Change your perspective to gain new insight

Download.

Exposure (Original Mix)

Deeper House Techno

KARMZ - WE DONT LIKE DEM

RECONNECTION

Cinematic orchestral song with fantasy vibes.

🎧 STREAMING LINKS:
Spotify ➝ https://open.spotify.com/artist/28eNcgvn77dfLzaPnvwMfN
Apple Music ➝ https://music.apple.com/us/artist/peter-widebay/1577789276
Soundcloud ➝ https://soundcloud.com/peterwidebay

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Twitter ➝ https://twitter.com/Eyeskin1

Approaching the End

Approaching The End (fantasy / battle / cinematic orchestral)

Not my usual at all, woke up today and fancied giving some DnB a go

No Care

instrumental alt.rock: guitars+electronica beats

rockon2021

due north

DarKYYComet - You Make Me Feel Skankin' Better (Free Download)

#edm #edmmusic #djlife

ORBITAL 365 will take you for the journey across the borders and far away. Sit back and relax, close your eyes and dream with great beats coming from us.
ORBITAL 365 - Take Me Somewhere soon available on every social media platform.

Take Me Somewhere

The Lockdown Sessions is a conceptual instrumental Jazz EP composed and recorded during the covid-19 lockdown in April 2020.

The album reflects the perception of the artist before, during and his hope for the future.

SOHO
This is a song that represents past. A more relaxed and classic Jazz club take on experiencing live music. You can even hear people clapping together before social distancing was even a thing. At the end is noticeable that something happen. It all have been so abrupt. 

WHAT’S GOING ON? (INTERLUDE 1)
This short statement transition us from an unexpected situation to an emotional state. Uncertainty comes to mind.

QUARANTINE
This song represents present, the lockdown state. Fear, sadness, acceptance. Everything into a sensible deep instrumentation form of chords waiting to transcend into emotions. This song really reflects the way I’m feeling (at the moment of writing this) regarding this crazy situation. (By the way, today is easter Sunday. )

WHAT NOW? (INTERLUDE 2)
This interlude is very calming and soothing. I was emotionally tired when I was composing this piece, So I created the music I needed to hear at the moment. An easy and warm transition to the future ahead, the kind of music that tucks you into bed. Tomorrow will be another day.

NOVEMBER
A song that represents change, a new beginning, a future cohesive sound to embrace. November will deliver an immersive experience. We don’t know when and if things will get back to “normal” November is just a dot in the horizon to think about the future. There will always be another November…

#SCxiamOTHER

The Lockdown Sessions

Soho (Past)

Sonata No. 1 for Violin and Piano
Duration: 20'.
Commissioned by Kirsten Marshall and Percy Browning
Winner of the 2005 Auros Group for New Music Composition Competition

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1107

PROGRAM NOTE (SHORT VERSION FOR PROGRAMS)
The first movement, Adagio – allegro con uno trotto – adagio begins and ends in a somewhat Romantic style, but with a twist: the end of the movement sounds like a record scratch, as if what you just heard is a track from an old vinyl LP. I became fascinated with the sound of record scratches when I noticed them in many commercials, although this is somewhat ironic since no one really plays records anymore.

The imaginary title of the second movement, Schizando (derived from ‘schizophrenia’) is a word I came up with to describe a musical style centered on fast, abrupt changes. This movement also reveals an obsession with sequences: sequence-like chord patterns decay by gradually becoming more dissonant as they evolve. These sequential sections alternate with “siesta daydream” sections, akin to channel surfing with a remote control. I was recently on the road for two months with my wife Victoria while she was touring, so on a personal level, traveling on the road to a different hotel every week probably influenced how I wrote this movement. We were never in the same place for very long and many of the hotels looked the same. Our lives were not that dramatic. I started craving drama, particularly in the music I listened to, and this probably spilled over into how I wrote this movement.

The third movement, Largo is slow and broad and inspired by the phrase "the weight of the past." There are time markers that delineate certain sections, reminiscent of the ticking of a clock. There are a number of composers whose works influenced me in this movement, such as the later works of Arvo Pärt and the slow movements of some of Beethoven’s sonatas. I was also pre-occupied with wanting to write a movement that contained mostly “open” notes, i.e. half notes, whole notes and double whole notes.

My main influences for the last movement, Allegro con moto are the early formal ideas of Igor Stravinsky, folk-style fiddle playing and jazz. There are a few false starts when piano chords come crashing down and a few somewhat humorous sections. Many of the themes from the previous three movements reappear in this movement.

As with many of my earlier works, my goal was to create a four-movement work in which all of the movements are quite different from each other. In a sense, I view this multi-stylistic approach as the result of wanting to embrace a variety of tools. As a result, as I wrote this I did not have an allegiance to any one particular style, as each one hopefully elicits a certain, distinctive emotional response.

Joy: Music for Violin and Piano

Sonata No. 1 for Violin and Piano - II. Schizando

Producer/Musician based in Cornwall UK.
For bookings and inquiries:
Ultrumofficial@gmail.com