A couple of voices from the Doepfer Modular doing the bass/drum/percussive stuff with three Behringer synths providing the main sequence (Neutron); high gliding synth sound (another Neutron) and the big fat Minimoog sound (Behringer Model D).

March

More Berlin/ TD inspired music, just a short clip of something that I'll come back to at some point. Been working on getting mid-70s sounds using modern technology. The part I was really working on was the lead sound, which is the Behringer Model D, where I've got the three VCOs stacked & tuned to octaves with a relatively fast LFO marginally affecting the pitch of the VCOs. The Moog Minitaur & Makenoise Ocoast are running off the same sequencer patch to give the rhythm. I've hooked the 0coast's S&H into the sequencer gate and ran that into the Overtone, so I get random Overtone changes, whilst the Slope Generator is cycling out of time to feed the Multiply, which gives the squelch noises on the high-end. The Minitaur is fairly standard low-resonance, open filter with VCO1 on saw & VCO2 tuned up an octave on square - minimal LFO to keep the bass sound stable. The Odyssey is just hitting noise on each beat, with a relatively clipped envelope. The Neutron is is set up with a noise-only open filter & res at half-way. The LFO is set to ramp-down, with the sequencer retriggering the LFO cycle ever two repeats (gives it the "ThruMetamorphic Rocks" sound). Finally, I used far too much reverb when I was mastering it...

Chase

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