MOONBOOTICA

"I can sell out Madison Square Garden masturbating." 
—Mike Tyson


MOONBOOTICA saves lives. MOONBOOTICA guarantees the fun of excess. A great gift to mankind. Without fun, this world would recede into clouds of grey. And who wants that? With MOONBOOTICA, everybody has the freedom to say no to grey. On one condition: fun has to be discovered and used to full effect, with every sinew stretched. Once you’ve got that far, things begin to relativize, delusions of grandeur seem as easy as ABC, thanks to MOONBOOTICA. The powers that be strive for greatness, growth, expansion? MOONBOOTICA rise up to the challenge twice over! Composure through relativization, at the end of the day, MOONBOOTICA always have more in the tank. This calming influence comes courtesy of the “bigger than life” mindset, the classic Funkadelic lesson succinctly stated: “Free your ass and your mind will follow.”

As a DJ and production team, MOONBOOTICA has represented maximum torsion since 1999. But endurance is merely one of the Hanseatic duo’s most distinguished qualities. Together they represent a bulwark against inconstancy and are nevertheless always ready to smash borders. Including their own. There are two of them, after all. A two-headed unity IS MOONBOOTICA, and that’s what it’s all about, IS: double-loaded, twice as focussed, twice as big. The double greatest. Even when Kowe Six or Tobi Tobsen should tread the boards alone,the format remains the same. Each of them is double MOONBOOTICA. And vice versa.

MOONBOOTICA’s unique lack of respect in the interests of wildstyle is both a virtue and a call to arms. If refinement of taste should run the risk of imploding, there’s no better tonic than a dose of MOONBOOTICA. The antithesis to light and minimal dictates. It couldn’t be any easier or more effective. A track, an album, a set – well-being is just a question of the right dose. In case of doubt: more is more. Whilst somehow, the love of a grand pose notwithstanding, remaining the same, in appearance and reality. Without resorting to trickery, ironic dissociation or in-jokes, MOONBOOTICA offer themselves up to the audience. As vulnerable as they are sure of victory, the duo has everything a good, open drama needs. Only that everything does not end up in pools of blood.   

When others reach for anabolics and pimp their track to the limiter with everything they can get their hands on, Kowe Six and Tobi Tobsen simply rely on where they came from. Style was laid in their cradle like a golden curb chain. Their musical trajectory, five albums and hundreds of shows prove as much. MOONBOOTICA is, by nature, greater than everything else. Greater than you or I. Greater than Tobi and Kowe even. At which point we finally come to the introductory quote from Mike Tyson -  but we don’t want to explain the fun of excess again. Take a look in the newspaper if you want to know how important it is. Or spend an evening with MOONBOOTICA.   



Official Moonbootica @ Soundcloud
For every request please contact:
info@moonbootique.com
Presscontact: bruno@freelastica.com



Tributo The Doors

La band si forma nel 1991 e solca tutti i maggiori palchi della provincia di Vicenza e Padova. Locali e manifestazioni supportano i Lizard King permettendo di far conoscere la musica dei Doors in tempi molto lontani da mode e tendenze.

Dal 1992, con l'uscita del film di Oliver Stone, i Lizard King trovano ancor più spazio per proporre il loro spettacolo.

Nel 1997, dopo tanti chilometri macinati, tanti palchi solcati e una scaletta consolidata che propone 40 tra le canzoni più significative e magiche del quartetto californiano, il gruppo si scioglie per dar spazio ad esperienze personali diverse.

Nel 1999 una devastante data nello storico locale "DOG OUT" è anche l'ultima apparizione della band per quel millennio.

A 8 anni di distanza, i Lizard King, ci riprovano spinti dalla mai estinta passione per la musica e la poesia dei Doors e ritrovano la loro strada.

Il resto è storia dei nostri giorni ...
Ride the Snake!

In 1978 a german mother and her puertorican man decided to give birth to a little boy called Kai Torres. His father's passion was music, especially experimental shit and mixing vinyl. Instead of telling stories or playing tapes of fairytales, the evening sessions were affected by feeling the beat and getting involved in the deep fervor of music. So Kai began to get familiar with electronic music in the early 90s and started to dub his first tapes for friends. Therefor he had to use his father's equipment even after he was able to buy his first own record player. The more he grew up the more he found friends in his neighborhood and his down to the present day partner and friend Oliver Flohr (a.k.a. Flizz). Oliver was also highly inspired by Hip Hop and electronic music. This was the birth of the collaboration between Kai and Flizz and they spent a lot of time in working with beats or rather cutting and dubbing them for friends. Both of them were known for innovative and emotional sets in their circle of friends but as time goes on other people got attentive to them. It was time to rock parties, first in small spheres but shortly after that in regional clubs as a real DJ. Kai could socialize with many folks and even national clubs and organizer were interested in him. Later he started to arrange his own parties in cooperation with Flizz and their friends while Oliver put his focus on producing substantial Hip Hop beats which he was able to take to various mixtapes in the US (DJ Soulless presents …). At that time both of them combined their Know How, whether flowing Hip Hop beats or electronic nightlife, and thus produced House & Techno with a touch of Soul and Black music. In 2004 they made it to the very popular festival „Phunkadelic Nites“ in Idar Oberstein. By now for about twenty years of being a team Kai & Flizz are still working on tracks and playing their sets at House parties known as „Radaubrause“ around Mainz (Germany), always fulfillig the crowd's needs and obsessions. 


DUBSTEP & DRUM'N'BASS
- WORLD DOMINATION -

Collaboration Project of Seki Yukio & Foxxstarr

Authentic and honest dance music since 2006.

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