“textural digital sound design for mental distress and time / spatial obfuscation 

micro bounced buoyancy 

stream of consciousness fluids”

released March 25, 2021 

Mastering by Shy aka Special Guest DJ 
Album cover rendering by 3D bergsonist 
Individual track artwork by pent

hyper compulsive

Mojo Woo, born in 1993, Taiwanese theatre artist & musician, mostly works as a director or a sound designer. Graduated(MFA) from TNUA School of Drama & Theatre Arts majoring directing. Current member of Biáu Biáu Tsè Tsok & Miemabuta.
focused in gender performativity, queerism, postcolonialism.
theatrical strats: personal history in body-performance, depressed expressiveness, spectator-actor relationship re-defining, collective defamilization...etc.
musical strats: minimal, instrumental, narrative, structural, fused.

1st Prize of Emerging Sound Design, 2022 WSD

JUST BE YOURSELF 

#Style4eveR #StyleCulture #StyleLifestyle #Style
 

instagram.com/style4ever_entertainment/
ilovepashee@gmail.com

New York City based label created by Umfang.

Making sounds people like to hear.

〰️〰️〰️
2024
https://lovejoyrecords.bandcamp.com/track/tokabo-dub

2022
https://musicforchangeaus.bandcamp.com/album/music-for-the-northern-rivers
https://touchofloftrecords.bandcamp.com/album/humanitarian-appeal-ukraine-tol022

2021
https://nightimedrama.bandcamp.com/album/dune-ep

I make listening decisions where/when sound chooses to listen back, or maybe its the other way around?

My curiosity lies in where objects, bodies, and environments reciprocate attention. Experimenting with sound instruments that engage, improvise, and perform new questions behind the chased conclusions and answers.

Listening happens with the whole body. Sound moves through you while altering your perception of space and self. A field of phsical orientation and mentality negotiation through the medium of technology and environment. When I record, I ask: What is this specific sound listening to; before or after I press the record button? And how does this sonic reciprocal relationship manifest as a tool to destabilize the ego and invite co-authorship with a world that resists human-centric attention?

My labortary setup includes amplified speakres, gyroscopic sensors, electromagnetic microphones, site-found objects, soft/hardware synthesizer and wearable inputs/outputs that translate bodily orientation into shifting sonic environments.
Rather than seeking clean control, to embrace unstable signals as generative sources, a sound organisim that drift, glitch, and argue back. 

The sounds are not meant to explain, but to invite:

https://www.tumblr.com/yapex

https://www.guap.one

hyper compulsive

Thanks For Enlightening Me