This was a really great cover of She is So High

Its really good, love the vibe you're giving here

Nice track crazy cool vibes..love the tone an cool rendition

Interesting to hear this song covered with your tone/accent. This is part of my teenage years. nice job.

Top Re-Ex Pop #2

Big Bang (Anthem)

Hey loves! "Love a Little Harder" is a song all about embracing love with everything you've got. It's about giving your all, even when it's tough, and never holding back when it comes to matters of the heart.I wanted to create a track that encourages us to be fearless in love, to open ourselves up to vulnerability, and to cherish every moment with the ones we care about.Through "Love a Little Harder," I hope to inspire you to love deeply, to appreciate the beauty in every relationship, and to never take love for granted.So, let's spread love like confetti and remember to always love a little harder. You never know how much it might mean to someone.

Tasha - Love A Little Harder

She´s So High

Wave After Wave
I keep telling myself there’s a reason I’m still standing. But tonight, it feels like the ocean is endless.
Every time I find my footing, another wave comes crashing, higher, harder, heavier than the last. I’ve moved, I’ve changed, I’ve left pieces of myself scattered in places I’ll never see again — all just to keep my head above water. People think I’m playing. They don’t see the salt in my eyes or the weight pulling at my chest. They don’t hear the conversations that replay in my head long after they’ve stopped talking.
I’ve given everything just to be here, to hold my ground. And still, I’m hit again. Wave after wave after wave.
You tell me I’m jealous — but of what? The noise? The empty victories? The comfort of staying still while I fight to keep moving? Write the list down for me. Let me read it back to you in the quiet and watch your words start to mean something you didn’t intend.
I don’t get to run away. Not until it’s done. Not until they remember my name.

WAVE AFTER WAVE

"VERONICA" THE FIRST SINGLE OFF OF THE UPCOMING ALBUM "sleepwalking" IS OUT NOW.

"sleepwalking"
My definition: The feeling of living but not fully awake, ignoring a harsh reality.

An album about my fears, uncertainty of my future and personal struggles. COMING SOON.

Produced by: Ben Mercedez
Written by: Ben Mercedez
Performed by: Ben Mercedez

Lyrics:

VERONICA on a pedestal
Why am I jealous of you, I feel so small
You got the boys on their knees for you
And I'm left in the gutter blue

VERONICA I'm so happy for you
I would kill just for a sliver of the
Attention you so always receive

You'll never know my fear
Of talking to the monsters underground
You don't look in the mirror
And see a boy who's LOST NOT FOUND

VERONICA oh he calls for you
You got him on a string he adores you
To him I was just a mere experiment

VERONICA oh the girls are jealous
They want your man we're overzealous
You better watch behind his back before we attack

You'll never know my fear
Of talking to the monsters underground
You don't look in the mirror
And see a boy who's LOST NOT FOUND

You'll never know my fear
Of talking to the monsters underground
You don't look in the mirror
And see a boy who's LOST NOT FOUND

Oh and if I could I would be you
Just for a day I'd feel the power run
Deep through my veins it'd be so true
Living life without a care in the sun

Released: August 15 2025

Veronica

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Uli - Lamento do Sertão Urbano

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©Music Composed and Produced by Ulisses Nicolau Alberto Barros. (Uli)
©Lyrics by Uli (@uli-virtual-band)
Copyright 2025 - Uli @uli_virtual_band

Mixing by: Uli and Rogério Vieira
Mastering by: Uli and Rogério Vieira
Lyrics in English

Singer: Nicholas Albert
---------------------------------------

🎵 Presentation of the song "Lamento do Sertão Urbano" (“Urban Sertão Lament")

Lamento do Sertão Urbano is a song born from the quiet, painful observation of the transformations in our environment. Inspired by the contrast between the green that resists and the gray that advances, the music travels through urban and rural landscapes, revealing the impact of unchecked expansion on nature and life.

With verses that blend lyricism and protest, the lament becomes a collective voice — of the birds, the people, and the cracked earth that insists on blooming. It is a humble tribute to resilience and hope that emerge even in arid times.

Without claiming to offer definitive answers, the song invites listening, reflection, and care. May it find shelter in those who also feel the weight of concrete and dream of deeper roots.

---------------------------------------

Lamento do Sertão Urbano:

©Music and Lyrics by Uli (@uli_virtual_band)

Lyrics in English:

(Verse 1)

How many birds would find their home 
In the living green that could still grow
Across a landscape where these concrete grays
Paint the city in lifeless shades?
By the banks of the Potengi, a mangrove holds its breath,
And a bem-te-vi seeks shade on an electric wire.

(Chorus) 

Green fading, gray rising 
Green vanishing, gray expanding

(Verse 2) 

Warm, hot — a stifling heat, relentless and sharp,
Every patch of land, every paved path,
Boils under the sun, sharpening the island of burning heat,
Begging for at least one drop
Of the planet’s most vital liquid.
In the São Francisco, the river’s skin reveals its bones,
In the caatinga, the macaw silences the sky’s blue.

(Chorus) 

Green fading, gray rising
Leaves withering, walls growing
Green fading, gray rising
Shade thinning, asphalt stretching

Up above, eyes gaze in painful waiting
For the drop that never fell.
You hear the silence of birds in mourning —
Is there a way out, a solution to this?

(Chorus) 

Green fading, gray rising
Green vanishing, gray expanding
Leaves withering, walls growing
Shade thinning, asphalt stretching

Up above, eyes gaze in painful waiting
For the drop that never fell.
You hear the silence of birds in mourning —
Is there a way out, a solution to this?

(Outro) 

The lament of the urban sertão is what I hear.
Yet from cracked soil, stubborn life is born.
A full cistern, hands joined in effort, roots that endure.
If the “could’ve” could breathe, the city would learn to listen.
In the square, a sapling casts its shade — it will bloom.
From clay to backyard, from mangrove to heart,
Hope sprouts without asking permission.

(Eh eh eh, Eh Oh oh oh)
The lament of the urban sertão is what I hear
(Eh eh eh, Eh Oh oh oh)
The people of the sertões and the birds are in mourning
(Eh eh eh, Eh Oh oh oh)
The lament of the urban sertão is what I hear

(Flute Solo)

(Ending)

Uli - Lamento do Sertão Urbano (With Lyrics in English)

CSG Anthem/Marilyn(Prod.QUITAII and Billionstars)

Lights Down Low (Acoustic)

Depuis la pandémie mondiale, plusieurs pays ont décidé de restreindre les sorties des citoyens pour les protéger du virus. Bonne idée ou mauvaise idée, là n’est pas le propos de la chanson. Le titre parle plutôt de ceux qui avaient déjà, ou qui ont maintenant de la difficulté à sortir de leur maison depuis cet évènement. Cela se nomme  le SYNDROME DE LA CABANE. Dans la chanson, une amie essaie de venir en aide à la personne qui a peur de sortir mais ne sait pas si ça va fonctionner.


Since the global pandemic, several countries have decided to restrict the exit of citizens to protect them from the virus. Good idea or bad idea, that’s not the point of the song. The title talks rather about those who had already, or who are now having difficulty leaving their house since this event. It is called the CABIN SYNDROME. In the song, a friend tries to help the person who is afraid of going out but doesn’t know if it will work.


Musiciennes et musiciens :
Marie-Christine Tremblay : vocal
Denis Caouette : paroles, musique & arrangements, guitares, back vocals et programmation.
Michel Otis : synthétiseur
Frank Corneau : Basse
Sébastien Savard : Violons
Jérôme Vandal : Batterie
Martin Larose (Studio Septentrio) : Réalisation



PHONOGRAPHE

Prison de Verre

Prison de verre

A song about the power of addiction and infatuation over the human condition and how obvious the right thing to do might seem, but how much we still hold on to people, habits, and things that take us down.

--------------------------------------------------------------------------------------------------------

LYRICS:

Intro:


Take me down...


Verse 1:


Remember when we used to stare up at the stars

Nothing in this world quite like them

Shining in the dark

Remember when we used to gaze upon the sea

Nothing in this world quite like it

Made for you and me


Pre-chorus:


So won't you hold me

Love me


Chorus 1:


Take me down (so won't you)

Take me down (so won't you)

hold me 

love me

Take me down


Verse 2:


Remember when I used to fall into you arms

Nothing in this world so lovely

Lighting every spark 

Remember when we used to gaze into the pain

Nothing in this world so closely

Find me in the dark


Chorus 2:


Take me down (so won't you)

Take me down (so won't you)

hold me 

love me

Take me down


Outro:


So won't you

So won't you

So won't you

So won't you

why don't you

Take me down

------------------------------------------------------------------------------------------------------

Production: All lyrics and music by Joshua Bryan (AKA DJ Joshy B); Vocals: Synthesizer V - Minus and Weina 2 voicebanks; Software and Plugins: Cubase, Synthesizer V, Serum 2, Komplete Kontrol, Heavyocity Vocalise 2, U-he Diva, Output Arcade, Mok Miniraze, Halion Sonic, Sitala Drum Sampler, UJAM plugin series, Fabfilter Twin 3, Raum and Valhalla Supermassive reverbs.



Take Me Down

In Memory of Chuck Pfrang

Ron Snyder - Vocals; Lead Guitar; Riff Guitar; Slow Rhythm Guitar; Drum Arranger; Producer  
Joe Storino - Vocals; Fretless Bass Guitar
Joe DeBrizzio - Fast Rhythm Guitar (right side)

You Did It Right (Chuck) - Snyder/Storino/DeBrizzio

All Good Things End

The Cats Pajamas

This is a preview of a track that was inspired by a conversation I heard between a group discussing 'work' they had  done. I exaggerated it for impact.  Thanks for listening.

Tweakments

Marking the 50th release from PulseMeld, Dark Shadows is a powerful milestone — a cinematic, emotionally charged electronic rock album produced by Judith Whittaker.

The record plunges deep into themes of love, distance, fury, and survival, weaving pulsing synths, haunting guitars, and raw vocals into a storm of sound. From the relentless drive of Reckless to the heartbreaking intimacy of Tears For You, every track feels like a chapter in a shadowed journey.

Dark Shadows isn’t just another record — it’s a statement piece. Equal parts vulnerability and fire, it blends the darkness of gothic atmosphere with the energy of modern electronic rock, offering listeners both catharsis and connection.

As PulseMeld’s landmark 50th release, this album celebrates everything the project stands for: pushing boundaries, amplifying emotion, and redefining the sound of tomorrow.
credits
released August 26, 2025

Produced by Judith Whittaker

Bandcamp

The Fury

This is not a traditional song, but a musical scene – a cinematic moment based on the true story at the heart of the epic novel "Hinter uns das Land" (The Land Behind Us).

The text is a direct, unabridged translation of a key passage from the novel, depicting an authentic, handed-down moment from the author's mother's, Inge Feyerabend's, escape from East Prussia in the winter of 1945. It captures the intimate vow of familial solidarity as their homeland disappears into the dark.

This is the most direct link between true history, literature, and music within the "Soundtrack Universe".

---

Dies ist kein klassischer Song, sondern eine vertonte Szene – ein filmischer Moment, der auf der wahren Geschichte im Herzen des Roman-Epos "Hinter uns das Land" basiert.

Der Text ist eine direkte, ungekürzte Übersetzung eines Schlüsselmoments aus dem Roman, der auf den authentischen Erlebnissen der Mutter des Autors, Inge Feyerabend, während der Flucht aus Ostpreußen im Winter 1945 beruht. Er fängt das überlieferte, intime Versprechen des familiären Zusammenhalts ein, während die Heimat im Dunkel verschwindet.

Es ist die direkteste Verbindung zwischen wahrer Geschichte, Literatur und Musik im "Soundtrack Universe".


What The Land Has Given Us (From the Original Novel Soundtrack)

*** do something you are passionate about ***

Artist signed by several music labels ⚡

including :
UFO Recordz (700k) 
Guia Records (22k)

Piano teacher & Pianist in the south east of France. 🎹

Collaborator of The Delight Music Project born in 2024 with Mike Wornath & Armaora Records.

Creating beats since the age of 16 (I'm 43 yo)
Cubase lite in 1998, then FL Studio until now.

I sell some beats.

She´s So High

Mensah Nyarko

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