They Want A Taste 140 BPM

The Loss Of An Unknown Friend is an orchestral composition that sets the tone for the WWI-themed game 'No Mans Land.' With its mournful piano and powerful strings, it captures the essence of camaraderie and loss in the trenches.

The Loss Of An Unknown Friend

amazing drum solo using 10 tiny drumsticks.

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i'm going to head out - raw drum demo

Original by @noxpox-page-12: https://on.soundcloud.com/xLHGr
Remix Playlist: https://on.soundcloud.com/eCKZq

All my collabs w/ noxpox: https://soundcloud.com/storyofthelie/sets/collabs-w-noxpox

Noxpox - Patt ☻ (Remix)

Created 'Live' on the fly one Saturday night in 75. (2022 Actually, but that didn't rhyme!!)

Track recorded and produced by Cookie Jay at Rose Pro Studio.

D'LeMMo

„Suite Akkordeonata (23.10.2023 )
„Suite Accordéonata“ in Französich

Das Akkordeon.
Ein Musikinstrument das nach meinem Empfinden völlig in seinem Nuancenreichtum an Klangfeinheiten unterschätzt wird.

Minimalistisch und zart zugleich habe ich versucht eine kleine Komposition dem Akkordeon zu widmen.

Weit ab von den üblichen Hörgewohnheiten in die man meistens ein Akkordeon vermutet, habe ich einen anderen Weg des musikalischen Ausdrucks gewählt.

Hören Sie bitte von Anfang bis zum Ende. Das Akkordeon erzählt eine feine, meditative Geschichte. Die jeder frei interpretieren darf.


Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik :  Björn Cloppenburg  Alle Rechte vorbehalten
Foto	: Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet:
https://inletaudio.com Kayvon Violin Intimate   
https://xperimentaproject.com  La Fisarmonica Akkordeon


“Suite Accordionata (October 23, 2023)
“Suite Accordéonata” in French

The accordeon.
A musical instrument that, in my opinion, is completely underestimated in its wealth of nuances and subtleties of sound.

Minimalist and delicate at the same time, I tried to dedicate a small composition to the accordion.

Far from the usual listening habits that one would usually expect an accordion to fit in, I have chosen a different path of musical expression.

Please listen from beginning to end. The accordion tells a delicate, meditative story. Which everyone is free to interpret.

Thank you for your valued attention.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Music: Björn Cloppenburg All rights reserved
Photo: Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
https://inletaudio.com Kayvon Violin Intimate
https://xperimentaproject.com La Fisarmonica accordion

Suite Accordéonata

Dez Rez

Music For Harp, Flute And Strings

Cast of Characters:

mistermark-- @user-432503709 -- Mark—piano, composition

Mysterious Decibel--@themysteriousdecibel --MD—lyrics and primary vocals

TexMex Shaman–@texmex-shaman –Stephen– electric guitar

J.J. Terrell–@j-j-terrell –organ, synth

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion, arrangement, production, mix

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass guitar, lap steel 

This was brought to us by Mark, who had written it a while back, but wanted to dust it off and give the Eclectic Collective a shot at it. He recorded it with a keen eye toward collaboration with an electric piano synth with heavy stereo tremolo. We just recently found Mark, and he has proven to be a very creative, passionate, and easy to work with collaborator—all the good things. 
  Mark set it loose to Josh first, who of course got Ken in on the act before anything else could transpire. After Ken added his wildly creative, very skillful drum beat, Josh was able to come up with a suitable bass line. He also came up with the lap slide part you hear with the heavy tremolo. Then they turned it over to Stephen, who added a very psychedelic, electrifying solo at the end. Also, JJ set upon it with a very hooky organ. 
  Last, but certainly not least, MD came up with the lyrics, which are a metaphor for trying to break into the business of music, and delivered his fiery vocals, too. Then, we all realized that the song wasn't long enough for our ambitions, so Ken came up with an idea for the arrangement, and lengthened the song to suit our needs. He also very ably mixed and produced this one for us. We had a lot of fun working on Mark's tune. We hope you enjoy listening to it as much as we enjoyed creating it. 

Lyrics (by The Mysterious Decibel):
 
Sometimes when we shout they can't hear us under the flow
Of the rapids

I'm screaming from the other side of the river
A shot to try
can you hear me?
I'm jumping in and swimming straight to you

All I can say is I tried
I tried and I met my own waterfall
A short way down
Did I try hard enough?
Cuz I hit the rocks below just hard enough
To hibernate me without a care
It's all just business and never fair

Music For Harp, Flute And Strings

Mark Hughes