The steppers beat originated in the mid-1970s, adding a faster and more danceable groove to reggae. Possibly influenced by disco, instead of the kickdrum hitting on beat three as in the classic "one drop" rhythm, or on beats one and three in the "rockers" beat, it strikes a driving four beats to the bar. With some variations it is deployed by artists such as Grace Jones, Bauhaus, Ministry, Paramore, The Birthday Massacre, and Trentemøller, as well as finding a place in the arsenal of remix producers. If you find reggae a bit slow for your taste you might enjoy this amped up refinement to the sound!

Reggae Influences: the Steppers Beat

Hi there! This is my vision, my own version of Duran Duran's latest single INVISIBLE. Unfortunately I had to use an online voice extractor to separate Simon's vocals from the music and the results are very poor. Sorry about that. But I hope you enjoy my remix nevertheless ^_^

No copyright infringement intended. All rights and credits go directly to its rightful owners! This remix was created for personal enjoyment and I do not take credit or make money from the artists work. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

"Invisible" by Duran Duran (Future Past Remix By Big Leo)

Agresia

Curtis Best covers

OVLITAVA-лето 2021 г.

DANCE

DEEP FAVOURITE SOUND #43 (CHILL & DEEP MIX)

DEEP FAVOURITE SOUND (CHILL & DEEP MIX)

«Підманула» — це сучасна інтерпретація української народної пісні «Підманула, підвела». Ana Danch оновила текст у жартівливому ключі, зберігаючи народний дух мелодії, і додала живе, енергійне аранжування, яке підходить як для слухання, так і для танцю. Цей трек створює місток між традицією і сучасністю, і дозволяє по-новому відчути народний настрій.

"Підманула" (Pidmanula) is a modern reinterpretation of the traditional Ukrainian folk song “Pidmanula, pidvela.” Ana Danch refreshed the lyrics with a witty, playful twist while preserving the spirit of the original melody. The energetic arrangement makes the track equally suited for listening and dancing. With its vibrant and joyful mood, this song builds a bridge between tradition and modernity, allowing a new audience to rediscover the charm of Ukrainian folk culture.
_________________________________________________________________________________
Lyrics:

Я казала в понедiлок
Пiдем разом по барвiнок
Ти прийшов мене нема,
Пiдманула, пiдвела.

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

Я казала у вiвторок
Поцiлую разiв сорок
Ти прийшов я не сама,
Пiдманула, пiдвела.

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

Я казала що вночі,
Будемо гулять одні,
Ти прийшов нас ціла хата
Ну хіба ж я винувата?!

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

Я казала у четвер
Приходи я пʼю  портвейн
Ти прийшов я пʼю первак,
Ах, нарешті добрий знак.

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

Я казала, що в пʼятницю
Ми пiдем на вечорниці
Ти прийшов я ледь жива,
Не даремно ніч пройшла.

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

Ну хіба я винувата,
Що красива в мами й тата?
Я ж такою народилась,
І тобі не підкорилась.

Я ж тебе пiдманула,
Я ж тебе пiдвела,
Я ж тобі молодому
Первачка не налила.

То було, то було, не-любити,
То було, то було, не-ходити,
То було, то було, тай не знать
Щоб тепер, щоб тепер, сумувать.

Підманула

Авторська версія української народної пісні «Чорні очка, як терен» в інтерпретації співачки Ana Danch. У підсумку вийшла весільна й темпераментна версія до танцю з осучасненим звучанням, де сумні слова у пісні змінено на веселі, добрі, романтичні. У пісні показано смішні сторони родинних взаємин майбутнього подружжя та свекрухи. Ця пісня потребує аудиторії, бо розрахована на співучасть, на те, щоб жарт був почутий, розрадив і розвеселив слухачів. Пісня «Чорні очка» увійде до майбутнього мініальбому «Підманула». 

Ana Danch’s authorial interpretation of the Ukrainian folk song Чорні очка, як терен.
This vibrant and danceable wedding-style version gives the traditional tune a fresh and modern sound. The original melancholic lyrics have been transformed into cheerful, kind-hearted, and romantic lines. The song playfully depicts the humorous sides of the future in-law relationships, especially between the bride and her future mother-in-law.
Чорні очка is meant to be experienced together with an audience — it invites participation, shared laughter, and joy. The track will be featured in Ana Danch’s upcoming EP Підманула.

Lyrics:
Чорні очка як терен,
Чорні очка як терен, 
Чорні очка як терен, як терен
Коли ж ми ся поберем?
Чорні очка як терен, як терен 
Коли ж ми ся поберем?

Поберемся в неділю,
Поберемся в неділю,
Поберемся в неділю, в неділю
Маю таку надію
Поберемся в неділю, в неділю
Маю таку надію 

Прийде така неділя,
Прийде така неділя,
Прийде така неділя, неділя
Що в нас буде весілля
Прийде така неділя, неділя 
Що в нас буде весілля 

На весіллі всі разом,
На весіллі всі разом,
На весіллі всі разом, всі разом 
Заспівають за столом 
На весіллі всі разом, всі разом 
Заспівають за столом 

Заспівають про любов,
Гірко-гірко про любов 
Гірко-гірко про любов, про любов 
Цілуй мене ти знов і знов 
Гірко-гірко про любов, про любов 
Цілуй мене ти знов і знов

Свекруха моя милая 
Свекруха моя милая 
Свекруха моя милая, милая 
Тепер у вас зʼявилась я 
Свекруха моя милая, милая 
Тепер у вас зʼявилась я 

Лай-лай-лай-лай, ла-ла-лай 
Ла-ла-лай, лай-лай-лай-лай
Лай-лай-лай 

Чорні очка

Introduction and Lyrics in English:

The ghost forest really does exist on the German Baltic coast. Over the centuries, the beech, oak and ash trees have taken on bizarre shapes due to the Baltic wind and the many storms. To me, they look like bent, crooked figures that seem to be on the run from the recurring storms. 
As almost all the trees have only one crown and are completely bare underneath, they also give me the impression that they have shut themselves off from the fury of the storms and withdrawn into themselves.
In my imagination, the storms stand for the inner ghosts or demons that more or less haunt everyone rarely, sometimes often or always at night.  
For me, the trees in turn symbolize the sometimes panic-like fears and the need to flee when the inner ghosts appear.   
At the same time, in my mind the trees also stand for the great achievement of some people who nevertheless live and continue to live under the impression of permanent demonic inner storms: Admittedly somehow crooked, slanted and crooked; but nevertheless in a marvelous way peculiar, unmistakable and original.
This is the background against which the song ""Ghostly Forest"" was created.

Ghostly forest

Every night you are there
Like a fool tormenting me with relish
Like a sneering clown
You force me to look into my abyss

Mmh

Fall deep, almost unbearable these soul wounds
Give me this one shot that pulls me out of the tunnel of pain
aah

You tell me dark things
Accuse me, expose me, make me small
You put me before the last judgement
Spit brazenly in my scarred face

You give me the feeling
That all I want is to die, to be dead
Oooh
Seemingly salvation, consolation

No! Get up!
Get to your feet!
At the bottom
You're still healthy,

I was 
In the ghostly forest
I lost my way there,
I still find the gap
Which leads me to my Yes! to life
Leads me to life!

You never leave me in peace
Give me new blisters every night

When I think I've banished you now,
You come prancing in from the left

Not one tired night 
I woke up without your fearful bite
Behind windows, doors, cupboards you sit 
Always ready for the nightmare leap

This morning
my deepest soul centre would have almost
faded before you

You were on the verge of destroying my core
Dishonouring my dignity beyond repair

A deflated moment
Who knows only silence, rigor mortis
Oooh
Already thought I'd never return

No! Get up!
Get to your feet!
At the bottom
You're still healthy,

I was 
In the ghostly forest
I lost my way there,
I still find the gap
Which leads me to my Yes! to life
Leads me to life!

Gespensterwald (Ghostly Forest)

Special thanks to Marty for his cappella ....

https://soundcloud.com/mkandersson1982/marty-andersson-from-the-archives-liberation-spoken-word

Lyrics: 

Our bodies are enslaved, but our minds and our spirits do not have to be. Do not fear thinking outside what is considered normal, do not fear to think unlike your peers. If they judge you, let them; their opinions are of ill importance; what matters is your heart, what matters is the truth. This physical existence is but only a short chapter in the epic tale of you and I; a tale that connects us all and stretches throughout eternity.

As your lives are spent working day in and day out to reach the a-typical material goals, ask yourself in a deeper sense: are you happy? Do you know true happiness? Or do you merely find comfort within the confines of societal boundaries because it is safer to follow the majority?

Liberate your spirit; even if it means being criticised, even if it means being considered abnormal;

 everyone has the right and/or power to be themselves, we just need to break free from the shackles of fear which hold us back from revealing what is behind the mask.

LIBERATION. 🎧

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo.  Hohner (Harp) Harmonica solo. Roland Bass Synthesizer. Korg Bass Synthesizer. Yamaha Synthesizer. Kwai Synthesizer. Acoustic Full kit  Drum set. Roland Electronic Drums. Percussion Tambourine, Ago go Bells.

Whiskey Doesn't work

Whiskey Funk

Spécial thanks to HEMANIFEZT for his acappella ....

 Lyrics

 you forgot what love is Yeah,
 yeah, you forgot what love is
 Yeah, yeah, you forgot what love is Yeah,
 yeah, you forgot what love is 
 What the happiness that it brings You don't understand your life or what it 
 sings Guess you can hear it in the atmosphere (
 But you forgot the love is inside You don't understand right now 
 I'm here to provide Some people just don't understand 
 But why? 
 They don't understand what love is Yeah, they don't know what love is
 Why I had you, yeah, holding in my arms This is real right now, I'll hold you like 
  a charm Oh, yeah, I knew the world 
 Right now, it's getting kind of worse But guess what? 
 I'm the one to step up first I guess the love that I have right now 
 It ain't no curse We a perfect match 
 But you don't understand none of that Yeah, I think you forgot what love is
 You forgot what love is Yeah, yeah, you forgot what love is 
 Yeah, yeah, you forgot what love is Yeah, yeah, you forgot what love is 
 Yeah, yeah, you forgot what love is You don't know, you never will 
 I guess you don't know how I really feel My emotions inside right now 
 I'm telling you right now I'm trying to stay alive 
 But it seems like it's harder for me to try I'm trying to get my whole point across 
 But it seems like right now your thoughts is tossed 
 But I was wondering why you so lost Why he do you like that? 
 I guess the love was not in him But the love inside of me 
 Just to let you know I still breathe And everyday I know how it could be 
 Right now we going for the victory And the victory is right now 
 Me and you together for history Yeah, for centuries 
 You forgot what love is Yeah, yeah, I think you forgot what love is 
 Yeah, yeah, I think you did Yeah, I think you did 
 You forgot what love is It's the love that I'm giving 
 And I hope you receive it Man, you forgot what love is 
 To all the females out there Yeah, you forgot what love is

FORGOT WHAT LOVE IS. 🌺.🎧. Feat HEMANIFEZT

N.O.M Session

Toute la magie du reggae se balade sur le nouvel EP de DingwasH.
Des reprises qui font chavirer toute les générations, un hommage à la musique jamaïcaine mais concocté à la sauce de ce groupe Basque qui s'est approprié l'essentiel pour le mélanger à des sons très personnels.
credits
released June 10, 2017

Batterie & Chœurs : Antoine DeSuzzoni
Guitare : Peio Lerdou
Guitare & Chant : Yann Macabiau
Basse & Chant : Greg Ampen

Enregistré à Lanetik Egina, Hendaye, par Greg Ampen et le DIGITIS AUDI LAB.
Mixage et Mastering par Greg Ampen au Digitis Audiolab Studio
Production : FABULASON PRODUCTION & Digitis Audiolab
Photo : Greg Ampen
Artwork : Matthieu Planchais Graphisme

Merci à tous ceux qui nous suivent ! Milesker !

" la musique donne une âme à nos coeurs et des ailes à la pensée" (Planton)

05 DingwasH Ketch Vampire

The Bela Session

Bela Lugosi's Dead (Official Version)

Boom One Records presents: International Dubsters United, Vol. 1

In This Time (feat. B. Davis)

In This Time (Lady Rae Steppers Mix)

Since the release of his second studio album “Into The Great Wide Yonder” music wizard Anders Trentemøller has been constantly touring live around the globe, from Australia to Europe and North- and South America. From intimate to all of the important festivals, including Sonar Festival and Coachella (highlighted as one of the best shows at Coachella that year - NME). 

The “Into The Great Wide Yonder” tour ended with 2 consecutive nights at Den Grå Hal in Christiania, Copenhagen in November last year. Once more completely sold out weeks before, these shows perfectly topped the tour off with great sound and a fantastic crowd.

Fortunately the last show has been recorded on both audio and video and we are happy to release the essence on a special album, exclusively mastered for iTunes. 

It includes key tracks from “Into The Great Wide Yonder”, but also three tracks from “The Last Resort” alongside bonus tracks. Even if you’re a longtime follower of Trentemøller, you will discover his best songs in new live versions, which have been completely recomposed for the live shows. 

Simultaneously Trentemøller also releases the “Into The Great Wide Yonder”-special editon, now exclusively mastered for iTunes and packed with the best remixes by UNKLE, Andrew Weatherall, The Dø, Modeselektor, Pantha Du Prince, Kollektiv Turmstrasse, Efterklang and more. 

Anders Trentemøller is currently putting the finishing touches to his upcoming third studio album which is due for release in September 2013. The first single will drop at the end of May. You can get a first glimpse of some of the new songs at the upcoming festival dates this summer - before Trentemøller heads out on an extensive worldwide tour starting this fall, supporting the new album. 


Upcoming releases

Trentemøller: Live In Copenhagen (special edition)
digital album, mastered for iTunes (exclusive)
22.04.2013

Trentemøller: Into The Great Wide Yonder (special edition)
digital album, mastered for iTunes (exclusive)
22.04.2013

Trentemøller: new single
May 2013

Trentemøller: new album 
September 2013

live dates: 
14.06.13 Sweden, Hultsfred Festival
15.06.13 Denmark, Aarhus, Northside Festival
06.07.13 Netherlands, Pitch Festival
18.-21.07.13 Belgium, Dour Festival
18.-21.07.13 Ireland, Longitude Festival
19.-21.07.13 Germany, Melt Festival


more dates will be added soon

Live In Copenhagen

Purchase on iTunes

Trentemøller - Moan (Live In Copenhagen)

http://www.beatport.com/release/dont-stop-the-dance/1119233

Don't Stop The Dance (Grasshopper Dub)

Saturday, April 14th! Live bands! Prom/Spring theme! Corsage making! Giant canvas for painting! Food! 18+/21 to drink. (DJ sets start at 8:00 p.m.) DM bat.hauseattle for location

I am a club, rave, lounge, and party DJ based in Seattle. Please add my YouTube channel (link below) for music video playlists based on my DJ sets (many are not NSFW)!

I help create music/arts venues and events. Please contact me for collaborations.

I spin goth, industrial, ambient industrial, industrial bass, hard techno, futurepop/synthpop, bounce, Melbourne bounce, minimal bounce, minimal synth, synthwave, dark neoclassical, dreampop, electropop, power pop, shoegaze, bootgaze, metal, gothic metal, metalstep, dubstep, metalectro, complextro, punk, dance punk, electropunk, pop punk, punkabilly, rockabilly, emo, ska, witch house, ritual, future funk, remixes and edits of classic funk and soul; lo-fi hip-hop for studying, relaxing, and gaming; Brazilian, salsa, tango, mashups, nightcore, neo-psychedelia, reggae, bass and trance remixes of reggae and dancehall, jazz, jazztronica, electroswing, Latin bass, tropical bass, afro house, and beyond!

By day I work in the business world, and have an abiding interest in politics, economics, the social sciences, and the history of ideas. I also do some publicity.
(All playlists are works in progress except for those that are of records of my DJ sets). 

People think DJing is all parties, late nights, girls, etc, but it's mostly wading through lots of music to find the real gems!

I can't add back any more followers due to Soundcloud's ceiling. 

05 DingwasH Ketch Vampire

DingwasH

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