A new selection from the collection playlists Anders 1 to 9 and new Tracks.

Anders I

Boson Spin / P a b l o - Aphica (arrhythmia mix)

Clinical Voodoo

from the 2021 reissue of Eukaryotik's 2006 album "Zoological Pardons" (https://listen.rubbercitynoise.org/album/zoological-pardons)

Zoological Pardons

Lw Bdgt Actn Mv 1992

Eukaryotik ~ Lw Bdgt Actn Mv 1992

live recorded at les ateliers claus 11.03.2022

Piotr Kurek - live ateliers claus

https://etat.xyz/release/ClearCues
Clear Cues is available via ETAT as free download
Recorded composed and produced by	Robert Schwarz
Mastering	Cam Deas
Illustration	Milica Balubdžić
Layout	Stefan Juster
Liner Notes	Stefan Juster

With Clear Cues, Robert Schwarz presents us with the predicament of an ambiguous image, an exercise in association and dissociation between field recordings of animals and computer synthesis, tempting us to intersect their similarities and look for their differences. Ultimately though, he’s pointing to something third.

In Clear Cues the sounds of the computer are mirroring, morphing into the other. Within nature, imitation and mimicry have a set of properties that can stretch from communication and separation to full metamorphosis. Insects resembling plants or octopuses transforming in seconds into any shape imaginable. Birds resynthesizing the sounds of chainsaws or human speech. Imitation is always an intimate approach toward something external.

Our relationship with nature is built upon anthropomorphism. An illusionary representation that is rejecting nature, machines or even the supernatural of their own agencies. We're hardwired, whenever we see two dots in a row with a line underneath, to perceive a face. But this internal transformation of something external also enables us to establish a relationship, to form an association.

Dissociation can be a practice to unsee the face formed by the two dots in a row and the line underneath. A desirable dysfunction. However, a connection can only be severed if previously established. Both are necessary to arrive at a positive or negative space, and ideally even at “none of the above”. — Stefan Juster

#ET08 | Clear Cues | 02 PJC

Album: Wet Burrito.
Genre: Jazz/Noise/Punk.

Bandcamp; https://mathematicianrecords.bandcamp.com/album/wet-burrito
YouTube; https://www.youtube.com/playlist?list=PLWX76gRjsgEyxmVO_w1LD2KN-YLo94J3k
Spotify; https://open.spotify.com/album/0kqWg6oibM7K3z67drMs9v?si=FviDM-xVT6q0n2zy8K6xOw

Cover art by Stewart Emery.
Recorded and Mastered at Mathematician Records studio A.​

01 Tortilla
02 Lechuga
03 Arroz
04 Salsa Para Enchiladas
05 Queso

Released April 13th, 2022.​

Wet Burrito was produced by and Juliet is the Sun.
© Mathematician Records 2022. All rights reserved.

Wet Burrito | EP (2022)

Hootchikootchi

https://furicomusicteam.blogspot.com/p/bass-sextet.html

Bass Sextet

Duo piece for Piano + Dispositive (eccentric rotating mass vibrating motors - amplitude: from 6G to 13G} & MIDI Keyboard.

Piano & MIDI Keyboard: Henrique Vaz 

"In 1947, the composer Conlon Nancarrow—frustrated with human pianists and their limited ability to play his rhythmically complex music—purchased a device which allowed him to punch holes in player piano rolls. This technology allowed him to create incredibly complex musical compositions, unplayable by human hands, which later came to be widely recognized by electronic musicians as an important precursor to their work.

A similar interest in seemingly impossible music can be found today in a group of musicians who use MIDI files (which store musical notes and timings, not unlike player piano rolls) to create compositions that feature staggering numbers of notes. They're calling this kind of music "black MIDI," which basically means that when you look at the music in the form of standard notation, it looks like almost solid black"

- MICHAEL CONNOR {http://rhizome.org/editorial/2013/sep/23/impossible-music-black-midi/}

Score Follower:
https://www.youtube.com/watch?v=hxhIoxRU0xk

Samples from the score:
https://www.facebook.com/henrique.vaz/media_set?set=a.10203245645969268.1073741833.1452650501&type=3

░▒▓█ Black MIDI [2013] - for piano & MIDI keyboard {or disklavier}.

One more.  :)

Decided to go outside, and record a clip.  The SQ-64 is just sending some triggers over, and one pitch CV.  The rest is all done on the synth itself.  Reverb and Delay from ZOIA.

StrohModular-OneMoreOtherThingHeeHeeHee

eQRT4e0mX

Ligeti, adaptation MIDI des  Etudes 1er Livre 6-Automne à Varsovie

Etude 1848 for Buchla, muted turkey & voice(8oct23-4a,5a)

etude1848

a little "krellish" patch using the Tiptop Buchla Source of Uncertainty 266t to drive the sonic show.

Tiptop Krell

Old modular sounds and tunes that weren't created on my own modulars.  :D

216 - NoiseRingCV

Kagoshima Ohara Bushi

The original recording of this song “Kagoshima Ohara Bushi” (鹿児島小原節) was performed by the King Novelty Orchestra (キング･ノベルティ･オーケストラ), led by the composer and arranger Koichi Sugii (杉井幸一, 1906-1942).

Rearranged and mixed in Logic Pro X.

Prewar Japanese jazz - Koichi Sugii Tribute

Triple Heater is a duo (Ezio Piermattei/F.Ampism)This track is from forthcoming cassette on Tutore Burlato

Zampogna Glassata by Triple Heater

Dance mond?demo

Written and produced by Eric Frye.
Design by Eric Frye.
Software by Curtis Roads, Marcin Pietruszewski, and Oli Larkin.

https://ericfrye.bandcamp.com/album/inconsequential-music

Inconsequential Music

Bandcamp

Inconsequential Music 1

YOTO - Que Bien Me Siento

A nice zombie who honors the moment does not allow himself to be terrorized by the future and the past. While two guardian spirits shield him from good advice.

All tracks and Images by Heinz Kobalt  and Artificial Intelligence.