The Call of Cthulhu Mystery Program is live tabletop roleplaying turned into a 1930s radio serial. What dark deeds unfold on the streets of Arkham?  And which unwitting souls - innocent or impure - will succumb to the maddening call... OF CTHULHU! This 8-part miniseries is wrought with unknowable horror and black comedy. 

Meet Sam; a cagey ex-Federal Agent, Deloris; the obsessive book dealer, Hank; a noble farmboy, Cyril; the smooth-talking jazz man, and Father Grandfather; a mad bible salesman. These five housemates of dubious moral fiber band together to solve a murder most foul and risk their very sanity as their trail leads them into a realm of nightmares. 

D.K was born Jan. 25, 1993, Carl W. Vereen III and is an independent artist from Belle Glade, Fl. As a kid he had both of his parents in his life, but at the age of 12 his father was sentenced to a federal prison for drug related crimes and he was primarily raised by his mother. He was getting into a lot of trouble, fighting, getting suspended from school, and hanging in the streets. At the age of 15, D.K was shot and was arrested while recovering in the hospital on two counts of attempted murder and possession of a firearm by minor. He spent 6 month in jail and two mounts on house arrest, while awaiting trail. The charge where later drop and he had several other run-ins with the law, but was only placed on juvenile probation for burglar. D.k's first time in the studio was in 2011 after graduating high school and having nothing to do. After, several years of making mix-tapes that were low in sound quality, flow, and lyrics or practice as he would call it. D.K is now ready after four years of studying music and learning himself. D.K is currently working on is Latest mixtape "Unapologetic" , which will be released late 2016.

Pre-order Sam's forthcoming album here: https://slee.lnk.to/songdreaming
Released March 15th 2024
Tickets for my UK tour in March/April 2024 here: https://www.samleesong.co.uk/live

Crop Circles, Dean Brody says, is an album he hopes will take listeners away from the cares of daily life for a while. “When we listen to music, we don’t necessarily want to think about what’s going on in the here and now, we want to go on a journey, and I hope that’s what happens for my fans with this record.”

Job done – On songs like ‘The Old Sandbar’ and ‘Mountain Man,’ the Jaffray, BC born, Nova Scotia-based singer/songwriter celebrates his love of the East Coast and his childhood home at the foot of the Rockies and, with his Civil War era love story, ‘Kansas Cried,’ transports listeners through time and space without missing a beat.

Crop Circles covers a lot of miles and nowhere more so than on Brody’s lead single, ‘Bounty,’ a fiery, turn of the century, murder ballad that finds Brody’s characters running from the law on a late night train to Mexico and features a standout performance by fellow Canadian country singer, Lindi Ortega. In it’s first week of release, ‘Bounty’ held the #1 Most Added song overall and #1 Most Added spot at Country radio for two consecutive weeks and displays Brody’s growth as a writer, lyricist and storyteller in equal measure with a story that has both substantial emotional weight and a certain amount of levity. ‘Bounty’ recently reached #1 on the Canadian Country singles chart!

Regardless of the topic or whether a song is purely observational or drawn from his personal experience, Brody’s music has a cinematic quality that makes it easy for listeners to put themselves into his songs and to feel as if they’re traveling along with his characters. “I see the world in pictures and I love stories and creating worlds, either using my own background, or by putting myself in other people’s shoes, because I’m fascinated by other people’s perspectives on life.”

Although Crop Circles finds Brody adopting a darker, rock-fuelled tone, it also showcases his ample sense of humour and his unique ability to weave a fine yarn, regardless of where or when a song takes place. Nowhere is that more evident than on the album’s title track, which offers up a plausible and hilarious solution to the longstanding mystery of how crop circles are actually created and the fact that they might have more to do with country boys taking their dates on a joy ride through a farmer’s fields than with aliens visiting Earth. “I am trying to have more fun on this record,” Brody says, “and ‘Crop Circles’ is a perfect example. It’s a crazy song that just got crazier when we went into the studio, and when we do it live it goes up a notch again.”

“I love shaking things up musically and lyrically,” he continues. “I wasn’t just influenced by George Jones and Merle Haggard, but by bands like AC/DC, Aerosmith, The Kentucky Headhunters and all kinds of artists, so those influences play a role in what I do and I’m lucky to have fans who’ll let me explore them.”

Truth to tell, Brody shakes it up right from the album’s opener, ‘Four Wheel Drive,’ a song that sets the record straight for anyone who might be tempted to turn their nose up at someone because of what they look like or where they call home. “What’s most important is being good to other people and ‘Four Wheel Drive’ is about the idea that you don’t have to rub elbows with high society to be popular with the ladies. You just have to romantic and be a good guy.”

That belief is heavily informed by Brody’s life experience and specifically his childhood growing up in Jaffray, BC, where he worked in the local sawmill prior to and during his pursuit of a career as a singer/songwriter. But it’s also a product of the fact that, in Brody’s experience, in order to find your true place in the world, often, you may need to cover a fair number of miles yourself.

That was certainly the case when Brody was chasing his own musical dreams. Shortly after moving to Nashville in 2004, Brody found himself unable to work in the US legally and seriously considered giving up on music entirely. Owing to the intervention of producer, Matt Rovey, (with whom Brody has worked with on all of his albums to date), Brody got the chance to record his self-titled debut. The album’s lead single ‘Brothers’ was a hit in the US and Canada and garnered Brody multiple CCMA Award nominations as well as the 2009 CCMA Award for Single of the Year.

Later that year Brody relocated to Nova Scotia’s south shore and signed a deal with Canada’s Open Road Recordings, on which he released his sophomore record, Trail In Life (2010), and his hugely successful 2012 follow up, Dirt, both of which won the CCMA Award for Album of the Year in 2011 and 2012, respectively. Additionally, Dirt’s lead single, ‘Canadian Girls,’ became the first track by a Canadian artist to hit #1 on the Canadian Country Chart since 2008. Dirt also yielded two #1 videos on CMT, two certified Gold singles (for ‘Canadian Girls’ and ‘It’s Friday’ – featuring Great Big Sea), and earned Brody the title of most played Canadian Artist on country radio in 2011 and 2012. Both records were also nominated for JUNO Awards in the category of Country Album of the Year. In all, Brody has been nominated for twenty-six CCMA Awards and recently took home the 2013 CCMA Award for Male Artist of the Year for the second consecutive year.

While Brody, like any songwriter, spends a great deal of time getting his songs just so, on record they sound so honest and immediate, it seems like he’s singing them for the first time. It’s a unique talent and one that’s been a hallmark of his songwriting from day one. But regardless of how far Brody takes listeners on Crop Circles, he takes care to bring them back home again on tracks like ‘Back To The Front Porch’ and ‘Little Things About Us,’ songs that find Brody giving thanks for the joys of home and family and reminding listeners where his own heart lives. “It’s the little things that are special when you’re in love. The things that make you feel nostalgic are usually small and, as time goes on in a relationship, they’re what you appreciate and remember.” Also, he adds: “It’s the little things you often draw on for support when you have to work out larger issues in love and life.”

On Crop Circles, whether a song is specifically about Dean Brody’s own life or not, he displays a singular talent for crafting stories so well lived in they sound like he’s experienced every second of every line, which makes it that that much easier for his audience to see themselves and their own lives and loves reflected in his music.

XIII (pronounced "Thirteen") are a Heavy/Thrash Metal band hailing from the city of Hull. Starting out in the spring of 2007 by vocalist/guitarist Dan Murray and another guitarist, James Oxtoby, bass player in Dan's previous band was added to the line up to fill the same role. Eventually the need arose for a drummer and then rookie, now maestro, drummer Alex O'Dwyer filled the spot with ease. In later months Mark Storr replaced the band's original guitarist, completing the line up that still blazes a trail through Hull's metal scene three years later.

Without a need to show off, a compulsive obsession to fit in, or craving other people's admiration, XIII make music according to their own rules. Their guitars roar, their drums pound, their bass thunders and their lyrics are darker than a back alley murder scene.

The content of their music is not the band's only strong point. Their live gigs are infused with an energy seldom seen in modern bands, without taking it too seriously. Most of all, the band just want to play music and have fun.

In March of 2009, the band released their first, self-produced 7 track CD, Unlucky For Some, which has garnered a widely positive reception. And to add to the band's already formidable track record, the band joined forces with indie label Death Certificate Records in September 2009, recording their second E.P in the followng January and releasing it on Friday the 13th August 2010, again to a packed out crowd. The self titled CD has proven to be a huge success, receiving many positive reviews. There are links to acquire your own copy throughout this page, or you can buy a physical copy directly from us at gigs.

2011 looks set to be XIII's year, after new manager Paul Brady joined the fold in November 2010. And things are only looking up with Support Slots for bands such as Skyclad, Beholder and American Thrashers Bonded By Blood & Lazarus A.D

On this final note, the band would like to thank everyone added to this page, the bands they have played with, anyone who has seen one of their gigs, bought a CD, helped them out in anyway, and even taken the time out to read this. THAT MEANS YOU!!! 

"There's no way to survive this..." 

Keep Thrashin'! 


An side project created by the lovely yet twisted masochist, Christy Autumn Taylor herself, she came out to create something much more darker and more brutal than her solo/main project, Autumn's Suffering.

However, in recent years due to trying to create a side project worthy to be Taylor's successor, lack of resources, funds and so forth has long plagued the planning and creations of this wonderful side project. But in late 2012, Ms. Taylor was very confident in seeking the right members for Asphyixaphilic Heart as well developing its style, look, image and reputation to become one of the most sadomasochistic, twisted and darkest Industrial/Death Metal/Punk Rap bands ever to exist.

The upcoming dual album in progress, "A New Kind of Dawn/Waking Up" will determine the fate of Death Metal and Industrial music and bring back what Trent of NIN could have done. However, NIN's successor was claimed by a band called Device, fronted by Disturbed's David Draiman so the competition is definitely on. Who will reign the future kings/queens of Industrial Music and who will reign the rulers of the Death Metal wastelands?? Let's play the game...
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The official new side project of Christy Taylor, who has taken on a new outlook on life and the music to follow for this band. Everything is more darker, more intense and somehow positive in a strange way. This would be the first ever side project to be released under Christy Taylor's leadership clean and sober ever since leaving rehab in later 2013.
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Asphyxiaphilic Heart happens to be a new band rising from the ashes of the music industry to go independent and defeat the mainstream with the most brutally honest and intense yet beautiful kind of music ever created by Christy Taylor and Crew.

Since having left rehab in 2013, Christy came back stronger than ever to redevelop the side project of her dreams since starting Autumn's Suffering in 2001. A lot has changed since leaving rehab and a lot has changed since she ended up in jail for drug possession during her youthful wild self-destructive days as a teen runaway prostitute. Having grown up from all the abuse and the hell she went through, she was very determined to open the world's eyes by releasing a song called "Burnt Photographs" which was a original Autumn's Suffering song until she realized it didn't fit her main/solo project's view lyrically and musically. So she did some rearranging picking out songs that didn't fit with Autumn's Suffering and moving them to Asphyxiaphilic Heart's collection of songs she's been writing, co-producing, recording and singing on for months prior to her recent acoustic demos releases with Autumn's Suffering.

Soon, she will release "A New Kind of Dawn" and "Waking Up" as well 2 EPs before those albums comes out as a double album package. "A New Kind of Dawn" and "Waking Up" will serve as a two disc/double album project like a part 1/part 2 kind of album. The 2 EPs soon to be released before this double album project will be demos she did while in the music therapy group in the rehab facility she was in as well having them done in San Francisco, Los Angeles and Texas during her travels and soul-searching days. 

This side project project will truly change many lives and change many minds over time as the band progresses into something very dark and beautiful. Hopefully, we'll see lots of great music and great times with this band she started.

Abuse, rape, sexual assault, hate crimes, drugs, booze, ex lovers, suicide, victim of a attempted murder, family violence, pure hatred for her parents, homelessness, prostitution, former runaway teen, losing her wife and daughter in 2009, a victim of mental/emotional abuse from the system she was forced to live through, etc. - you name it, she will talk about it. She survived everything as a young, attractive 25 years old transwoman and will keep fighting and keep holding to become a better yet sensitive soul for her fans to relate to.

This is Asphyxiaphilic Heart, 10 years in the making. Let's rock.
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Music, love, hate, pain, pleasure, life, death, recovery, grief, loss, suicide, drugs, booze, rehabilitation, lovers, ex-lovers, BDSM, running away, holding on to what little hope is left, abuse, family violence, high school violence, hate crimes, rape/sexual assault, what a cruel world we live in, faith and peace... we talk about it all right here in our band and we'll rule the world with our music, because pain is what created our fame. Regardless, we're about the fans and about the people. Don't give up, kids because we relate to you.
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Originally from the barren, dry wastelands of Texas where she was born, Christy Autumn Taylor has chosen to rise from the burning ashes of the defunct wasteland of the music industry to create a new breed of "Antichrist Superstars", originally starting with her side project, Dysfunctional Empathy and her other project, Cold Tourniquet. After 5 years since splitting up with other projects she worked with previously and going into hiatus until recently in mid 2012, Christy returned to the studio with her musician/songwriter/lover and combined all her former projects to what she believes suits her musical direction better, thus giving her more creative control over her songwriting, her music and her lineup, which also enabled her to use studio and touring musicians anytime for any and all albums in the years to come.

Raw, brutally honest, unapologetic, tormented, anti-political, anti-religious, anti-mainstream, antisocial, Stone Sour's, Staind's, Kurt Cobain's and Corey Taylor's true successor (especially as the next Great Big Mouth), gender fuck GrungeGoth bitch Goddess, sadomasochistic, wicked, 120% original, aggressive, and unforgivably assaulting, the beautiful Ms. Taylor who is affectionately known as the Antichrist's Daughter, along with the backing acoustic guitarist, has come forward to do what many others has failed to do and do what very few legendary rockers were lucky and able enough to do: rape the mainstream. Angst doesn't satisfy the word that summarizes what Christy's solo project, Autumn's Suffering is all about. But one thing is certain; the gender fuck singer-songwriter, Christy along with lover/musician, Patrick Hoeger aka SICness has a lot to say with no regret whatsoever.

Her songwriting process is twisted, somewhat Schizophrenic yet brutal and unaffected by the mainstream which corrupts their listeners nowadays with lies and hypocritical superficiality. Her lyrics comes from the heart, unafraid to speak her mind on just about anything, which might land the eccentric gender fuck Goddess a spot as Corey Taylor's successors as the Next Great Big Mouth.

The music, being described as unforgiving yet brutally honest, artistic post grunge music with catchy riffs, grungy acoustic sound from the Goddess herself playing the acoustic-electric guitars, hauntingly atmospheric sounds from the keys/synthesizer/piano section and morbid and melancholic lullabies from the harp and violins section and the bass/drum tracks with Electronic style Industrial kind of music along with electric guitars and backing vocals as well from her longtime lover/songwriter/musician, Patrick aka SICness that'd make NIN remembered for their mark on the Industrial scene accompanying the main attraction, Christy Taylor herself, who is somewhat a crossover of Hedwig and the Angry Inch, David Draiman, Corey Taylor, Amy Lee, Joan Jett, Shaun Morgan, Kurt Cobain, Jonathan Davis, Emilie Autumn, Taylor Momsen, Cristina Scabbia, Rob Zombie and Aaron Lewis; all of many heroes she looks up to while getting in people's faces with her unapologetic honesty, demoniac spitfire war-torn howling screams that haunts future fans as well her harmonic yet hauntingly beautiful hypnotized-like, sorrowful singing leaves a trail of blood and broken hearts for those who once believed empathy was dead.

So in result, she has come out with this brutally honest solo project, having returned to their roots back in Texas, believing this kind of music will open many doors for future generations to assault the mainstream and allow them to free their own minds. Where she's been in the past she's come to hate now determines where she'll go in the future. Until then, she's in the here and now, ready to kick men in the balls, empower queer women to fight back, set free the minds of the misled youths and become the world's reckoning, here to end the borrowed time they've all been living on and bring revolution, truth, justice, equality, freedom, liberty and love back to the people.

She can make those cry and suffer in demo songs such as, "Breaking Myself Apart", "Lost In Time (Still Waiting)", "Remember Me", "Dead Inside", "Skin of Rumors", "Rehab Lullaby", "Dead By Sunrise" and so forth in past projects. Now, she returns full force with her reborn project with just a acoustic-electric guitar, a harp of her own, pianos/keyboards accompanied by synthesizers, occasional violins, drums/percussion, bass guitars and electric guitars with Patrick Hoeger aka SICness to create her first EP, "Dysfunctional Roots EP" and "Homegrown EP", consisting of 6 songs each based on her personal life, her fantasies, her cold realities and her mental health issues, etc., then developing a concept duet style collaboration album, "7 Deadly Sins EP", she believes these albums will open many doors for future generations to assault the mainstream and allow them to free their own minds, thus resulting in the unreleased debut album in progress to follow shortly after the aforementioned tour, "Silenced No More", an autobiographical album that will break every single unwritten law in the music industry and violate the ears of their enemies and basically slaughter the entire competition. The debut offspring will consist of an 2-part album, accompanied by a documentary DVD displaying the making of "Silenced No More" as well showing the lives of the GrungeGoth/Punk duo outside of the solo project and a bonus DVD that's full of music video goodies, concert footage, behind-the-scenes chaos and backstage mischief on the road, in the studio and at home with plenty of uncensored horseplay, vulgar language, sexually explicit content and wild moments that'd make for good bedtime stories for their grandkids someday, reminding them that they're still rockers on a mission.

Genres:
Goth
Grunge
Post Grunge
Alternative
Acoustic Rock
Alt-Country
Goth-Pop
Singer-Songwriter
Electronica
Industrial
Symphonic Rock/Metal
Punk
Post Hardcore
Punk Rap
Alternative Rap-Rock
Death Metal
Nu-Metal
Grungecore
Melodic Death Metal
GrungeGoth
Riot Grrl/Queer Rock music
EDM/Dubstep
Post Punk
Black Metal
Hard Rock
Psychobilly
Rockabilly
Instrumental

A big band of seventeen musicians, Lord Mouse and the Kalypso Katz thrill audiences thanks to the vocal and scenic playfulness of its riveting chorus and of its energetic singer and composer Lord Mouse. Faithful to the traditional roots of Trinidadian calypso, the group has rejuvenated the genre to offer a boisterous sound that will have the audience up and dancing.

WHAT THE HELL IS CALYPSO? 
Grand father of Reggae, father of Ska, and the original Carribean musical style that ties them all together. The missing link of Creole rhythms. Yes, this is Calypso...beats carried over with the African slaves, mixed with the pentatonic scales of the indigenous people of Trinidad and Tobago, and the instruments of the European gentry. Born from the savagery and inhumanity of slavery, poverty, and indifference, Calypso was the New world's first protest music, a defiant fist against oppression and injustice. Calypso evolved slowly, first sung in Spanish, while the people were under that rule. Later the France took control, introducing carnival and extemporaneous singing, and ultimately the British arrived. The languages may have changed, but what seperates Calypso from it's Jamaican cousin Mento is the „Spanish tinge,“ as Jellyroll Morton called it, or the „Scottish snap,“ as it has been known. (Mento has the more straightforward „square“ rhythms that the English would have appreciated.) Calypso was recorded first in New York in 1914 by Lionel Belasco, who beat a quick trail there from Trinidad after impregnating the teenage daughter of the wealthy, white mayor of whom he was giving piano lessons. This was just the bare bones of the genre, being mostly instrumental in nature and having more of a stately, European flavour. In the late 1920's (the „golden age of Calypso“) the young prodigy The Roaring Lion, a dirty minded and cheeky, and his politically inclined older friend Atilla the Hun, showed up in NY to record for Decca. This is really what set up the genre. The Lion injected it with sexual innuendo, racy local gossip, shameless self promotion, and tales of debauchery and murder, while Atilla spoke earnestly of the political, social and economic problems of Trinidad and Tobago, decrying the emperial stranglehold of England upon his island, the two setting a precedent as to what would eventually define the genre. The early 1950's saw the next great wave of calypsonians, as the music began to develop a more upbeat, dance oriented flavour, with the likes of The Mighty Sparrow in Trinidad, Lord Kitchener in London, and Houdini and the Duke of Iron in New York, all rocking dancehalls and street parades alike. Harry Belefonte brought the mix to mainstream USA, although being of Jamaican parentage, his „calypso““ was actually Mento. Then came a long, lean period of 45 years, where the genre was lost, forgotten, abandoned and neglected. Then, out of the blue, in 2008 sprang Lord Mouse and the Kalypso Katz... from Berlin, Germany of all places, to pick up where the others had left off. Retaining all of the important elements of the style, meanwhile utilizing modern production, the band began to successfully re-popularise the lost genre. Since it's inception, the band has managed to put the word Calypso back into the popular music vernacular. Suddenly bands, DJ's and music journalists are relating to this wicked, dirty, moral, cheeky, politically charged and ultimately dance-worthy music. Thank you, Lord Mouse and the Kalypso Katz. The once forgotten style of Calypso deserves it. And so the do people.

Thomas Regin is an award-winning Danish media-composer living in Bergen, Norway. Co-founder of North By Sound | Audio Productions |.
His music has been featured in widely popular video-games such as the Nancy Drew-series, Unavowed, Nighthawks, Jewel Quest: Trail of The Midnight Heart, The Blackwell Series, Emerald City Confidential, Murder She Wrote, Wedding Dash and dozens more. 
From his cabin-studio overlooking the Norwegian mountains, with a strong Scandinavian approach to songwriting and an ear for great melodies, he provides the media business with a new and unique sound.

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