Pipestone Canyon

Pipestone Canyon preview

Performed by Elisabeth Smalt. 
Released on the CD Subvoice - unsounds.com/shop/physical/subvoice

Music For Viola

Watch me make nothing happen for like eight minutes or so.

Axlar

A version of the soundscape produced by three balloon-assisted kite tail sound systems for the Air Matters exhibition, Waterman's Gallery, London 2019.

Ascending Composition 1 (For Planes) representative soundscape - Kate Carr

unity.projections[001=>2]  - for accordion and cello (2020)
/live recording/

Branko Džinović (accordion)
Aleksandar Latković (cello)

Belgrade Philharmonic Orchestra Hall
10 March 2020

unity.projections[001=>2]  - for accordion and cello (2020)

another djstadtreinigung gem:

djbassreinigung & djkassettenreinigung took it out on each other
in this live notstudiosession recorded at galerie pfund&dollar

voices by skltr/shl/hmn/rc
cut by djstadtreinigung
artwork by djstadtreinigung

st/rn/nst//b

Night Foundation - Hold That Thought

O.V.
https://soundcloud.com/user-548572485-894907690/rhythm-1

Arçon  de Nièze - L'Ereucline CB·3 (Paral·lel "Radio" Rmx)

As Manchester’s streets and skyline are warped by the ever-accelerating process of urban renewal, the city’s edgelands and green spaces are at risk of being swallowed by waves of property development. Not only does this raise questions about the ecology of the city, as carbon sinks are flattened and wildlife is displaced, but it speaks to broader trends pushing urban residents away from shared space, community and local identity.  

This project shines a light on these spaces and the activists, academics, and local people who have taken up the daunting fight against corporate interests in the city in the name of biodiversity, urban ecology and community wellbeing. As we are faced with crises of both environment and mental health, the role of public green spaces has become ever more crucial in the eyes of those who enjoy, nurture, and maintain them.  

As the tide of urban growth edges closer to the open boundaries of our shared spaces, the trees, wildlife and insects continue their gentle movement, unaware that these spaces are likely reaching the end of their rich lineage. If nothing else, this project documents these final days. 

This work weaves together recorded conversations, composed music and field recordings from a handful of Manchester’s urban wildlife havens. Interviewees include community activists Julie Ryan and Tara Parry from ‘Friends of Ryebank Fields’, award-winning alternative tour guide Hayley Flynn (Skyliner) and Dr Jenna C. Ashton (artist, curator and lecturer at The University of Manchester).

Commissioned by Huddersfield Contemporary Music Festival in 2020.

Edgeland

This track is me practicing eurorack performance using the Beatstep Pro as the major sequencer and keyboard. Étude Béat, meaning a blissful study. The Beatstep Pro design promotes dance oriented music and its built in probability appears to use heuristics typical for the genre. In a way, the sequencer has its inherent cantus firmus.

The track is mastered by Fredrik Uppsäll.

A video of the performance is available here:
https://youtu.be/HjkaytmaX5g

SF117 Sampler

Sublime Frequencies