Creating an atmosphere for you to feel again.

1996.

Talk to me,
alex@behaveferris.com

We’re proud to announce today that Swedish rock band Stone Ticket is bringing 8 songs through us from their album “PuNk’s DeAd” to the Rock Band Network!
http://charttoppersauthoring.wordpress.com/2012/07/06/stone-ticket-bringing-eight-rocking-tracks-to-rock-band/

Biography
Stone Ticket – Music Review
Published May 6, 2011

Music Reviewed by Bill Messick


This is a high energy sound that rolls at you like a speeding bullet train on a suicide mission from hell!



Swedish Rock Band Stone Ticket


It is not to often a band comes along with a sound that sets them apart from the rest of the music world, enter Stone Ticket. This ultra-cool Swedish Rock Band can weave a sound that only they could claim as there own, with there retro-modern display of vibrant rock and roll!


This is a high energy sound that rolls at you like a speeding bullet train on a suicide mission from hell! Each of there songs off the new CD Punk’s Dead is a blast to your ear holes and a pleasure to your wild side, with strong beats and haunting riffs that just make you want to shake your wild thing.


This band has the essence of rock imprinted in there music with song like “Put Out The Fire With Gasoline” and “The News” they prove that they have what it takes to be a great Swedish Rock Band!


I give this music 5 Stars and would recommend them to anyone that likes there rock and roll bold and in your face!



Stone Ticket – Music Review

By Adriana Rubio 9/28/11


Stone Ticket's music is like a locomotive of pure energy and although it has many of the ingredients we've listened years ago from the old school of rock, the speed-powerful riffs and remarkable rhythm beats make them enchanting. On the other hand the lyrics offer material for discussion and deep thinking. These guys are like in a mission with some kind of remedy-message for the everyday living: ROCK! 


Biography


14 years ago Vince Quinn turned his back on the British rock scene quitting Birmingham based cult rock band The Rain Men. 


With his overnight case in hand and with cries of Judas! from his fellow band members, Vince headed off for the quiet life in Sweden, and disappeared into the music wilderness.


At the end of 2007, Vince had begun having regular jam sessions with a few local bands one band in particular a progressive rock group Vilgot caught his attention, he played alongside guitarist Henrik Widing, the two guitarists hit it off immediately even though the styles were to say the least,, at two extremes of the ,scale, They recorded an old rain men song that Vince had wrote years earlier, “Easy Money” recorded live and on a small computer in the rehearsal room it managed to captured the raw energy that rock music is all about., baby you got me, two steps behind, mary go round, the blackest heart were all recorded live on that small computer. for the next few months Henrik and Vince, tried out and had jam sessions with numerous musicians, as good as some of the jam sessions were nothing really jelled or felt right at the time. That was until the day Jarmo Vehmanen walked into the rehearsal room The jam session was electrifying, Stone Ticket was born,


Jarmo had contacted an old friend from the past, John Lilliestrand to come in and play the drums for the ticket, A new unsigned approach to collective writing and jamming was now on the agenda. Everything they did was now stone ticket, the riffs got better, the creativity stronger at the end of 2009 and beginning of 2010, the guys went into a small studio in Malmö to record five tracks, I can’t find my way, The Queen of Rock & Roll, Wildcat, Don’t try to find me and Lights R Low.


The songs keep getting better, the creativity is just electrifying and this, and well this is just the beginning! ...... .. .. ..

To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action. - Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd.


1989-1991 Nottingham - engineer at frontier studios
                    (24 track 60 channel)
                    worked with all fields of music from bands to hip hop

1991 released 16 days ep under the name of the three sons

1991 Leicester - formed synth pop group called wavehead

1992 Leicester - started work at formation records as main engineer and producer
worked with many artists including Micky Finn , Jack Frost
Released many records under various names including EQ
and did live P.A on stage at many formation total kaos nights and
other promotions including Vision, Kinetic and Elevation

1994 quit formation , worked on tracks with mastersafe

1994 london - edited 5 screen video for art futura (spain)

1995 london - leant about arms trading and high finance deals

1996 returned to leicester to run a friends studio

1997 Leicester - worked with many artists including Alexander O'Neal and Smiley Culture and Gappa G

1999 -2001 London/Leicester Formed Web/visuals company called NONPLANE , Creating websites in flash
clients included the pop groups ASH , MUSE , Mushroom Records, News International , Beggars Banquet Records, XL Recordings

2002-2004 web site management for RH media

2005 - 2006 wilderness years...

2007 set up BlueRange Lasers specialising in building ultra violet and blue laser systems

2009 set up Laser and PA hire company

2010 Mansfield - started to build studio complex, started working on new tunes

2011 Relaunch WWW.NONPLANE.COM and Music career.....with Rayner...


A monthly behavioural science podcast from Ogilvy Consulting

Behave



WE BLAST OUT is a company created in Montréal which purpose was organizing events for almost 3 years in Canada. In 2011 WBO has decided to become an original digital record company and an online music magazine based in Mexico and Paris. 


Releases: 
WBO001 - MILF (ep)
WBO002 - WIZESTAR (ep)
WBO003 - STERN* (ep)
WBO004 - XEUM (ep)
WBO005 - ESTAKOS (ep)
WBO006 - RUBINSKEE (ep)
WBO007 - JACKIN WITH THE DRUMS (ep)

Soon:
WBO008 - MEISTERFACKT (ep)
WBO009 - HERR2003 (ep)
WBO010 - KORGBRAIN (ep)
... 
Artistic Director:
julien@weblastout.com

to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them. To die: to sleep;
No more; and by a sleep to say we end
The heart-ache, and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: aye, there's the rub;
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveler returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry
And lose the name of action.

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