Just a guy managing rocks and walking dogs. 


All sound recorded by me, usually using my loop pedal fed into a soundboard.

A raucous blend of atomic blues rock and arty garage punk--The Sideshow Tragedy sounds like Led Zeppelin would sound if they were the Velvet Underground. 2014 is shaping up to be a big year for the band: they are currently finishing up their fifth LP, recorded at Old Soul Studios in New York and produced by Kenny Siegal(Chris Whitley,Langhorne Slim, Joseph Arthur). They have been touring the South and Northeast steadily this year as well, and are gearing up for their second European tour in the Fall.

Press:
"For anybody who likes the idea of the Black Keys but finds them impossibly tame, the Sideshow Tragedy will not disappoint: they are the real deal. If dark twisted surreal country blues is your thing, this will hook you up for the duration. Frontman/guitarist Nathan Singleton took the entire blues dictionary, distilled it, lined it up down the bar and then did shots of it until he had the whole thing in his system. It’s like the Gun Club, but more raw, or like Dylan at his most haphazard and interesting."--New York Music Daily (http://newyorkmusicdaily.wordpress.com/2013/05/page/2/)

"With equal parts poetry, grit, and screech, The Sideshow Tragedy sounds a bit like a punk band resurrected at some dusty crossroads. Listen closely and a train chugs and whistles along in the background, a lonely measure of distance."--Taos News

"Persona finds the band hitting its stride, with production and backing from members of Austin funk outfit T-Bird & the Breaks...balances Nathan Singleton's rumbling vocal tremble with guitar licks fitting for both a dark club or a back porch."--The Austin Chronicle

"If you like rock and roll you're in for a treat."--The Bay Bridged, San Francisco Area Indie Music

"The Sideshow Tragedy perform with so much verve and energy that words will not fairly describe it."--littlerocklivemusic.net

"(The band's)talent is undeniable, if you have ears, but their style is harsh as well as beautiful, like the Clash and Lead Belly at the same time. Nothing like it on the radio today, when even the rock bands are polished with a computer till all evidence of a human hand is erased. Give me my music with all the scars, sweat and sweet fuckups that mean more than all the perfect ones and zeros ever will."-Guy Forsyth



“BIG TINGS” marks the determined return of Polaris Music Prize nominee JayWood, joined by Merrill Garbus and Nate Brenner of the Oakland, California, art-pop duo Tune-Yards. Together, they’ve crafted a meticulously produced, exponentially layered song of empowerment that fluidly navigates the blurred lines between genres such as Alternative Hip-Hop, Indie, and Neo-Soul—territory where JayWood feels entirely at home.

Encouraging resilience in the song’s lyricism, JayWood explains: “This song switches perspective—sometimes I’m talking to myself, and sometimes I’m reaching out to the listener. Keep going, keep trying, don’t stop.” The single serves as a fitting preview of what’s to come later this year from JayWood: “I got big tings coming down the pipe, so what.”

JayWood – the nom de plume of Jeremy Haywood-Smith – most recently released 2023’s Grow On EP, on Captured Tracks. The EP includes two bonus tracks from the previous year’s Slingshot sessions, an “OG” version of the album single “Thank You,” a cover of Tyler, the Creator’s “SWEET,” and the release’s lead single, “Dirk Gently (Know Yourself).”

MOMPOX se forma en Buenos Aires en el verano de 2008 con una propuesta en mente: crear una banda conformada por varios cantantes-compositores en la que conviva la búsqueda compositiva y arreglística del pop norteamericano de los 50’s y la psicodelia de los 60’s junto a la experimentación sonora actual. En el verano de 2009, luego de componer una veintena de temas,  comienzan a grabar su primer disco en distintos estudios de Buenos Aires (Panda, El Pie, Mandarina) con la participación de más de veinte músicos invitados. “Mompox & The Big Umbrella”, el resultado de esas sesiones de grabación, se edita en enero de 2010 de forma independiente. El disco cruza y amalgama múltiples sonoridades e influencias. Así se llegan a interpretar géneros como rock y psicodelia, folk, pop orquestal, rockabilly, bolero... Durante 2010 el disco es presentado en vivo en Buenos Aires y la primera edición de mil copias se agota en diciembre. Ese mismo mes estrenan en Muchmusic el video-clip del primer corte de difusión, “So mad”, dirigido por Federico Lamas, que estuvo en rotación durante el verano de 2011. 
En mayo de 2011 MOMPOX entra en los míticos estudios ION de Buenos Aires a grabar el sucesor de “The Big Umbrella”. En noviembre del mismo año sale a la luz ▲.  En este nuevo lanzamiento, Mompox presenta un trabajo compacto y complejo a base de synth rock, con buenas dosis de pop y psicodelia bailable. Nos encontramos con una banda que deja de lado el formato predominantemente acústico de su primer álbum para explorar el mundo de los  sintetizadores y las viejas máquinas de ritmos. En esta búsqueda, logran desarrollar su costado más eléctrico y electrónico. 
“Perfect Service”, primer corte de difusión de ▲, comienza a rotar por las radios en Diciembre. El video-clip del tema (estrenado en MuchMusic en febrero de 2012) es dirigido por Dr. Sepian y producido por Wunderka y traslada al plano visual la psicodelia sonora que Mompox propone en su nuevo disco. 
Grabado en ION y en La Siesta del Fauno, el estudio de Ernesto Romeo (Klauss), ▲ contiene trece  canciones donde la banda sigue desarrollando un particular estilo que mixtura la música pop y rock de los 50's y 60's con un revestimiento sonoro moderno. Una estética que podría sugerir la improbable cruza entre Buddy Holly y Kraftwerk, Donovan y Gorillaz o Roy Orbison y el primer New Order. 
En su corta pero intensa trayectoria, MOMPOX ha tocado en Buenos Aires en Niceto Club, La Trastienda, Ciudad Cultural Konex, Groove, Crobar, Roxy, Teatro Margarita Xirgu, Salón Real, Café Vinilo, entre otros, y ha compartido escenario con bandas como The Ting Tings (UK) (con quienes encabezaron el Buenos Aires Sounds Fest), Astro (CHL), Nairobi, Morbo y Mambo, Las Kellies, Cosmo y Betty Confetti, entre otros. En mayo de 2012 emprenden su primera gira por México de la mano de Forastero Producciones, participando del Festival Marvin 2012, donde tocan con bandas como Atlas Sound (US), Crocodiles (US) y Nortec Collective (MEX). Entre mayo y principios de junio realizan diez shows en las ciudades de Toluca, D.F., Cholula, Satélite y Guadalajara, tocando en lugares como Pasagüero, Foro 246, Caradura, Pata Negra, Film Club Café y Foro Landó, entre otros. Luego de la gira, son fichados por el sello Discos Intolerancia.
De vuelta en Buenos Aires, participan en junio del Festival Ciudad Emergente 2012, compartiendo escenario con Bomba Estéreo (COL), Dorian (ESP) y Daniel Melero, entre otros, y son elegidos para abrir el show de la banda australiana Tame Impala el 18 de agosto en Niceto Club. 
En marzo de 2013 viajan a Estados Unidos para participar del festival SXSW en Austin, Texas, presentándose primero junto a Franny Glass (Uruguay) y Emicida (Brasil) en The Whiskey Room y luego junto a sus compatriotas de Él Mató a Un Policía Motorizado y Les Mentettes en el showcase oficial del MICA, “Sounds from Argentina”. Luego viajan a México por segunda vez para participar del festival Vive Latino, donde comparten fecha con Blur y Tame Impala, entre otros, y realizar una serie de shows en D.F. y alrededores con motivo de promocionar la edición mexicana de ▲, lanzado en marzo a través de Discos Intolerancia.

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MOMPOX begins in Buenos Aires, Argentina, in the summer of 2008 with an objective in mind: to create a band of several singer-songwriters in which 50's American pop and 60's psychedelic composition and arrangement styles mix with modern sound experimentation. In the summer of 2009, they begin to record their first album in various studios of Buenos Aires (Panda, El Pie, Mandarina) with the participation of over twenty guest musicians. "Mompox & The Big Umbrella" is released in January 2010 independently.  The album crosses and amalgam multiple sounds and influences. We can hear styles like psychedelic rock, folk, orchestral pop, rockabilly… During 2010, the album is performed live in Buenos Aires and the first edition of a thousand copies is sold out in December. That same month, the video clip for the first single, "So mad," directed by Federico Lamas, premiers on Muchmusic and is continuously aired during the summer of 2011.

In May 2011, MOMPOX enters the mythical ION studio of Buenos Aires with the aim of recording the successor to "The Big Umbrella". In November, ▲ is released through PBK Music. The band consolidates its sound with a compact and complex synth-based rock sound, with a good dose of psychedelic and danceable pop. In this new record, Mompox leaves aside the predominantly acoustic format of their first album to explore the world of analog synths and old drum machines, developing the most electric and electronic side of the band.

Recorded in ION and La Siesta del Fauno, the studio of Ernesto Romeo (Klauss), ▲ includes thirteen songs in which the band continues to develop a unique style that mixes pop music from the 50's and 60's with hi-fi and experimental modern sounds. An aesthetic that could suggest an unlikely cross between Buddy Holly and Kraftwerk, Gorillaz and Donovan or Roy Orbison and the first New Order.

In its short but intense career, MOMPOX has played in various venues of Buenos Aires such as Niceto Club, La Trastienda, Ciudad Cultural Konex, Groove, Crobar, Roxy, Margarita Xirgu Theatre, Salón Real and Café Vinilo, among others. They have played with bands like Tame Impala, The Ting Tings (U.K.) (headlining the Buenos Aires Sounds Fest 2012), Astro (CHL), Él Mató a Un Policía Motorizado, Nairobi, Morbo y Mambo, Las Kellies, Les Mentettes, Michael Mike, Cosmo and Yataians.

In May 2012 they participate in Marvin Festival 2012, one of the most important music festivals in Mexico, sharing the stage with bands like Atlas Sound (U.S.), Nortec Collective (MX), Crocodiles (U.S.), Silverio (MX) and The Boxer Rebellion (U.K.). After the success of the tour, they’re signed by indie record label Discos Intolerancia. The Mexican edition of ▲ was released and presented in March 2013, during the second international tour of the band, that included a show in Vive Latino Festival in México City, two gigs in SXSW Festival (Austin, Texas) and more than 10 shows in D.F. and in the cities of Toluca, Cholula and Satélite.

Boston based neo-psychedelic rock band Ghosts of Jupiter will release their second full length album The Great Bright Horses on October 11th, 2016. The release will be accompanied by a run of live dates around New England, with appearances in Worcester MA, Cambridge MA, Portland ME, and Dover NH. 

Formed in 2011 and led by singer/composer and multi-instrumentalist Nate Wilson, Ghosts of Jupiter achieved regional success with their self-titled debut release. The album was received with critical acclaim and was followed by live appearances with Blue Öyster Cult, moe., Robert Randolph and the Family Band, the Buffalo Killers and Dead Meadow. In 2012 the band teamed up with Boston’s Museum of Science to create Ghosts of Jupiter: Music Experience, a fully immersive music and animation film which recalled the laser-light show era of classic rock’s yesteryear. The show ran for over a year at the Charles Hayden Planetarium in Boston, and has since been shown at planetarium festivals in Auckland, New Zealand and Boulder, Colorado. 
On their second independent full-length release The Great Bright Horses, Ghosts of Jupiter’s latest effort draws upon the experimental flute-prog of Traffic and King Crimson, the exploratory elements of Meddle-era Pink Floyd, and the modern psychedelia of Tame Impala, Midlake, and Dungen.
The 9 tracks on The Great Bright Horses were self-produced by the band over the course of two years. Foregoing the use of a traditional recording studio, the band utilized their own portable equipment to record in rustic spaces across rural Maine, Vermont and New Hampshire. The album was recorded, mixed and engineered by bassist Tommy (“Steve Dave”) Lada. According to bandleader Wilson,  “We wanted to see what we could do if we had complete control over the process from start to finish, with the freedom to take risks, and lack of any real constraints of time or money. It started out as an experiment just to see if we could do it ourselves, but the results are a huge step forward for the band, and the process was more satisfying than any other recording I’ve ever been a part of.”

Opus Vitae (meaning life’s work) is the solo project of multi-instrumentalist / singer Banah Winn. Inspired by Kevin Parker (Tame Impala) Winn takes the same approach of composing, and recording solo. His latest effort, a 14 song collection called “Gramercy” is a real time autobiography of a year. A fluid narrative in which each song seeks to capture the emotion or feeling of a moment in time.

I'm on Spotify under the same name making songs that has absolutely no commercial use but if you are a world renowned singer and will make me thousands of dollars, feel free to contact me and we will split 70-30. If your name is Sia Furler we'll split 60-40. 

This is how the creative process works for me (love to use the phrase "creative process" every now and then, makes me sound like I know what Im doing). 
I usually start of with a short melody I come up with and try to build a song around it. Then I add a little something here and something there and by the end its most often some monster with trumpets, horns, leads, pads and violins using every single note usable, which in turn leaves no space for singing/rapping/talking which renders it useless for everything but my MP3-player on the subway. 
So put it in your Iphone/MP3 and get out there in that public transportation system (If nothing else you're helping the environment)….or you can watch a sad movie with no sound and simultaneously listen to my tunes - Voila! -you have yourself a musicvideo! (If thats too hard, use that eerie Macintosh screensaver (you know which one!), it serves that purpose perfectly as well)

My Influences: Zero 7, Air, Aphex Twin, Flunk, Koji Kondo, Nintendo 8 bit, Beatles, Os Mutantes, Dirty Projectors, Wu-Tang Clan, Jan Johansson, Kraftwerk, Fantasy Books and Books of the late great Peter Nilsson, Dungen, Tame Impala, Fleet Foxes, Sega Mega Drive, Timbaland, A Tribe Called Quest, Living Legends, Django Django, Charlift, Discovery Science, Henry Mancini, The Swell Season, Muse, 4 Hero, Jose Gonzales, Guns'n'Roses and Michael Jackson.

Sounds like..someone took my old iPod, CD's, Tapes, MD's, my old Nintendo and SEGA, and finally my parents LP's and smashed everything together into a CD which changes songs and genres depending on mood i.e I'm mostly experimenting and mixing stuff from everything I listen to, havent come up with a real plan yet :) If I had a genre it would be something like Psychedelic Fairytale Electronica with a heavy influence of Discovery Science Shows, Video Games and Folkmusic. Good day for now.

December 21 marked the change in the music scene. Dwain M. Jiles aka Billy Dollaz started his rise to power as the game of hip hop was born he started listening and absorbing everything. By the time he reached high school he had already developed his writing skills thru creating short stories and poems that had a startling reflection on real life. At the age of 16 he began to freestyle with a group of friends and discovered that he had a raw talent and an ear for good music. Although he was dealing with street life he managed to stay out of trouble. By the age of 22 he was ready for the big time. He and childhood friend inked a record deal with Warlock Records, under the group name Tango & Cash. As Tango began to record their first album differences arose that caused the group to part ways. 
After the split Billy Dollaz was on a mission to regain the momentum lost by the group splitting. He went on to finish his first solo album. Due to shady dealings by the record company and other entities he still sat in the waiting area of signed musicians and eventually waited out his contract. During the wait he managed to work with some very important people within the music industry. Including Coptic of the Crazy Cat Productions team along with advice from artists like Tracey Lee, Derek “D-Dot “ Angeletti during the period he was being managed by Kim Holland. As well as Young Zee, Pace Won and Rah Digga of the Outsidaz as well as Tame One of the Artifacts. His drive and the diversity of people he has work with has made him a one of a kind artist. Now he has returned to the music scene he has began to work on his newest solo effort with producers from every tier of the business. Producers from this project include the Drum Majors, Supah Shane, Miguel Vasquez, Rob “ Lb “ Dorsey and many others . With a team of Billboard topping, Grammy winning, Artist and producers on his current project Billy Dollaz is sure the revive Hip-Hop, unsung hero.

Hello! I Dj onix real name Vova. In the musical culture I was in 2008. Knowing the trend of club music, I chose a style that began to work, it's HOUSE (electro, vocal, progressive, minimal, tech) first experience in a nightclub a couple of Dj Jack was at the club 50/50, then there was New Z Club and etc
April 30, 1994 has been born a boy who decided to name themselves after the Greek god of joy and fun of Dionysus (the truth chyut changed its name and has appeared onix). Little Vova grew up happy and carefree child and do not suspect that will connect their lives with music. Its attract each element. Despite its terrestrial zodiac sign Taurus, he attracted the energy of water and he started swimming and water polo. Tame by river flows, Vova cultivate one such qualities as determination, resourcefulness and perseverance. However, in contrast to his courage, he, desperate amateur female hearts ..
Favorite styles:
2 Step, Acid, Acid House, Acid Jazz, Ambient, Ambient House, A Break, s Bassline Breaks, Beatboxing, Berlin School, Big Beat, Bitpop, Booty breaks, Bouncy Hard, House Bouncy, Techno Breakcore, Breaks Breakstep, Brokenbeat Bumping, Chicago House, Chillout, Chiptune, Classical Crossover, Club House, Crunk Cut &amp; Paste, Dancecore, Dancehall, Dark Ambient, Dark Progressive, Deep House, Deep Techno, Detroit Techno, Digital Hardcore, Disco Funk, Disco House, Disco Soul, Diss Downbeats, Downtempo, Drum &amp; Bass, Drumfunk Dub, Dub Techno, Dubby Dubstep, Dubwise Dutch, House, Easy Listening, Electro, Electro House, Electro Industrial, Electro Progressive, Electronic Body Music, Electropop Euro Techno, Euro Trance, Eurodance, Fidget House, French House, Frenchcore Full-On Funk, Funky Breaks, Funky House, Funky Techno, Future Jazz, Futurepop, Garage, Ghetto House, Glitch Go-Go Goa Trance, Gospel Trance, Grime Happy Hardcore, Hard House, Hard IDM Hard Techno, Hard Trance, Hardbass, Hardcore, Hi-NRG, Horrorcore House, IDM Illbient, Inda, Indie Dance, Industrial, Industrial Techno, Instrumental Intelligent, Italo Disco, Jazz, House Leftfield, Liquid funk, Lo-Fi Lounge, Lowercase, Miami Bass, Microhouse, Minimal, Electronica, Techno, Neuro, Jump Up, Neurofunk, New Age, New Beat, Noise, Nu Breaks, Nu Disco, Nu Jazz, Nu Style, Gabber Oldschool, Drum &amp; Bass, Progressive Breaks Progressive House, Trance, Psy-Progressive, Trance Psybient, Psychedelic breakbeat, Pumping House, R&amp;B Ragga, Jungle Rave, Reggae, Sambass Schranz, Smooth Jazz, Soulful Drum &amp; Bass, Soulful house, Southern Rap, Spacesynth, Speed Garage, Speedcore, Synth-Pop, Tech House, Tech Trance, Techno, Technoid Techstep, Terrorcore Trance, Trancestep, Tribal House, Tribal Techno, Trip-Hop Turntablism, UK Funky, UK Garage, Uplifting.Trance, Uptempo, Vocal House, Vocal Trance
He worked on the music scene with DJ and MC:
DJ Shafran
DJ Lime
DJ Maximoff
DJ Rayz
DJ Max While
DJ Maximoff
DJ Volea
DJ Djack
DJ Low
MC Sand
MC Ferrero
MC Demon
MC Inferno
DJ Maxim Sunbeat
DJ Vzorov
DJ Dexter
DJ Den Wilde
DJ Andrew Playhouse
DJ Angello
DJ Hellen Mills
DJ Kristina Vixen
DJ Tina Wonder
DJ Sergeev
DJ Borman
DJ Shans
DJ Bo'Han
DJ Holcev
DJ Nelson
DJ Bass
DJ Lexx
DJ Denix
DJ Slaventii Smile
DJ Hroostetsky
DJ Li.SS
DJ Dima Martinez
DJ RuBleff
DJ Delph
DJ Slaventii Smile
DJ Dima Martinez
DJ Hroostetsky
DJ Borman
DJ Shans
DJ Denix
DJ Nelson
DJ Delph
DJ Den Wilde
DJ Maxim Sunbeat
DJ Angello
DJ Hellen Mills
DJ Kristina Vixen
DJ Tina Wonder
DJ (MC) Vitamin
DJ (MC) RuBleFF
DJ Maysky
DJ Sergeev
DJ Wizzle
DJ Bo'Han
DJ Holcev
DJ Bass
DJ Lexx
DJ Dexter
DJ Andrew Playhouse
DJ Li.SS (DubStep)

Worked in such places as:
Freestyle Club
50/50 Club
Art Chillout Bodhi Club
New Z Club
Goa Territory
Decadance Club
Flamingo Club
Crazy Horse
Its current status Didzheya I reached only his hard work and diligence.
Despite not what I was going to achieve your goal!
Obstacle was the lack of time, constant training and sports, but I set a goal and went to her hard and fast.
My mixes and sets listening to and recognized in many countries such as for example: Brazil, Canada, USA, Russia, Ukraine, Italy, France, Chile, Colombia, Turkey, Spain, Germany, England, Romania, Hungary, Norway, Czech Republic, Poland China, Japan, Indonesia and Japan
And I'm glad I was able to achieve this!


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