I AM ETCETERA ETCETERA,KNOWN FOR THE BETTER OF OUR BEST DAYS ABOVE THE REST AHEAD OF US. I WOULD LIKE TO WAKE UP AND GO FOR MORE THAN EVER DOES, OR MAYBE JUST, ALL OF WHAT NEVER WAS....
HOW OLD AM I I'M 25 TO LIFE AND WELL ROUNDED YET NEVER HAD DIAMETER PUSSY TRY AND CROSS ME LIKE YOU CAN IN HER AND LAY FROM THAT MAC ON YA, PUSSY DIE GLAMOROUS.  
 ARTIST DYNAMIC. YOU AFTER ALL THIS TIME GRANTED SHAME PUSSY DIE FRANTIC .
SOMETIMES I'M MURDER NAMED MURDOC THE MENACE OF MADNESS FROM ROMANS TO GENESIS NO ATLAS.NO FLOCK, NO HERD, I RIDE OPT.... SOLOIST JAMIE FOXX. BLACK NOBLIST OVER RANKING ALL NOVICES IN ORDER. I MARTYR MY WANNABE MARTYRS, ONE SWORD LONE SOLIDER ENDING NO FURTHER. I SWEAR I'M SANCTIONED APPEALED, MURDOCLAMATION HAS BEEN AUTHORED, SIGNED AND SEALED FOR LEGISLATION.. WHITE FOLKS NOTICE AND FROWN, GET TO HATING I GUESS I'M TOO FAR FROM THE SUBORDINATES THINKING I CAN'T BE STOPPED NOW INVADING THE BLOCK SENDING THE CONFEDS, COPS AROUND BUT I'M TOO HIGH TO BE SHOT DEAD DOWN.  AT THIS POINT I'M ALL I GOT  BOUND. THIS SHITS FOR PACS HEAD. THIS SHIT IS FOR THEM SENDING HOUSE NIGGAS TO KILL ME INSTEAD SLUT BITCHES TO SELL ME AIDED SEX IN THE MIST OF THEIR FAIL AND UNSUCCESSFUL STEAL. I SWEAR I'VE BEEN CROWNED OF HIGHEST MAJESTIC SEE THIS THE MURDOCRACY DAMN WHO DETEST OR REJECT ITS TERMINOLOGY. I'M NO LONGER AFFECTE, CHRONIC HAS EMBEDDED LAND MINES THOUGHTS EXPLODE THE MORE I ANALYZE. CRITICAL LIMIT OF SUBMISSIVE LIES TOO GIMMICKS MUCH AMPLIFIED GOT ME SENTENCED TO END MOST LIVES INTENDING TO WATCH ME DIE. i HAVE MORE MEDICS ON STAND BY AND ON MY SIDE SIT FIVE PISTOLS WITH CLIPS EXTENDING ITS ORIGINAL SIZE. YONGMAYNIAC LET THE RAPTURE ROLL , ATTACK IS ALL I KNOW. THAT'S FACT FOR THE CHRONICLES I RAP. THE CHEMICALS I DOPE AND SMOKE AND RISE, ASTRONOMICAL LOOKING LIKE RIDDICK IN THE EYES, UNORTHODOX, RAPPING LIKE RABBIT CLIMBING A ROCK  LOOKING FOR ALICE FINDING HER BOX LUCID OFF P CATALYST P 2- 2 STRIPS OF ACID SHEETS ADDED LEAN EFFECTS LIKE TEXT I'M ITALIC. TRUST.. OTHER TIMES I'M JUST ALE AND PELLUCID GOT A REAL LOVE FOR MIND MUSIC.I HEART BEATS I HEART LETTING THEM BUILD UP SWEAR IT MEANS AS MUCH AS MY SHANTIS GOOD HEAVENS, MY SKY,MY FLIGHT,MY AIR, JORDAN 11S..SO RARE. WE'RE STILL US, OH YEA NO RABBIT MY ALICE NO FEARS NO ANTICS MY DEAR YONG MANIAC HER TRUTH NO DARE NO MAGIC I'M SO THERE NO PALACE HER ALADDIN ITS AUTOMATIC WHEN I"M AROUND GOT TO HAVE IT OUT OF TOWN. NEVER STOP CHIEFLY ALE DOT SHE FLY DON'T ASK ME WHY I MASTER THAT PUSSY ALWAYS GREEK ROMES HER DOC ALONE NO PANTIES SHE CAMELOT FROM MY COCK AND IT WAS HARD TO CAESAR... WAIT

2022 is here and Trigger N' Slide id back producing new tracks! Stay tuned!

Charted: No10 on Minimal Top100, No7 on Chill Out Top100 on Beatport.
Producer, Live Performer. Tech House, Techno, Minimal Tech.
Requests: anastasios.sxoinas@gmail.com 

Beatport :: https://www.beatport.com/artist/trigger-n-slide/305752
Soundcloud :: https://soundcloud.com/triggernslide

Trigger N’ Slide is an artist who can never be pinned down, no matter the timeframe or time signature. He is a born & raised artist from Piraeus, Greece and his DJ sets or productions breed a rare feel of mystique and discovery. Tech House Groove and Ambient Techno Feelings Transformed into Dance Music... 

"I'm really into finding a line between analog and digital sounds, plus i’m travelling inside the electronica genres with my mind focused on House. My influences come from a life spent on various music genres and difficult times, which plays a huge role in the way that i connect with music." 

Vocals are playing a huge part in Trigger N’ Slide productions as long as there is something that needs to be said. Basically the main thing is the Bass that he trusts on. Groove is the main thing here and a pleasant journey through music is his gold. 

“I usually write the lyrics and the only thing that remains consistent is the element of surprise in my productions”. 

2013: Trigger N’ Slide revealed his debut single via Mahayana Records, “Winter Blues” a darkly-tinged, transportive deep house track that curiously combines natural, organic sounds, and modern electronic indie grace. 

2013: Trigger N’ Slide also released “First Time” via Mahayana Records and was his first hit, an all around track that dj play at 02:00 at night on any club and in the evening at any given beach bar! 

2014: Trigger N’ Slide collaborated with Gorge Soera and Arethousa (Vocals) to create the massive hit “Next To Me” that is still playing all over Greece and worldwide. 

2014: one more hit was about to explode and it did, the track name was “Summer Story” released via FlipSide Recordings and the first to reach 12.000 plays in Soundcloud... The furure looks great for this Talented Producer. 

2015: in january “Silver Sky” becomes an Underground must, a release from Catblack. Records that came to be 1st on this Labels Top10 tracks on Beatport! Including “Wings Of Fear” a strong Deep Tech track “Silver Sky” simply grooved on... 

On May 2015 another great release “Attitude” again becomes Catblack. Records No1 selling release on Beatport and with “Silver Sky” they become this label‘s most popular releases until today... 

As a creative mind always in motion, on 2014 Trigger N' Slide has teamed up with Gorge Soera on Catblack, a record label dedicated to expose his most personal and passionate musical side. Catblack. is a label that is rising with music concentrated on Deep House, Tech House and Techno (www.catblackrecords.com).

As electronic music continues to surge worldwide, a new generation of producers is pushing the scene to unexplored territories, with Daven Ray leading the charge. You might be familiar with him, as he's a prominent figure in the entertainment industry, seamlessly incorporating electronic sounds into various music styles.

Renowned for his exceptional ability to deliver a unique party experience to any crowd, he takes the audience on an unforgettable musical journey with each DJ set.

Over the past 15 years, he has secured contracts across Montreal, neighboring cities, Toronto, and even Los Angeles and Las Vegas in the USA, providing exclusive edits to some of the country's biggest DJs.

Daven Ray is making significant strides into the future of EDM, elevating house music to new heights.

known as RAIPUR , INDIA senior DJ, leader of Electronic Music and one of the most promising DJs in the electronic scene. 
UPPU started his career in India in 2006 at STAR ONE Club, RAIPUR, as residential DJ RAIPUR, CHHATTISGARH 
superstar DJs. Touring regularly around the globe sharing his blend of progressive minded dance music, with his own production House, Edm ,Club UPPU is best known for his DJ skills. 
He has demonstrated the rare ability to refreshingly combine pure music with his own favourite mix of dance music genres such as EDM II Electro House II House II Trance II BDM II Bollywood & Many More Dj UPPU has played across RAIPUR such as ORCHID Lounge, BLOOM CLUB PANDRI RAIPUR CHHATTISGARH Hotel Babylon ,Hotel Celebration ,Hotel Mayura , Zone By The Park ,10 Downing Street Pub ,Courtyard Marriot Raipur ,Hotel VW Canyon, Club ,  where he is currently the resident Dj. 
Known as RAIPUR No 1 Favourite Bollywood DJ, he has played alongside leading music producer including some of India’s top music producers.

Also known as Music Producer Master Mind at FL- STUDIO, MixMeister Fusion , etc produced own album & many single remixes with massive number of download at  DJ UPPU such as : Explode - the remix, Smash Hits, Just Dance, Edm & many more, People appreciate his work and contain massive fan page following at  
Join In : 
Fan Page : www.facebook.com/djuppuofficial
For Remixes Follow - hearthis.at/djuppuofficial
For Remixes Follow - soundcloud.com/djuppuofficial
Follow Artist : - twitter.com/djuppuofficial
Follow on Instagram - www.instagram.com/djayuppuofficial
Follow on mixcloud - mixcloud.com/djuppuofficial
Youtube Subscribe - www.youtube.com/DJUPPUOfficial
for Live performance booking call: O9301343856
 Email: djuppu33@gmail.com

KLOVER JANE grabs you by the shirt and roars into your soul. They’re an adrenaline-blast of pure Rock-N-Roll; with mouth watering guitar riff’s, a bone-invading rhythm and the lyrical juice of unapologetic truth from the smooth wail of front man Rane Stone.

Listening to KLOVER JANE is like listening to the “love child of Axl Rose and Andrew Wood,” says an awestruck CJ Plain of TapDetroit, who hears in them a “passion, fury and style, that’s long been missing from music.”

“In the distinct style of Soundgarden, Klover Jane’s wailing vocals and sludgy guitar demands you crank the volume up to 11.” Jeva Lange - Seattle Weekly

“Rane is an incredible musician. His voice is the greatest thing to come out of Seattle in a decade.” King 5’s Evening Magazine’s “Best of Western Washington”

KLOVER JANE attracted the attention of Dudley Taft, producer and former member of Seattle’s Sweetwater and Second Coming. Jeff Noble, the bands brilliant lead guitarist and gifted songwriter “breathes music” – and it hooked Dudley. “It sets you apart,” Dudley said, “you’re writing songs; most bands out there are just throwing cords together.”

And like their screaming lyrics declare, KLOVER JANE is “Going To The Top”. 
Check out www.kloverjane.com tour dates, music, videos and KJ merch.

Get your favorite KLOVER JANE merchandise at your next LIVE show - and have it signed by the band after they play – OR, buy CD’s, T-shirts and Hoodies, online today.

Can’t wait to hear them LIVE? Download KLOVER JANE’s music online now!

www.kloverjane.com

Catch KLOVER JANE fever!

co-founder: @fraublaumusic
booking worldwide: louis@muzocreative.com
_______________________________________________
After half a decade of constant touring and producing, it’s safe to say Kadosh’s growth has been truly remarkable. These days, he regularly crisscrosses the globe, playing at some of the planet’s leading spots. A typical weekend can be Blue Marlin in Ibiza, Nitsa in Barcelona, Fabric in London, or Watergate in Berlin.

The Americas have also quickly fallen under his spell, with Central America regularly experiencing his dancefloor wizardry, whether it’s at Bar Americas in Mexico, Stereo in Montreal, or SXM Festival in the Caribbean. In 2024, Kadosh expanded his horizons further, with summer residencies in Ibiza and Cyprus.

Kadosh’s studio output has been steady and top-notch, featuring a string of EPs and remixes on renowned labels like Innervisions, Disco Halal, Renaissance, Live at Robert Johnson, and Crosstown Rebels, to name a few. In between, there’s Frau Blau Music, his own imprint, which continues to break new ground with a steady flow of releases and label nights at select venues worldwide.

Kadosh’s journey is a reminder that success in the music industry is not just about talent but also about perseverance and dedication. His story remains a shining example of the transformative power of electronic music and the unlimited possibilities facing an artist who dares to chase their dreams.

No one-trick pony, the Willie Wisely Trio leaps from era to era, delivering an ambitiously vivid aroma of days past. But wait, it's not retro. It's just easy to love.

Whether you're reminded of Mahalia Jackson “Moving On Up a Little Higher,” or Ray Charles proclaiming “I Believe To My Soul,” Rod Stewart coaxing a stadium to sing along to “Maggie May,” or Neil Young delivering an epic guitar solo, it's always more Willie than anything else. But that hasn't stopped comparisons. The group has been referred to as a “troupe of minstrels gallivanting,” “Sinatra on crack,” “Jazz-tinged bards” and “neo-burlesque.” One critic warned “David Lee Roth watch your back” while another imagined, “if Willie were to fart loudly you would no doubt feel inclined to utter an appreciative thank you.” The Willie Wisely Trio truly makes music in a different way.

If stripped naked the group would still be wearing Willie's songs. Loaded with content and blessed with form, Wisely composes like a theater director. Scene One: two lovers who don’t speak the same language. The curtain rises….. the song is half-rhymed in French, played to an oozy, 1960's TV commercial bossa nova funk. Scene Two: man comprehends the scope of his lustful desires and warns the lady to BEWARE. The curtain rises…. eight minutes of screaming guitar feedback sunk to the seething six-eight pulse of the most hideous of Hammond organ tones. Amazingly though, each song is just as effective if sung by Willie with an acoustic guitar. Indeed the Wisely's are a rare band, one that is compelled by their musical frontiers and not held captive by them.

The Chronology

In 1986, after leaving Beloit College and finding a job at the Wax Museum record store in Dinkytown, a university neighborhood in Minneapolis, Willie Wisely began a quest to understand and appreciate jazz. Previously, only the Beatles had really impressed him; and he was let down by most the music of the 1980’s.  So without a muse Willie turned to history for inspiration.

In many ways bassist James Voss became this muse. He and Willie met in 1987 while attending what would become McNally Smith College of Music in Minneapolis. They’d signed on for the performance degree programs to explode their skills. Despite being a good songwriter, Willie kind of sucked on guitar and felt the need to improve. Unfortunately, studying scales and modes, and going to class with 50 shredding metal heads, all playing at the speed of light, made Wisely so self conscious that he unimproved his skills (temporarily). It didn’t really matter because he was a prodigious entertainer, a born ham–and he could really sing too.

The two students became quick friends and decided to form a band that could fuse the classic jazz and classic rock that they loved. James, a versatile musician, had played in scads of 'jobber' groups of varied styles. In this network he met Peter Anderson, an exciting drummer who was in love with an eclectic mix of bands from the frenetic Babes In Toyland, to the placid The Carpenters. He also loved Neil Young in equal parts to free-jazz virtuoso Albert Ayler.

The Trio was complete. James played a dilapidated upright bass, freshly nicked from a school band department. Peter, taking cues from John Bonham and Tony Williams, syncopated the music with non-convential ingenuity. And then there’s Willie, trying to become his heroes John Lennon and Mahalia Jackson, but never quite hitting the mark. But failure is breeding round of innovation and so it was that local critics dug their unique approach. By April 1990, the band would be featured in a cover story for The City Pages weekly––Minneapolis’ Village Voice at the time.

In November 1989 the Trio was playing at a smoky little bar in Minneapolis (yes, you could smoke indoors!). It was there that Greg Wold, co-owner of the bar and accomplished trombonist, first saw the group. He played in the legitimate Twin Cities jazz scene, but had a proclivity for inviting chaos onto stage. He could make the slide trombone blare and squeal like a weezing old steam engine. He 

Neotokio3! F**K YEAH! That’s ZERO aka TypeZERO, Evangeline Aka EVA01 and MKII. The favorite band of your favorite Anime Character. Ask your neighbor Totoro! He will tell you it’s true. We Jam With light Yagami and Ryuk, rock with Yoko Ritona and Team Dai-Gurren, play the keys with Shinji Ikari, Make the speakers explode with Haruko Haruhara and her Rickenbacker bass guitar model 4001 with a rare azureglo finish and, you know… just do what Otaku that produce music usually do. But we aren’t just usual Otaku! Ghouls at night, Titan slayers at day, fighting food wars at lunch break. All 3 of us are Super Music-Diclonii with 35 vectors each. A Single Vector plays up to 3 instruments…. at the same time…. That makes…uhm apparently no one of us is good at math…who cares! ….We are free…and we love to constantly remind you of that like Frey in Fisheye Placebo. We Also Love Sweets…a lot like like Killua, but more than anything we love Anime and Anime loves us so we treat Anime like Kintaro Oe treats toilets. Neotokio3 is SUGOI like twenty-four Eureka7 and Great like Great teacher Onizuka! Seriously, who the hell do you think we are? Put the entire Akihabara district in a box. Imagine the box plays music whenever you open it up. The box is us. We are the box. 

Corine Adele is following