Name: swamp witch by deformis bastardis II in dungeon rap
Duration: 3 min 14 s
Description: https://deformisbastardis.bandcamp.com/album/cursed-swamps

dungeon rap

Undama Tath'hur Al Shams Min Al Sharh (2007)

Al Shar Wa Aljan - Narjahanam

Rite Of Passage Into A Vampire

https://deformisbastardis.bandcamp.com/album/cursed-swamps

cursed swamps

swamp witch

Coupe De Grace

A collection of tracks by German musician Reinheit in the dungeon rap style. A large part of the mixtape is made up of demos from the latest album Die Leichte Bestie. There are also unreleased tracks, fragments of different demos, some collaborations. Tracks were created in the period from 1991 till 2000.
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0:00 - Demo I (Unknown Album)
0:56 - Anathema w/ DJ ICE MANE
3:28 - Psychopatic Lunatic
7:21 - Demo II (Die Leichte Bestie Album)
7:38 - Lake of Desire w/ Cave Castle
10:46 - Untittled (Unknown Album)
13:10 - Voice Of The Middle Age (First Dungeon Rel)
16:54 - Demo III (Die Leichte Bestie Album)
17:38 - Demo IV (Die Leichte Bestie Album)
18:55 - Freak w/ DJ Scrixt
22:07 - Rabble
25:34 - Demo V (Die Leichte Bestie Album)
26:02 - Demo VI (Die Leichte Bestie Album)
26:36 - Devo VII (Die Leichte Bestie Album)
27:23 - Gloomy Under
29:32 - Demo VIII (Die Leichte Bestie Album)
30:10 - Demo IX (Die Leichte Bestie Album)
33:09 - Doppelgänger w/ Eternal Suffering
35:45 - The Binary
39:56 - Demo X (Die Leichte Bestie Album)

Dungeon Rap Mixtape

Ludden

CORVUS NEBLUS was a dungeon synth-project courtesy of MACABRE OMEN Alexandros “Evil Dark” Antoniou, active in the late-1990s/early 2000s. Two musically and thematically intertwined cassettes were released in total under the C.N.-moniker – both on cult Estonian label Elven Witchcraft – entitled “Strahd’s Possession” Chapter I (1999) and Chapter II (2001) respectively.

Featuring integrated aesthetics and extensive liner-notes, “Strahd’s Possession” is an ambitious affair, conceptually based on Alexandros character from the old Advanced Dungeons & Dragons role-playing game Ravenloft. A narrative of sorts, with the song titles and liner-notes working as a complementary guide to the story. Stylistically, the music could be described as a blending of Cold Meat Industry-era MORTIIS and BURZUM’s early instrumental pieces (“Tomhet”, “Han Som Reiste”, etc.) The music is quite basic in structure and performance, with each song based on a few basic melodic ideas accompanied by lower register root notes in “darker” timbres. “Chapter II” also introduces some spoken word passages, many of them presumably lifted out of the computer game and others probably done by Alexandros himself.

Corvus Neblus - Chapter I - Strahd's Possession (1999) (Old - School Dungeon Synth)

This September, two years after leveling the expectations of critics and listeners alike with Atma, doom trio powerhouse, YOB, will unveil Clearing The Path To Ascend, an aptly titled album for what will undoubtedly be the crowning achievement for a band whose journey now nears two decades of creating music as commanding as it is cathartic.

As is the YOB way, the four tracks comprising Clearing The Path To Ascend don’t simply offer a vacuous glimpse into the already riff-soaked doom genre; these songs demand the tandem attention of mind, body, and soul, etching a mark across a sound that finds YOB as formidable as they’ve ever been. True ascension requires a destruction of those barriers that prevent any movement forward. Unsurprisingly, YOB pummels any and all of these obstacles with absolute authority, clearing the way for a genuinely visceral listening experience and climbing upward into a realm that sets the band in a heavy metal place that has been and will always remain wholly their own.

YOB’s music is not unlike the path that’s let them to their current place among heavy metal’s elite, slowly building from a hushed ethereal vapor into the thunderous and masterful tumult of sound domination. The ethereal mists of Eugene, Oregon no doubt provided the perfect catalyst for founding member and vocalist Mike Scheidt to call up the signature of surging doom that would soon come to garner YOB its current position as one of the most respected and revered bands in all of heavy metal. While giving due sonic credit to the cornerstone influences such as Cathedral, Sleep, Electric Wizard, and Black Sabbath — YOB immediately set out to define a sound wholly singular and utterly devastating in its cathartic enormity.

Those threads of progressive rock and drone that have always underscored the music of YOB are now fully realized with Clearing The Path To Ascend. Drummer Travis Foster wields his signature rhythmic furor here with bombastic precision while bassist Aaron Rieseberg coils around the sonic tide with an unforgiving churn all the while in a deadly synchronicity with Scheidt’s uncanny vocal range and its pendulous movement between the triumphant howls of a medieval madman and the earth splitting growls of a war-battered titan.

With Clearing The Path To Ascend, YOB explores a thunderous dimension that’s familiar in its auditory clout but completely new in the execution of its trajectory, taking the band’s sound into a remarkable place as ethereally compelling in its aesthetic, as it is merciless in the magnitude of its sound.

Comments founding vocalist/guitarist Mike Scheidt, “Writing this album felt like being plugged into a main. Emotionally, it’s our heaviest. But it also has some real beauty and light. We dug the deepest we ever have to get to the heart of these tunes.”

Clearing The Path To Ascend Track Listing:
1. In Our Blood
2. Nothing To Win
3. Unmask The Spectre
4. Marrow

Clearing The Path To Ascend will be released in the US on September 2nd, 2014 via Neurot Recordings.

“YOB might be one of the best bands in North America,” — Ben Ratliff; New York Times

“The second track on Clearing The Path To Ascend has some of the most furious drums I’ve ever heard from Travis Foster. We’re talking Through Silver In Blood-level.” – The Obelisk’s Roadburn 2014 Recap

http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings

YOB - Unmask The Spectre

Maehjbrath

SATHANAEL - Refznar Ihrreva Gronkjher

Arabic Black Metal Band From Bahrain

Official Facebook Page https://www.facebook.com/NarjahanamOfficial

Narjahanam - Al Shar Wa Aljan - Undama Tath'hur Al Shams Mn Al (2007)

Ice War - Battle Zone

First track from Daemoniis ad Noctum "Shade" demo
Limited hand-numbered demo tape available here:
http://exilemusick.storenvy.com/ 
and here: 
https://exilemusick.bandcamp.com/album/daemoniis-ad-noctum-shade-demo


Daemoniis ad Noctum - Obsequium In Damnatam

Baphomet's Blood - Eleg

W.T.C. PRODUCTIONS is proud to present ACRIMONIOUS' highly anticipated third album, Eleven Dragons. A work of unimaginable might, of enduring and unyielding spiritual will, Eleven Dragons is the sound of serious and thoroughly occult BLACK/DEATH metal given shape and successive flight. It is the many-splendored brilliance of eternal (and eternally damning) illumination, spread across 11 hymns in an engrossing 'n' engaging 67 minutes. It is the promise - and subsequent sonic manifestation, at their respective times of study - of ACRIMONIOUS' celebrated first two albums taken yet further into the hungry, ever-beckoning void. It is METAL, hailing the mysteries of death and draped in the blackest of shadows, unfurled full fathom across the ecstasy of sin and Satan. It is verily Eleven Dragons, at the threshold of The Beyond.

The volcanic eruption that churned ACRIMONIOUS out of the depths commenced in 2002. It was during a period that the underground was receiving an injection of creativity again after a long period of stagnation and aimless exploration, which had led to the dilution of the adversarial Light with elements hostile to the eyes of the Destroyer, within the extreme metal scene, which was hungry for madness and danger again.

Beginning the journey as a homage to the ancient and morbid ways of the '80s and '90s Satanic metal, the many-tentacled abomination of ACRIMONIOUS was nourished by the prana of old Samael, Sarcofago, old Mayhem, Tormentor, Nifelheim, and Dissection amongst others, while simultaneously sharpening the blades and perfecting the skills of the craft. It would later on manifest the Perdition Gospel mini-album, its first concrete attempt to glorify at the temple of Satan. Then the Broken Bonds of Balance 7"  EP followed the next year. By that time, a change in members was necessary and inevitable a step, as Funus and Nuctemeron left the band, leaving only Cain Letifer as the sole member to contemplate upon the monuments of the trinity of Lucifer, Lilith, and Cain, thus giving birth to the first full-length album, Purulence.

Even though the band had deliberately kept a very low profile during the years, the Beast was fanning the flames constantly in the shadows, aiming at a reconstruction of identity which would lead further into the Abyss of formlessness, darkness, and uncertainty through majestic Art. So it happened that, in the year 2011, Semjaza of THY DARKENED SHADE entered the ranks of ACRIMONIOUS as a second guitar-player and bassist, and also the addition of C.Docre on drums. Thus, the band proceeded to record the second full-length album, which was released at the end of 2012 under the name of Sunyata.

Many moons passed and many sparks illumined the midnight sky, by the striking of the hammer of will on the anvil of tribulation. Much blood watered the fertile soil that led to the crucifixion of matter with Spirit, and so it came to pass that the third sonic invocation was conceived, namely Eleven Dragons, glorifying the forces that bring All back into the primordial nothingness. ACRIMONIOUS is honored to announce its collaboration with WORLD TERROR COMMITTEE for the release of the third horror of nameless Void on CD and LP. This is the pinnacle of Glory and Thunderous Power, the crowning achievement, an echo of ecstatic laughter in a backward dance of malicious Fury that venerates the Eleven Flames of the One without Names. BEHOLD!

Eleven Dragons

Acrimonious - Qayin Rex Mortis [Eleven Dragons, 2017]

From ISRATHOUM's "Black Poison And Shared Wounds". Cover by Held.

Created beyond the threshold of consciousness and inspired by ancient teachings of the Infernal metaphysical Qlippothic regions, ISRATHOUM is the compendium of misanthropic conspiracy, cold forged in disused mineshafts as sharp-edged bottomless Black Metal... The invisible spear... An obscure and limitless supernatural barrier... A weapon to His Will. ISRATHOUM was formed in Portugal in 1992 by the initial trio of Arvath, Arluth Dhu and VxInfr. During the next several years the band continues to evolve and shape, until finally assuming its current moniker in 1998, which also coincides with the band’s relocation to the Netherlands. In 2001 ISRATHOUM releases “Hatred (demo)” and, one year later, “The Art Of Malice” MCD sees the light of day. In 2004 “Black Scenery Avatar” is released. Several years later W.uR joins on guitars and with his help the band records “Monument Of Brimstone”, which eventually brings a contract with Spinefarm and the worldwide release of the album takes place in 2009. But, as the time passes things change, so the band decides to move on and seek new opportunities to spread its poison. And so, in 2011 ISRATHOUM inks a deal with Daemon Worship Productions for their second full-length album, entitled “Black Poison and Shared Wounds”. With its line-up reduced to a trio of Arvath, W.uR and VxInfr, the band is stronger than ever! At different points of their career sharing the stage with such entities as MARDUK, SECRETS OF THE MOON, HELHEIM, SOLSTAFIR, CODE, ZEMIAL, ALTAR OF PLAGUES and DESASTER, and featuring members of such bands as PERDITOR and AB IMO PECTORE among others, ISRATHOUM is prepared to take the world by force!

swamp witch

deformis bastardis II

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