holt-Demonic City (LIES-130)

1. 
[they say:]

savior come down savior come down savior come down savior come down savior come down 

2. 
[they hum…]

3.

En las cenizas 
Vamos a armar 
No saber nada 
Es mejor

Ya no cabe nada 
Pero estamos juntos 
Sin noticias 
Del otro mundo 

Y cada día
Nuestro mundo
Se achica 
O se derrumba 

Y lo único que 
Me han dicho sobre el tema
Es que es el sentido común de una flecha

Y lo único que 
Me han dicho 
Es que es el sentido común de una flecha 

Y porque no responde
El sentido común 
No puedo utilizar su lenguaje 

Su lenguaje 

(TRANSLATION)= =

In the ashes,
we will form
knowing nothing now is better

there’s no space for anything
but we are together
without news of another world

and everyday,
our world, 
shrinks
or crumbles.

and the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

but why doesn’t common sense respond?
I can no longer use its language. 

4. [instrumental]

5. [instrumental]

6. mud

come in, 
don’t leave.

grown man:
can’t see.

figures out 
he can’t be
sunken with the crown

old man
i can’t see
you’re in the way
i can’t see me,

we must confess:

illusions number time

…

a drunk man’s on the lead
skies and all bleed
and no one can hear
the cry from the ground

it’s something to dig

there’s something in the mud
there’s something in the mud
there’s something in the mud

7. [instrumental]

8. sunder

Vapor’s forming,

And now I see right behind my eyes.

If the old you could tell me 
if the old you could tell me:

a win is a win 
but a loss is the death of a twin and we borrow

And we borrow.

Forming vapors,

behind my eyes,

And now I see right behind my eyes.


In the words of a prophet 
Sunder,
In the shape of the first and last
Sunder,
In the springs of the church of sin
Sunder,
In the blood of the hands that last,
Sunder,


Does a lock seek erosion?
Does a loss seek revenge of sin?

Right behind my eye,


We borrowed from the page of saint maurice
Named the mountain an egyptian saint
Drank the water from the church of springs
Does a loss seek revenge of sin?

Right behind my eye,

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion?

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
do we need to be still? 

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion? 

9. hello, chain

won't you change, nature?
along me?
carry on your chain,
hell of chain.

we will now wait,
patience is our virtue,
NOW JUST WAIT.

10. [instrumental]

11. [instrumental]

12. 

[I hum]

13. 

carried by a force until a certain peak
there, all you could see,
is swayed by the wind
like the locks in your hair
coloring your eyes
that look nowhere

like a faith made of silk

look around not ahead

a peak is just the way towards 
a descent

look around not ahead

(you have nowhere to look)

look around not ahead

a peak is just the way towards 
a descent

the forces on the hill
manifested by what you perceive as wind

look around not ahead.

Nicolás Jaar - Cenizas

A magic journey in the streets of Barcelona, lead these young musicians to create an album that transcends genres and looks deep beyond our imagination of time and space.

MIH:
D'Artagnan Leon: production/vocals/ electric guitar
Arturo Spirazones: production/vocals/bass/ electric guitar
Nicolas De Francesco: vocals
Joe Monco: vocals
Hernan Ripoll: bass
David Attenborough: vocals
Andres Carpintero: el atelier de la bordeta studios

MIH - SMOOTH ANIMAL (full album)

Magic Is Happening

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