Taken from debut album "Engravings" out now through Tri Angle Records. 

http://www.forestswords.co.uk | http://facebook.com/forestswords | http://twitter.com/forestswords

The Weight Of Gold

Silver Ladders

Sometimes He's In My Dreams

Taken from the new Ben Frost EP - 
'V A R I A N T' - out on vinyl and download on 8 December 2014 through Mute / Bedroom Community  (U.S release dates - Download 9 December / Vinyl 13 January)

The limited edition EP features remixes of tracks taken from the latest album A U R O R A by British producer Evian Christ (following his critically acclaimed Waterfall EP and work with Kanye West); Downward label boss and techno producer Regis (previous remix credits inc. VCMG, Terence Fixmer), Good by Air affiliated experimental artist Dutch E Germ (previous remix credits inc. Fatima Al Qadiri and Mas Ysa); Australian duo HTRK and raster-noton recording artist Kangding Ray.

V A R I A N T :: EP TRACKLISTING
Venter - Evian Christ TF 12” Mix
Venter - Dutch E Germ Remix
Venter - HTRK Remix
No Sorrowing - Kangding Ray Remix
Nolan - Regis Self Medicating Edit


Pre-Order V A R I A N T here: 
Rough Trade - http://www.roughtrade.com/albums/88102
Boomkat - http://boomkat.com/vinyl/1126481-ben-frost-v-a-r-i-a-n-t
Bleep - https://bleep.com/release/55179-ben-frost-v-a-r-i-a-n-t

Get A U R O R A here: 
iTunes - smarturl.it/auroraiTunes
CD - smarturl.it/auroraCD
Standard Vinyl - smarturl.it/auroraLP
Coloured Limited Edition Vinyl Boomkat - boomkat.com/vinyl/969946
Rough Trade - www.roughtrade.com/albums/81850

www.ethermachines.com
www.facebook.com/theghostofbenfrost
www.twitter.com/ethermachines
www.benfrost.bandcamp.com
www.myspace.com/theghostofbenfrost
@benfrost

www.mute.com
www.bedroomcommunity.net

Ben Frost :: 'Venter' (HTRK Remix)

Elements Chord Mode

Goodnight To All Dogs

First track from the new album, entitled "II: Plains/Patterns", out on Azure Vista Records March 31!

CD/DL/LP (vinyl limited to 300 copies!). Preorder here: https://billowobservatory.bandcamp.com/

Billow Observatory – the trans-atlantic duo consisting of Detroit's Jason Kolb (Auburn Lull) and Danish producer Jonas Munk (Manual) – are back with a follow-up to the their debut album from 2012. 

”II: Plains/Patterns” departs from the first LP’s amorphous ambient haze with a more rigid, albeit subtle, underpinning of rhythm and pulse. The duo’s obsession with “place and space” comes clearly into focus with an album that draws deeply from Munk and Kolb’s individual proximity to the geographically distant, but oddly similar, sounds of Germany and Michigan, past and present. 

 Traces of shoegaze, modern minimal electronica, and kosmische appear on every track, but are mutated into something mysterious and new. ”Pulsus”, for example, opens the album with a driving teutonic stutter and washes of serene guitar loops that are punctuated by bursts of filtered synth patterns; a combination that seamlessly bridges the gaps between disparate genres and periods of time. 

 Centerpiece, ”Plains”, expands the ambient formula into an inspired epic in three parts, where swells of processed guitars, distant voices and faint echoes of Detroit techno are weaved together to form a kaleidoscopic whole. And tracks such as ”Vex” and ”Plum” seem to pay as much homage to Slowdive and Eno's Harold Budd collaborations as to the modern minimalism from Cologne or Berlin.

Plains

"Steve Reich in The Hague"  
 14.12.2003
 Bootleg

Steve Reich - Music for 18 Musicians

Single from Water Memory, out December 21st 2017.

preorder: mlesprg.bandcamp.com

/////////

Water Memory began as an imagination of the feelings that are floating through the natural world around us. It morphed and cycled and gained memories of my own which are now contained like those in all bodies.

Water Memory 1

Tracing Back the Radiance

While we cannot see small nanoscopic objects like proteins or other molecules that make up virtually all living matter including our cells, tissues, as well as pathogens such as viruses, our computational algorithm allows us to make its material manifestation audible.  This piece is a musical representation of the amino acid sequence and structure of the spike protein of the pathogen of COVID-19, 2019-nCoV (protein data bank identifier 6VSB [1]). 

MUSICAL DECEIT

A virus’ genome hijacks the host cell’s protein manufacturing machinery, and forces it to replicate the viral genome and produce viral proteins to make new viruses from it.  This musical art teaches us something about the fine line between beauty of life and death as an opposite pole.  As you listen to the protein you will find that the intricate design results in incredibly interesting and actually pleasing, relaxing sounds. This doesn’t really convey the deadly impacts this particularly protein is having on the world. This aspect of the music shows the deceiving nature of the virus, how it hijacks our body to replicate, and hurt us along the way. So, the music is a metaphor for this nature of the virus to deceive the host and exploit it for its own multiplication. 

HOW IT IS DONE: 

What you hear is a multi-layered algorithmic composition featuring both the vibrational spectrum of the entire protein (expressed in sound and rhythmic elements), the sequence and folding of amino acids that compose the virus spike structure, as well as interwoven melodies - forming counterpoint music - reflecting the complex hierarchical intersecting geometry of the protein [2].

Scientific references:

[1] Wrapp et al., "Cryo-EM structure of the 2019-nCoV spike in the prefusion conformation," Science, 2020, DOI: 10.1126/science.abb2507

[2] Buehler et al., "A Self-Consistent Sonification Method to Translate Amino Acid Sequences into Musical Compositions and Application in Protein Design Using Artificial Intelligence," ACS Nano, 2019, DOI: pubs.acs.org/doi/10.1021/acsnano.9b02180

Viral counterpoint of the coronavirus spike protein (2019-nCoV)

Viral Counterpoint of the Coronavirus Spike Protein (2019-nCoV)

Live In London

Markus J. Buehler is the McAfee Professor of Engineering at MIT, and a composer of experimental, classical and electronic music, with an interest in sonification. Using an approach termed "materiomusic", his artistic work explores the creation of new forms of musical expression - such as those derived from biological materials and living systems - as a means to better understand the underlying science and mathematics. One of his goals is to use musical and sound design as a novel and abstract way to model, optimize and create new forms of matter from the bottom up, and to assess cross-system design relationships. He is also interested in research to explore relationships between classical music, mathematics, and the physical and biological sciences, an in the mapping of models of consciousness across systems. In recent work he has developed a new framework to compose music based on proteins – the basic molecules of all life, as well as other physical phenomena such as fracturing, to explore similarities and differences across species, scales and between philosophical and physical models. 

Contact: mbuehler@MIT.EDU