“The blue-eyed blonde that blends beats… and sticks out like Gwen Stefani on BET.” -MC LYTE on DJ Girl 6 - 

In Spike Lee’s movie “Girl 6,” the lead character (a phone sex operator) used a number instead of her name to remain anonymous. DJ GIRL 6, on the other hand, is far from anonymous, adopting the moniker because the movie reminded her of the harsh realities behind going “all in” to pursue your dreams. Harsh realities aside, DJ GIRL 6 has fought her way to the cutting edge of DJ techniques and technology, blazing trails for others to follow for just over ten years now. 

GIRL 6 is a pioneer in the Video DJ movement, not just as a female, but as one of the first commercial video remixers on the scene, period. Her clever and thought-provoking use of wordplay and movie clips won her one of the first video remixer spots on www.crooklynclan.net where she remains the only female to date. She is also the only nationally-known acclaimed female Video DJ. Truly, GIRL 6 has become one of the premiere DJs, VJs, and remixers on the planet, an exclusive club she fought and worked hard to help create. 

The driving force behind Miss 6’s trailblazing is simple – she’s damn good! The simple fact is both her audio and video alike are a manifestation of a lifetime of experience. GIRL 6 has been flirting with DJing her entire life, and it's rather obvious that DJing likes what it sees... 

When she was only 15 she worked as a hotel maid to buy her then-boyfriend turntables and a mixer, only to be dumped the day before his birthday. She then spent the next few weeks scratching “f*ck you” into his parents’ answering machine. Want to know where that guy ended up? Kinko’s in Redding, CA (we looked it up!). Realizing how naturally DJing came to GIRL 6, she became much more aggressive in her pursuit of her dreams. After more than 10 years of perfecting her craft, the manner in which she commands the tools at her fingertips has become nothing short of sorcery. Her magical sets are largely composed of dramatic pauses, comedic elements, movie clips, wordplay, rock, rap and “throwbacks,” with uncanny timing that brings nostalgia and energy to even the most fickle of crowds. This time-tested talent has won her a place in the hearts of A-list celebrities who began demanding her as their opening act or touring DJ, including Janet Jackson, the Jonas Brothers, Enrique Iglesias, Joan Jett, Aerosmith, Maroon 5, Sheryl Crow, Boy George, Wyclef and Sir Mix-A-Lot (to name a few). Word spread quickly as she has been in rotation at some of the Nation’s hottest clubs and featured in interational publications for over eight years as seen below: 

Las Vegas Night Life (09/09), Jersey Shore (08/09), Trump News (02/09), Red Orbit (01/09), Business Journal (01/09), Reuters (12/08), Newsday, (12/08), New York Post: Page Six (12/08), Las Vegas Night Life (11/08), Las Vegas Weekly (10/08), Atlantic City Weekly (11/08), Mix Matters (07/08), Ya Heard (03/08), Ace Magazine (06/07), Sound (06/06) Rap Attack, (06/06), EQ (05/05), Rocker Girl (06/05), Bust (06/05) Mobile DJ (01/05 & 06/04), UR Chicago (09/04), The Stranger (05/09/05), Tablet (12/04, 01/05), DJ Times (04/05), Remix Online (03/05 Roof (Urban Latino TV, NY), Grinde Mode Magazine (04/05) and Thick Magazine (04/05) to name a few. 

As anyone can tell from this small taste of her extensive resume, GIRL 6's notoriety is well-earned, as her Vegas-style sets will have you dancing to everything from Elton John to Lil’ Jon! 

Come experience the surprise attack of the new Video Vixen DJ Girl 6!

Music

For business, features/collabs contact: 

Email: limitlessaudiorecords@gmail.com

Without question, today’s streets dictate tomorrow’s trends in the world of rap music especially in the South. The street’s stamp of approval has made millionaires out of rappers like Lil Wayne, Ludacris and powerhouse group Three 6 Mafia. 

Up next to add his name onto this elite list of megastars is south Louisiana rising star Lil Buck. Commanding the Gulf Coast with his Southern roots, street attitude and explicit lyrical style on a slew of mixtapes and singles, Buck is firmly establishing himself as a force to be reckoned with in popular urban music. 

He continues to feed the streets with his latest runaway mixtape Do the Fool and single “I Do Me.” Buck is sure to completely change the game with the January 19 release of his much-anticipated mixtape 3D. 

“My style is street at the same time versatile because I don’t make just street music,” says Buck. “I make party music too. I got a lot of different styles.” 

Born Jonathan Jackson, Sr. in the sleepy town of Geismar, La., which is outside of Baton Rouge, Lil Buck first found inspiration for his musical journey in the streets. His father was rarely around so he was raised mainly by his mother and grandmother. 

“My momma and grand momma worked all their lives to keep a roof over my head and clothes on my back,” Buck admits. “We didn’t have much but what little we did have, we kept it up the best we could.” 

Even though his parents did all they could to keep young Jonathan on the straight and narrow, he was introduced to the unflinching street life through his friends and cousins. Whatever mischief they may have been getting into, Buck joined in. 

“If you shake a puppy since he was a couple of months old, nine times out of 10, he’s going to be a mean dog,” Buck theorizes. “So whatever you go through at a young age is how you’re going to come out until you get the mind to come out of it.” 

Much like that abused pup that grows into a ferocious attack animal, Buck grew up in such a fierce environment. “I was very violent at one point. If you said the wrong thing, I was liable to do anything at any time. It didn’t matter,” Buck admits. “I was at the age where I was going to do whatever everybody else was doing. My mind wasn’t concentrating on what it needed to be concentrating on. Now as I’ve gotten older, I got more priorities.” 

One of the things that his friends were into, however, was music. Buck began rapping at 14 because all of his homeboys were rapping. A clique of his friends from the neighboring town of Prairieville had a group called the Ville Boys. While in the studio one night while they were recording, one of them asked Buck to grab a pen and pad and write a few rhymes and see what he could do. 

“I didn’t really like my voice but my dudes did,” Buck recalls. “When I seen that everybody liked my voice, I just stuck to it and kept trying it. Before you knew it, I got good at it.” 

He got so good that he became a local celebrity being featured on several of the Ville Boys’ hit singles. “I grew my rapping skills from being in the streets,” Buck breaks down. “If I wouldn’t have been in the streets, I wouldn’t have been able to talk about the things I talk about or have the mind to write the lyrics I write.” 

It just so happened that independent label owner CEO Wood noticed Buck’s talent and grind. And before long, Buck joined the ranks of Ruff-N-Rugged Entertainment in 2005. He made his label debut with a collaboration mixtape with label mate Hollowpoint entitled Rough and Rugged. The following year, the label released the well-received self-titled mixtape featuring label mate Hollow Tip and Buck. 

Next, they came back with Hollowtip and Lil Buck’s mixtape Black Shades in 2007. Then, in 2008, they released the follow up mixtape Black Shades 2. Next came the self-titled mixtape featuring another fellow label mate entitled Lil Buck and Young Soulja.

Buck is now enjoying the regional success of his latest mixtape Do the Fool and a string of heavily rotated YouTube.com videos and singles including “3D,” “Roll Call” and “What Kind of Life,” all featuring Young Soulja as well as his solo single “I Do Me.” And if that were not enough, just over the horizon for Lil Buck is the January 19 release of his much-anticipated forthcoming mixtape coming 3D. 

“I’m not trying to compare myself to nobody,” Buck clarifies. “I’m not trying to speak for myself. I let the people speak for me. I’m not trying to be nobody else. I’m just another cat out the hood who’s keeping it real with you.” 


BOOKINGS (WORLDWIDE) - www.constructindustries.com

Paul has been on Dance music’s frontline since the release of Leftfield’s debut single ‘Not Forgotten’ in 1989. With partner Neil Barnes, the duo went onto become one of the most globally successful and respected acts in Dance music, along the way shaping styles and creating sounds that have influenced heavily and been borrowed from literally. As a DJ, remixer and producer in his own right, Paul employs the same approach to being different, fresh and exciting as he has throughout his vocation and the success he has enjoyed has come through an absolute understanding and love of the music, the clubs and the people.

Paul spent the late seventies and the early eighties soaking up the wide variety of music that the vibrant gig and club scene of his hometowns of Ramsgate/ Margate offered. This meant he was able to soak up everything from Rock'n'Roll, Punk, bass leaden Reggae rhythms,Disco/Funk, Soul and an emerging post punk underground electronic music scene.
Along with being a drummer with various local Punk bands such as The Rivals and The Need he also ran and DJ'd at his own nights in a basement club on Margate seafront, based around underground european uk/us electronic disco/ Post-Punk/Funk
and alike. 

The early 80’s were also spent living/moving to  London with underground clubs such as the Dirtbox,
Le Beatroute,Mud and Wag clubs along with early warehouse parties in the then derelict east/south of london providing the night-time hangouts and the places to hear old and new/contemporary underground music such as US/UK Funk,Rockabilly,jazz,soul,early 80's US\ UK Electro, Hip-Hop,dub. 70's soundtracks,disco,afro latin,dub, northern soul and unrealised at the time these clubs and happenings were to be the embryonic Balearic/House/scene pre-cursor to the late 80's\early 90's uk rave movement to which Paul was later to be fully involved on a creative musical level.

Bank Holiday's of the early/mid eighties provided rites of passage weekender trips to Bournemouth and the uk coast for Dirtbox all nighters and daytime sessions again accompanied by a pre-balearic DJ soundtrack.
The mid/late 80's saw Paul working a lot in the Acid Jazz scene run by Eddie Pillar and Giles Peterson,
he  also playing regularly as a percussionist with bands and dj's at Blitz legend Chris Sullivan's Wag club.
A trip to the states in the late 80's as session percussionist with the Brand New Heavies enabled him to visit clubs such as The Sound Factory, Red Zone, Save The Robots and many other underground happenings of the NYC club scene of the time, opening him up to the exotic American scene and House music in particular.

Back in the UK and Ibiza this new breed of dance music was bubbling away, but it’s highly potent cocktail of repetitive beats and exiting new  electronic sounds would explode on contact with a simmering British boredom and the Ecstasy boom. For Paul, the abundance of music arriving from the States and Europe, the excitement of the clubs and hearing British DJ’s mixing it up and doing things differently persuaded him to become involved in the music and get behind the decks again. 
Paul was now in demand as a DJ on a UK and international level taking his cutting edge sound around the country
and the world as part of the early 90 's wave of superstar dj's to emerge from the london underground scene of the time. 
He also played regularly at every main club in Ibiza such as Ku,Space,Pacha,Amnesia as well as playing regularly along side chill out legend Jose Padilla at the sonic sunset temple that is Cafe del Mar.
He held down guest and residency gigs at uk clubs such as Love Ranch,Full Circle,Strutt,Solaris,Ministry of Sound,Renaissance, Back to Basics and many more including regular trips to Naples,Amsterdamn,Japan,Ireland,Scotland,
South/North America,Australia,Goa,Canada and Europe.
“Suddenly at those early Acid-House/Balearic parties, it seemed that everything I’d ever been into came together under one roof,and everything was nice’ Cue Leftfield...

In 1990 Paul was given the opportunity to remix "Not Forgotten" the first single by Leftfield.
The result was the 'Hard Hands" remix.
Paul's Hard Hands mix was a genre splitting funked up heavy bass spaced out balearic/techno dj dance floor monster, still dropped today and regarded as a seminal 
tune in the history of dance music, it set sound systems alight and paved the way for other budding electronic artists and dj's.
This record joined the ranks of classics and cemented Paul and Neil's partnership for the coming decade.......

As dance acts go they don’t come any bigger and few have had such an enormous impact on the international scene. By not repeating themselves, Leftfield delivered two key albums - for which they received Brit & Mercury nominations for Best UK Dance Acts in both 1996 & 2000 - that helped shift Dance music’s sound into new and dynamic phases and as such the reputation and the respect that the name Leftfield still commands to this day, is literally second to none.

Their debut album ‘Leftism' (1995) redrew the borders for dance music, pioneering a radical hybrid that drew intuitively on rib-shaking dub, futuristic techno, house and breaks and with its timeless qualities, is regularly declared ‘The Greatest Dance Album Of All Time’. Its included collaboration with Sex Pistol John Lydon on ‘Open Up’ was the first ever dance/rock crossover not to sacrifice any of the attitude of either genre. Their second album ‘Rhythm & Stealth’ (1999), contained an equally exciting new blend of crisp, cutting-edge electronic sounds and alongside vocal contributions from Afrika Bambaata and Roots Manuva, included the fearsome electro-breaks beast ‘Phat Planet’, with which Leftfield once again wiped all pretenders away. Sales are in excess of 1,000,000 copies worldwide for each album.

With the Leftfield sound dictating much of clubland’s direction they were in-demand as remixers and subsequently deconstructed then dusted their magic over an assortment of artists that included David Bowie,Stereo MCs, Inner City, Tricky ,Renegade Soundwave and many more. During the Leftfield years the duo also formed their own label Hard Hands which itself was at the front of the scene and aside their own music was responsible for issuing over 60 other releases by underground artists that included Pressure Drop, Dark Globe and Full Moon Scientist.

As well as Leftfield scoring music for the soundtracks of the internationally successful Trainspotting and director Danny Boyle’s follow-up Shallow Grave, their music has been used on the big screen in the films Tomb Raider, The Beach, Hackers, Hackers 2 and Vanilla Sky. It has also been utilised in a number of television commercials, most notably the now infamous ‘White Horses’ ad for Guinness, for which the fearsome rumbling intro of ‘Phat Planet’ was also the teasing first taste listeners got of Leftfield’s then imminent second album. This critically acclaimed unison has since been voted ‘The Greatest Television Ad Of All Time’ in myriad charts, programmes and polls. Other Leftfield music used in advertising clips has been for Volkswagen’s Lupo car (‘6/8 War’) and the atmospheric intro of ‘Release The Pressure’.

The impact of Leftfield’s debut single helped secure Paul DJ bookings and he quickly earned himself a reputation for spinning a choice of solid tunes and raising the temperature on dancefloors worldwide. Throughout the decade he played regularly across the planet at clubs and festivals, including all the large UK outdoor events like Tribal Gathering, Homelands, Witness in Dublin (now the Oxygen Festival) and the Brighton Essential Festival. The overtaking demands of Leftfield meant that DJ’ing took a back seat through the turn of the decade, although he maintained a residency at London’s Fabric club between 1999-2003.

For the last ten years Paul has been in demand as a DJ, remixer and producer in his own right, turning out killer dancefloor ammunition for, among others, Slam (‘Alien Radio’), Dub Pistols (‘Six Million Ways’) and Bolz Bolz (‘Take A Walk’ - which went on to be synched to a Smirnoff commercial), plus the sunset-tinted ‘Adios Ayer‘ for long-time friend Jose Padilla (Café Del Mar) and a rework of Massive Attack’s ‘Butterfly Caught’. In 2004 he produced a single for the alliance of funk renegade Afrika Bambaata and robo-synth-pop pioneer Gary Numan, who teamed up on a new version of Numan’s 1979 track ‘Metal’, resulting in an electro floor-curler with a commanding presence.

Paul has been operating more in the shadows over the last few years, DJ'ing and remixing whilst putting the finishing touches to his solo album.
He is still just as comfortable playing to 100 people in a sweaty sub-basement as he is DJ'ing to larger event crowds.

When Paul DJ’s, it’s still predominantly a diverse mixture of electronically infused Techno, House and beyond. The linear connection being the all important funk and sonic subversive element. But appreciating so many different types of music, has always made it hard to pinpoint Paul Daley as a particular style DJ (or producer, or remixer…) and is key to his ability at keeping a dance floor and sound system on the edge.
"i'm not a one sided coin,being into a multi faceted pop culture for 45 years creates a lot of different influences, that is why i like playing different sets for different situations, there's too much good music around to be blinkered by one style or sound"

“My laws are still the same as when I was DJ’ing at my sister’s house parties in the mid seventies which is, if the people aren’t dancing or smiling then it’s not happening. I still get the same buzz I got when I was 12 years old playing records in my bedroom, it’s the same feeling but I’m sharing it with 100’s of other people”

Paul understands and encourages new music from underground labels from all over the world, anyone who comes to listen to a set should not expect to hear some kind of 90’s revival (he didn't hold down a 3 year residency at Fabric for nothing...), his sets and records represent an energy of someone half his age with twice as much musical experience. 
Anyone fortunate enough to catch his summer residency at Ibiza’s uber cool country club ”The Underground”from 2005 - 2010 bear witness to this.

Those who have heard Paul play understand his love and sincerity to the music. This has always outweighed taking an obvious commercial route as a DJ and this attitude continues to this day.



2025 —>>> WICHTIGE INFO an euch TechnoHeadz -> 

„ Butcher_live “ ist die modulare Weiterentwicklung meines euch bekannten Namen „Ben-Butcher“ 

- wie ihr festgestellt habt, gibt’s seit Mitte 2024 überwiegend Sets und Tracks unter meinem neuen Artist Namen „ Butcher_live “. 

- Modulare Musik und viel mehr die Klangerforschung dahinter ist genau dass, was ich unter dem Inbegriff von „Musik machen“ verstehe. 

- mit der Veröffentlichung meiner ersten eigenen EP im xx.2026 wird dieses Profil endgültig umbenannt. 

- Danke allen Freunden, Supportern, Feier Atzen , TechnoHeadz, Künstlern und Clubgästen die mit mir bisher diesen unvergesslichen und dynamischen Weg gegangen sind und allen denen, die mich auch weiterhin auf der niemals endenden Reise der modularen Klangkunst begleiten werden. 


GIG :

16.08.2019 : Frankfurt Seckbach Tour / PRVT Va / 

09.08.2019 : Roof Night / Chris Crunch Birthday / ROOF Mainz 

https://www.facebook.com/events/676381176143897/?ti=icl

29.06.19 : VOLLGAAAS - 57 Jahre BUTCHERS / Clubhaus Schiersten / Wiesbaden 

https://www.facebook.com/events/2711991762204335/?ti=icl

18.01.19 : Welcome to the Circle / MTW / Offenbach am Main
https://www.facebook.com/events/494886727584652/?ti=cl

01.12.18 : VOLLGAAAS / Clubhaus / Schierstein 
https://www.facebook.com/events/534976783582625/

22.09.18 : VOLLGAAAS / Clubhaus / Schierstein
https://www.facebook.com/events/475573406260296/

***********************************************
27.05.17 : PureTechno Cologne / E-Küche / Köln 
https://www.facebook.com/events/268845940228838/?fref=ts

03.06.2017 : Dstrct X / Opening / Schwarzer Adler / 2 Floors 
https://www.facebook.com/events/1437164339647573/


24.6.2017 : Bassozial & yBooking present: 1 Jahr Bassozial + Ben-Butcher Geburtstag
https://www.facebook.com/events/1876282145983192/

30.6.2017 : 24 Jahre!! AcE Attack |B.Day-Bash|Open Air XL // Leverkusen / Köln 
https://www.facebook.com/events/1300677880027616/?ti=cl 
(meine Playtime Samstag 1:00-3:00 Uhr) 

08.07.2017 : Technolution Open Air / Mannheim 
https://www.facebook.com/events/201610067028114/?ti=cl&__mref=mb

19.08.17 : Bassozial Showcase at MTW Lounge / Offenbach Main
https://www.facebook.com/events/680197612171037/?ti=cl&__mref=mb

02.09.2017 : Dstrct X pres. 26 Jahre Muchacho / Gotec Club / Karlsruhe
https://www.facebook.com/events/301145516991105/?ti=cl

07.10.2017 : Party des Jahres / 
https://www.facebook.com/events/714412632079357/?ti=cl&__mref=mb

29.9.2017 : In·ko·g·ni·to // Tanzhaus West // Frankfurt am Main 
https://www.facebook.com/events/355190338257558/?ti=cl

10.11.2017 : FZP West *Member´s only* / Playtime 6:00 - open End
(wer Bock auf diese Schändung hat einfach eine Nachricht an mich dann steht ihr auf der GL )

11.11.2017 : PureTechno @ Club Tiefgang / Hannover
https://www.facebook.com/events/482766052081051/?ti=cl&__mref=mb

17.11.2017 : SACHSENhausen Techno // Club Littlebit // Frankfurt am Main
https://www.facebook.com/events/1924443154488353/?ti=cl&__mref=mb

01.12.2017 : Die Box 34 std Opening // Die Box (ehml. London) // Mannheim 
https://www.facebook.com/events/136522760447586/?ti=cl

24.12.2017 : Tanztrieb Christmas Edition // Nachtleben // Frankfurt am Main 
https://www.facebook.com/events/1929040107319772/?ti=cl&__mref=mb

13.01.2018 : Mainz // prvt. VA //

19.01. - 21.01.18 : Bunkersession  

Booking per Facebook oder Soundcloud Message
spürst du es auch, die kranken Töne, die aus den Boxen fliegen... ?!

My releases and releases with my participation (beats,scratches,MC-ing): 
2009: StraNn1k - Mixtape Vol. 1 "Среди своих", Те Самые - Mixtape Vol.1 "Тайна Судеб"; 
2010: Сухой - "Западный округ" , KaBaN - "Просто П", ONE'L & DJ Kob.RA - Warm Mixtape; 
2011: Hard (Южная Стрит) - "Голоса зашитых ртов", Kob​.​RA beat-tape#1 - "The door to the roof".
2014: Kob.RA - "Kob.RA archive beats #1"
2015: Kob.RA - "Kob.RA archive beats #2"
DJ/Scratch battles stats: 
2010: The Moscow Open Championship "TIME2SCRATCH vol.3" (freestyle category) - 1/4 final
2011: The Saint-Petersburg Open Championship "White Nights Jam" (freestyle category) - Elimination
2012: Music Moscow Denon Scratch Battle (freestyle category) - 1/4 final
2013: Hip-Hop Don't Stop Scratch Battle (freestyle category) - 1/2 final 
HiTop Scratch Battle (Moscow, freestyle category) - 3rd place
2014: Scratch Battle "Plastokrut" (freestyle category) - elimination
2015: Streefire Battle (freestyle category) - elimination
2017: Rob Roy TRUE COMPETITION Scratch Labs - 1/4 final
Scratch Attack 2 - 1/4 final
Yalta Summer Jam Scratch Battle - 1/4 final
Scratch Battle by DJs Academy TURNTABLE - 2nd place
2018: Scratch Bohema 8 - best scratch perfomance
Yalta Summer Jam Scratch Battle - 1/4 final
Extreme Crimea Scratch Battle - 1/2 final
2019: Numark Portables Scratch Battle - 2nd Round

The artist known as Ito has been on a journey very similar to the music that he loves. Reggaeton started in Latin America, and when it exploded in Puerto Rico, Ito was practically born into the beat of the snare. From Puerto Rico he moved to New Jersey, and when he was four years old heard his father, Sugal Boy, recording a song onto a cassette tape. He grabbed ahold of the rhythm and the lyrics and would endlessly rap that song to everyone he saw for the next four years. His father must have known that his music would become his son's music even as Reggaeton was being suppressed by the Puerto Rican upper class. Ito and Reggaeton had moved to the big stage of America where Reggaeton was set to blow up from the underground into the mainstream.

Spanish is his first language but he nearly forgot it once he learned English from school and his new friends. As a teen he moved to Sacramento and decided that his music should reflect his father and the roots of Reggaeton, and switched back to rapping in Spanish. Eager to perform, he pestered the administrators at his high school for a chance to shine at a rally, presentation, anything. When they finally gave him the chance he got up in front of five hundred of his schoolmates and blew them away. His popularity in school went through the roof, and he began entering talent shows, festivals, and community events.

The young man with the Spanish audio attack got questions from all sides about Reggaeton and why he raps in Spanish. "Well, first of all it's in my blood to do what I do - and what I do is rap in Spanish and to make it more interesting. I love to share my talent with not only Latin America but also the United States."

In March of 2007 Ito traveled to Miami to see the Reggaeton scene. He met Daddy Yankee on Univision's Sabado Gigante with his uncle Jose Luis (aka Josenigma/The Spray Master). Because Reggaeton is only now really making inroads into the mainstream, it is hard to explain how amazing such an event is for Ito. Think of a rock fan getting to meet The Beatles onstage and having them give you music tips and you might be getting close to the feeling.



At its foundation, Dad’s LPs is a rock, pop band with its cornerstones consisting of the powerhouse vocals of John Morales and the emotive voice of Chris Twomey. This is punctuated by Andrew Harris’ sharp guitar attack and glued together by the guitar and bass lines of Jay Seals and Marcus Schmidt. Most importantly though, they are a band of songwriters who love to create, play, and record original music and then get it into the hands of their fans, friends, and family. 

Three fifths of its members were road dogs throughout the 2000’s, playing music across America in bars and clubs. One fifth was getting a degree in music while the other was still in high school during that time. No matter the age difference, they came together to make straightforward music… no bells, no whistles. Just quality songs delivered with quality performances.

Their second album, Lemon on Fire (2014), finds the band picking up where they left off with their self-titled debut, Dad’s LPs (2011). This time they’ve had some years to hone their collective vision. Each song, driven by an initial hook, uses tangible lyrics to create stories reflecting the challenges and triumphs of everyday life… a look at the little things with the big picture in mind. The music supports the melody and these stories to create an impactful presentation with sounds ranging from fuzzed out guitars to mellow finger picking and the occasional synth line added texture. The lead guitar does what the song asks of it; sometimes quoting the melody, other times tearing the roof off. Some tunes will make you laugh and bounce, some will make you pump your fist and bob your head, and some will make you take a quiet pause. 14 songs in total, the album makes for a great hour of listening.

The Band:						Previously in…
John Morales – Lead Vocal and Drums 	| Ten Mile Tide
Jay Seals – Guitar and Harmony Vocals 	| Blue Turtle Seduction
Chris Twomey – Lead Vocal, Guitar, Bass 	| 2Me
Andrew Harris – Lead Guitar 			| Blue Street Junction
Marcus Schmidt (joined in 2013) – Bass 	| Chingus / Diego’s Umbrella

Keahi Tomomi is following