Previously on @901editions @metaphysicalcircuits  @fratto9 and many other ambient/drone and experimental labels between 2000 and 2016, now operating as experienced art director, promoter, curator, and music teacher with expertise in composition, sound engineering, and event organization. Part of  KLANG (https://klangroma.com/ ) for many years , member of several past and contemporary bands such as @salosongs  and  @acresounds and actually part of Baronato4Bellezze family. Live shows assume a central part in his creative path, strengthening his abilities as an impro-performer. He has also shared the stage and collaborate with international artists such as Jimi Tenor,  Peter Evans, Alvin Curran, Vladislav Delay, Abel Ferrara, Fabio Perletta, Marta de Pascalis.

The last decade has seen a generational coming of age in the world of heavy music: it seems that the metalcore enthusiasts, doom-stoners, and screamo scenesters of the late aughts all find common ground in their mellowing out. A background in loud music isn’t all the four members of Annapurna share though: Greg Hojnacki and his bandmates (from all over the flyover states) found their home in Louisville, KY, which has served as the metaphorical and actual soil for Annapurna to cultivate their aesthetic self-actualization. After their quiet genesis as an acoustic trio in 2015, the band has fleshed out their skeleton crew with drums and dropped their debut LP, “The Greater Good” in July of 2018. 

Annapurna’s distinctive aura is a product of meticulously harrowed influences, elevated by an almost spiritual polyphony. Alternately tuned guitar chords cascade over each other in clustered 7ths, an improbable acoustic snaking its copper-wound tendrils around Hojnacki’s purposeful melodies in a blend of effortless harmony and sharp counterpoint. Never has a group so fluently combined the djenty mathematics of Chon with the ethereal nakedness of a Copeland track as the band does on their first single, “Henna,” which received great attention on 91.9 WFPK.

Annapurna is something like Minus the Bear and Intervals having a love child and baptizing it in the Ohio River. It is a distinctly midwestern and immaculately complex blend, interpolated in a nuanced take that stands up to repeated listens. Shouldering the emotional weight of growth through struggle, in art and life, is the seal Annapurna carries on their lips: somewhere in the rests between those melodic breakdowns, you’ll find little seeds. Those seeds are hope.

Rock music duo of guitar and drums. South London.

http://www.facebook.com/Mitklass
http://www.youtube.com/user/mitklassmusic
http://dj.beatport.com/mitklass
AB

Japanese composer, arranger and theremin player.Born September 27, 1979 in Tokyo.
He has made techno music in 1998-2002.
In the late 2000s , he began making music influenced by film musics.
From 2014 , he began a live performance using a theremin and a disc musicbox with his cinematic,electric music.

booking, remix requests, music licensing, soundtrack work:
amuletsmusic@gmail.com

Bursting with beaming up beat power pop, grinding grunge and dramatic changes of mood. Ham Legion's compact mini-epics dive through all this into sudden passages of twisting, complex prog back to the Englishness of 60s pop, punk and new wave, then to occasional moments of restrained delivery and somber reflection. A bizarre but compelling mish-mash of styles and influences in bite sized chunks.

Often Rarely Sometimes Never is following