Bilboa

Aphex Twin: [mostly mellow] for Supreme

Copy of Ween - The Pod Outtakes

Discover Weekly Archive 1 - 3

my mess - 5

Pierre Henry
Theme De Myriam
KREEP03

For the third installment in our Finders Kreepers dedicated vintage horror soundtrack series we begin with an obscure French witch flick which pulls together stylistic echoes of both Bell Book And Candle and Czech gothic thriller Morgiana then feeds them through the musical mind of one the true pioneers of electronic composition for this little known OST by a well known sonic maverick. Often evading the composer’s discography lists Pierre Henry’s rare score to Malefices (aka The Hex or Where The Truth Lies) hears our bonefide musique concrète originator at what is perhaps his most melodic and fragile (especially for the formative era) layering vocal tape loops and gossamer feminine voice treatments with plucked strings, white noise wind and brooding industrial piano textures for this intoxicated poison peon which stands as the perfect opener to an intense soundtrack for those lucky enough to find the original record (or film for that matter).

The second cut on this limited edition 45 is a classic piece of unnerving horror composition that adopts the same child-like vocal/brooding undercurrent that has earned scores like The Innocents, Night Of The Hunter and Profondo Rosso an indelible place in our nostalgic nervous systems.  Creating a major stir as a novel and stage play before benefitting a celluloid adaptation The Bad Seed shocked audiences with the first cinematic killer kid in mainstream cinema following a did she/didn't she plot set to innocent nursery rhymes played in fragile minor keys against paranoid orchestral restraint.  Mirroring the theatrical mother’s worst fears and accentuating the lead roles split personality The Bad Seed earned composer Alex North continued plaudits for his classy, conceptual realisation of this milestone in horror cinema soundtracking.

Pierre Henry - Theme De Myriam (Maléfices)

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Stream Virtuous on All Platforms: SmartURL.it/Virtuous

Roxy (prod. Jdolla & Shxrkz)

Ween - Fantasy Jam (The Pod Outtakes)

Ween - Jam (The Pod Outtakes)

Ween - Oh My Dear (I'm Falling in Love)[The Pod Outtakes]

Ween - If I Close my Eyes Forever (The Pod Outtakes)

Ween - The Mind (The Pod Outtakes)

Ween - Pollo Asado (The Pod Outtakes)

Marshmallow

Mysterious River Snake

Available now! 

Buy there album here:
https://culprate.bandcamp.com

1. Whispers (Part I) 
2. Florn 
3. The Memoirs Of Gregory Otterman 
4. Acid Rain 
5. In The End 
6. Void 
7. Without 
8. Within 
9. Yin 
10. Whispers (Part II) 
11.Relucent feat. ZES

Like Culprate: www.facebook.com/culprate
More Culprate: www.soundcloud.com/culprate
Follow Culprate: www.twitter.com/culprate
Coming soon: www.twitch.tv/culprate
Merch: www.store.culprate.com

Deliverance

Support!

Acid Rain

In my author's version of the track "Один в каное - У мене немає дому" ("One in a Canoe - I Have No Home"), I took on the revision of the original not because it was bad, but rather because I saw potential in it for a deeper and higher-quality sound. The original undoubtedly sounded good, but I felt it could be even stronger and more emotional.

My author's version of the track was created with love for the original material and with a desire to breathe new life into it. I aimed to make it more modern and groovy, ensuring that every note and every moment sounded as they should. By changing the arrangement, adding new sonic textures, and giving the composition a new character, I wanted to emphasize its power and beauty, making it more relevant and appealing to contemporary audiences.

My goal was not just to change the track, but to improve it while preserving its uniqueness and spirit. As a result, I created a version that, I hope, captivates listeners and inspires them just as much as the original inspired me.

Один в каное - У мене немає дому | Odyn v kanoe  - ( Soulscreen Remix )

Unspeakable Visions

Little Star

Weed Whore

Däs Bullshit

It's No Good (When You Feel Bad)

Don't Sweat It

Stallion Master (My Gazebo)

Zemlyane– Трава у дома (slowed)

Viva Boma

Cos - Flamboya

Brian Bennett & Alan Hawkshaw - Mermaid

Rubba - Way Star

Listen / Pre-Order - http://smarturl.it/Prefuse73-Sacrifices

The first single from the forthcoming 'Sacrifices' LP from @prefuse73
Digital released 15th May, Vinyl available June 15th

Artwork by John Herndon

Sacrifices 

Listen / Pre-Order

Prefuse 73 - Basinskitarian

https://soundcloud.com/ash-walker-music
https://soundcloud.com/yazzahmed

Exclusive to the compilation, Cosmic Vibrations that is out Now!

Download / Listen here:

CosmicVibrations.lnk.to/Album

Download / Listen

Ash Walker Feat. Yazz Ahmed 'They Have Lost Jesus' [Out Now]

In the heyday of low-budget television and scrappy genre filmmaking, producers who needed a soundtrack for their commercial entertainments could reach for a selection of library music: LPs of stock recordings whose contents fit any mood required.
 
Unusual Sounds is a deep dive into a musical universe that has, until now, been accessible only to producers and record collectors; a celebration of this strange industry and an examination of its unique place at the nexus of art and commerce.
 
The perfect companion to the David Hollander curated book Unusual Sounds: The Hidden History of Library Music (out now on Anthology Editions), these 20 tracks, encapsulate the niche and fascinating subculture of library music. Genres were spliced, conventions dispensed with, and oftentimes hybrid music of astonishing complexity was produced. Elements of rock, jazz, soul, even twentieth-century avant-garde composition were all utilized, and no stone was left unturned. As a result, some of the best library music defies all categorization, reflecting the individualistic quirks and artistry of the various musicians who made it.

Unusual Sounds

Stringtronics - Tropicola

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guardua group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom).

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

United by a love for the music of Mamão and Azymuth, the CD and digital edition also feature remixes and dubs from some of today’s most forward-thinking producers with a penchant for percussion, including IG Culture, the 22a crew, Max Graef and Glenn Astro.

Vinyl / CD / Digi

Ivan ‘Mamão’ Conti - Ilha Da Luz

'LANDLOPER'

New album from @littlepeoplemusic, out Jan. 11, 2019 via @FutureArchiveRecordings.

BUY/STREAM --> http://smarturl.it/landloper
_____________________________________________________________

'LANDLOPER' is Little People’s first release since 2015, where he returns with an album that is both beautiful and complex – much like the journey it took to release it.

In 2014, Laurent Clerc – aka Little People – decided to move to Portland, OR to allow himself to concentrate on writing new music. Laurent spent a fruitful year in Oregon, drawing inspiration from the wild beauty of the Pacific North West. Shortly after his move, a new EP and a successful 6-week North American tour opening for Odesza followed. It’s around this time that the first sketches of 'LANDLOPER' started to take shape.

For Laurent making music is all about the process – each sound used on his latest album were created with a technical idea in mind. Either with a modular synthesizer or using digital means, Laurent draws inspiration from the set of tools at his disposal. Electronic music is a giant playground to explore and tinker with. The new album has a warmth and lofi aesthetic that is at odds with Laurent’s meticulous nature – but everything has been crafted to be deliberately just so. Constantly looking to add imperfections to beautiful sounds – rendering them more abrasive and alive. There are contrasts between the lush string quartet arrangements and off kilter angular beats, with subtle details in each track which co-exist alongside broader melodic themes. The music on 'LANDLOPER' travels through a number of sonic palettes, borrowing elements from different sub-genres to eventually form a cohesive whole.

Laurent worked with a number of collaborators this time round – expanding beyond just instrumental works. Whilst in Portland he worked with Reva Devito (HW&W Recordings) whose vocals were chopped and re-purposed – providing a vocal thread throughout the whole album. Laurent also collaborated with Rahel Debebe-Dessalegne (Hejira, Matthew Herbert, Floating Points) making up three key songs on the album. The lead single track Skies Turn Blue which features Tif Lamson (GIVERS) was an effortless collaboration between 2 very different artists.

Track Listing:

01. PDX
02. Skies Turn Blue (feat. Tif Lamson)
03. How To Navigate
04. Embrace (feat. Rahel)
05. Tonight
06. Don’t Give Up (feat. Rahel)
07. Lozenge Less
08. All The Wonders (feat. Rahel)
09. Rouge
10. Slow Shimmer
11. Maybe It’s Wrong
12. Talk To Me
13. Sponk
_____________________________________________________________

More about Little People at http://futurearchiverecordings.com/little-people
_____________________________________________________________

Landloper

BUY/STREAM ALBUM

Little People - PDX

Vinyl / Download / Stream: https://lnk.to/1408

"14/08" is the first pre-single of JJ Whitefield’s solo debut album "Brother All Alone". On the new German Neo-Jazz label Kryptox / K7. Guitarist and producer JJ Whitefield is kind of a legend to many funk, hiphop and afro connoisseurs around the world. Before joining the Kryptox label he released albums on Ninja Tune, Stones Throw, Now Again and Daptone with his bands Karl Hector & The Malcouns, Poets of Rhythm, Whitefield and Rodinia. 
He also was the band leader and co-produced the two comeback albums of Ebo Taylor for Strut Records. The German multitalent has been living in San Francisco many years before coming back to Germany and now recording "Brother All Alone" - a Jazz Funk album with some of the best young heads from the new Berlin Hipster Jazz scene. The album could make some waves as Whitefield has prominent fans all over the world: From L.A. guys like Madlib, DJ Shadow, Dan Auerbach or Kemasi to UK Jazz heads around Gilles Peterson scene. Many of the albums of his former bands are cult. So this next step in his carrier could get some attention too!

JJ Whitefield - 14/08

Been a while since my last one...promise I wasn't just sitting on my laurels. Combine being busy with my day job with blowing out my voice (again) makes for a long production schedule...

Hope it was worth the wait!

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#Amorphis #Cover #SymphonicMetal

The Covers Anthology (Volume 4)

Amongst Stars by Amorphis

polnalyubvi - Кометы (тот кто погас будет ярче светить)

cover of leonard cohen inspired by feist's

Hey, That's No Way To Say Goodbye

I upload music I enjoy here so I don’t have to use YouTube 👍

Ween - Pollo Asado (The Pod Outtakes)

nate