Life outside Teds's Cabin as we know it today - and yesterday...
Screach and animal friends...

Teds Cabin (Intro to Harvey & Delores)

At some point, a long time ago, I gave up on creating a "new" musical language. It was still possible, in the late nineteen eighties and early nineties when I came of age, for me to see music as a linear progression. In my early twenties I would compose pieces that I thought of as new jazz. Of course they weren't. Just very individual songs in older styles with some ideas for other styles. A dash of Duke Ellington arraignment, a snippet of Monk perhaps a teaspoon of Syd Barrett mixed with some rock and roll harmony. Eventually, after a long pause in playing at all, I came to make music, I see as, more in line with the pop artists like Warhol and, especially Lichtenstein. My own musical ideas are still there but slyly inserted into pieces that are consciously, imprecisely, modeled on other works or styles. Anyway I went to see the new version of West Side Story with my wife the other day. The original show made right before that "pop" era. It was so sincere. No irony with an honest attempt to bring musical theater "forward". I so enjoyed it even if it's a bit middle brow Americana. I'm writing this description in hopes of being equally sincere. The melody borrows a bit of "Somewhere" as a tip of the hat. I hope. My big musical ideas, besides that, are as follows. The key may sound a bit vague at times but floats between B major, E major and A major so that classic one four five, if somewhat buried. the time signature changes a few times, briefly, and syncopates when it doesn't. There's the Syd Barrett influence for those keeping score. There's also some willful changes from major to minor in the harmony that are classic rock ideas. Even if, in this context, they eventually become key changes. Well that's enough sincerity. Oh except for the photo. It's Miss Place. My wife maiden name and me back when I would have written something like this. ;)

Miss Place

“I Want You” - Marvin Gaye (Marisa Bettina cover)


🩸🧿

I WANT YOU

HDICK

Mood Exhibit - Aura Bound

Real Love

if acoustic guitar can handle wahwah sometimes

out of here

"the world through your polaroid glasses" is a collection of transitional ambient pieces recorded between 2019 and 2022. this is an album about healing, about growth, about spirituality, about gaining a new perspective on things once thought lost. a peek at a spinning looking glass, through lenses carried from generation to generation. this album is about the changes and transitions i have gone and continue to go through, the ones we all go through, big and small- and our eternal quest for acceptance.

you are not alone, and you are not broken. making these songs has brought me solace in some of my worst times, and i hope they might be able to lighten up your life a little bit <3

on the train tracks, over the river

https://viakosmische.bandcamp.com/track/great-god-mars

Great God Mars

Little Storm Cloud

full tape on bandcamp here:  https://cashlin.bandcamp.com/album/prog-outsider-rap

Smoke Hoes

https://twitter.com/CashlinRap
https://cashlin.bandcamp.com
https://www.redbubble.com/people/CashlinRap?asc=u

Next level psychedelic brain melt rap / Lofi Noise Hip Hop / Lofi Noise Pop

Smoke Hoes

Cashlin

Recent comments

Max Oakland

Lost Cause Industry

影corp

rsgf

Related tracks