Jeremiah Selvey is a conductor, teacher, researcher, singer, arranger/composer, and nonprofit founder residing in California. He grew up as a musician in Spain and in the United States. Jeremiah’s musical career has followed an international path with multiple performances and tours in Canada, New Zealand, Australia, Italy, Spain, Venezuela, Mexico, England, Ireland, and Scotland. He is currently a doctoral candidate in choral conducting at the University of Washington and will finish his dissertation this summer.

He has conducted academic choirs at Moody Bible Institute, Emory University, and the University of Washington (2005-2008, 2009-2012). He has conducted multiple community, church, and high school groups in Venezuela, Chicago, Atlanta, Seattle, and the San Francisco Bay Area. Jeremiah has had the privilege of studying with great conducting teachers, including Simon Carrington, Peter Phillips, Jerry Blackstone, Kent Hatteberg, Geoffrey Boers, Giselle Wyers, Robert Harris, and Eric Nelson. 

At the University of Washington (2009-2012), Jeremiah taught the UW Men’s Glee Club and UW Summer Chorale and guest lectured regularly to classes of 400 students. He was a Pre-doctoral Teaching Associate and also assisted in teaching undergraduate and graduate conducting and choral technique courses and served as assistant conductor to the top choral ensembles: University Chorale and University Chamber Singers. His performance with University Chamber Singers of “In Lumine” by Guggenheim-winning composer Huck Hodge was well-received by composer, Chamber Singers, and audience alike.

At Emory University (2006-2008), Jeremiah was instrumental in re-founding the Emory Women's Chorus, which he also conducted. He also co-conducted Emory Mastersingers. As a Graduate Assistant, he assisted with undergraduate music history and a graduate choral repertoire seminar. He also assisted the University Chorus and the Emory Concert Choir.

At Moody Bible Institute (2005-2006), Jeremiah directed the Women's Concert Choir and the Handbell Ensemble, both of which toured twice and recorded a CD. While on faculty at Moody, Jeremiah also assisted the Music Department Chair in coordinating departmental affairs.

Jeremiah champions collaboration and is a strong advocate for new choral compositions. Jeremiah has overseen numerous projects with composers, dancers, visual artists, and community organizations. While at the University of Washington, Jeremiah performed with the UW Women's Chorus as the baritone soloist in "We Have Not Long to Love" by James Blachly, commissioned by the UW Choral Department. The "Brahms Requiem Project" is one of the most consummately collaborative projects Jeremiah has spearheaded. This weekend of performances for the benefit of the community involved collaboration among two conductors, two academic institutions, two religious institutions, Chorosynthesis Singers, and two pianists.

Jeremiah's teaching also exemplifies collaboration. “Never Again…Once More” (summer 2011)—a student-centered production of a re-contextualized drama incorporating dance, acting, and challenging choral repertoire from opera, musical theater, oratorio—serves as an example of Jeremiah’s ability to empower students in a to make contributions to a great artistic cause.

Jeremiah has published research, presented on many topics nationally and regionally, and arranged and composed for college and community choirs. His co-authored research study, "The Effect of Conductor Expressivity on Choral Performance Evaluation," is currently in press with the Bulletin of the Council for Research in Music Education. This research has been presented all over the world, including Greece, and Taiwan. In addition to this publication, Jeremiah recently presented at the national conferences of the National Association for Music Education, Chorus America and the Gay and Lesbian Association of Choruses, as well as the regional conferences of the American Choral Directors Association and the National Association for Music Education on the topics of networking for emerging leaders, vocal coaches for community choruses, transgender voice transitions, and transforming choral culture. Additionally, Jeremiah regularly contributes to the field of choral repertoire by way of tailored compositions and arrangements, commissioned by community and collegiate choirs.

His dissertation is a quantitative experiment using a neutral stimulus to test the effect of conductor expressivity on perceived choral expressivity.

As a singer, Jeremiah has performed as baritone and countertenor soloist in oratorio and choral music in academic and professional settings. In 2007, he performed in England with the Tallis Scholars. Jeremiah is also a beloved vocal coach.

Beyond his academic experience, Jeremiah has directed church and community choirs for more than 15 years. In all of his experience, Jeremiah's leadership is inspirational and his networking builds programs. Under his tenure, the Oakland-East Bay Gay Men's Chorus added 20 new members. Stagebridge Choir--re-established by Jeremiah--grew from 3 to 15 in under 3 months.

Jeremiah served as Guest Conductor of WomenSing in fall 2013 and as Guest Artistic Director of Windy City Performing Arts in fall 2012. During his time in Seattle, Jeremiah's influence was broad. He was a Guest Conductor with Seattle Men's Chorus, where he also served as a vocal coach. He co-directed the summer barbershop programs of the Seattle SeaChordsmen and helped inaugurate their Capture Your Voice Program. Jeremiah was assistant conductor and soloist with the Magnolia Chorale in Seattle.

Jeremiah remains active as a clinician, adjudicator, and private instructor. He is also co-founder and Vice President of Chorosynthesis, a national nonprofit corporation, whose mission is to transform the culture of American choral music by raising awareness of the need for collaboration, sustainability, innovation, and excellence in the choral art.

“Light The Match” single and music video out now  on YOUTUBE https://youtu.be/3L8Ze1hL_fU
 
Follow us on all social media sites 👇🏻
https://allmylinks.com/saturatemusic



VV Brown is a classically trained pianist, trumpeter and drummer. She has been in the industry for 15 years performing on the international stage and song writing for herself and for other artists.

In 2005 she co- wrote, "I Don’t Need A man", for the Pussy Cat Dolls alongside Ron Fair and Rich Harrison. She then went on to co-write the Sugababes UK top 10 hit Denial with the production team The Invisible Men for their 5th studio album Change.

In 2008 she signed to Island records and released her critically acclaimed debut album Traveling like the light to positive reviews. Traveling like the light became one of the most synced albums of 2010/2011 and its catalogue consistently maintains solid income through syncs within film, digital and television today. 

VV went onto sell over half a million records worldwide with her debut album leading to a number one record in France. 

In 2010 VV had the opportunity to co-write 2 songs for the American idol winner Fantasia Barrio. This Album, Side Effect Of You, was nominated for a Grammy in 2013. 

In 2013 VV went on to set up her own record label YOY records and released her critically claimed album Samson and Delilah with an average of 4**** reviews across the international press broad sheets.

VV now continues to release her own music independently and focuses on writing for other artists on an international level. 

Due to the nature of her changing career she is able to write in various styles from pop, alternative to electronic and looks forward to utilising her skills as she continues pursuing her love for music and the art of song writing.


Logos is the musical identity of Asheville, NC, based composer and producer Jim Genaro. His music has been described as “narrative trance” because of the way it uses the sounds and textures of electronic dance music to tell a story, taking the listener on a musical journey. 

His new album, Coronis, will be released on July 9, 2022.

Contact: brainrainmusic@gmail.com
www.youtube.com/brainrainofficial 
www.facebook.com/BrainRainBand 
“It’s like warmness slowly beating through the freezing tubes”. The project was launched in Brussels, in the very end of 2010, as an effect of the collaborative decision made by two musicians: Gota Slick and Eliza Lozovska. The broad spectrum of previous experiences – from classical instruments, through the punk-rock and post-rock bands, until latest individual experiments with electronic sounds – is putting  the creation of Brain Rain into frameless frames: cold, slow, severe, edgy but inevitably sensitive.  
While in the beginning Brain Rain was exclusively studio project, experimenting and searching for its unique sound, from 2011 the project started to be visible on the stages of Belgium, France and Germany.
In the end of 2012, Brain Rain was selected as one of 8 semi-finalist (from 164 bands) of electronic music competition "Concour Circuit Electronique" (Belgium).
Additionally, in February 2012, Gota Slick (producer), was selected to participate in Berlinale as a composer/sound designer for the Berlinale Talent Campus 2012.  

Every great passion ends in the infinite… Likewise, MOTEK are driven by instinct for sultry recollections of forgotten emotional states. Chaos, coincidence and stubbornness: Motek’s endless jam sessions result in combinations of melodies, rhythms and creative flaws. Recording and relistening them, MOTEK are able to reconstruct a few ‘holy’ moments into their songs. Their sound is crafted by effect-laden guitars wandering around needy bass and entrancing drums. On stage, MOTEK combine their music with images, imagery, and imagination. They are well-known for their particular approach to live concerts, interweaving songs and visuals into a vigorous performance.

The first - untitled - album was released in 2006 on their own label, Asthmatic Whale, containing instrumental, atmospheric music. A musical documentary excluding all words, this debut album boasts everyday sounds recorded in Berlin, Brussels, Kinshasa. The core theme surfacing on this album is 'purity'. Critics wrote: ‘MOTEK, the Belgian answer to Mogwai’, but MOTEK didn't agree: they were ‘questioning rather than answering.’

A starting band supported by many Belgian art centres, MOTEK created a full-option live audiovisual performance, headlining Cimatics Live A/V festival in 2007 and Zendai Shanghai MoMA Festival, China in 2008 amongst others. While touring with this live A/V performance, Christoph Elskens (EMI Belgium) spotted MOTEK. Surprised by their intensity and unsigned status, Christoph and EMI Belgium decided to start Noisesome Recordings, a sublabel hosting the rather experimental edge of the Belgian music scene. 

Their first joint release was “RE:EP” (2007), four re-edited songs of MOTEKs former nameless album. MOTEKs sound started to evolve: some vocals were added to the re-edited songs. The single 'Maybe I'll go home' was broadcasted on national radio in both Belgium and the Netherlands. The intense song 'I'm your son' became a live anthem for postrock fans across the Lowlands and also convinced people who were previously unaware of the existence of the genre. A true and firm MOTEK fanbase grew.

On the next full album, “Port Sunshine” (2008), MOTEK flirted with the idea of writing different kinds of songs. This approach proved its worth: ‘Tryer’, a meandering ballad, became a huge hit, dilating the MOTEK fanbase from postrock die hards to a wider, radio-minded audience. But no song without conflict, MOTEK must have thought. The uncategorizable 'ImmerBlei’, lasting only slightly over three minutes and a much preferred song by music professionals, ranges from math-rock-from-hell to fusion, culminating in an opera-like finale. It will never be ‘a hit’. 
For the first time, Motek received broad press-attention, while Port Sunshine received warm and lauding reviews. ‘Powerful songs skippering between rock and experimental’ (Humo), ‘A powerful album, more open than the previous one, it deserves to be the breakthrough album’ (Soundslike) – Out of nowhere, here is Motek. They came, saw and won’ (Cuttingedge), ‘Motek gave a successful new twist to their music without losing quality’ (Digg). 
Following the release of ‘Port Sunshine’, MOTEK toured extensively in Belgium, resulting in a more dynamic and playful live performance. In the meantime, a natural Belgian buzz brought them to Italy, Denmark, the Netherlands, China and Brazil. 

After a year of intensive rehearsals, MOTEK laid the foundations of what was to become their new album. Playful and powerful jam sessions resulted into eventually 9 tracks. ‘Abused’, a new song packed with industrial mystery and heavy romantic hooks, was chosen as a ‘buzz track’ and released on May 17th, 2010. 

In September 2010, Motek proudly announced full album details and revealed the album title ‘DRAGONS’.

‘Dragons’ will be released on November 5th, 2010. It will be preceded by the lead single ‘Motives’, a fitting prelude hitting the airwaves from September 27th onwards.

Bass Agenda: Underground Electro and Techno Radio Show and Record Label. 

Radio show broadcasts monthly on Sunday via RTE's 2FM as part of the Late Night Sessions - www.rte.ie/radio/2fm/late-night/1243202-late-night-sessions-rte-2fm/

Showcasing the diversity, talent and influences of artists in the broad spectrums that are the Electro & Techno genres: past, present and future. Since 2012 Bass Agenda has asked artists to choose tracks important to them and has featured Interviews, guest mixes, and live sets from a diverse range of talent including Juan Atkins, Bass Junkie, Helena Hauff, The Egyptian Lover, Jensen Interceptor, Legowelt, Dave Clarke, David Meiser, Adult., Keith Tucker, Detroit In Effect, Anthony Rother, Dez Williams & more. The label has been releasing vinyl, CD, & digital formats since 2013 via Bandcamp & Triple Vision.

~Labels~

-Shadow Sanctuary
-Domino Effect
-Resonance 
-Love Not Money
-Nurvous
-NuLogic

For Bookings/Remix Requests Contact:
Second.Self@hotmail.com

One Half of the notorious up and coming 'dub.c & SecondSelf' partnership, SecondSelf arrived on the DJ scene around 10 years ago, and after an adventure including numerous love affairs with various musical styles and genres arrived back to house music. Making his name playing along side some of the industry's finest such as, Miguel Campbell, Burnski, Breach and Patrick Topping amongst others and is now an ever present resident at Londons Paravana and Swankys parties.
All of his sets are packed with energy and you can always expect to hear big rolling basslines complimented by an eclectic array of beats from the broad spectrum of house and techno, mixing light with shade to create memorable musical journeys!
With releases with dub.c on Dexter Kane's Shadow Sanctuary imprint and Hometown of Leeds's label Domino Effect records aswel as forthcoming releases on Max Chapmans 'Resonance' records, 2015 is looking bright for SecondSelf and his signature sound of deep, driving, groovy house! Stay tuned!

Upcoming/////////////////////////////////////////////////////
[All postponed for now...]
04.03.20 Flight / SciFiSol (DJ set)
04.11.20 SciFiSol (live) Inversion PDX @ Lovecraft Bar, Portland, OR
Past///////////////////////////////////////////////////////////
02.28.20 Camino Acid (SciFiSol+SenorFrio)J.Phlip, Mr.Projectile, Ben Milstein
12-15-19 SciFiSol, Darkswoon, Vice Device @ The Star Theater Portland
11-08-19 ADJ, Ben Milstein, Camino Acid @ S1
10-26-19 Camino Acid (SciFiSol+Senor Frio)@Azoth, Portland, OR
9-21-19 SciFiSol (live) w/Negativland, Neybuu, D. Menche @Watershed, PDX
8-1-19 SciFiSol (live) LitD at Atlantis Lounge, Portland, OR
8-9-19 SciFiSol (DJ set) Watershed PDX w/ Rroxymore, Jeno, Golden Donna
https://www.facebook.com/events/354525265260193/
7-26-19 Camino Acid (live)No Fun Bar, Portland, OR 
6-29-19 SciFiSol (live)Kelly's Olympian Portland, OR https://bit.ly/2JyvPi
6-1-19 Camino Acid (live)ODYSSEY Portland, OR
5-4-19 Camino Acid (SciFiSol+SenorFrio) Suicide Circus, Berlin
4-20-19 Camino Acid (SciFiSol+SenorFrio)Azoth, Portland, OR
4-5-19 SciFiSol (live PA) Azoth, Portland, OR - https://bit.ly/2TCSEaB
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The driving electronica of SciFiSol, awash in psychedelic rhythm and texture, lusters with an unforgettably strange and exotic brilliance. Born of gritty metallic machines in search of telepathic connection, her sound reaches through the chaos of static to grasp a utopian dream within our midst. Truly a chameleon of electronica, her releases as well as her live performances express a broad range of styles including darkwave, experimental, leftfield IDM, and techno. Her work has been described by Dave Segal of The Stranger as a “distinctively enchanted sound that explores some deeply eerie, psychedelic realms.”  Listen to her most recent release, a dancefloor inspired EP entitled Experimental Drawingboard out now on Detroit Underground Records.
Latest Releases----------------------------------------------------------------------------------------
Experimental Drawingboard
EP (Detroit Underground)
http://bit.ly/2piL7d3

Every Part of U EP (self-released)
http://bit.ly/1RKpydx 

Solar Eyes EP (Pleasure Boat Records)
http://bit.ly/1nMzTVG  

303s & Brides EP (Fangoria Musick)
http://bit.ly/1AbErO6 

Ninna V - Effect (SciFiSol Alien Tropix Remix)
http://btprt.dj/1yszzRU 

Dominant Dream Mini-EP 
http://scifisol.bandcamp.com/

SciFiSol remixes Caro Snatch!
Free Download of the entire remix compilation
http://carosnatch.bandcamp.com/track/ultra-dub-remix-of-mary-rose

Projection ReImage --(Pleasure Boat Records)
http://pbrecs.com/pbr018--projectionreimage-by-scifisol 

Inject Image (debut LP)--Pleasure Boat Records
http://pleasureboatrecords.bandcamp.com/album/inject-image
get it @ Bandcamp, iTunes, Beatport, Junodownload
--
SciFiSol Live Performances
--
5.25.18 SciFiSol (DJ set)
Spend the Night 3 years Anniv.
w/Objekt, Physical Therapy
Liquor Store, Portland, OR
--
December 9, 2017
Odyssey, Portland
SciFiSol DJ set
21+
--
November 18, 2017 7pm, All ages
Solar Drift (SciFiSol + Senor Frio) live experimental ambient electronic
w/ EVAC and Ben Milstein
Leaven Community Center, Portland, OR
--
December 1, 2017 9pm @ Lovecraft Bar, Portland, OR 21+
Camino Acid (SciFiSol + Senor Frio) live IDM/techno
w/ Vibrissae (Portland shoegaze rock)
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Friday 6-16-17 11pm-1am - SciFiSol on the radio!
XRAY.FM-Double Bummer Radio Show, hosted by Robert Ham
https://xray.fm/shows/double-bummer
--
6-22-17 @ Black Book Portland, OR
w/ Mor Elian (9pm)
--
6-30-17 Camino Acid (SciFiSol + Senor Frio)
live techno duo!
w// Darkswoon, Vibrissae, AnotherNight
Black Water Club, Portland 8pm
All Ages!

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