*Sound played by computer programme. Please forgive this poor quality sounds. When I record with a real-sound track, I will upload the new one again. 

Note 

It starts with a few serial notes of motive which are made of 4 semitones(1/2 notes of whole tones). I thought I would like to repeat this motive with gradual change to a specific point of the time and I tried to describe its changing phases. Sometimes the notes are morphed to 5 to 7 notes within a quarter note.
However, I want to say its paraphrasing is just foreground sounds and I can say there are a number of different sounds which are made of a variety of parameters like a tone-color, textures, layers of different hierarchy. Especially, I focused on the basic materials which are chosen by me at the start and I wanted them to be well-organized with non-verbal ideas. 
It is an Orchestral work. To make well-compounded sounds, I really tried to concentrate to realize overall harmonious sounds. Not only I focused on the individual instrument's techniques and particular tone colors but also I had a deliberation about its conclusive sounds when I composed some instruments. It was my major point of view when I made this music.


composed in 2018


Taken cover pic is a mountain way in Jeju island, South Korea. During traveling, I took the picture to catch the picturesque scenery.

KAS-KOS for Orchestra

• Studied Composition in prof. Sangjik Jun's class and graduated Seoul National University
• Studied E. Husserl's phenomenology, Zur Phänomenologie das inneren Zeitbewußtseins, in prof. Byungjun Park's class at Sogang University

•Ohne Titel für Altflöte, Bassklarinette, Harfe, Klavier, Kontrabass und Solo Soprano
•MOUVANT for woodwinds and Brass
•Okrąg(circle) for Flute, Oboe, Bb Clarinet and Violoncello
•深, 2 pieces for 6 players
•Signifiant Signifié for Orchestra
•Kas-Kos for Orchestra
•L'ALBATROS for Violin, Cello and Piano
•Élévation for Flute, Violin, Violoncello and Piano
•Imagined Landscapes for String Quartet

KAS-KOS for Orchestra

DOJIN JANG

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