In the Liminal Space (2019) is a multi-channel electroacoustic piece for live spatialization utilizing the composer’s bespoke hardware controller for spatialization (Byzantine) in conjunction with custom software written in Max/MSP. The Byzantine controller is a tabletop tactile interface utilizing capacitive touch that allows the performer to navigate various spatialization systems in Max/MSP during performance. The custom system allows for spatialization across 2-16 channels. The sound sources are various analog synthesizers from the MESS (Melbourne Electronic Sound Studio) collection that were recorded from 2018-2019. The GRP A8 analog synthesizer is the primary sound source, with additional samples from the Serge ‘75 Paperface and the Transaudio Procase 6. The piece is improvised with fixed stems in addition to samples chosen by chance procedures during performance. The chance procedures are driven by NASA ephemeris data. The analog instrument’s short-circuit artifacts are highlighted to craft a sound world that crosses acousmatic and noise music genres.

In The Liminal Space StereoMixdown

electric guitar and vocals: Ethan Ryea
production: djz

02.06.23 a blue shaped void  [w/Ethan Ryea]

Live drums, keys and synth bass with Larry Enticer samples... it's gonna be a goOd day...

GaSsin

my arrangements on the Counterpoint album: Shalom
https://www.amazon.com/Shalom-Songs-Dances-Young-Nation/dp/B000CSUMPI/

Shalom

Laila Laila

Frankly, zapper

heron man

Noisescapes, video game soundtracks, loop pedal improvisations. 

Bass, beatboxing, bouzouki, classical guitar, electronics, fiddle, found sound, harmonica, mandolin, percussion, vocalization, whistles.

02.06.23 a blue shaped void [w/Ethan Ryea]

dj zabuton