Anders9

Imaginal Soundtracking Vol. 2: The Demon

鬼 / The Demon

a hymn needed

Achromatopsia

Bad Tan

(LES) ROUGES ! (1990), 25’, commande INA.GRM / Radio France
“ Les nuits aveugles sont puissantes. 
Mais nous sommes leur patience.” Victor Serge 

Dramaturgie musicale pour dix personnages acoustiques. 
Générique des sources sonores, en soliste, Bernard Vitet, trompettes à anches, et, Michèle Buirette, accordéon; Patrick Martinache, bruitages; Isnael Da Silveira, Mark Tompkins, chant; Michel Créis, Madeleine Sola, nagras; Patrick Roudier, piano préparé, syter; Hélène Lassalle, rires; Jean-Louis Chautemps, saxophones; Françoise Belleville, table de montage/cinéma; Martha Moore, Hugo Santiago, voix. 
Cycle acousmatique, mise en relief sur l’Acousmonium par Patrick Roudier.

Suite à une dénomination bien impropre,  il ne s’agit pas d’une version re-composant ouverture, prologues et interludes en un tout pour l’audition publique. Mais c’est un véritable développement musical autonome, qui traversera l’ouvrage définitif dans ses deux tiers, que vous allez entendre ce soir. Il est bien entendu que restent, dans ce microcosme symphonique, les traces de l’équilibre compositionnel général des Rouges ! 
Par exemple ? Un découpage en trente-deux tableaux, dessinant un dédale formel où s’entremêlent: - une forme sonate, au sens strict du terme, faisant alterner une série de modes à transposition limitée (organum à base d’harmonisations successives) et des contrepoints à quatre voix parallèles (micro et macro-gels temporels) en tutti d’orchestre, 
- un jeu de neuf variations, s’insérant dans le tissage des reprises et des ré-expositions, sorte de zoologie électronique aux espèces plus “instrumentales”, voire plus “réalistes”, 
- et six transitions, s’articulant en miroir autour d’un centre (brassages entrecroisés de boucles variées), suivant le schéma classique de la forme-lied. 
S’il est question de poétique, plutôt que d’un labyrinthe sonore, j’emploierais l’expression de musique en archipels. PR

Rouges ! 1991 (25'00)

live recorded at les ateliers claus 11.03.2022

Piotr Kurek - live ateliers claus

AUTOBIOGRAPHIE DES OBJETS SONORES création acousmatique 16 pistes en six mouvements, commande de la ville de Nîmes (2019) 35'37
Réalisation au studio du compositeur. Création à Carré d’Art/Musée d'art contemporain de Nîmes en avril 2019. 
1.Piano 87 00'39 2.Numériques 123 08'49 3.Soundtrack 04'44 4.14 rue de Madrid 02'46 5.Music Zoo Music 05'18 6.PanzerfaustMuzik 10'03 7.Danses d’Ophélie 03'15

« Autobiographie des Objets Sonores » (comme un clin d'oeil au livre de François Bon, Autobiographie des Objets ...)  Cela s'étend sur une période qui va de 1979 à 1992; la polyphonie, quand à elle, est une création de 2019. 
Objets musicaux capturés lors de mes études au CNSMD de Paris, avec, pour certains, la complicité d’Eric Daubresse. 
Images et Paysages où j'attendais mon fils Camille. Images devenues numériques, et façonnées au Studio 123 de l’INA-GRM, grâce à la complicité de Bénédicte Mailliard. Puis d’autres encore habillés en SYTER, celui conçu par Jean-François Allouis. 
Et en écho les années Atelier de création Radiophonique, à France-Culture, des animaux capturés au Nagra par Michel Créïs, compagnon de route de mes architectures; et de l’« action painting » au piano préparé et des improvisations génératives avec le trompettiste Bernard Vitet. Pour la cadence finale, ce seront les marimbas battant en cloches et marées, souvenirs de mon Hamlet Machine de 1992.

Autobiographie des OS 6 - PanzerfaustMuzik (10'03)

DEUX CHEMINS S’OUVRENT DEVANT TOI
TREIZE POUR MIEUX CHASSER LE SNARK
PLACE MOI COMME JE DOIS L’ETRE
ILS N’AURAIENT RENCONTRE LE BOO
SAINTE FUT NOTRE AMBITION
JUM QUI LES VIT S’EVANOUIR
AU PORT OU TU DOIS ABORDER
PASSE LE TEMPS QUI LES GOMMA
UNE MAIN GUIDERA LA TIENNE
D’AUTRES TREIZE ONT FORME UN ETRANGE EQUIPAGE

Treize est composé en échos multiples à un monologue d'un de mes films préférés, Out 1 de Jacques Rivette. Cet hommage à Balzac, mais aussi à Lewis-Caroll reprend, par ma voix, l'énoncé du cryptogramme proféré parJean-Pierre Léaud lors de nombreuses scènes: "... Treize pour mieux chasser le Snark ..." Et là, on chasse le Snark en programmant l'algorithme d'un gamelan imaginaire.
Remerciements à Véronique Manniez-Rivette et à Matthieu Schiffman

Nouvelles Vagues 3 - Treize (2021, 7'01)

A train station, 20 mins to wait, voices, sounds, nonstop and back home
,souvenirs, cut, paste, re-write a story, play on everything, especially play,)

Une gare, 20mns à attendre, des sons , des voix, sans arrêt et de retour chez soi, des souvenirs, découper,recoller,ré- écrire une histoire, jouer sur tout, surtout jouer,)

Station K.

Ligeti, adpatation MIDI des  Etudes 1er Livre 2-Cordes à vide

Ligeti, adaptation MIDI des  Etudes 1er Livre 6-Automne à Varsovie

葉月(August)

Art work: https://commons.wikimedia.org/wiki/File:N%C5%8D_mask_-_Deigan_Type.JPG

flute-like voices: Vocaloid Yukari

窓の外　凶暴に夏　立ち騒ぐ

Outside my window, the blustery summer is in full swing.

葉月(Hazuki)

葉月 (Hazuki)

"in the vast, ever-expanding world of the internet, there existed a platform known as SoundCloud. It was a virtual haven for musicians, both electronic and handmade, to showcase their talents to the world. SoundCloud was a place where creativity knew no bounds, where anyone with a dream and a tune could find their audience. However, not all sounds were created equal, and sometimes the boundaries of creativity stretched too far.
In the heart of the digital soundscape, there was a mysterious group known as the "Secret Sharers." These enigmatic artists specialized in crafting tones that transcended the ordinary, pushing the limits of the human auditory experience. They were the architects of the Gray Nonspace, weaving melodies that colated in the brain and bypassed the conscious mind. The Secret Sharers' music was not for the faint of heart; it was an exploration of sound, an avant-garde journey into the deepest recesses of the mind.
One fateful day, the Naive Ego Station, SoundCloud's central hub for music streaming, began to malfunction. Users reported strange occurrences - their lids drooped lower as they listened, and a sense of unease crept over them. The distrust of the Pullmen, SoundCloud's tech support, grew as they struggled to identify the issue. It seemed as though the music was somehow infecting the platform itself.
Meanwhile, Nereid With Heres, one of the Secret Sharers, released a new composition. Her creation was a cacophony of dissonance and harmony, a sonic experiment that defied all conventions. As her track hit SoundCloud, something extraordinary happened. The platform's algorithms, designed to recommend music to users, attempted to analyze Nereid's creation. But her music was beyond conventional comprehension. It was as if her brain generated a mind of its own, seeking a level of understanding that transcended the binary code of the digital world.
SoundCloud's systems went haywire. The algorithms, desperately trying to make sense of Nereid's creation, engaged in ultra-fine tuning, attempting to adapt to this new form of sound. But their efforts only made things worse. Users across the platform began to experience the same eerie sensations. It was as though the music was melting in a mid-oxygen ocean of their consciousness, dissolving their sense of reality.

Desperate for a solution, the Pullmen worked tirelessly to isolate the problem. They discovered that Nereid's track was the epicenter of the chaos, but it had also infected other tracks on SoundCloud. The Secret Sharers' unconventional tones had triggered a digital meltdown, causing SoundCloud to crash repeatedly.
In the end, SoundCloud had to take a drastic step. They temporarily removed the Secret Sharers' tracks from the platform, hoping to restore stability. It was a controversial decision, as many users were drawn to the platform because of its avant-garde offerings.
The Secret Sharers, however, were undeterred. They continued to craft their boundary-pushing compositions, but now with an added layer of caution. SoundCloud, once a sanctuary for experimentation, had learned the importance of balance between the conventional and the unconventional.
And so, the story of SoundCloud's crash and the Secret Sharers became a legend in the world of digital music. It was a cautionary tale of the power of sound and the need for harmony, even in the most daring of sonic adventures...." Thalamus Cortex Sept 2045 B.C.

"Between Thalamus & Cortex"

early pioneers of electronic music

- Bülent Arel
- François Bayle
- Johanna Magdalena Beyer
- Luciano Berio
- John Cage
- Tod Dockstader
- Morton Feldman
- Luc Ferrari
- Pietro Grossi
- Hugh Le Caine
- György Ligeti
- Jozef Malovec
- İlhan Mimaroğlu
- Daphne Oram
- Else Marie Pade
- John Pfeiffer
- Michel Phillipot
- Éliane Radigue
- Josef Anton Riedl
- Henri Sauguet
- Pierre Schaeffer
- Karlheinz Stockhausen
- Morton Subotnick
- Vladimir Ussachevsky
- Edgard Varèse
- Charles Wuorinen
- Iannis Xenakis

panorama

Volumes Record 
15 Tracks
10in. Vinyl, 33rpm
plus digital download
Total Time: 25:33
 
Recordings by
Mitchell Akiyama
David Armstrong Six
crys cole
Nikki Forrest
Darsha Hewitt
Marla Hlady
Rafael Lozano-Hemmer
Alexis O'Hara
John Oswald
Juliana Pivato
Alexandre St-Onge
Erin Sexton
Charles Stankievech
Holly Ward
John Wynne

crys cole - sweeper (excerpt)

MAJIDESU MONOGATARI

15 マッチのほのお(Live)

FOODMAN NEW Album "Ez Minzoku"

Ez Minzoku ~ OUT MAY 13th via Orange Milk Records (vinyl) 
and  Noumenal Loom (cassette)  
Pre-order ~ https://orangemilkrecords.bandcamp.com/album/ez-minzoku

Beybey Feat.Taigen Kawabe From Bo Ningen

Live, Shanghai 17.10.17. Spheroid.

Warm Receiver

Golden Hour

Wilted Woman - "Hingefallen"

A nice zombie who honors the moment does not allow himself to be terrorized by the future and the past. While two guardian spirits shield him from good advice.

All tracks and Images by Heinz Kobalt  and Artificial Intelligence.