TO BE AT THE DOOR OF A QUANTUM NIGHT

Quantum steams

Quote Tante Meli: https://soundcloud.com/tante-meli
....something very different - i know :D

DIE GLUT means "the glow" (of fire)
my thoughts behind it were the great good mood when we jumped over almost burned down fires when we were kids. jumping was always a sign of being "brave". although it was never really dangerous ;D

whole translation:
I'M JUMPING OVER THE GLOW
JUST BECAUSE I'M ABLE TO -
I HAVE COURAGE

german:

ICH SPRINGE ÜBER DIE GLUT
WEIL ICH ES KANN
ICH HABE MUT

Die Glut (Dance Remix)

Nihilist film noir existential jazz fusion detective dance music for our AI future  days.  Human music.
From the Album: "Curiosities Of Outsider Art" (Sept 2025)

Lyrics:
Another dark night in the promised land
Experiencing the universes empathic crushing hand
There are people today creating symphonies
With well worded prompts
You know me, I'm staying out of sight
At  late night haunts

I'm investigating black markets
Where people sell off all of their free will
They said you were gonna love me
But I could never ever seem to get my fill

The people out here 
They don't believe in nothing
No God of any kind
You said you were gonna love me
But I could not give you the reason why

You learn to live... (The AI prayer of life)

Another stoned day in the promised land
Experience randomness
And technologies charismatic helping hand
Hypothetical lovers through the screen
She said she was gonna love us
But circuits don't know what I mean

A whispered dream
Asato Ma Sadgamaya
(Hindu Prayer: Lead me from the unreal to the real)
Like a primal scream

Alter your creative spirit
(change the configuration)

Alter your consciousness
(change the configuration)

Alter your soul
(change the configuration)

Alter humanity
(change the configuration)

I'm like a primal scream
How docile we've become
I love how docile we've become...

Asato Ma Sadgamaya

Forever

Recorded in 2021. remastered.  I have to have a new way to play the piano. My sister and my son are doing that. They are working out a way to bring the piano to my hospital bed. I can no longer sit up, even in my powerchair. It's too uncomfortable and hard to breathe. I don't have functioning back or abdominal muscles, and I can't lift my head off my chest unless In laying back. Only my arms and hands are semi-functioning. My thumbs are going bad. I can't pull a zipper. I won't be able to play as well and I don't know how I'll work the sustain pedal - but I'll do my best! 😊🎶🎹🎶

Light at The End of The Darkness

A New wild ride with my talented friend https://soundcloud.com/billy-korg
Lyrics :-
I wonder what
I was doing
Not a lot
Before all this
I wonder what
Was my calling
Stuck in a rut
Before all this

And day by day
And year by year
It fades away
Becomes unclear

Is this the path I should be on
Now that I'm here

A midnight chancer
A moonlight dancer
A real champagner
An entertainer

Billy Korg / winkandwoo 2025

Before All This

Before All This - Billy Korg & winkandwoo

Illusion

Every Now & Then

Cette chanson parle des nuits blanches que les accidents de la vie nous font passer . Quand notre lit devient trop petit pour ces sombres pensées et que l'on va dehors pour essayer d'oublier...
This song is about the sleepless nights that life's accidents cause us to endure. When our bed becomes too small for these dark thoughts and we go outside to try to forget...

Composer/Keyboard : Régis GAUBERT https://soundcloud.com/rob-spirit/tracks musicoman@wanadoo.fr
Arrangements/Guitars : Philippe SEGUINARD
Lyrics/Singer : Guillaume DULER

Quand on marche la nuit
On change le décor
De ces choses que l'on fuit
Mais elles s'accrochent fort
Le jour est endormi
Les heureux rêvent encore
Quand on marche à l'ennui
On se traîne du corps
Quand on marche la nuit
Sous des lumières fanées , blessées
Faux soleils prisonniers
Notre ombre est une amie
Un peu désorientée
Et comme un chien elle nous suit
Fidèle et obligée
Si elle avait une vie
Elle resterait couchée
Quand on marche la nuit
On voit mieux les silences
On contemple les bruits
On regarde leur danse
Un instant on oublie
Notre désespérance
Que le jour que l'on fuit
Réveille nos souffrances
Quand on marche la nuit
On entend nos pensées (bis )
Elles sont comme des cris
Qu'on retient prisonniers
Et la Lune en amie
Paraît nous écouter
Peut être qu'elle luit
Pour mieux nous consoler
Quand on marche la nuit
On croise le hasard
Il nous parle de lui
Mais c'est bien notre histoire
On se voit dans sa vie
Comme dans un miroir
On connaît tout de lui
Il a notre mémoire
Quand on marche la nuit
Au rythme des pourquoi ( bis) 
Que nos pas ont suivi
Des traces d'autrefois
On laisse démuni (bis )
Quelqu'un qui pleurera
Qui marchera la nuit
Les jours où ça va pas

When we walk at night
We change the scenery
Of those things we flee from
But they cling on tightly
The day is asleep
The happy ones still dream
When we walk in boredom
We drag our bodies along
When we walk at night
Under faded, wounded lights
False suns held captive
Our shadow is a friend
A little disoriented
And like a dog, it follows us
Faithful and obliged
If it had a life
It would stay lying down
When we walk at night
We see the silences better
We contemplate the noises
We watch their dance
For a moment, we forget
Our despair
That the day we flee from
Awakens our suffering
When we walk at night
We hear our thoughts (repeat)
They are like cries
That we hold captive
And the Moon, our friend
Seems to listen to us
Perhaps it shines
To better console us
When we walk at night
We encounter chance
It tells us about itself
But it is really our story
We see ourselves in its life
As in a mirror
We know everything about it
It has our memory
When we walk at night
To the rhythm of the whys (repeat) 
That our steps have followed
Traces of the past
We leave helpless (repeat)
Someone who will cry
Who will walk at night
On days when things aren't going well

© Régis GAUBERT/Philippe SEGUINARD/Guillaume DULER  Septembre 2025

Quand on marche la nuit ( Regis GAUBERT & JIM ) TRANSLATED

A simple, little weird Original track
Music made in GarageBand
Lyrics & vocals by me 

😊

Lyrics:

In your house you want to feel like home
If you can't feel it
You don't want to be there!
On your sofa you want to feel relaxed
If you can't feel it
You don't want to be there!

Mmm...Mmm...Mmm...Mmm

In your kitchen you want to make food
If you can't do it
You don't want to be there!
On a plate you want to serve something good
If it's not good
You don't want to serve it!

Mmm...Mmm...Mmm...Mmm...

In your bedroom you want to get some sleep
If you can't sleep
You don't want to be there!
In your bed you want to feel good
If you can't feel it
You don't want to be there!

Mmm...Mmm...Mmm...Mmm...

You Dont Want To Be There (Original)

bandcamp

The Dreamscape

Track 5 from Wigmore Allen Gibbons 2025 release called FRINGE - available at www.terrywigmore.com/wigmore-allen-gibbons

*Keith makes observations everywhere he goes, and in this instance, his tours of local castles led to this idea - those great, huge, thickly-hewn doors are actually hung on very small hinges. Of course, Terry sees the image as a metaphor -great change often begins with small starts. Literal or metaphorical? We 'll leave that up to the listener.

Great Doors Open

    I walked along a beach…soft sand at my feet
    I travelled past a man…his chin down on his chest
    This man is not asleep…He’s too long past all that I guess
    It may sound pretty stupid, yet…there it is
    Great doors open on small hinges
    I don’t care no more…I don’t care
    I don’t care no more…I don’t care… 
    Great doors open on small hinges
    On this unmitigated nightmare
    No one walks the lonely path I trod
    More disasters left by the wayside
    At the time, didn’t look so bad

    1.47 (Instrumental Break)
    
    He joined in halfway through the movie
    He ain’t gunna chew this cabbage twice
    That dozy man out on the causeway
    Awoke upon his own advice
    Great doors open on small hinges 
    He don’t care no more…he just don’t care
    He don’t care no more…he just don’t care
    Great doors open on small hinges

Wigmore: Music, Production
Allen: Vocals, Lyrics, Guitars, Bass

Great Doors

The Expansion of Infinity

In 2019, after releasing my single Distant Visions, a fan reached out and said:
“Almost sounds like something from a second interstellar suite.”

That one sentence stirred something in me. It took me back to The Maestoso Interstellar Suite—a work I originally released in 2006 and expanded into a double-disc experience for its 10-year anniversary in 2016. I began to ask myself: Is there more to explore in that soundscape? Could there be a continuation—not a sequel, but a new frontier?

At the time, I had also released a companion version of the suite: a more accessible, “radio edit” style reimagining called Singularities. It wasn’t just a shortened take—it was a different perspective. Like looking at a galaxy from another angle.

And now, Singularities has found its true home—as the next entry in a new, ever-evolving musical journey.

Welcome to Infinity

Infinity is more than a project. It’s a living archive. A space where reinterpretations and original compositions coexist. Ambient. Orchestral. Space-driven. Timeless. It has no definitive ending—only a series of unfolding volumes, each offering a glimpse into the same emotional cosmos from a different light.

Infinity Volume II – Singularities

This volume reintroduces the material from The Maestoso Interstellar Suite through a reframed lens: shortened, accessible, and arranged to stand on its own as individual pieces. If the Suite was a continuous voyage, Singularities is the constellation map—each track a star with its own identity, orbiting the same emotional core.

Originally created as an alternate listening experience, this version of Singularities now shines as a fully realized volume within Infinity. It respects its source material while offering something more focused—more immediate—without losing depth.

Where It’s Going

The Infinity series continues to grow. Each volume refines, reimagines, or reaches beyond what came before. And there’s more to come:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

With each step, I revisit and reshape ideas I once thought complete. And with every new piece, I get closer to the sound I’ve always heard in my head—now finally possible with the tools I have today.

Maybe it’s unconventional. Maybe it’s a little obsessive.
But that’s Infinity—and it’s not supposed to end.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity2BC  

Movement X (General Relativity)

I used a phrase from a comment I received from Stars Mighty Fine as the title.
First, I see a chaotic array of tones, and then I try to create some kind of structure from that chaos. I think the process of composing is simply trying to control the song and sound with all my might.

We Control with All My Might (357)

It's like the warm embrace of a true self, at last emerging from a long winter of alienation; an ode to radical authenticity and unabashed self-expression; a gentle reminder of the richness and interconnectedness of the human heart. To an increasingly cold and complex world, this waltz answers with simplicity and warmth—an expression of personal beauty and longing for connection, reaching out to other contemplative souls. It is the latest composition from Utah-based neoclassical pianist Daniel Driskill.

The Blackbird's Waltz

Buy Sheet Music

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Factor Integrante

Yo pensé (La sexta vez)

(Don't follow me here, best on my main page ;)

Illusion

Far East Radio

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