A mix of Rock, Metal and Post-Hardcore. Combing huge vocals with guitar solos, riffs and driving rhythms.

A new breed of dark rockers is subtly taking over, stealing the hearts of a dedicated legion of fans, with a blend of intense melodic metal and a penchant for the macabre. Already fan favorites in the scene, Pennsylvania sextet Motionless In White is set to rise to the front of the pack.

Their debut full-length album Creatures is a writhing behemoth of an album. Mixing gothic and industrial influences with brutal breakdowns, intense riffs and soaring choruses, the album interweaves themes of lust and revenge with the band's passion for horror movies, myths and vampire culture. The band has since been named as one of Metal Hammer's "75 Bands That Will Change The Face Of Metal", Alternative Press' Bands You Need To Know in 2010, and was one of Revolver Magazine's Bands To Watch.The band has made a huge visual impact in 2011 with their provocative videos for "Immaculate Misconception", starring Twisted Sister's Dee Snider, "Creatures" featuring  NY Ink tattoo artist Megan Massacre, and "Abigail" which has has gained over 2 million views. 

The band has already toured the U.S. with the likes of Asking Alexandria, Bleeding Through, In This Moment and Drop Dead, Gorgeous, Black Veil Brides and A Skylit Drive. After completing their tour with Escape the Fate and Alesana in early 2011, the band appeared at SXSW before launching into a full season of touring that included runs with Norma Jean, For Today, Vans Warped Tour and the All Star Tour with Emmure, and Iwrestledabearonce. The band continues their live onslaught into the fall on their first European tour in September/October with blessthefall and Pierce The Veil. 

Armed with their jaw-dropping debut album, support from the media and an impressive live show ready to take to the masses, Motionless In White is poised at the center of a perfect storm, and is taking by the throat in 2011 and on to 2012. Miss them at your peril! 



Record label est. 2013 in Copenhagen, Denmark

Our roots are in metal, punk and hardcore, but we are in general huge music fans and are into many musical expressions, as long as the music and the artist has soul, integrity and something to say.

Forbidden Society Recordings 15th Anniversary – The Remixes Part 2 - 18.12.2025. 

Stream / Download: https://fanlink.tv/FSRECS041RMX2

Thanks to all our Soundcloud followers, it means alot to us. 

Buy our releases on Beatport:
http://www.beatport.com/label/forbidden-society-recordings/18827

Our Official catalogue on Spotify: https://open.spotify.com/playlist/246oROcgsuDNkdYzt9LNQq?si=b6caae78ab974792

All our updates if you feel like to check: 
https://www.facebook.com/fsrecordings
or
https://www.instagram.com/forbiddensocietyrecordings/

We just love Drum & Bass and all it's subgenres, that is all.

Thanks to everyone for your views and comments!  Mostly all of my Piano songs here on Soundcloud, are also in video form on YouTube. 

I started playing piano at 15 years old.  Everything I do on the piano is by ear and memory only.  I have never had a piano lesson and I can't read sheet music - even to this day. I never play a song that is exactly note-for-note, and I don't even know what key I am playing a song in.  Lately, I have been learning my new material by watching other people's piano videos on YouTube, and specifically watching where their fingers go. 

I tend to learn a new song in 5-10 minutes if I know the song well. My range of music is very spread out across many types of music - Rock & Metal, New Age, Top 40 songs, some Country, and some Movie/TV theme songs.    

Since I am also a huge Rock and Metal fan, I also taught myself drums on a Roland vDrums TD 15 electronic drum set.  I  find a drumless song on YouTube and add my live drum solo on top of them.  
Playing piano and drums is not my job - just hobbies in my free time.

Check out my new Album of original songs on Youtube music, Spotify, Apple Music, Amazon music, and other major music platforms.

Starting out as a simple bedroom studio project, guitarist Keshav Dhar has seen Skyharbor quickly evolve into one of India’s hottest metal prospects, with huge admiration coming in from some of the biggest names in metal worldwide.

An astonishing amount of buzz also surrounded the band's first ever performance at the Bacardi NH7 Festival in Pune, India earlier this month, where they played to over 1,000 people and were one of the weekend’s highlights.

The long awaited debut album from Skyharbor promises to be a landmark release for the Indian independent music scene, in no small part thanks to the incredible number of international guest appearances it will see, including the likes of Marty Friedman (ex Megadeth), Daniel Tompkins (ex TesseracT), Vishal J. Singh (Amogh Symphony) and Sunneith Revankar (Bhayanak Maut).

Skyharbor will release the debut album ‘Blinding White Noise: Illusion & Chaos’ worldwide via Basick Records in early 2012.


QUOTES:

“I think you do some amazing work. Would love to hear more – it’s awesome.” – Marty Friedman (Megadeth, Cacophony)

“The stuff Keshav plays will blow your mind; not merely because it’s super complex in the patented “djent” stylee, but because of the number of ideas he inserts into the music. The fact that Keshav manages to record – and perform – the music as a solo artist is mindblowing. He must have four hands and three brains, and the thought of him joining a band of likeminded musicians is rather frightening. Remember Hammer’s recent trip to India to check out the local metal scene? Well, with artists like this, it won’t stay local for long.” – Joel McIver 

“With its fast-growing metal scene, is it any wonder that India has its foot in the door with this nascent scene? Skyharbor is, incredibly, just one guy.” – Metal Hammer (UK) Magazine (www.metalhammer.co.uk)

“If you’re looking to get into your first Indian band, I’d recommend (Keshav’s) stuff, Skyharbor!” – Jamie Postones (TesseracT, Heights)

“Our friend Keshav Dhar from India is doing some cool stuff with his band Skyharbor” – Bart Hennephof (Textures)

"Skyharbor should destroy all preconceived notions about the Indian scene. The music is just that damn good." - Andrew Lu, Rock Street Journal Magazine

“Keshav’s riffs scare the crap out of me” – Vishal J. Singh (Amogh Symphony)

“Brainchild of Indian guitar ace Keshav Dhar, this musical powerhouse is a heart pounding contribution to the poly-rhythmic low-end sub-genre of metal (known by name as ‘Djent’) rising in popularity over recent years. […] With a CD release set for this coming June, 2011 may hopefully be the year that this musically stunning brand name finally takes form.” – Ashley Jacob, Suite 101 (www.suite101.com)

“Underground act from India! Can't tell you much but they do an awesome job!” – Chronix Radio (www.chronixradio.com)

"Skyharbor’s second single “Catharsis” was released and features Tesseract‘s Daniel Tompkins on vocals and Ex-Megadeth guitarist Marty Friedman playing a killer solo. This isn’t your standard djent affair either, despite the old project name; while some of the elements are there, there’s so much more going on. Everything about this song is astounding, and with guests like these on the track, you know for damn sure it’s worth your time. Skyharbor’s debut album will see the light of day this June, and I can’t wait to see what else Keshav has up his sleeve." - Heavy Blog Is Heavy (www.heavyblogisheavy.com)

“Orchestrated swirling genius with a thumping heartbeat” – from the Harmony Central Online Community


Internationally famous composer, director and producer Thierry David is one of the great names in new age music. Claude Challe, initiator of the Buddha Bar compilations, calls David one of the few French people to legitimately belong to the genre. On the eve of the release of his new work Evasions (released in France, May 2007), this talented creator tells us about several significant times in his life. Thierry David was born in Paris in 1955. Rather than quietly flow through life, David mapped out his daily life and planned his life’s path. During his early years he practiced the major pieces from the classical repertoire before discovering the freedoms of jazz while still a teenager. “For my parents,” he remembers, "this confirmed passion for music was only a hobby.”

Upon graduation from ESSEC, one of the prestigious business schools in Paris, he flew to Peru as a volunteer posted to the cultural service of the French Embassy in Lima. During this long stay on the other side of the world, David devoted most of his leisure time to music. When he wasn’t playing with Peruvian musicians he was composing his first melodies, inspired by traditional classical music and enriched with departures into jazz and excursions into the South American repertoire. A great traveller who stayed in remote regions for long periods at the drop of a hat, David succumbed to the charms of the Andean melodies.

“Rather than rush into a diplomatic or business career, I attempted the entrance exam for Berkley College of Music in Boston," he says, and was accepted into this prestigious institution. “It was a very hard school that demanded a genuine personal investment. You had to work 15 to 18 hours a day. The less passionate soon gave up, a sort of natural selection process,” he reflects today with the necessary distance. “On my return to France, I thought my education in business and music would open the door to a major record company but nothing I did in this way succeeded and eventually I accepted a job as head of advertising with the ad agency Grey. We were managing huge budgets and for fun, I enjoyed composing jingles that only I listened to. In advertising, roles are divided between commercial and creative and each has its place,” he comments. “One day, I don’t really know how, I was listening to something that I had created for a new campaign for a famous brand of underwear. It was accepted. To avoid an awkward situation and make things more clear-cut, I handed in my notice and threw myself into my music. From there, I did everything — played in piano bars, gave piano lessons, accompanied jazz groups, rock groups, heavy metal groups and more. Over time I signed my first music commissions, first radio jingles and, above all, gained in experience. A trained pianist, I learnt to create my own sound and clearly preferred creating my own musical world.”

With this clear view of his art, Thierry David fully invested himself in the burgeoning venture Koka Media, which is today recognised as one of the great musical catalogues. “The label enabled me to work with other musicians” he says, quoting a medley of names from the percussionist Steve Shehan to the guitarist N’Guyen Lé. “These have been genuine companions on my journey, artists with whom I have often worked since." David says of his musical style, “When my first commercial record Human Inhuman arrived on the shelves in FNAC, it crossed many different styles (classical, jazz, Indian, opera…), a blend of instrumental music that could be enjoyed both as relaxing background music not really needing attention or listened to more intently. Since the appearance of lounge compilations, we talk of ‘lounge music,’ which suits me as long as beyond the apparent simplicity of the compositions, there is recognition for the high degree of precision exercised by the one who takes care over the results, spending time adjusting the sounds, blending them and refining the arrangements of his compositions.”


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