I found myself scribbling furiously in my little spotty book.  

Messed about with a couple of simple chords and picking patterns and thought I'd grab a quick one-track take to see if it all hung together.

I was quite chuffed - it seemed to fit - got all the way through on one live take too, albeit with plenty of clangers, twangs, tangled fingers, buzzing strings and missed chord changes.  That's pretty darned good going for me.

Every subsequent attempt to improve was, of course, rubbish. 

So here you have before you my flash/bang song writing and recording effort in the raw - no edits no eq.  If it was beer or bread, then over here it would be labelled "artisan" and would command a price premium.

That's my story and I'm sticking with it.

Enjoy.  :)

The End of Time

Not far now, for us to go.
Down our evolutionary road.
Lights flickering out, truth be told.
Not far now, for us to go.
Crawling slowly to the certain end.
Following the neon signs ahead.
Grip my hand for comfort, ancient friend.
Crawling slowly to the certain end.

But when stars coalesce to one celestial diamond,
When infinity’s ticking clock calls midnight’s chime,
When my spirit meets its own event horizon,
I’ll be smiling there, to greet the end of time.
	
Gauge our progress on the ground.
Bible parables everywhere are found.
Pestilence, poverty, injustice all abound.
Gauge our progress on the ground.
No archangels lead our cause.
The thieves that rape the game steal ever more.
With their plague of fixers, liars, cheats and whores,
No archangels lead our cause.

But when stars coalesce to one celestial diamond,
When infinity’s ticking clock calls midnight’s chime,
When my spirit meets its own event horizon,
I’ll be smiling there, to greet the end of time.

Lay our morals down and quit the fight.
Can’t defer the descent into night.
Close our eyes, imagining the light.
Lay our morals down and quit the fight.
Nowhere now, for us to go.
They’re digging up our evolutionary road.
Lights have flickered out, it’s turning cold.
Nowhere now, for us to go.

But when stars coalesce to one celestial diamond,
When infinity’s ticking clock calls midnight’s chime,
When my spirit meets its own event horizon,
I’ll be smiling there, to greet the end of time.

When our universe collapses back to elementary birth
When truth, faith, hope and charity intertwine
To fuse a light too bright for any darkness on this earth
I’ll be smiling there to greet the end of time.

Photo by Usukhbayar Gankhuyag on Unsplash

The End of Time

Thanks you so much for listening!

I try to write with rich lyrical details and self-deprecating humor about the human condition. Plus, that unique Shade Structure sound!  It sounds best with headphones. Thanks for any comments, reposts or likes.

Discography: Available under Album tag on my Soundcloud main page. Free Downloads/ Always Free
* The Curse Of A Good Looking Ghost (2024)
* Low Profile (2024)
* Smilers (EP 2023)
•Short Songs For Tall Minds"  (2022)
•Friends, They're Gonna Get Your Story Wrong (2021)
•A Suburban Dadaist With Some Store Bought Beats (2021)
•All Feel and No Technique (2020)
•This Is How I Spend My Nights (2019)
•California Songs (2018-2019)
All sounds contained within are home-made/DIY recordings. Most songs are short stories, as I am influenced by Musicians & Writers like Raymond Carver, Warren Zevon, Mountain Goats, Tom Waits, Mark Eitzel,  Randy Newman, Destroyer, Steely Dan, Captain Beefheart, Loudon Wainwright III, Leonard Cohen & The National. Most songs have the lyrics on the song page. Thank you for listening!

I'm putting up new original material on my Spotify channel https://open.spotify.com/artist/2PtcG937rHfQWJwv0Zi4um?si=t1ppLngORgmuqz9qeoDOzw 
Mostly original tracks, a few covers here and there. Thank you for even getting this far. Thoughts, opinions, suggestions all welcome. It's pretty lonely out here toiling over every sound wave and grubby plugin. Any feedback is appreciated and if you've got a track you want me to hear send it over - what comes around goes around etc. A huge shout out to Len Rice for all his production suggestions on this and other tracks of mine - a true expert, check him out https://soundcloud.com/lenrice
One day I hope to get some collaborations going and a far off dream is to re awaken all these tracks in a live environment with a live band and maybe even a live audience. For now the dream keeps me going. Thanks for listening.

I'm trying to use as much real instrumentation as possible: a Taylor and a Norman acoustic guitars, a Fender Strat Roadhouse that goes out of tune if I even look at it, a cheap Vintage mandolin that hurts to play and listen to, an 80 year old zither banjo that screams 'I was never destined for this' and a borrowed Aria Pro II bass that a friend can never be bothered to take home on the bus. Synths are a plasticky Roland FA06 and a fun but dumb Korg minilogue. Throw in some Native Instruments software primarily for smoochy piano and strings, a £15 melodica full of tramp spit, some harps in impossible tunings, and a box of percussion and assorted prehistoric flints (are you really still reading this??). 

All recorded on Logic Pro X on an ancient iMac that is going to explode any minute and take my entire oeuvre with it. And most likely burn the house down.

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Like all here, I’m just trying to leave an echo !   Just trying to say I was here. How lucky are we to live in an age when that is possible?

reverend coldheart records with : mike shea, guitar whiz and sound designer, usually at his studio ;  mike hogan, who is a gifted bass player, usually in my kitchen ; joe ferguson, who is the original congregation and who started all this out with a christmas uke  ~   It's his fault !

Also, I’ve been jamming with Jarod, Tek, Gary and Shelbie on Sundays in a little white house out past Stilesville. We record under the name “makebelieve”. Hope to post some jams every now and then .

Since October 2023, Sunday jams with Gman and Reggie.  We record under name of:   “the charlatans”.  Or lately, the Sunday Jam.

8-10-25 
Been recording solo
Fer a little while now at
Old man yells at cloud studios 
If you’ve read this far: Thank you
You know more about me than the people who surround me on a daily basis.  Being creative is the only thing that makes sense to me right now.  So, I’m gonna keep creating. 
I wonder what’s next?
Looking forward 


Thank you for listening 
cole coldheart

My name is Martin Hirsch, I work with  Mixcraft 9 and 10 / Ableton Live 10 / Steinberg Cubase and Studio One Music Programms / Computer win 11 / Focusrite Scarlett 18i20 Interface / KRK Rokit Powerd 6 and ADAM AUDIO 7 Studio Speakers / Midistart Keyboard / Novoation Launchkey Mini /  Austria Audio AKG OC 818 Microphon . I only work with Loops that are licensed and legally purchased

BeLLaBleeu is singer, songwriter and business woman. At the age of fourteen, BeLLaBleeu begins taking singing lessons, and soon starts to sing in Tribute Band of Cranberries.
Afterwards she starts to collaborate with Dj Producer in Italy and release own Dance Tracks available in All Digital Stores.
Her music influences: Sinead O'Connor, Skunk Anansie, Joss Stone, The Cranberries, Alanis Morrisette, Gwen Stefani, Kylie Minogue, Roxette, Lady Gaga, Rihanna, Madonna, Shakira.

The End of Time

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