The album was designed as an end to end connecting experience especially for those who often feel restless, difficult to stay relax, calm, content.

It is divided into 6 progressive pieces to get into a deeper journey with yourself. All you have to do during this experience is let go. The music is meant to touch you deeply, especially to get in touch with any negative emotions and release them out. 

We can not be truly relaxed and focused if we have negative or dark emotions within ourselves, and most of the time we may not even know they even exist. The album is designed to get in touch with that side and observe it, not be overwhelmed by fear but instead embrace it, release it and let it go. 

The first piece, “Into The Yin” is meant to prepare ourselves to get into this journey and slowly relax.

The second piece “Connecting” will progressively induce a state of deeper connection with our inner self.

The 3rd piece “Contemplating” will help us start observing our inner emotions, feel and explore what is within you.

Pieces 4 to 6 will be released soon!

Time To Feel

Into The Yin

Time To Feel - Part 1 - Into The Yin

ERNESTO CORTAZAR - Waltz Of Love

manual

Léo Ferré, "Colloque Sentimental"
Philippe Jaroussky, Quatuor Ébène, Jérôme Ducros
Live 2015

Poem by Paul Verlaine

Dans le vieux parc solitaire et glacé
Deux formes ont tout à l'heure passé.

Leurs yeux sont morts et leurs lèvres sont molles,
Et l'on entend à peine leurs paroles.

Dans le vieux parc solitaire et glacé
Deux spectres ont évoqué le passé.

- Te souvient-il de notre extase ancienne?
- Pourquoi voulez-vous donc qu'il m'en souvienne?

- Ton coeur bat-il toujours à mon seul nom?
Toujours vois-tu mon âme en rêve? - Non.

Ah ! les beaux jours de bonheur indicible
Où nous joignions nos bouches ! - C'est possible.

- Qu'il était bleu, le ciel, et grand, l'espoir !
- L'espoir a fui, vaincu, vers le ciel noir.

Tels ils marchaient dans les avoines folles,
Et la nuit seule entendit leurs paroles.

No infringement of copyright is intended. We believe the publication of this sound to be within the realm of "fair use," discussion and study. If you have any concerns about this being online, please drop us a line and we will remove it immediately.

Philippe Jaroussky sings Léo Ferré's "Colloque Sentimental"

Antonio Lucio Vivaldi: Stabat Mater

Introduzione Al Miserere "Filiae Maestrae Jerusalem" RV 638: Recitativo Adagio

Georg Friedrich Händel (1685-1759)
Agrippina (HWV 6, 1709)
"Come nube, che fugge dal vento"

Philippe Jarousky, countertenor
Freiburger Barockorchester, dir. Petra Müllejans

Halle, 26. November 2011

via http://www.youtube.com/user/sjuli17

*******
Giovanni Domenico Tiepolo (1727-1804): The Winds

*******
NERONE
Come nube che fugge dal vento 
abbandono sdegnato quel volto. 
Il mio foco nel seno già spento, 
di quest'alma già il laccio è disciolto.

Come nube che fugge dal vento (Handel) - Philippe Jaroussky - via SJuli

Sample tracks from the newly released, The Space Between.

01. I Know a Love So True and Fair - The Space Between Sample

Cédric Monnier is a swiss piano player with french roots. 
He recorded his piano compositions in a remote estate in Brittany near the untamed Atlantic coast. In the process, fragile, sensual piano pieces were created, meandering between somnambulistic, cinematic scenery and gentle, natural pureness. Sometimes the compositions follow a stringent structure, whilst at other times improvising passages open up, but always the interweaving melodies, harmonies and rhythms captivate with their childlike, touching playfulness.

Mélodies d'un film perdu

Tehran Jan

Beaurevoir

booking: 
booking@zealand.be

Cédric Monnier is a Swiss piano player with French roots.  He recorded his piano compositions in a remote estate in Brittany near the untamed Atlantic coast. In the process, fragile, sensual piano pieces were created, meandering between somnambulistic, cinematic scenery and gentle, natural pureness. Sometimes the compositions follow a stringent structure, whilst at other times improvising passages open up, but always the interweaving melodies, harmonies and rhythms captivate with their childlike, touching playfulness.
Inspired by Frédéric Chopin and Erik Satie, his neoclassical solo piano compositions are reminiscent of many contemporary artists such as Ludovico Einaudi, Yann Tiersen, Philip Glass, Hania Rani, Olivia Belli, Sofiane Pamart, Max Richter and Ólafur Arnalds.