Artists are some of the most driven and courageous people on the face of the earth. They deal with more day to day rejection in one year than most people do in a lifetime. Every day, artists face the financial challenge of living a freelance lifestyle, the disrespect of people who think they should get ‘real’ jobs, and their own fear that they’ll never work again. Every day they have to ignore th
e possibility that the vision to which they have dedicated their lives is a pipedream. With every passing year, many of them watch as other people their age; achieve the predictable milestones of normal life - the car, the family, the house, the nest egg. But they stay true to their dream, in spite of the sacrifices. Why? Because artists are willing to give their entire lives to a moment - to that line, that laugh, that gesture, or that interpretation that will stir the audience’s soul. Artists are beings who have tasted life’s nectar in that crystal moment when they poured out their creative spirit and touched another’s heart. In that instant, they were as close to magic, God and perfection as anyone could ever be. And in their own hearts, they know that to dedicate oneself to that moment is worth a thousand lifetimes.

Communicating the good news of Jesus Christ through the cultural questions of our day and equipping others to do the same.

CCP was founded in the summer of 1997 with the goal of becoming a leading massively multiplayer game company. With the launch of EVE Online in May 2003, CCP has established itself as one of the leading companies in the field, winning numerous awards and receiving critical acclaim worldwide.
 
CCP is dedicated to the development of cutting edge massively multiplayer games. CCP is founded on the principle of pushing the envelope and breaking new grounds on all levels. CCP is not about making copycat products with compromised quality. CCP is about making dreams become a reality.

Massively multiplayer games are virtual realities. They are about creating experiences unattainable in any other form of media. A virtual reality is about true human interaction and true human emotions in a living and evolving world. It is CCP's belief that massively multiplayer games are the biggest revolution in computer gaming history and CCP is dedicated to make the dream of a true virtual reality come into being.

CCP's mission is to attract and retain customers by providing top quality online entertainment. CCP does this by establishing and nurturing a trust relationship with customers both in terms of quality of content as well as quality of service.

CCP encourages respect, dialog, interaction and cooperation on a deeper level between its employees and customers than is common in online games. By this and through this CCP provides a unique way for improving the quality of its products and creates an inspiring and challenging environment for talent to thrive.

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Nuffield Trust is an authoritative and independent source of evidence-based research and policy analysis for improving health care in the UK. 

Our vision is to help provide the objective research and analysis that boosts the quality of health policy and practice, and ultimately improves the health and health care of people in the UK. 

We aim to help provide the evidence base for better health care through four key activities: conducting cutting edge research and influential analysis; informing and generating debate; supporting leaders; and examining international best practice. 
In everything we do we strive to be: independent; rigorous; relevant; open-minded; and to make a difference. 

Find out more by visiting the Nuffield Trust website at: http://www.nuffieldtrust.org.uk, or by following us on Twitter: http://www.twitter.com/NuffieldTrust. 

You can also subscribe for our newsletter and regular email updates to be the first to hear about our latest research and analysis, updates on key research projects, video interviews with UK and international health leaders, blogs from our experts, latest events and interactive data visualisations: http://www.nuffieldtrust.org.uk/newsletter


Born in Mauritius (Paradise on Earth) Raise in France.I love travelling(Germany,Estonia Slovakia, UK Finland,
Spain,Italy, France,,Mauritius,Ivory coast, Togo, Bulgaria,Belgium,Holland,burkina Faso,Czech Republic,Moscow,
Ukraine,St petersburg) Turkey ,USA _ MIAMI 
Meeting new people , exchange culture and ideas
I am in the djiing business since im 20 years old all my friends were Djs, so at least i became Djs at the time of Disco and Funk on the vinyls, 
I started Mixing Cut then one day the beat arrived , i was so damm happy, since im here progressing with the time , i can mix all kind of music , 
but i prefer House (all kind of house )
"Deep house is a style of house music which fuses elements of Chicago house, jazz-funk, and Detroit techno. Sonic qualities 
include slower bpm's, fewer vocals, darker emotions, jazz-influences, and dissonant melodies. Garage House contains strong Disco influences which Deep House mostly distances itself from. Deep House also by nature indicates underground house. "
Still in progress, still being assembled....
Deep House music is so spiritual.. it makes you release the tension, it makes you cry while your dancing and think about the past present and future, House makes you say I haven't heard this song in a long time.. I wish my friends were to hear this shit, it sounds good as hell...

House Music is a healer and a lover, it comes from all music..it's how we live...
http://3345.com.au/cyclopedia/lev3_music_house_styles.htm
“Artists are some of the most driven, courageous people on the face of the earth. They deal with more day-to-day rejection in one year than most people do in a lifetime.... Every day, artists face the financial challenge of living a freelance lifestyle, the disrespect of people who think they should get real jobs, and their own fear that they’ll never work again. Every day, they have to ignore the possibility that the vision they have dedicated their lives to is a pipe dream. With every role, they stretch themselves, emotionally and physically, risking criticism and judgment. With every passing year, many of them watch as the other people their age achieve the predictable milestones of normal life ,the car, the family, the house, the nest egg. Why? Because artists are willing to give their entire lives to a moment - to that line, that laugh, that gesture, or that interpretation that will stir the audience’s soul. Artists are beings who have tasted life’s nectar in that crystal moment when they poured out their creative spirit and touched another's heart. In that instant, they were as close to magic, God, and perfection as anyone could ever be. And in their own hearts, they know that to dedicate oneself to that moment is worth a thousand lifetimes.” - David Ackert
Free Your Mind - Open Your Soul - Peace and Love


Will Anderson: Lead Vocals, Guitars, Piano
Kit French: Saxophone, Keyboards, Vocals
Alex Hargrave: Bass
Johnny Stubblefield: Drums
Nate McFarland: Lead Guitar, Vocals

For the members of Mercury Records group Parachute, the name of their third album, Overnight, could well be a sly commentary on the hard work and commitment it’s taken for them to experience the success that’s been building over the last four years and first two albums. Their 2009 debut Losing Sleep featured the Top 15 single, “She is Love” (boasting more than 6.5 million views), while 2011’s The Way It Was included the #1 iTunes Rock Song “Kiss Me Slowly” (co-written with Lady Antebellum) and the Top 15 hit “Something to Believe In.”

Or it could refer to the late evenings put in by chief songwriter Will Anderson, burning the midnight oil, writing in his new Nashville base, after moving from the band’s hometown of Charlottesville, VA (where they were discovered and signed to Dave Matthews Band’s Red Light Management out of college). Anderson composed more than 50 songs for the album with a variety of collaborators, including Ryan Tedder (the first single, “Can’t Help”), as well as Grammy winner Chris DeStefano [Kelly Clarkson] and Ashley Gorley [Carrie Underwood, Keith Urban] on the title track.

“Even though there’s plenty of pressure to break through on your third album, the actual recording process was much less stressful,” says Will about the band’s sessions at Ocean Way in Nashville with producer Oren Yoel, a young contemporary who has worked with hip-hop phenom Asher Roth as well as Miley Cyrus, among others. “All of us were on the same wavelength. We all kind of knew exactly what we wanted without having to say it out loud. There was a weird sense of peace that we knew where we were going and where we needed to be.”

From the pop fervor of “Can’t Help” and the powerful simplicity of “Hurricane,” composed on acoustic guitar by Will after a long frustrating day, to the ‘80s Phil Collins-meets-U2 flair of “Waiting for that Call” and the slow Peter Gabriel/John Mayer jam of “The Other Side,” Parachute prove adept at combining guitarist Nate McFarland’s Edge-influenced arena-rock guitar licks with Will’s melodic sense of what will resonate with their passionate fan base. 

It’s no surprise for anyone who has followed the band’s history. Will has been playing with drummer Johnny Stubblefield, bassist Alex Hargrave and saxophone/keyboardist Kit French since they were high school classmates in Charlottesville almost 10 years ago. Anderson met Nate while attending University of Virginia together, and the guitarist joined the band six years ago.

“We’re just now getting to know one another as musicians as well as we know each other as people,” says Will. “We wanted to capture a sound in the studio that reflected us as a band. And we all know which parts each of us had to play to get that sound.”


The band’s stylistic palette can run the range from old-school legends like Stevie Wonder, Elton John, Paul Simon and Bruce Springsteen to newer acts like U2, Coldplay, Weezer, Ben Folds, Maroon 5 and John Mayer.

With producer Yoel, the band has even begun to stretch the boundaries, with Will’s spoken word vocals adding almost a hip-hop flavor to a new song called “Didn’t See It Coming,” about an actress friend of theirs in Hollywood excited to land a gig, only to discover it was an X-rated feature.

“That’s probably the catchiest song I’ve ever written,” he says. “I just laid down this spoken-word track, thinking we’d replace it later, but everyone loved it so much, we kept it on.”

Anderson is most proud of “Hurricane,” a song he wrote before going to sleep by strumming an acoustic guitar.

“It’s like the feeling you get when you think you’re never going to be able to write another song,” explains Will. “Once I started, it all came spilling out.”

Anderson credits guitarist Nate with creating parts that were “just perfect” for each song. “He really nailed it, with a unique spin to every song that made them epic, but at the same time, within a pop framework. That’s something we’ve always tried to do, melding his rock guitar to my sensibilities, making it work both for the arena and within the melodic sense of strong hooks. I think we really nailed it this time.”

Having played more than 400 shows over the last few years, touring around the country with everyone from NeedtoBreathe to Andy Grammer, Parachute’s live show continues to grow and impress. They’ve also played before several million at a New Year’s Eve celebration in Times Square, as well as appearing on NBC’s The Tonight Show with Jay Leno, ABC’s Good Morning America and Jimmy Kimmel Live and CBS’ The Early Show. The band’s songs have been featured on MTV’s The City along with CW’s One Tree Hill, Vampire Diaries and 90210.

“It’s so nice to have three albums’ worth of material to choose from in concert,” says Will, while the band has always played an eclectic variety of covers, from Spencer Davis Group’s “Gimme Some Loving” to vintage tracks from Elton John, Billy Joel, Bruce Springsteen, Stevie Wonder, the Commodores and Motown. “We’re just now hitting our stride as a live band. We’re better musicians who have come to trust one another. We all have our pocket and fill it. But we still have a long way to go.”

Overnight has a little something for everyone. Longtime fans will recognize their favorite band, with a fresh sound bound to intrigue newcomers.

“The last album was like taking a brand-new car straight off the lot,” says Will. “This album is just as fun to drive, but it’s like a vintage Mustang, a little more muscle and grittier, built to last.”

On their third Mercury Records album, Parachute is firmly in the driver’s seat.


British baritone Peter Edge recently graduated as a Master of Music in Vocal Performance with Distinction at the Royal College of Music, London, where he was tutored by Peter Savidge. Peter is extremely grateful for the support of the Walker Trust, Draper’s Company, Kathleen Trust, Clemence Charitable Trust and Millington’s Charity. Competition successes include the International Medal at the Llangollen International Eisteddfod, the Chris Treglown Memorial Award and RNCM Freckleton Prize. Peter also achieved Highly Commended in the Kathleen Ferrier Bursary Competition, Brooks-van Der Pump English Song Competition and the RCM Lieder Competition.

Opera roles include Alfio Cavalleria Rusticana (Blackburn Cathedral), Antonio Le Nozze di Figaro (RCM, directed by Sir Thomas Allen), Don Alfonso Cosi Fan Tutte (Devon Opera and Opera at the Athenaeum, Pall Mall), Dulcamara L’elisir d’amore (New Sussex Opera),  Guglielmo Cosi Fan Tutte (Felici Opera), Littore Lincoronazione di Poppea (Longborough Festival Opera), Masetto Don Giovanni (Opera Loki and Felici Opera), Papageno Die Zauberflote (City of Manchester Opera), Snug and Theseus A Midsummer Night’s Dream (RNCM and RCM) and Zaretsky Eugene Onegin (RCM). 

Peter has been a Young Artist of Longborough Festival Opera for the last two years and also joined LFO as a chorus member in their 2019 production of Anna Bolena. In May 2018, Peter performed principal roles in three contemporary operas in collaboration with Tête à Tête Opera. As an oratorio soloist, Peter has recently performed the solos in Bach’s St John Passion and Handel’s Messiah (St Martin in the Fields), Haydn’s Creation (Chester Cathedral) and Verdi’s Requiem (Elgar Concert Hall, Birmingham).

Peter made his TV debut on S4C, at Llangollen, and also appeared in the BBC Film: Florence Foster Jenkins. Peter regularly sings on live BBC Radio 4, with the BBC Daily Service Singers, and has performed on BBC Radio 3, including performing live on BBC Radio 3’s live drive time show: In Tune, with presenter Sean Rafferty. 

Further information and recordings can be found at www.peteredgebaritone.co.uk

FB Page: https://www.facebook.com/88stepsmusic

Musicians are some of the most driven, courageous people on the face of the earth. They deal with more day-to-day rejection in one year than most people do in a lifetime. Every day, they face the financial challenge of living a freelance lifestyle, the disrespect of people who think they should get real jobs, and their own fear that they'll never work again. Every day, they have to ignore the possibility that the vision they have dedicated their lives to is a pipe dream. With every note, they stretch themselves, emotionally and physically, risking criticism and judgment. With every passing year, many of them watch as the other people their age achieve the predictable milestones of normal life - the car, the family, the house, the nest egg. Why? Because musicians and singers are willing to give their entire lives to a moment - to that melody, that lyric, that chord, or that interpretation that will stir the audience's soul. Singers and Musicians are beings who have tasted life's nectar in that crystal moment when they poured out their creative spirit and touched another's heart. In that instant, they were as close to magic, God, and perfection as anyone could ever be. And in their own hearts, they know that to dedicate oneself to that moment is worth a thousand lifetimes.

Dilip Rochus is following