Spring of 2020

The Brilliance of Soundcloud 2

Some great songs from some Fantastic Artist's/Bands and a few of my own.

AB Playlist 053 Part 2

OCTOBER  2019

WE'RE ALL ALIENS INDEED

Some great songs from some fantastic Artist's/Bands and a few of my own.

AB Supporters Playlist 026

8dio Instruments used;

Rhythmic Aura Vol. 1
Rhythmic Aura Vol. 2
Hybrid Tools 3
1969 Legacy Piano

8Dio 2016 Stand Out Contest Submission: “Auras” by Ramon Gutierrez

Album available @ Bandcamp : https://wearemagonia.bandcamp.com

- Twitter : https://twitter.com/WeAreMagonia
- Facebook : https://www.facebook.com/WeAreMagonia
- Spotify : https://open.spotify.com/artist/6ZfZ3k4azxmrGfYoJHdJJP
- Booking & Management : WeAreMagonia@hauntedmotion.com

Apocalypse

Painkiller Overdose

Just another simple idea I'm working on that will be on my new release.  With just the melody and no improv.

The Thought Of Losing You

A companion piece to Magdalen Green, the original backwards instrumentation and rhythm are brought forward in the mix. Additional vocal, piano and bass guitar have been added while playing slide with a Fender Strat through a Cry Baby Wah Wah. 

Mixed and mastered by The 1969

Magdalen Green, Slight Return

the reflected light (Mix 1 June 3, 2019)
Remixed on Aug 7, 2019

Something about all the people we meet along the way....
Written, performed, and mixed by Tim Griffis at Princeton Studio
Hope you enjoy some part of it ;-)

Technical Details
Recorded at Princeton Studio
Guitars: Fender Strat; Les Paul Standard; Fender Squire Bass

Mics: Neumann TLM 67
Drums: arranged by TG
Software: Pro Tools
Vocals: TG

Mixer: API 16 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)

Lyrics
Here comes the noise again
it's creeping in my head
reminding me
of all the things you said


In the brightest light
you see all your life
it's a picture of 
me and you

Stood on the great wall again
chasing dreams in my  head
spell bound
by the girl in red

In the brightest light
you see all your life
it's a picture of 
me and you

In the reflected light
when the time is right
it's a chance for
you and me

reached out my hand again
feel the steel in your veins
driven on 
by a burning flame

In the brightest light
you see all your life
it's a picture of 
me and you

In the reflected light
you can see
right through everything
through you 
and me
you and me

In the brightest light
you see all your life
it's a picture of 
me and you

In the reflected light
when the time is right
it's a chance for
me and you

The reflected light

ROCKING IN THE NIGHT - Re-Mastered Sept 2020
Written, Performed & Produced by Andrew Borderick
Copyright 2019/2020 AB Music All rights reserved.
Mastered by Soundcloud Sept 2020
YouTube https://www.youtube.com/watch?v=7aswmJvnP6Y

EVERYBODY'S GONNA HIT THE GROUND
GOT A TICKET TO A GREAT BIG SOUND
AND THE SIGN SAYS RAIN HAIL OR SHINE

NOTHING'S EVER GONNA MAKE ME STOP
DANCING ROCKING LIKE THE BLITZRIEG BOP
THERE WILL BE ROCKING AND ROLLING ALL NIGHT

YOU KNOW IT MAKES ME WANT TO FLY
WHEN I'M ROCKING IN THE NIGHT
AND IT MAKES ME FEEL ALIVE
I'M HEARING SOUNDS I'VE NEVER HEARD BEFORE

WE MIGHT END UP DANCING WITH THE COPS
ROCKING ON TO THE JAILHOUSE ROCK
AND THE JUDGE SAYS ROCK ON ALL NIGHT

YOU KNOW IT MAKES ME FEEL ALIVE
WHEN I'M ROCKING IN THE NIGHT
OH I MUST BE HYPNOTIZED
I'M HEARING SOUNDS I'VE NEVER HEARD BEFORE

EVERYBODY'S GONNA HIT THE GROUND
GOT A TICKET TO A GREAT BIG SOUND
AND THE SIGN SAYS RAIN HAIL OR SHINE

YOU KNOW IT MAKES ME WANT TO FLY
WHEN I'M ROCKING IN THE NIGHT
AND IT MAKES ME FEEL ALIVE
WHEN I'M ROCKING IN THE NIGHT
OH I MUST BE HYPNOTIZED
I'M HEARING SOUNDS I'VE NEVER HEARD BEFORE

Rocking in the Night

ROCKING IN THE NIGHT - (see info for video link)

Summer Tune

Please welcome to join Syntaleta community on https://www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Show your support

Obsession

first time iv switched on any thing in over 6 mths i think just a fuck around with the first thing tht came into my head MADE IN 90 MINS ,gona start back maybe soundclouds died a worst death than gg allin lol

Take What Ever Youv Got

Vocals & Lyrics by Lemonade
https://soundcloud.com/lemonadelove

Trippin'   Lemonade & Moon Dust

Run Away
Music and Bass Paploviante 2019
Vocals and Lyrics: www.Ghosthack.de
Artwork Paploviante with Swift Publisher 5

Run Away - Paploviante 🏃🏃🏃

Working with JP is such an amazing exploratory experience. 
Electric Guitar and Ambient drones: JP @john-palmer
Acoustic Guitar, Synths, Bass, Programming: BP

Produced by Belial Pelegrim

Area | Belial Pelegrim & John Palmer

The following is once again the source for this concerto:

[...... The Six Brandenburg Concertos
[...... and the Four Orchestral Suites
[...... in Full Score
[...... Published by Dover, 1976
[...... ISBN 0-486-23376-6
[...... Library of Congress Catalog Number 76-12016

Although this was written as a Violin Concerto,
I thought I would try to blend some other instruments together
to make it sound a little bit like a music box, or an old timey Polyphon:

https://en.wikipedia.org/wiki/Polyphon


So the substitutions ran like this:

-----ORIGINAL: = LOGIC:

-----Violino    I = Accoustic Guitaro
-----Violino   II = Roundback Accoustic
-----Violino  III = Bluegrass Banjo

-------Viola    I = String Decay
-------Viola   II = String Tub
-------Viola  III = 80s Wave Synth

-Violincello    I = Fast Pad
-Violincello   II = Droplet Harp
-Violincello  III = Alien Lead

Violine e Cembalo = Basses


In the process as I neared completion, 
I occasionally found that, after I had done a SAVE
I then realized that I had DELETED a whole track.
So, by the time I had finished making this,
I had wished I had selected something else besides the mallets.
They were beginning to take their toll on my eardrums.

ALSO: When I was in high school, I bought a little book of Bach's 2 Part Inventions that also included the Brandenburg Concertos. I transcribed this particular tune as a piano piece. This one I played well over a thousand times and probably only got through it twice without making a mistake. As such, my mom estimates that number to be much more...poor thing.

Addendum:
I had just posted this on SC when I played it for my mom.
She passed away within a couple of weeks after that,
but she was never one to go on about these soundtracks I would make.
On this particular one though, for the first time ever,
she said, "Turn it up a little bit."

Now coming from her, that was high praise.

Brandenburg 3 Movement 1

Timegate

HERE SHE COMES-THERE SHE GOES
Written, Performed & Produced
by Andrew Borderick Copyright 2015/2019/2020
Re-Mastered by Andrew Borderick OCT 2020

THEY WERE THE DAY'S WE'D GO OUT AND MEET ONE
A FRIEND AT THE BAR OR SWIMMING WITH YOU YOU YOU YOU
REMEMBER THE DAY'S OF THE OLD DUKE BOX
WHEN WE DANCED THAT NIGHT WHEN I MET YOU

GONE ARE THE DAY'S IT'S ALL ABOUT FACE'S
A CLICK ON THE NET AND I CATCH YOU YOU YOU YOU
MAY'BE WE'LL FALL IN TWO PLACE'S
TAKE A CHANCE ON YOU AND WHAT IS TRUE

HERE SHE COMES THERE SHE GOES

EVERYONE'S OUT FALLING ON THE WEEKEND
OTHER'S ARE HOME SURFING FOR YOU YOU YOU YOU
TAKE SOME TIME AND WE MIGHT BELIEVE IN
THAT SOMEDAY YOU'LL FIND THE ONE FOR YOU

HERE SHE COME'S THERE SHE GOES

Here she come's there she goes

HERE SHE COMES-THERE SHE GOES

ALL THE SAME GAME
Vocals: LOU6 - Ian Greaves
https://soundcloud.com/lou6-224024339/vocal-88-bpm-the-game-deconstructed
https://soundcloud.com/ipg1
Music, Arrangement and Production: Lillithe

ALL THE SAME GAME   LOU6 / Lillithe

Olympiad

Written, arranged, produced & performed by Arkestar. 
copyright 2019.

Daviot Street Lyrics:

Once a week on Daviot Street,
200 Miles to Kiss your Lips,
Poetic ascends to euphoric weekends,

The Relocation chance fell through,
the separation stress just grew
We Cried Each Other's Tear's all night

I hadn't seen U for a week,
a borrowed life bereft of sleep,
or was it 2?... it felt much more

It killed me every single day,
to hear U cry my name,
my helpless love so far away.

Catch a train 2 Cardiff Bay,
Run into my arms & Stand & Sway,
there we'd watch each other's tear ballet

40 minutes to your digs
it took 4 hours 'cause your sweet,
Sweet kisses lingered on the seats.

Chorus

The Girls U shared with held your hands
they wiped your face, they took U out,
they understood the pain we felt

U came home in the Holidays,
U stayed at mine, we ran away,
Didn't even tell your folks U stayed.

Chorus

2 years I loved U more 
than all my life that came b4
I'd never felt so much alive as then

Moving, Breathing, Vital Signs
heightened Colours Vibrating Sounds,
If this is living I'd not lived b4

Chorus

Buy @ Bandcamp

Arkestar - Daviot Street

Tot.'s superchilled beats plus fx'd guitars :)

Listen to Tot.'s track here
https://soundcloud.com/tot-beat/vanilla_violet

Vanilla Violet - Tot. collab

Featuring "Metal" Mark Holt on tenor sax @metal-mark

BARDS: Of The Morning Star

Swell

BUY OUR LIES

I think this track started 2 years ago. I remember talking about the vision with Jamie on the phone and then Jamie sent me a bunch of stems to choose from. I chose the standing bass and recorded my verse with a 90’s vibe in mind. I sent the track over to Russell to add some guitars, he sent that funk rock intro and riff back, and then I don’t know what happened after that? A bunch of other songs got made and the vision for this track expanded to include cutting my second verse and bringing Jon Lock in on vocals. Then the song sat again. Jon and I even started and completed And So You Say and Training Day after we had already got this song started. Since this track was visioned to be part of the first song on the set with Training Day, eventually it had to be completed. Wou-Wou then join in with his synths, rhythm guitar over Jon’s part, and some additional guitar over the first section. This gave the track the final fire it needed and Russell mixed and mastered it like a champ!

As always, massive thanks to Wou-Wou and Russell who have been regular collaborators on so many projects, on SoundCloud, Facebook, and Bandcamp. Wou and Russell will always be the core of my musical team. Thanks for being great friends! 
Big thanks also to Jon, who I have worked with on 3 songs now, with 2 more in the works already! 
And thanks to Jamie for all his patience, support, and for the completion of our second project together!   

This song goes out to all the music nerds, appreciators, and lovers with strong opinions. Keep those conversations going. I spent many, many years, going to the record store several times a week, hanging and talking with the staff, some who became good friends. 

Jamie Rhind: Standing Bass 
https://soundcloud.com/jamie-rhind
Jon Lock: Lyrics and Vocals
https://soundcloud.com/jon-lock-5
Wou-Wou & the Wormling: Guitar and Synths
https://soundcloud.com/wouwouandthewormling
Russell Sinfield: Guitar, Mixing and Mastering
https://soundcloud.com/russell-sinfield
Couch King: Lyrics, Vocals, Production, and Art

Lyrics 

Everything changes 
Nothing stays the same 
I used to hate it when my people would say it's a shame 
Stating that the games gone lame 
Claiming that today the music is wack 
At times I would refrain and take a step back
But most of the time I would counter attack 
Back in the day, we would say, Clever repartee 
When we were clowning around 
But now a days we taking the things a bit more serious 
Or maybe it's just me, see 
I ain't playing around as much as I used to be 
Conversations at a minimal 
It's not that I'm more critical or cynical 
It's that I am a more apathetic individual
I  just don't care 
Call me hypocritical 
I be like that's fair 
Yo
What happened to all the innovators, rhyme slayers, originality generators
You know
There really all still there
Back in the days we had to dig in the crates
Looking for the lessor known greats
I guess that's still the way it operates 
Hates a narrow minded state 
And It take effort to educate
So 
I’ma stay open and keep on diggin’ 
Vibin' on the sounds that I be hearin’ 
Yea 
And you know it's like that 
And you know and you know and you know it's like that 
Keep keep on, keep keep on
keep keep keep on

And you know it’s like that

Here comes the backup plan
The man without a name
Don’t want to be no star
Just musical acclaim 
Brush back those famous hats like children in the street
I’m gonna sing a bit while Couch King cracks the beat
Whoa baby now shake
Like momma told you now
Whoa baby now shake
Like this was made for
This is a slice of funk
USDA prime
Let it get to your head
You will feel fine
Poetry in motion
Images in time
Back beats and refined commotion 
Aged like fine wine 

Any you know it’s like that

Jamie Rhind, Jon Lock, Wou-Wou, Russell & the Couch King - You Know (It's Like That)

(Written by Terry Reeves)

Hans Albers: All instruments, production and final mix.
Terry Reeves: Vocals
Jo Reeves: Starting announcement


My Mother-in-law told me that as a young teenager during the late 30’s & early 40’s, any form of entertainment was welcomed as these were, for many reasons, the hardest of times. 
There was a locally run club which had many types of performers, most of them music related, and she remembers every occasion being full of fun and laughter. There was a small entry fee and all profits went towards supporting the disabled.
Now here’s the best bit.  My Mum-in-law (who, by the way, was the seventh sister of seven sisters - not relevant but true), told me that the club did have an official name but was always known by everyone who went there as 'The Cripple Club'. Not exactly sensitive by today's standards but, personally, I loved the name for it's honest innocence.  As for our Cripple Club, there is only one rule that applies - if you are perfect, you won't get in.  So welcome, one and all.

Yet again, we have to thank Hans for his brilliant work on the track.  As you’ll hear, it grabs your attention from the very start and doesn’t ever let go...   (Terry Reeves)


There's no rhyme or reason
There's no time or space
There's no charge for leaving
There's no need for grace

Have you been down to the Cripple Club
Dancing and singing without a care
Have you been down to the Cripple Club
Screenshots and downloads everywhere 

No one will be wiser 
There will be no strings attached
You'll get no prizes given
The doors left on the latch

Have you been down to the Cripple Club
Dancing and singing without a care
Have you been down to the Cripple Club
Screenshots and downloads everywhere 

No needle in a haystack 
It's neither here nor there
No horse of a different colour
The life of Riley here

Have you been down to the Cripple Club
Dancing and singing without a care
Have you been down to the Cripple Club
Screenshots and downloads everywhere 

The milk of human kindness 
As good as a highland fling
A little bird has told me
Elvis has left the building 

Have you been down to the Cripple Club
Dancing and singing without a care
Have you been down to the Cripple Club
Screenshots and downloads everywhere 

Have you been down to the Cripple Club
Dancing and singing without a care
Have you been down to the Cripple Club
Screenshots and downloads everywhere

CRIPPLE CLUB - Cripple Club & Hans Albers

Once settled in Artica Point, almost frozen, I watch the world happening fast, and I tell you about by singing five verses with different vocal styles, a main instrumental theme in progress all along, and some bits of the other songs in the album to keep it conceptual ;)

Letra  /  Translated Lyrics:

DESDE AQUÍ (HISTORIA CONTEMPORÁNEA)  /  FROM HERE (CONTEMPORARY HISTORY)

Ahora que estoy aquí congelado,  /  Now I’m frozen here,
observo el mundo por internet y radio.  /  I watch the world on internet and radio.
Todo sucede ahí abajo tan rápido,  /  Everything happens so fast down there,
que se aprecian claramente los cambios,  /  that changes are clearly appreciated,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Con mis constantes vitales al mínimo,  /  With my vital signs down to a minimum,
como viviendo una película,  /  like living in a movie,
soy capaz de comprender el mecanismo  /  I am able to understand the mechanism
de la evolución de nuestra civilización,  /  of the evolution of our civilization,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

El frío que congela mi cuerpo  /  The cold that freezes my body
… … no me permite llorar,  /  … … doesn’t allow me to cry,
pero mi corazón sigue caliente muy adentro, en algún lugar,  /  but my heart is still warm deep inside, somewhere,
y puedo al menos entristecerme por lo que veo al mirar  /  and I can at least feel sad about what I see when I look
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Ahora que lo comprendo todo  /  Now when I understand everything,
entiendo que todos somos iguales,  /  I realize we’re all the same,
que sentimos lo mismo aunque ninguno lo sabe.  /  and we feel the same although no one knows it.
Desde aquí me identifico con cada hombre,  /  From here I feel identified with every man,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Desde aquí me alegro de no estar ahí abajo.  /  From here I’m glad not being down there.
Esperaré a ver qué pasa dentro de cien años.  /  I’ll wait and see what happens a hundred years from now.
Mi cuerpo apenas será un poco más viejo,  /  My body will hardly be a little older,
pero sí cumpliré siglo y medio de sabiduría y tristeza,  /  but I will get a century and a half of wisdom and sadness,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

ER36 PA03 RUIZZO ©1996 ®2020

Desde aquí (Historia Contemporánea)

I also have up solo version:https://soundcloud.com/fuwatt/bwf-file5

Night rose

sun animals
_________________
sweet sunshine,
don't turn your light on me
come with us animals 
in the skies we play
we prey on the cold night
we play in the jungle light
and if you’re one of us
we wouldn’t have to fight

we live by the burning lake
been drinking in the rays
I wish I could save the world
or make it my new fireplace

I’m a sun king, 
an animal in heat
breeding by a fiery light
burning up the street

hey sweet sunshine,
turn your light on me
an animal you wanted and,
an animal I’ll be

come out sunlight
make them bleed
you wanted fire and
burning in the streets

hey sunshine
you remember me
I’m still your animal and
the fire in your sheets

yes you’re my sun queen
and when it finally rains
you’ll see fireballs and
burning in the streets

Sun Animals

The Meaning Of What

Five steps (each one with two parts) progressing along 3 minutes thru different styles: rock, psycho, pop, hard..., and finally back to the psychopoppy ones.

Letra / Lyrics:

No siempre he estado aquí (soy imperfecto) / I have not always been here (I am imperfect)

Cuando tengo frío, o tengo calor, / When I feel cold, or I feel hot,
cuando tropiezo, me quemo, o siento dolor… / when I stumble, I burn myself, or feel pain …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

Me siento extraño / I feel strange
donde tendría que estar a gusto, / where I should to be comfortable,
y me reconforto / and I feel better
cuando me relaciono bien con el mundo. / when I relate well to the world.

Empiezo a pensar en el tránsito; / I start to think about the passage;
que no siempre he estado ni estaré aquí; / that I have not always been nor will be here;
que mi vida es un entretenimiento / about my life being an entertainment
en el viaje a otro sitio. / along the trip to another place.

Y descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
si la meta de todo lo que hago / if the goal of everything I do
es comer y respirar, / is to eat and breathe,
¿qué clase de razón tengo en la cabeza? / what kind of reason do I have in my head?
¿qué soy yo dentro de este juego? / what am I within this game?

 descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
y me pongo a pensar, / and I start thinking,
y empiezo a pensar… / and I start to think …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

Image: "Rocky sprout", photo by Ruizzoidman

Olympiad

Vladimir