Very interesting evocative soundscape, primed to see 'castle walls' I am getting images of fantasy-themed games mostly, though I wouldn't call the track gamey in itself. Just thinking / seeing myself playing fantasy games again, hahah. Cool stuff ;)

Morten Jeamland - concept, music, composition, production https://soundcloud.com/mortenjeamland
Martin Jansen - guitar (last part) https://soundcloud.com/m_ja
PJ Project aka Per Jensen - guitar (first parts) https://soundcloud.com/user-474544459
joerxworx - flute

The Carpet Jam - Morten Jeamland with Martin Jansen / PJ Project / joerxworx

Roberto B (@user-55822457) and I now present track 12, "Egeia", in our album in progress "Midnight Coffee". We hope you'll enjoy it.

Created in collaboration on 1 July and 1 September 2021 (initial and final mix and recording, respectively, in MAGIX by Roberto B), and 29, 30 and 31 August (intermediate additions, mix and recording in GarageBand and Logic Pro X by Alex M), and posted here on SoundCloud on 3 September 2021 (by Alex M). The used sound effects come from Alex M's own sample - Gentle Early Morning Sea Waves (recorded on 26 August 2021, on the beach in Kariani, Aegean Sea coast, north Greece).

The artwork cover is designed and implemented by Alex M on 29 June 2021 (in Tayasui Sketch in Mac OS), and cropped and annotated by Alex M (in Mac OS Preview) on 30 June 2021.

Thank you so much, Roberto - for the beautiful musical ideas and our collaborations!

Duration: 7:40 minutes

Egeia - Roberto B & Alex M

Definitions of the term aporia have varied throughout history. The Oxford English Dictionary includes two forms of the word: the adjective "aporetic", which it defines as "impassable", and "inclined to doubt, or to raise objections"; and the noun form "aporia", which it defines as the "state of the aporetic" and "a perplexity or difficulty". The dictionary entry also includes two early textual uses, which both refer to the term's rhetorical (rather than philosophical) usage.

In George Puttenham's The Arte of English Poesie (1589), aporia is "the Doubtful, [so] called...because often we will seem to caste perils, and make doubts of things when by a plaine manner of speech we might affirm or deny [them]". In a reference from 1657, J. Smith's Mystical Rhetoric, the term becomes "a figure whereby the speaker sheweth that he doubteth, either where to begin for the multitude of matters, or what to do or say in some strange or ambiguous thing" (OED). Herbert Weir Smyth's Greek Grammar (1956) also focuses on the rhetorical usage by defining aporia as "an artifice by which a speaker feigns doubts as to where he shall begin or end or what he shall do or say" (674).

More modern sources, perhaps because they come after the advent of post-structuralism, have chosen to omit the rhetorical usage of the term. In William Harmon's A Handbook to Literature, for example, aporia is identified as "a difficulty, impasse, or point of doubt and indecision", while also noting that critics such as Jacques Derrida have employed the term to "indicate a point of undecidability, which locates the site at which the text most obviously undermines its own rhetorical structure, dismantles, or deconstructs itself" (39). Julian Wolfreys, in his essay "Trauma, Testimony, and Criticism", characterizes trauma as aporia, a wound with unending trail. Valiur Rahaman, in his book Interpretations: Essays in Literary Theory (2011), explained aporia as a creative force in both the artist and their art; it is, for the artist, an edgeless edge of the text or a work of art.
Source: wikipedia

Aporia(ᾰ̓πορῐ́ᾱ)

Avalanche

E bpm 115

From the Album "Punk Funk You"
Distribution On The Way

Punk Punk Punk

Funky Night

Il Neige Sur Assise.        Texte :Sanzen

Boule de neige au salon, mon enfance sur un vieux guéridon
Sous la cloche en trois dimensions , Assise , mes émotions
Solitaire sans raison , encombré de ce corps bien trop grand
j’envahis tout l’espace restant  qui est fait d’un seul et même plan.

Et pendant ce temps tu défies placide la  gravitation .  
ce n’est pas toujours la fête , tu traverses tel un géant  les saisons
grâce à ton  humour ,à ton amour, ta superbe autodérision
et si ça se trouve  ,  quelques flocons dans ton salon.   

je me construis un univers fait  d’huiles et de pastels dorés
ma toile est comme la vie trop souvent déséquilibrée  
je me sers un peu moins de ma tête que de mon coeur , de mes grands pieds.
peindre c’est pas toujours la fête , le gout une valeur trop partagée .
 
Et pendant ce temps tu défies placide la gravitation .  
ce n’est pas toujours la fête , tu traverses tel un géant les saisons 
grâce à ton  humour ,à ton amour, ta superbe autodérision
et si ça se trouve  quelques flocons dans ton salon. 

 
Unijambiste dans….ma tête ,je suis en lévitation 
je mets du rouge dans  mon salon, sous cloche mon horizon
du doré sur ma toile une  vie captive sous les flocons...
quelques facéties  , mon enfance sur le vieux guéridon

Et pendant ce temps on défie tous la gravitation 
ce n’est pas toujours la fête , on traverse comme on peut  chaque saison
grâce à de l’ humour ,à de l’amour, une superbe autodérision
et si ça se trouve  ,si ça se trouve , à quelqu’un comme Francois Anton.

Il Neige Sur Assise    Sanzen / Illos

The latest full-length album from Memphis-based producer and musician DAMAGR, titled ‘REVIVER’, builds on his past works in the downtempo ambient-techno space while exploring new melodic and percussive textures that invites the listener to look closer. Built around the classic 303 sound and the Elektron Syntakt’s melodic and percussive textures, this album weaves a hidden language of symmetry and reflection that hints at deeper musical and historical cycles.

DAMAGER- REVIVER [FE045] is available now worldwide.
https://future-everything.com/releases/reviver

$UPPORT THIS RELEASE

DAMAGR - One by None

much needed correction | untitled project 001 sessions | ambient atmospheric psyche drone industrial jungle horror WIP | shifty 5.1 ma 60 bpm take 1 81625

castle Walls

SOULHOWL

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