20250112 sélection MIX

Dramantic Remixes

I SEE A PART-TIME SURRENDER GOING ON

BEGIN THE SAGE IF THERE ARE STIMULANTS LEFT

Wed, July 30/2025 - GLOBAL AWARENESS RisiNG // 
Spread the Love - Stop the TERROR

YOU MATTER - SPEAK up!

Wed, July 30/2025 - GLOBAL AWARENESS RisiNG // Spread the Love - Stop the TERROR

Retro-Tone ...... World Music

ENIGMAS, DESIRES, MIRAGES & OTHER MENTAL BALLOONS

08-06-25, 6:00 AM // 
What A Feed, a Salute, and a Showdown with the Hairdresser
//* Originals only

08-06-25, 6:00 AM // What A Feed, a Salute, and a Showdown with the Hairdresser

Aku Sayang x Sprinter (mashup)

MIRAGE

the Other Blue Planet

Aqua

Le Petit Prince – Tango 
October 2024
Duration: 3:00
Listen to the Le Petit Prince Playlist: https://soundcloud.com/bruce-klepper-1/sets/le-petit-prince-music-for
Based on: Libertango, Astor Piazzolla
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing Le Petit Prince January 31st, February 1st and February 2nd in Colorado.
For strings, saxes, piano and percussion

Le Petit Prince - Tango

WOKEUPDEADAGAIN

voici une ancienne musique sur laquelle j'ai aujourd'hui ajouté un chant,
Un immense merci à Piotr pour ces interventions au violon, très bonne écoute et merci .

Paradis

Demo track. I compose and produce across genres, tailoring every song to the artist’s unique style. Experienced in ghost-writing & producing for multiple singer-songwriters.

Instagram: theestproducer

Let That Shit Go (Demo)

listen to my new track A Bankoo summer feeling track enjoy the track

A,BANKOOOO

The Hunchback of Notre Dame – The Gypsy Dance 
January 2025
Duration: 2:35
Listen to more music for the ballet: https://soundcloud.com/bruce-klepper-1/sets/the-hunchback-for-notre-dame
Based on “Gypsy Fire” by Romane
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Hunchback of Notre Dame June 6th and 7th 2025 in Colorado.
For strings, accordion, guitar and percussion

The Hunchback of Notre Dame - The Gypsy Dance

Inspired & Written by @schudyjj Made with SUNO and CUBASE

Avec mes remerciements pour avoir écouté mes compositions et pour vos commentaires
With thanks for listening to my compositions and for your comments

IMPRO 004

Whitney Houston VS Ciara & Justin Timberlake (Dramantic Remix)

Andy Mineo Ft Lecrae VS Young Thug (Dramantic Remix)

The Taste of Your Mouth

The Taste of Your Mouth (Original Mix)

G4shi VS Young Taylor (Dramantic Remix)

Another track from my upcoming Time Machine EP with music similar to Hidden Room and Time Machine

Electro Chill perhaps Nu Jazz (a brass, woodwind solo could push it more in the jazz direction, so maybe a future remix)

............
An original composition, no AI, produced digitally using a MIDI keyboard and DAW.


76 bpm

DAW: Apple Logic Pro X
MIDI: Akai Professional Keyboard
E-INSTRUMENTS:
Session Strings
Concert Grand piano
SoCal Ballad Piano
Ambient Lead
Lunar Chords synth
Upright Ballad Bass
Deep Round Synth Bass
Minimal Techno Pattern
E-DRUM KITS:
Analog Circuits
Trip Hop Remix
African Kit
European Folk Kit
Pop Kit

COVER ART is a composite using AI-generated images created by the DaVinci app and then designed in Photoshop.
………………..
ARTIST NOTE: I’m one of those people who has developed a high tolerance for uncertainty, instability I endured in childhood, and because of it, I learned with courage and loving support to harness uncertainty into inspiration, a drive to create.

For me, the unknown is an invitation, as if life has offered me blank canvases upon which to paint. Or a keyboard and computer upon which to express sounds that I hear in my head and heart. That for me, is a Benevolent Enigma, the awesome mystery of why and how something springs forth from what seems like nothing — how beauty emerges out of a barren void  like a rose growing out of a concrete sidewalk.
………………..
.

Enigma

Kemba - Already (Dramantic Remix)

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

Surrender

Lost Glory

TIMELINE / Open collaboration from IPG1
IPG: Vocals and Verses
https://soundcloud.com/ipg1/timeline-vocals-97-bpm
Backing Track : Paploviante
https://soundcloud.com/paploviante-and-friends/enigmatic-paploviante-open-collaboration-offer
Lillithe: Arrangement and Production

Timeline   Open Collab from IPG1 with Paploviante

Broken Conga

Saponaria - Fleursonseaux
All rights reserved - © Copyright

Saponaria

jigs T is not responsible for any kind of brain damage , listen at your own risk 😂

stimulants

Still Think Positive / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering 
BPM 90
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!


Still Think Positive (Open Collab Offer)

Cheating lovers in a motel.

Lyrics:
At the Motel down by the Liquor Store
"Do not disturb" sign hangs upon the door
Informing Housekeeping of the status of "Our Armour"
You arch your back in a way that I just can't ignore

You say I'm a simpleton
I just watch my pay per view
Your minds on him
And my heart feels so blue
Because I'm
Full-time bastard
I'm your part-time handsome man
Part-time, handsome man

Does your husband see your sad eyes?
And think their true?
I feel like a small part of you
Housekeeping comes once a day
But you like to cum 
So much more than that
You say

Baby, I'm a simpleton
I watch my pay per view
Then I know your hearts with him
I know my heart is blue
I'm a full time bastard
What are you?

I'm your part time handsome man...

Part -Time Handsome Man

Vocals https://soundcloud.com/couch-king-presents

Production https://soundcloud.com/rizlix


Here's a collab with the soundcloud legend https://soundcloud.com/couch-king-presents


You can hear his original work here;

https://soundcloud.com/couch-king-presents/i-like-to-sample-old-drums




Couch King Presents x RiZLiX - This One Goes

An original song by J.J. Terrell

Left Behind

It’s really about the nights we shared
Underneath all the stars

Now that we’re apart, it’s hard to breathe
Thinking of the love, the dreams we weave.

Oh babe I need you back, it’s true

Memories linger, they haunt my mind
Every lonely moment, I’m left behind
I see your face in the setting sun
Without you here, I’m all but done

Time keeps passing, but the ache won’t fade
Our song still plays, in every serenade
If you could hear me, would you find your way
Back to my arms, where your heart should stay?

Ohhh babe, I need you back

Memories linger, they haunt my mind
Every lovely moment, I’m with you
I see your face in the setting sun
Without you here, I’m all but done

Oh babe, I need you back
It’s true


Left Behind

Sage The Gemini & Iamsu! VS PLK & Hamza (Dramantic Remix)

/ emergency broadcast / emergency broadcast / emergency broadcast /
/
— rollout, transmission, odyssey begins — 

the incoming age of melancholy:
not simply an era nor a season, but the endless twilight borne of every choice and every surrender,
woven from the threads of every generation’s longing—now, at last, unraveling before our eyes.

it begins as a hush—
not even silence, but something deeper:
the collective holding of breath as we pass through threshold after threshold,
unwilling—unable—to look back
at what still burns on the distant altars,
the cost we never counted,
the price we always assumed someone else would pay.

here, the mountains are made not of stone but of unsent messages,
unspoken apologies, unreached hands.
here is the valley of sacrificed afternoons,
where children chase phantoms,
where memory loses its shape under blue electric light,
where elders recall the scent of rain on pages, the music of patience.
here, the rivers are sorrow and the bridges are compromise,
some scorched, some crossed in regret,
most never rebuilt.

who are we, now, on this side of the threshold?
we—the bold, the bruised, the lonely inheritors of immeasurable plenty and exquisite emptiness—
we raise towers in tribute to unseen gods,
wireless cathedrals and temples that promise everything and deliver
only the ache of again, again, again
another update, another offering, another blinking vigil.

in the age of melancholy, every blessing is double-edged.
comfort comes yoked to numbness;
speed, to the erasure of slow becoming;
certainty, to the narrowing of all that is possible
and the slow extinction of wild hope.

“what did you give for this?” asks the old voice inside—
and we hush it with data, with noise,
with things that will never love us back.

our gods are many—everywhere, nowhere—
famous for a season, then discarded,
as fickle as the pulse in a liquid crystal display.
once, gods demanded faith, sacrifice, story and song.
now, they demand only attention—
bring us your tired eyes, your restless mind, your need to be known.
and in return, they give us chains so beautiful,
we praise them as gifts.

but beneath the wafer-thin bounty, the banquet of quick joys—
the shadow:
for every god installed, something sacred is displaced,
every new device arrives with its own silent requirement
that some part of us—ancient, slow, shimmering—must be left behind.

still, we are the ones who choose, trembling though we are—
again and again, at every threshold:
the altar, the new coin of the realm,
purchase paid in what cannot be replaced.

no one warned us that all this ease would cost us ourselves,
that to belong to the gods of now is to mourn what made us human—
the bruises, the breaks, the precious awkwardness of becoming.

what is melancholy, in this thunderous shadow,
if not the noblest form of remembering?
not a sickness, but a wisdom, a refusal to let the soul’s lost countries be overrun
without one last prayer, one last song.

let us be brave enough to mourn,
bold enough for the trembling joy in sorrow—
to sit by the ghost-lit ruins of intimacy and warmth and hope,
and refuse the command to forget.

for in this age, courage lies not in the conquest of new things,
but in the deep humility of honoring what is lost—
the quiet grace of looking back, and bearing witness,
and speaking to the brave few who will listen:

remember—
before the gods of upgrade and speed,
we danced in forests, we bled and healed together,
we built fires for each other’s warmth,
we told stories that did not sell,
and we were not ashamed to love slowly,
to grow bruised and then strong with time.

may we, the humbled .....
........4'000 characters.. there's more to it, sorry....

/ lyrics: fictionalive
/ music: a tiny excerpt of the epic mighty double dutch DJ Set
Kasheme's Local Digger Session w/ Murphy & Cavaliere Spruzzi (Save the Vinyl / monorecords)
https://soundcloud.com/kashemezurich/kashemes-local-digger-session-w-murphy-spruzzi-save-the-vinyl-monorecords

Odyssey begins - Age of Melancholy Incoming // The Last Custodians of the Old Music

this track was made for the Alien Music Challenge/LTV Alien compilation - https://on.soundcloud.com/pXQc6AlTihGbuY9XVo

Irresistible Earthly Cheese

Gray Balloons

Leohnart - Blue Monkey
artist : @leohnart-officiel
remixes by : @dvniel-dt
Label: @cosmovisionrecords
Stream/Download : https://fanlink.tv/bluemonkey

Release Date : August 9th, 2025
❅──────✧❅✦❅✧──────❅

Cosmovision Records proudly presents Blue Monkey, the latest sonic journey from French producer Leohnart — an artist celebrated for his finely crafted downtempo soundscapes that walk the line between introspective depth and subtle power. This 4-track EP is a deeply personal exploration, rich with emotion and imagination. A true nature lover, Leohnart draws inspiration from the simplicity and stillness of the natural world — a place where he nurtures his creativity and reconnects with his artistic essence. To expand the vision, Blue Monkey also features a stellar lineup of remixers: Jonas Fasching (Germany), Nat Barrera (Argentina), Atemporal (Mexico), and Dvniel (Mexico) — each offering their own unique sonic interpretation, adding fresh layers to this evocative musical journey.

Cosmovision Records
https://soundcloud.com/cosmovisionrecords

Leohnart - Like Father Like Son (Dvniel Remix)

Leohnart - Like Father Like Son (Dvniel Remix) [Cosmovision Records]

Telepathy

Meditation Vibration

made by sampling banging things with rocks (from the unmoved giant rock pile)
using koala sampler
zoom h1
and NCH software

Made with rocks ROCK - these are some of my ancestors!

Aya Nakamura & SDM VS T-Pain & Jamie Foxx (Dramantic Remix)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Yo pensé (La sexta vez)

Five steps (each one with two parts) progressing along 3 minutes thru different styles: rock, psycho, pop, hard..., and finally back to the psychopoppy ones.

Letra / Lyrics:

No siempre he estado aquí (soy imperfecto) / I have not always been here (I am imperfect)

Cuando tengo frío, o tengo calor, / When I feel cold, or I feel hot,
cuando tropiezo, me quemo, o siento dolor… / when I stumble, I burn myself, or feel pain …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

Me siento extraño / I feel strange
donde tendría que estar a gusto, / where I should to be comfortable,
y me reconforto / and I feel better
cuando me relaciono bien con el mundo. / when I relate well to the world.

Empiezo a pensar en el tránsito; / I start to think about the passage;
que no siempre he estado ni estaré aquí; / that I have not always been nor will be here;
que mi vida es un entretenimiento / about my life being an entertainment
en el viaje a otro sitio. / along the trip to another place.

Y descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
si la meta de todo lo que hago / if the goal of everything I do
es comer y respirar, / is to eat and breathe,
¿qué clase de razón tengo en la cabeza? / what kind of reason do I have in my head?
¿qué soy yo dentro de este juego? / what am I within this game?

 descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
y me pongo a pensar, / and I start thinking,
y empiezo a pensar… / and I start to think …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

Image: "Rocky sprout", photo by Ruizzoidman

No siempre he estado aquí (Soy imperfecto)

Music | Remixer | 


https://youtube.com/@dramanticmsc?si=CHKw4MoGhfK2LVQd