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Music for Animals

Right Right Right

Lemon Day

Premiered on Hania Rani's Cercle show.
https://youtu.be/J5oZ80Daduc

Abu Simbel (Hania Rani Invalides Version)

Chose your platform

WhoMadeWho - Abu Simbel (Hania Rani Invalides Version)

READ > https://inverted-audio.com/premiere-francis-harris-earth-moves-yu-su-remix 

Following the release of 'Threshold' LP earlier this year on @scissorandthread, Francis Harris enlists some of the most exciting names in the electronic underground to impart rhythmic remixes, including this sultry slow burner from @yu_su.

Thresholds Remixes

Francis Harris - Earth Moves (Yu Su Remix) [Scissor & Thread]

Briefly

Fans of my ongoing ramblings must be already familiar with music by Thomas Meluch who records under the alias Benoît Pioulard. And if for some reason you're not, you can begin with his albums on Kranky, starting back in 2006 and working your way up to the present, to follow a trajectory of this composer, singer-songwriter, multi-instrumentalist, and photographer. Be sure to also round your journey with this studio feature, in which I profiled Tom back in 2015. He's done a few collaborations, including one with Rafael Anton Irisarri under the Orcas project name. For this gorgeous release on the one and only A Strangely Isolated Place we find Meluch alongside his long-time friend and collaborator, Luke Entelis, as Viul (pronounced 'vell' which rhymes with 'bell'), a New York-based ambient composer who has appeared on Meluch's own imprint, Disques d'Honoré, reserved mostly for his own self-released works, and Past Inside the Present, with Outside The Dream World in 2019. Their upcoming collaborative album is named after a Czech word for "the end" (you know, those final pronounced striking letters, that often roll up when the film reached its peak), capturing the uncertainty of the world amidst the pandemic. And while the pieces originally began as an exchange of sketches and short lo-fi loops, the music that followed is truly engaging. On my favourite track on the album, which I am honoured to premiere for you today, we find the duo painting with wide brush strokes in pastel colours, deep-textured warmth, and hazy memories. And although this piece at first appears to be a repeating, stretched, and saturated tape loop, the more you listen to its slow decay, the more it makes you feel alive.

"The variation in minutia, samples and instrumentation throughout the album cannot be understated amongst its hazy aesthetic and ominous poignancy. It’s one thing to notice the details, but another to unstick the melodies from the closing credits of a dystopian city’s downfall, from the forefront of your mind."

Konec

A Real Place

TRACK PREMIERE : Viul & Benoît Pioulard - A Real Place

This piece was composed and recorded between November 2013 and April 2014.

A new version of this track is part of the cassette "The Sky Had Vanished" released in July 2015 by Ecstatic Recordings.

https://ecstaticrecordings.bandcamp.com/merch/abul-mogard-the-sky-had-vanished-cassette-2nd-edition-white-cassette


My other works can be found at my bandcamp page:
https://abulmogard.bandcamp.com/


Desires Are Reminiscences By Now

www.giegling.net
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www.discogs.com/label/144751-Giegling
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http://www.residentadvisor.net/record-label.aspx?id=3485

Giegling Mix 07 - DJ Metatron - This Is Not

Elements Chord Mode

Solo live improvisation with synthesizer, grand piano and effects in the Thames Tunnel Grand Entrance Hall.

Lots more amazing music from Sarah here:
https://sarahdavachi.bandcamp.com/
http://sarahdavachi.com/index.html

Sarah Davachi live at Bleep43 - 6th October 2016

Vergers is Davachi's third full-length release following Barons Court (2015, Students of Decay) and Dominions (2016, JAZ Records), and her second appearance with Important Records following 2014's August Harp cassette on the Cassauna imprint. 

In this work, she meditates on a single electronic instrument, the EMS Synthi 100 synthesizer, while also weaving sparse acoustic elements – her own voice and violin – into a series of three long-form, muted gestures.

Elements of distance and alienation are certainly at play in the textural quality of these compositions, a feeling that is further defined by track titles that reference the spirit world and an album title that calls to mind the solitary tasks of the church orderly.

The record opens with the aptly titled, Gentle So Gentle, a side-long movement that harkens the glacial character of Davachi's previous efforts. Ghosts And All and In Staying suggest a more disjointed path, with the latter culminating in a subtly dissonant dirge that leaves little absolve between the organic, the artificial, and the impermanent.

Vergers

Sarah Davachi - Ghosts And All - from Vergers LP - IMPREC442

HG1803 - Hallowground.com
Buy the vinyl or digital album here: http://bit.ly/2xwBugg
Distributed by A-Musik and Cargo Rec.

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