COREY ANDREW has made it his trademark to deliver some of the biggest vocal club bangers in recent years. As one of the most sought after vocalists and songwriters on the EDM scene, the Grammy voting member and BMI songwriter scored a Billboard Breakout hit, “Dance Floor Emergency” - with veteran producer and remixer, Eddie Amador (Madonna, Seal, Jason Derulo), as well as soaring all the way to #1 at Beatport with his massive remake of Marshall Jefferson's "Move Your Body" (Produced by Peter Brown AKA The Grower & with remixes by Jesse Garcia).

In just a few short years, Corey’s discography has emerged as a who’s who of EDM royalty including hit tracks with producers Da Hool, Eddie Thoneick, Denis The Menace, Big World, Austin Leeds, Noir, DJ Exacta, Jesse Garcia, Mike la Funk and more. The list of top cats who have remixed Corey’s tracks is equally as impressive inclusive of Jerry Ropero, Grammy winner Hex Hector, Bill Board Chart topping producer Richard Grey, Muzzaik, David Penn ... the list goes on.

Corey Andrew is an artist and media personality who is comfortable both creating audio /video content in front of or behind the camera. His music has been licensed to special marketing projects for iconic fashion brand Fendi, legendary Jimmy Z's luxury night Club in Monaco, the Buddha Bar Hotel, and over 100 successful dance music compilations (Sony, EMI, Kontor, Hed Kandi, Ministry of Sound, Housesessions, Milk & Sugar Records and more). 

With such diverse accomplishments, a buzz was created that drew the attention of Holland’s Cloud 9 Music Publishing – a division of the mega music brand Armada Music. Corey signed a co-publishing admin deal with Cloud 9 in 2009 joining a stellar roster that includes EDM superstars such as Markus Schultz, ATB, Armin Van Buuren and Kaskade.

With Corey’s own star rising, he was soon presented the opportunity to write songs for other artists – something he is as equally passionate about. A few highlights from his songwriting credits include lyrics for top international clients such as Latvian pop princess, Ella (Universal Records), DeLuka & Lydianne (Suka Records), and he scored his first certified gold record credit for his lyrics on “Alone in the crowd”. The song was co-written with the Italian based songwriting team of Gabesco Music and was recorded by Belgian Idol winner Natalia for her 2013 album Overdrive - (Universal Records Belgium).

Corey’s belief in living your best life and following your passions has gained him substantial experiences as a musician, actor, comedian and copywriter (Sony, Music Choice, L'Oreal), so its no surprise that in recent years Corey Andrew began to explore yet another passion - DJing and quickly landed his first on-air mix show at PNN Radio FM. The Palm Springs based station provided a perfect platform for Corey to showcase his love of creating DJ sets that blend progressive house gems, classic dance favorites and his own top club hits.

In addition to Corey’s musical accomplishments, he writes a fun, pop culture column “Corey’s Corner” in the popular Fit Figures Magazine and hosts a nightlife video blog, “The Core Factor TV”, viewable on Youtube. As a media personality Corey maintains a productive relationship with Klout as an active influencer on social media.


New Single "My Old Friend" out now!
Buy/Listen/Stream here: https://kariseeden.lnk.to/myoldfriend

Celebrated Australian artist Karise Eden returns with her first new music of 2021.

The self-penned single “My Old Friend” is a track which showcases her exceptional vocal and song writing skills. It is the first track to come from a new EP set for release in early 2022.

The emotionally charged, rhythmic song starts gently, building to a mighty crescendo. It has an intensely personal feel to it, as Karise explains:

“There is a lot of raw, honest power in that track. It is still painful for me to sing. I’d hope that anyone who has lost someone they love, can find comfort in this song. Grief is a tricky emotion to experience but know that you are not alone. I’d hope you could listen, raise a glass and remember those we love so dearly that are no longer with us.”🍻

It has been three years since Karise released any new music, this new track bookending with her third solo album ‘Born To Fight’, which was released in November 2018.

“My Old Friend” outlines subject matter that people will be able to relate to in different ways. It’s a journey of loss, acceptance, growth and ultimately coming full circle.

Karise Eden has spent the last few years working through the process of gaining freedom and independence as an artist. With her new music she can communicate directly with her fans and do things her way, in a manner which is meaningful and significant. Welcome, “My Old Friend”.

My Old Friend, out 3 Dec 2021

 

 

ABOUT KARISE EDEN

Shooting to fame at the age of 19 with a viral audition video that now has over 45 million views on YouTube, Karise Eden went on to release her debut album which broke sales records and made chart history.

Karise started playing guitar at thirteen years of age, and also picked up the double bass at the same time. Her debut album My Journey shot straight to #1 on the national ARIA Chart, was certified double platinum and went on to become the biggest selling album by an Australian artist in 2012. In New Zealand the album debuted at #3 and was certified gold.

Karise made ARIA Chart history in the same year when she took out the top three spots on the singles chart with #1 ‘Stay With Me Baby’, #2 ‘Hallelujah’ and #3 ‘I Was Your Girl’, with single ‘You Won’t Let Me’ at #5. Karise was the first artist to achieve this in Australia since The Beatles held the Top 6 to themselves back in 1964.

In 2014 Karise’s second album Things I’ve Done was released and featured lead singles ‘Dynamite’ and ‘Loneliness’. The album debuted at #5 on the ARIA Chart, achieved gold sales status and was followed up by sold out shows around the country.

Powerful, engrossing, and bold, Karise continues to play live around Australia, performing regularly at coveted venues and main stages at festivals and outdoor events.

Keep an eye out for her at a venue or event near you, soon!

Monthly Podcast available at
www.wademarriner.com

A pillar of New Zealand Nightlife Culture for almost 10 years Wade Marriner has been involved in almost every facet of the business holding residencies at top Auckland Clubs whilst Promoting, Touring & Venue Managing.

Completing two back-to-back New Zealand tours saw the start of what was a action packed couple of years. On top of a busy National touring schedule & club residencies Wade played a pivotal role in the success of many venues as the Music Director, Events & Marketing Manager of Trench Bar, Club 324, Bar None & Be Club as well as touring international acts and hosting local Club Nights.

As a regular feature at a sizeable list of Auckland Clubs and Bars Wade held a long-term residency at Auckland hot spot Trench Bar and at arguably New Zealand’s most infamous nightclub ‘Be’ which played host to some of the biggest names in dance music from Dubfire to Dirty South.
Having opened or closed for a heavyweight list of internationals including EDX, Rebecca & Fiona, Michael Woods, Ian Carey, Swanky Tunes, The Stafford Brothers, Cold Blank, Vandalism, Lorne Padman + too many more to list has made one of New Zealand’s most experienced Club DJ’s.


DJ and Producer From Southern California, DARWIN PAUL first appeared on the British label 'Sounds Like Soul' in 2005, subsequently releasing an EP alongside Justin Michael on 'Look At You Recordings.'

With past recordings on 'MoD', 'Delecto,' remixes by Swedish giants Stonebridge and Ultra Records with Grammy nominee DJ/Producer Jay-J, DARWIN PAUL has been busy creating his signature sound for the House Nation. In addition to his production, Darwin Paul has also worked or performed along side with some of the hottest producer/Dj's in the planet such as Gareth Emery, Nadia Ali, Kaskade, R3hab, Tritonal, Atb, Swanky Tunes, Axwell, Chus & Ceballos, Manufactured Superstars, Alex Kenji, T.V. Rock, Audien, Mauro Picoto, Chris Garcia, Miguel Migs, Grant Nelson, Jamie Lewis, Ron Carroll, Mark Farina, Louie Vega, Jask, Colette, Andy Caldwell, Bruno Mars and Many more. 

Catch Darwin exclusive @ Insomiacs, Identity,3x Thursday nights @ Sutra. Also with AE Los Angeles special events.

Follow me for live streams on Twitch https://www.twitch.tv/historyofhappyhardcore

Oi Oi I’m Ryan (HDSN). Welcome to my page. 

Here’s a little bio. 

I bought my first set of turntables at the age of 14 when I was already collecting Happy Hardcore records. DJing was one of those things that just come naturally to me. My friends were always over at my house for mixing sessions. At 16 I started playing alongside my brother and friends every fortnight at a local bar for an under 18’s night playing Happy Hardcore. Two years later, out of a thousand entrants my mix tape came top five in the ‘Ministry Of Sound DJ Of The Year’. I played a live vinyl set in Topshop situated in London’s Oxford Street, on a busy Saturday afternoon. I continued entering DJ competitions and talent nights along with a mid-week slot at a local bar. At 20, I was given full weekend residency at my local nightclub Steam, playing Old-Skool, House and Trance. In the next two years I reached the final of the ‘Young DJ Of The Year’ competitions, which were run by the Staffordshire & Cheshire’s number one radio station, Signal 1. I came out as overall winner of the competition in 2002. My prize was my first ever pair of Technics 1210’s (which I still use), mixer, flight cases and the opportunity to play a live set at Café Mambo in Ibiza. The win also landed me a set at the opening night of the Stoke club, Lomax, for the ‘Youth Upfront Awards’. I then tried to further my career by signing onto the internet DJ agencies, 'Topjox' and 'Club Dreams', sending out demos to gain recognition. In the early summer of 2004 I decide to try my luck by booking a one way ticket to Ibiza for the season. It was tough at first, but by the end of July I had a residency at the brilliant Plastik Lounge in San Antonio. After a few weeks playing with some of San An’s finest house DJ’s, I was given the chance to warm up the decks in Es Paradis funky lounge. But best of all, after weeks of trying, Alex Ellenger, who with Judge Jules ran the funky room in Eden, give me the finest two hours of my DJ career by asking me to play a set. The next year I returned to Ibiza and became one of the residents in the swanky new Hush bar in San Antonio's west end. When I came back to England I started my own night in a local bar. I then became one of the Tech-House/Hard House residents for my brother's local club night ‘Euphonic Fuzion’. 

Even though I enjoy playing many styles of dance music, I've never lost my passion for Happy Hardcore. It will forever be the biggest part of me musically and that's why I created this page. To share the love for this incredible music. 

I seriously didn’t expect quite the following on here but you guys have been absolutely amazing and I genuinely appreciate all your support, whether it be messages, comments, likes & shares. Thank you so much! 

I play Happy Hardcore, Jungle/Drum & Bass, Trance, Hard House, House, Electro & Techno and have since 1994. Expect lots of vinyl classic mixes, live sets on Twitch, mix compilations and upfront sets from these genres. Enjoy!!! 

All my mixes and ones which I have permission are available for download.

For future bookings please inbox me for details or via Facebook messenger.

What happens when you take the best of Nashville’s music community, brilliant songwriters, seasoned, top-notch musicians, the high-quality studios and production and team it with a 17-year old girl with a big, expressive voice and exploding Internet popularity?

You get the perfect blend of old-school craft and wide-eyed enthusiasm, proven Music City genius and fresh new Lone Star talent, all fueled by a staggering amount of online exposure, including 13 million YouTube views, 80,000 Facebook friends and 160,000 Twitter followers.

In short: you get new teen sensation Payton Rae, with her debut project, the five-song DARE TO LIVE.

Part of a new wave of performers who are taking their music directly to the fans, this 7th-generation Texan (hailing from just outside Houston) has harnessed the exponential promotional power of the Internet to become a bona fide YouTube sensation, amassing an impressive domestic and international audience for her fresh-faced blend of pure country music and genuine Texas charm. By instinctively following her muse, sticking steadfastly to her dream and singing her heart out at every opportunity, Payton Rae has already achieved the impossible, and she’s just getting started.

In just five songs, DARE TO LIVE captures the youth, passion and flourishing talent of this young performer. Recorded in Nashville, the EP boasts the work of many well known songwriters. Brian White, who produced DARE TO LIVE and shares writing credits on the title track  has 13 #1 hits on the Christian music charts; Brian’s work is familiar to many country fans through his song for Rodney Atkins, the #1 smash “Watching You”. Other songwriting heavyweights on the project include veterans Steve Bogard (George Strait, Rascal Flatts) and Brett Beavers (Dierks Bentley).

When working with Brian White on DARE TO LIVE, songs were a very important part of the process for Payton Rae. “Ever since I was really little it has always been about country music for me,” says the petite singer with the distinctive voice. “Country songs tell a story, and there’s so much thought that goes into the lyrics.  I wanted my songs to really mean something to me.”

The songs of DARE TO LIVE feel tailor-made for this 17 year old artist. The themes include boys (“Boy To Blame”), heartache (“Mississippi’s Crying”), more boys (“Not Your Cinderella”), isolation (“Sidelines”, where Payton Rae shares a co-writing credit) and inspiration (“Dare To Live”). Yet listeners of all ages will delight in these well-crafted tunes; as any country fan knows, some topics such as love, relationships and reaching for your dreams aren’t limited to any age bracket.

“I just really love singing; sweet love songs, songs about breakups, and songs about boys I guess,” she says with a laugh. “When I’m in the studio it’s like everything that’s on my mind is put to the side. It’s the best feeling ever.”

It all started for Payton Rae with her first public performance, singing the national anthem for the Houston Comets women’s basketball team when she was just four years old.

“There’s a funny story behind that,” Payton says. “I had never sung it before, but I was sleeping with my mom one night and she says I burst out singing the national anthem. After I sang it in my sleep, she had me learn it and I auditioned after that.”

That pre-game performance, a vintage video of which the fans have now made a YouTube hit, touched something deep inside the singer, and her fate was sealed. “After that performance I knew what I wanted to do,” she says. “I just kept singing the anthem for my brother’s baseball games, for high school volleyball games, wherever. That’s pretty much how I got started.”

Inspired by the Internet-aided launch of teen stars like Justin Bieber and Taylor Swift and armed with a microphone and a digital video camera, Payton Rae went to work, posting videos and monitoring the astonishing response. “I put some videos up for my friends and family and all these people started viewing them,” she says with a touch of surprise still in her voice. “It’s a great way to get your music out there and connect with listeners.”

Her YouTube tributes to some of her favorite artists including everyone from Carrie Underwood to Taylor Swift to newcomers like The Band Perry have become viral hits in themselves, igniting Payton’s singing career and making that all-important fan connection with no prior management or label help.

“I spend a lot of time on Twitter and Facebook, and I love talking to my fans,” smiles Payton Rae. “It’s one of my favorite things to do.”

Boosted along the way by great friends and a supportive family, she stays plenty busy these days between being home-schooled, shuttling back and forth from Texas to Nashville to pursue her music, and the high-tech business of keeping in touch with her growing legion of fans.

From her hometown in the Houston suburbs, north to Canada, and all the way to Europe, Asia and Middle East, Payton Rae and her music have also inspired countless, devoted young female fans to follow their own impossible dreams, to “dare to live.” When Payton Rae steps up to the microphone to sing, people react and respond.

In Australia’s mainstream music business, the name MC Shureshock is a familiar one. Within the country’s thriving dance music scene, Shureshock’s reputation is legendary.
 
The performer (real name Cameron James Brown) is a heavyweight of the dance culture, a triple-threat comprising talent, versatility and durability. Shureshock has crashed the national sales charts and entertained hundreds and thousands of fans at home and abroad. 
 
It's no surprise that the plaudits have come hard and fast over a stellar career, during which time Shureshock has joined forces with many of the globe's finest DJs, from Carl Cox to Goldie. And this year is proving to be another frenetic one for the artist, who is striding towards the next phase of his recording career.
 
Originally from Brisbane, Shureshock honed his mic talents on the city's vibrant rave circuit in the early part of the 1990s, initially performing under the moniker MC NO3.
 
His skills matured and evolved. By decade's end, the artist was tuning into the emerging underground breakbeat sound stemming from the U.K., a fresh style which fused hip-hop party jams and electro synth lines with rumbling basslines. It proved the perfect platform to suit the performer's vocal range, who by this stage had emerged as Shureshock.
 
The emcee spread his creative wings to form Zephyr Timbre, a local five-piece outfit that quickly built a national reputation with its blend of tight rhythms, sultry vocals and party-rocking percussion. Darlings of the Triple J radio network, Zephyr Timbre secured spots on the Big Day Out lineup and supported Jamiroquai on the U.K.outfit's 2002 Australian tour, a trek which saw Shureshock perform in the prestigious Sydney Opera House and on the stage of Melbourne’s imposing Rod Laver Arena.
 
Breakbeat would re-assert itself as Shureshock's central musical focus. At the turn of the decade, he met with collaborator Kid Kenobi (Jesse Desenberg) who later was voted Australia's No. 1 DJ in the Technics InTheMix Top 50 for three straight years.
 
By the middle of the 2000s, MC Shureshock and Kid Kenobi were recognized as Australia's premier MC-DJ tandems, having completed sell-out tours of the U.K., U.S.,Canada, Brazil, China, Switzerland, New Zealand and Singapore. Closer to home, the Shureshock-Kenobi tandem has been a regular fixture on the Australian festivals circuit, playing the Big Day Out, Park Life, Field Day, Good Vibrations and many more. It’s an enduring partnership which in 2010 celebrates 10 years in the game.
 
Shureshock has taken his vocal skills to the studio and into the charts on a raft of Ministry of Sound compilations, including the popular "Clubber's Guide to Breaks" series and the "Kid Kenobi Sessions" and, more recently, mc'ing on the first-release compilation via Kid Kenobi's new label Klub Kid's. Shureshock holds the remarkable honour of being the only MC to lend vocals to a globally-released Ministry of Sound compilation.
 
Now based in Sydney, Shureshock is very much an in-demand vocalist and performer in the international dance music community. The likes of Fatboy Slim, Stanton Warriors, Krafty Kuts, Goldie, Andy C, Freq Nasty, The Crystal Method, Sub Focus, and DJ Q-Bert have all worked with Shureshock, as have Australian artists Bexta, DJ El Hornet from Pendulum, Greg Packer, Q45, Will Styles, The Humpday Project , James Taylor and The Vinyl Slingers.
 
With a debut solo album in the works, Shureshock has spent much of 2010 locked away in the recording studio. Coming up is a solo single "You're the One" on Funktrust record label. And there’s a string of collaborative tracks on the slate, including remixes with Will Styles, The Humpday Project, Greg Packer and DJ Mark Walton. Shureshock's first solo E.P "The Shureshock Project" sees him team with Danny Rhodes and Greg Packer to deliver a drum ‘n’ bass series of EPs, to be released on Interphase from July 2010. Shureshock's vocals will also feature in "Mighty Dub," a new single from Kid Kenobi's 2010 solo EP, while a venture with Japan-based producer and DJ Jaxx Da Fishworks will yield the track "Fat Tiger," due in 2010 through Sushi Records. U.K. audiences will sample the Shureshock-fronted recording "Do it Right Now," lifted from British producer Pimpsoul’s July 2010 debut through Bombstrikes. And Shureshock will guest on Aussie DJ/producer Cutloose's debut album "Raspoww," released through San Francisco-based D-Fault Records.
 
“I’m really focusing on building a body of work,” explains Shureshock. “It’s all about creating music which reflects my passions, as opposed to reverse-engineering tracks for clubland. And I’m doing it all with the producers and musicians that I really respect. There’s a lot of love inside the camp, and the results I’m getting are pretty exciting.”
  
In a nod to his versatility, Shureshock has jumped off the stage and in front of the camera for www.unseentv.com.au, hosting spots and interviewing artists behind the scenes at the DMC Championships and at various Australian dance music fests.
 
Away from the spotlight’s glare, Shureshock devotes much of his time to community endeavours. During 2010, Shureshock has played a mentoring role for the teenage youth music projects through Sydney’s Milson Point Community Centre. And later in the year, he will impart his know-how to the next generation when the "MC Shureshock" Personal Tutoring program launches through The Ableton Live School.
 
Shureshock’s busy itinerary has taken the star to indigenous communities in Far North Queensland, where he contributed to a project that aims to preserve ancient languages and dialects threatened with extinction through the use of music and dance.
 
“That has been part of my vision for twelve years,” notes Shureshock. “As much as it is for helping other people, exploring that side has enabled me to relate with a dance-floor of different cultures and worlds, people I hadn’t met and wouldn’t have had the chance to meet.”
 
www.mcshureshock.com
www.facebook.com/Shureshock
www.soundcloud.com/mc-shureshock
www.myspace.com/mcshureshock
www.twitter.com/mcshureshock
www.youtube.com/mcshureshock3



La LIQUIDO Records & Produzioni nasce da anni di intesa musicale che ha unito i musicisti/produttori Vince Pastano, Antonello D'Urso, Ignazio Orlando e Max Messina: (CCCP, Luti Chroma, Hi Fi Brothers, Pale Tv, Surprise, George Kulermos, Confusional Quartet, Dens Dens, Kirlian Camera, Band Aid, Walt Disney, BMW, Rai Tv, Alessio Bertallot, Lucio Dalla, Luca Carboni, Andrea Bocelli, Gianni Morandi, Mango, Angela Baraldi, Biagio Antonacci, Gianna Nannini, Eva Cherry, Enzo Avitabile, Vasco Rossi, Tony Esposito, Jimmy Villotti, Lorenzo Jovanotti, Hiroko Kouda, George Mann, Guido Elmi, Riccardo Sinigallia, Stef Burns, Marc Urselli, Roberto Terzani, Adrienne Arno, Beppe D’Onghia, Jo Squillo, Barbara Cola, Grazia Verasani, Clementoni, Germano Bonaveri, Francesco Morettini, Beppe Quirici, Elio Rivagli, Mario Arcari, Massimo Varini, Daniele Battaglia, Dennis Fantina, Federico Poggipollini, Giua, Lele Veronesi, Maurizio Biancani, Eugenio Bennato, Pino Daniele, Knagui, Roy Paci).

C'è un elemento importante che lega le varie produzioni Liquido…il SUONO. 
E' un suono morbido, etereo, ovattato, ricco di intrecci che prendono vita quasi impercettibilmente; siamo acqua, in tutte le sue sfaccettature ed in tutta la sua capacità di amalgamarsi ed adattarsi ad ogni situazione, senza mai modificarne lo scenario originale che l'artista propone inizialmente…tutto ciò è la Liquido Records.

Un altro aspetto unico dell’etichetta riguarda il "live" che coinvolge gli stessi produttori/musicisti all’interno della band affinchè possa essere riprodotto fedelmente l’album.

La Liquido si occupa di seguire tutta la nascita che lega l'Artista al prodotto finale, dall'arrangiamento dei brani alla registrazione con attrezzature e tecnologie di qualità professionale, dal missaggio alla post-produzione.

Oltre al prodotto musicale, viene affiancato il lavoro di design che cura e definisce in tutti i suoi aspetti la veste grafica del Cd.

Have tunes...will travel, bottle of tequila and I'm yours...for BOOKINGS contact skinzi@gmail.com
From holding down one of Dublin’s longest-running and most popular weekly bar residencies at The Morgan Bar in Fleet Street and gaining rave live mix reviews in the international dance music press, Steve Kinsey has rapidly moved onwards and upwards of late to play gigs in Dublin’s Pod and Wax nightclubs amongst others. Most recently Steve and the innovative DIG DEEP crew of DJs and live percussionists he’s proud to belong to have also landed a monthly residency at the uber-cool Bia Bar on Lower Stephen’s Street (first Saturday of every month). 
Originally from Leeds in the north of England Steve Kinsey moved to Dublin way back in ‘96 after serving his early clubbing apprenticeship in the legendary Leeds Warehouse and generally getting messy in some of the finest clubs Leeds, Manchester and Liverpool had to offer. His first taste of the Dublin music scene came in the form of pirate radio, where he hosted weekly shows on the sorely missed Jazz FM. His wildly eclectic ‘Lost in the Supermarket’ show – named after a Clash song from their seminal ‘London Calling’ album, just in case you were wondering – gained a large and loyal following during it’s four year tenure on the FM dial, and even received recognition and props from the mainstream UK dance music press with not one but two glowing reviews from Jockey Slut magazine. Further praise for his live and studio mixes was quickly forthcoming, most notably with a runners-up spot in Mixmag’s Bedroom Bedlam DJ mix competition. Meanwhile Kinsey was busy creating a bit of a buzz around town with his live gigs in the swanky boutique surroundings of The Morgan Hotel Bar on Fleet Street, originally sharing deck-duties with Conor Smith and Alan Robinson. During this transitional period Steve’s live sets started to move away from the smorgasbord of styles represented in his radio shows and to really focus in on his truly enduring and most heart-felt musical passions…namely forward-thinking house, deep-house, tech-house and techno. 
Steve Kinsey’s proudest and most notably high-profile achievement to date came when his live mix from Download at The Pod nightlclub in Dublin won top spot in DJ magazine’s coveted ‘Pick n Mix’ DJ competition, with his cutting-edge selection from that night displaying what DJ mag’s reviewers described as ‘astute choices and slick mixing’.His winning mix was also broadcast on KISS FM.This award-winning mix, along with numerous others, is currently available here on Soundcloud…eyes left...

As well as the live mixes here on Soundcloud you can also hear Steve doing his thing on his increasingly popular fortnightly / monthly podcast...'DJ Steve Kinsey - The Acid Casual Podcasting Corporation' is available for free subscription in iTunes (just do a search for Steve Kinsey) and also on the host site PodOmatic at http://djstevekinseypodcast.podomatic.com/

Steve Kinsey also co-hosts DIG DEEP radio on Dublin's  Play FM, currently on fortnightly rotation with Conor Smith.  He is also active on Twitter and Facebook if you use either of those sites.

Gigs / Residencies

Thursdays, DEEP SOUTH at SOUTH WILLIAM, Dublin.

HOUSE COCKTAIL at SOLAS, Dublin (launch date TBA)


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