KILL, THE ICON! are a double-drumming synth-punk quartet from London.

They use cultural iconography as a conduit through which to process punk ideals.

A weekly video and audio podcast with Theo Von coming to you from above the world famous Improv Comedy Club in Hollywood, CA and featuring interviews with some of the top comedians in America.

The movie is over. Let the arguing begin.
Join film critics Alice Tynan, Marc Fennell and Giles Hardie as they bring you their fun and frenzied movie reviews - spoilers and all! 
It's the conversation you want to have as you walk out of the cinema. 

New album ‘Spirituals’, available now.
santigold.com

Were you a backseat baby? Were you strapped into your car seat and forced to listen to NPR in the 80's and 90's? 

It's time for us to get better at finding you: where you are and what is most relevant to your lives. And when we get there, we want to hang out — whether in cyberspace, over the air, or through events — and exchange ideas and smart conversation.

Join us on a new on-ramp to NPR that is quietly gaining speed: Generation Listen.

Contact info: emclap.music@gmail.com

For "Demir & Seymen" aka "Two Who", the goal of their productions is clear: tracks that touch you through irresistible rhythms and goosebump-invoking melodies. They successfully move between deep house, new disco, tech house and techno. It's no wonder, that they have already released on Highgrade, Plastic City and MBF. With that comes their DJ experience. As DJs the duo proves their infallible sense for the vibe of the party, in clubs as well as festivals in and outside of Germany.

A trusted troubadour for hot summer nights and cold beers, Owen is now in his forties, tangling with separations from lost lovers, raising kids, and growing out of the fresh-faced kid that headed down to Nashville 20 years back with a six-string and a dream.  Case in point: Dreams to Dream, Owen’s long-awaited, Shooter Jennings-co-produced foray into classic, honky-tonk country, out November 7 via Good Company Entertainment. Dreams to Dream, Owen’s first independent studio album, featuring 10 original tracks and two stellar covers, tells the tale of a man at a crossroads — and what it takes to set out a new path. 

Owen wasn’t expecting much when he commented on one of Shooter Jennings’ Instagram posts, half-jokingly suggesting that they make a honky-tonk record, but the producer called his bluff. Two days later, Owen’s manager had Jennings on the line and, soon, Owen was on his way to L.A. and Jennings’ Sunset Sound. It was a cozy yet electric scene: Jennings and Owen cracking jokes in the sepia-toned studio, creativity crackling as they collaborated with the likes of songwriters Ben Chapman and Kendell Marvel, as well as long-time shooter pal, guitarist/harmonic player Leroy Powell. 

“All my friends who have heard my stuff have gone, ‘Dude, Jake, this is you man. This is who you've always tried to be,’” Owen says. “Sometimes you need to get outside what's comfortable, what people think you are, or think you should be, and take a risk.”

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