Born and raised in the Bronx, NY, The Martinez Brothers are two of the most consistent and recognizable names in the world of house.  Stevie and Chris continue to push themselves creatively in the studio collaborating with global and Latinx artists such as Rauw Alejandro, Fuego, Rema and Tokischa. 

In 2023, we find The Martinez Brothers in a moment of creative renewal, kicking off an exciting new chapter in their illustrious career. They continue to cast a wide net with their collaborations, stepping into the studio with a new generation of artists like Eliza Rose, Tommy Genesis and Mochakk.  

The brothers are furthering their love affair with Ibiza in their second year residency at Hï Ibiza voted #1 Club in the World, after 10 years as residents at Circoloco, Ibiza. Paying homage to the isle that catapulted them to stardom, it was in Ibiza that they met Riccardo Tisci who brought them in to do the music design for his iconic years at Givenchy (2014-2015). 

Last year, the brothers headlined London’s hottest show of the year at Beams warehouse alongside Skepta, who debuted his first house music DJ set in his hometown.  Alongside this, they played the Met Gala afterparty hosted by Dua Lipa and at LOEWE’s Paula’s Ibiza pop up at the Sheats-Goldstein home in LA. 

In 2023 stage hosts include Kappa Futur Festival in Turin, Italy, Panorama Festival in Southern Italy, Eastern Electrics, London, Fabrik, Madrid, Audio Obscura at Amsterdam Dance Event and III Points Festival, Miami. 

The duo are avid sneaker collectors and vinyl record collectors, from all eras of Latin salsa, disco, funk, soul, jazz house and techno.

Bookings
maria.mayasst@caa.com (Europe & ROW)
matthew.kingseyasst@caa.com (North & South America)

Label: leon@rumorsonthedancefloor.com

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

follow our solo projects: 
https://soundcloud.com/dj-shawna
https://soundcloud.com/tookerofficial

bookings: 
worldwide: louis@muzocreative.com 
USA: gunita@listedbookings.com 


In the Burning Man  of 8 years gone by, a story of two wanderers with a history for cross-pollinating the sounds of yesterday with the sounds of tomorrow found their moment. With a shared taste in gourmet percussion, deep and rare rhythms, and cosmic culture, what resulted was KMLN — one of the most time-bending and pulsating acts currently circulating the global deep-eclectic house dance movement. 

The international shapeshifting duo, KMLN (pronounced “Kameleon”) unites Italian producer/multi-instrumentalist Christopher Tooker and Canadian /producer Shawna Hofmann. Find them singing, playing live bass, percussion,  looping  or guest musicians, you never know what to expect, every show is different. As interplanetary travelers and cultural explorers, the KMLN ship bends reality through sound, moving through tempos with layers and layers of mind altering colors.

Last year alone, the KMLN ship landed in over 21 countries worldwide. Their shows have been experienced at some of the most respected festivals including The BPM Festival, Miami Music Week, Amsterdam Dance Event, Lightning in a Bottle, Global Eclipse, Art With Me, Summit Series, Air Festival, Art Basel, Symbiosis Gathering, Shambhala, Wonderfruit, The Gardens Of Babylon, Subsonic, Meadows in the Mountains and legendaryBurning Man art cars such as Robot Heart and Mayan Warrior.
Venues worth mentioning are Watergate, The Brooklyn Mirage, Flash Club, Klein, The Grand Factory, Scorpios, Woomoon, Papaya Playa, Do Not Sit on the Furniture, Monarch, Public Works, Katerblau, Open Studios and Sisyphos.

With continuous support received from artists such as Solomun, Acid Pauli, Damian Lazarus, &ME, Rampa, David Meyer, Bedouin, they've also collaborated musically with artists including Mira, Nico Stojan, NU, Sabo, Viken Arman, Francesca Lombardo, Eduardo de La Calle, Christopher Schwarzwalder and their music is found on labels such as Crosstown Rebels , Sol Selectas, Bar25, Touch of Class and Endless.

Submit promos: https://tstack.app/bedouin or music@bedouin.us

LABEL @humanbydefault
Submit demos for Human By Default: tstack.app/human-by-default or send to demo@humanbydefault.us

SAGA @sagaibizaofficial

Bedouin is an Miami-based music production and DJ partnership consisting of Tamer Malki and Rami Abousabe. Together they share a broad sonic vision that pulls from their diverse influences owing to their Middle Eastern heritage, Western upbringing, and worldly travels.

Rooz DJ/Promoter for San Francisco's Deep Blue Events and producer for Blue Orb records with partner Bardia F with tracks played by Stacey Pullen, Marco Carola, Pirupa, etc. Music style is late night trippy house, driving techno/techhouse and funky house grooves. With regular residencies and appearances at San Francisco’s house music nightclubs since 1999, Rooz is known for playing underground warehouse parties and warming up the dance floor for the likes of Marco Carola, Loco Dice, Stacey Pullen, Dubfire, Derrick May, etc

"Mixes are time capsules of sound.  Each capturing a moment in time that will not be repeated the same way.  Each mix is meant to transport the listener in their own time machine to their own destination.  These are soundtracks for daily living..."

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