« A fresh batch of adult disco from the club psych to the robo-pinballs you'll be seeing shapes and dancing with colors ».

GOLDEN BUG REMIXES:&#13;
&#13;
&#13;
Andi Otto - Six (Multi Culti)
Strapontin - Offbeat (La Belle)
Thomass Jackson-One Of Them (La Dame Noir)
Pajaro Sunrise-This Vision (Love Monk Rec)&#13;
Pulp Disco &amp; The Outcasts-Never Fear The Rain (Correspondant)&#13;
Bot'Ox-Face Of Another (I'm A Cliché)&#13;
Clap Rules-Happynomony (La Belle)&#13;
Supermen Lovers-C'est Bon (La Tebwa)&#13;
Punk Jump Up-Chimes (Klein Tanz)&#13;
Kid Gloves-Below The Belt (Fool's Gold)&#13;
Toomy Disco-Since I Fell For U (Sosound)&#13;
Housse de Racket-Chateau (Kitsune)&#13;
Count Jacula-Africa (Disco Texas)&#13;
Enzo Ponzio-A New Way (Solar Disco)&#13;
Nhan Solo-Fortune Cookie (Urbasian Music)&#13;
Baby Monster-She Comes Alive (Big Stereo)&#13;
We Have A Band-Divisive (Naive)&#13;
Telonius-Monster (Gomma)&#13;
Inflagranti-ExExEx (Codek)&#13;
Who Made Who-I Lost My Voice (Gomma)&#13;
Two Door Cinema Club-I Can Talk (Kitsune)&#13;
Gloves - P.Y.X (Bang Gang 12inches)&#13;
Delphic - This Momentary (Kitsune)&#13;
Golden Bug - Barbie’s Back The Remixes (Silicon Square Garden)&#13;
Adam Freeland - Undercontrol (Marine Parade)&#13;
Lost Valentinos - The Bismarck (Bang Gang 12inches)&#13;
Rodion - Luna Dark (Gomma)&#13;
Comite Central - Horny (Morts Aux Jeunes)&#13;
Play Paul and Leicos - Hell’s Belles (Silicon Square Garden)&#13;
&#13;
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GOLDEN BUG RELEASES:&#13;
&#13;
Variation sur 3 bancs feat The Limiñanas (Kompakt)
Vibrations Métalliques LP (Höga Nord Rekords)
Cosmic Trigger EP (Multi Culti)
Bones EP (Les Disques de la mort)
Viaje A Tenderloin / Hitodoma (Höga Nord Rekords)
Taste Of Love / Hippie Friends (La Belle)
V.I.C.T.O.R - The Remixes (La Belle)
Krokodil EP (La Belle)
Progress EP (Les Disques de la mort)
V.I.C.T.O.R LP (La Belle)
Accroché à Moi / Un Paradis Artificiel (La Belle)
Wild Boys EP (Les Disques de la mort)
Black Soul / Arcus Pluvius (La Belle)&#13;
Wrong Thing feat Lou Teti (La Belle)&#13;
Edit Service 36 (I'm A Cliché)&#13;
Fax,Flipper and Cigarets (Correspondant)&#13;
Room 666 (La Belle)&#13;
One Way (La Belle)&#13;
Play Around (Gomma)&#13;
Soapopera(La Belle)&#13;
Magia Potagia EP (Gomma)&#13;
Washing Machine (Bang Gang 12 inches)&#13;
Flamingo-The Game EP (Gomma Dance Tracks)&#13;
Assassin-12inches (Bang Gang12 inches)&#13;
Hot Robot-Album (Gomma)&#13;
Look Look Look-12inches (Gomma)&#13;
I Cant Stop-12inches (Gomma)&#13;
Radio SSG-12inches (Silicon Square Garden)&#13;
We Love Tokyo/Horses-12inches(Gomma)&#13;
Barbie’s Back-12inches(Gomma)&#13;
&#13;
&#13;
More infos:&#13;
https://www.facebook.com/goldenbugmusic
https://goldenbug.bandcamp.com
For Remixes and Booking:&#13;
romain@latebwa.com

Over fifteen years ago, a story of success began in the Austrian town of Eisenerz. What started out as a one-person operation in a cramped living-room, became one of the biggest record labels of the independent scene. Fans of the heavier genres have long come to know Napalm Records for its numerous metal releases, many of which have reached cult status.

In the beginning, Napalm Records focused mainly on the black metal releases of bands like ABIGOR and SUMMONING. Although both managed to create a style all of their own, SUMMONING in particular was most successful in taking their unique atmospheric style way past the European borders to reach an unbelievable level of notoriety on an international level.

But Napalm Records didn't stop there. Never shying away from unexplored paths of innovative musical styles and genres, the label supported artists that would later become known as the legendary pioneers and originators of the Pagan/Folk Metal genres, including the revered VINTERSORG and FALKENBACH.

Over the course of the years, Napalm Records searched for new talent and expanded its roster considerably by adding doom, power, symphonic and gothic metal to their ever-growing list. Within the gothic metal genre, THE SINS OF THY BELOVED, SIRENIA, and TRISTANIA were able to create quite a stir and successfully establish themselves among the best. In recent years, LEAVES' EYES, ELIS, MIDNATTSOL, KATRA, and EDENBRIDGE have also managed to join this illustrious group. With these releases, Napalm Records was able to widen its audience and soon felt encouraged to expand the variety of bands it would support.

Yet Napalm Records' folk metal focal point never strayed and the label continued helping bands like KORPIKLAANI, GLITTERTIND, TÝR, and ALESTORM achieve international notoriety.

The medieval rockers SALTATIO MORTIS, the "rock 'n' sad" initiators LACRIMAS PROFUNDERE, and scene icons ATROCITY, GRAVE DIGGER, and LEAVES' EYES helped Napalm Records become a household name among mainstream audiences by entering the charts repeatedly. With SALTATIO MORTIS, Napalm Records achieved the highest chart entry to date. "Wer Wind Saet" entered the German Media Control charts at number 10.

More recently, Napalm Records has embraced the rock and stoner rock scene with big-name signings such as MONSTER MAGNET, KARMA TO BURN, and BRANT BJÖRK.

One of the latest bands to join the Austrian label’s roster of celebrated artists is the US formation SEVENTH VOID, which boasts of two former members of the legendary TYPE O NEGATIVE, very keen on keeping their legacy alive. More recent signings include THE SORROW, LONELY KAMEL, HUNTRESS, and the doom legend CANDLEMASS.

However, Napalm Records does not only limit its operation to the support and development of new talent or the release of its artists' recordings. The label's own mail order service has been providing satisfied customers with the fastest delivery, unbeatable prices, and a top-notch service for many years. Over 15,000 items (CDs, vinyl, merchandise, etc.) are waiting to be discovered both in the biannually published print catalog and in the well organized, easy-access online store.

The Napalm Records Handels GmbH headquarters and center of operations, including the aforementioned mail order service, are located in Eisenerz, Austria and currently employ 13 people. A second office located in Austin, Texas, employs 3 people, while a third employee works for the label from Canada. Napalm Records also enjoys a close working relationship with an extensive worldwide network of A&R consultants and local promoters.

Last but not least, Napalm Records also boasts of its own publishing house. Over the years, IRON AVANTGARDE PUBLISHING has handled the rights to innumerable works from the most diverse of authors.

An archive of the Chicago Mawlid Committee's gatherings. 
~ ~ ~
CMC was founded with the sole purpose of remembering and honoring the Prophet, may peace and blessings be upon him. God-willing, CMC will organize and present a Mawlid every month. By presenting a Mawlid every month, as well as other events, we can try to keep the love for the Prophet, may Peace and Blessings be upon him, alive and flowing in Chicago’s vibrant Muslim Community.

Come celebrate! Your presence honors us and the gathering as we all join in the feast of souls. Experience devoted munshideen, learned scholars, a revival of tradition, and love of the Prophet, may peace and blessings be upon him, that is rare to find.

In the speed of modern-day life, it is important to stop and remember the one who will intercede on our behalf on the Day of Judgement, when there where will be no intercession except his, the one who prayed for us before we were born, the one who is the link between this Finite and the Infinite worlds, and the one whose uncreated word of God was revealed to his heart.

Muslims all over the world gather regularly to remember and celebrate the Prophet, may peace and blessings be upon him. This time-honored tradition is an enormous celebration in many Muslim countries and an amazing opportunity to show and teach our children and families how to love and respect the Prophet, may peace and blessings be upon him. The Chicago Mawlid Committee seeks to bring that same celebration for all to experience and taste right here in Chicago.
~ ~ ~
(For those asking: This account was titled PropheticPraise for the first two years of its existence. The new PropheticPraise page is here: soundcloud.com/propheticpraise. Both are dedicated to loving and honoring the Messenger of Allah, peace and blessings on him, but as of January 2014, this one is now exclusive to CMC's wonderful content.)

Just an average girl
She always wore a smile
She was cheerful and happy for a short while
Now she's older, things are getting colder
Life's not what she thought, she wished someone had told her
She told you she was down, you let it slip by
So from then on she kept it on the inside
She told herself she was alright
But she was telling white lies
Can't you tell? Look at her dull eyes
Tried to stop herself from crying almost every night
But she knew there was no chance of feeling alright
Summer came by, all she wore was long sleeves
'Cause those cuts on her wrists were bleeding through you see
She knew she was depressed, didn't want to admit it
Didn't think she fit it, everyone seemed to miss it
She carried on like a soldier with a battle wound
Bleeding out from every cut her body consumed
She had no friends at school, all alone she sat
And if someone were to notice she would blame the cat
But those cuts on her wrist, they were no mistake
But no one cared enough to save her from this self hate
Things were going down, never really up
And here she is now stuck in this stupid rut
She knew exactly what she had to do next
Just stand on that chair and tie the rope around her neck
She wrote a letter with her hand shaking wild
"Look at me now, are you proud of your precious child?"
But she knew that her parents weren't the ones to blame
It was the world that should bow down its head in shame
She stood up on the chair and looked out at the moon
Just don't think, it'll all be over soon
The chair fell down as she took her final breath
It's all over, all gone, now she's greeting death
Her Mum walks in, she falls down to the floor
And now nothing can take back what she just saw
The little girl that she raised is just hanging there
Her body's pale and her face is violently bare
She sees the note and unfolds it with care
All she does is stare, "How can this be fair?"
She starts reading as the tears roll down her face
"I'm sorry Mom but this world is just not my place
I've tried for so long to fix this and fit in
I've come to realize this world's full of sin
There's nothing for me here, I'm just a waste of space
I've got no reason to stay here with this awful race
It's a disgrace, I was misplaced
Born in the wrong time, and in the wrong place
It's OK though, 'cause you'll see me soon
You'll know when your time has come, just look at the moon
As it shines bright, throughout the night
And remember everyone's facing their own fight
But I can't deal with the pain, I'm not a fighter
You'll make it through the night, just hug your pillow tighter
So let the world know, that I died in vain
Because the world around me, is the one to blame
And I know in a year, you'll forget I'm gone
'Cause I'm not really something to be dwelled on
That's what they used to tell me, all those kids at school
So I'm going by the law majority rules
My presence on this earth is not needed any longer
And if anything, I hope this makes you stronger
You're the best friend, that I ever had
Such a shame I had to make you so very sad
But just remember that you meant everything to me
And to my heart, you're the only one that held the key
Now it's time to go, I'm running out of space to write
And yes I lost my fight, but please just hold on tight
I'm watching over you, from the clouds above
And sending down the purest and whitest dove
To watch over you, and be my helpful eye
So this is it, world, goodbye.

On Pain Waves, Seattle, WA’s Chris King & The Gutterballs have crafted a record that breathes in the spaces between Americana, Country, and Rock & Roll. King’s plaintive, near high-lonesome voice and weary swagger belie his youth, though the maturity of his songwriting does little to dispel the illusion. Sometimes life steps on the accelerator without asking permission, and Pain Waves is a snapshot of eighteen months of rapid-fire transition; a rush of reality that these days is all too relatable.   

King, who began playing guitar at fifteen in his local church, headed to Seattle a few years back to find his fortune. As fate would have it, he wound up connecting with his band The Gutterballs. They released two acclaimed EP’s (Hidin’ Out in 2014, followed in 2016 by Cocktails), landed spots on the prominent local Upstream, Freakout Fest, and Bigass Boombox festivals, garnered adulation and rotation from local bastion of independent radio KEXP, and hosted a residency at the historic Blue Moon Tavern.

Then what might as well be called “The Blizzard of 2016” hit. “I got sober after a dramatic break up with the love of my life” says King. “We lost our bass player, a band members father died, and my dog passed away. Then we lost our recording studio in Shoreline as our current president was being elected.” As the pressure mounted, King fell into an emotional, existential whirlwind. “It became a pivotal point in my self-perception and my outlook on life in general. I found catharsis in songwriting.”

Once King had the arrangements where he wanted them, they rehearsed five days a week for two months before heading to the studio. All the songs on Pain Waves were recorded live and mixed with Tom Meyers (Prom Queen, Thee Emergency, Country Lips) at Ground Control Studios in the Ballard neighborhood of Seattle, WA from January-December of 2018. Jon Pontrello (The Moondoggies) lends a hand on pedal steel and vibraphone, Joe Doria plays the Hammond organ, and Jason Goessl guests on backup guitar. 

“While this album was written during a trying period, I still believe this is an amazing time to be alive” King explains. "We can be real with ourselves and each other and feel true unfiltered emotion and express ourselves freely. Not a lot of people want to confront the dark side of life, but I’m proud that this record dives in head first. Yet there’s a brighter lining; signs of hope for the future, euphoria thru realism and cathartic release through pain. The last lyric of the album is “Love” and that’s what I hope the listener feels as the last notes ring away.”

DISCOGRAPHY

RELEASES:- 
- Vital Signs
- Things you say
- Funk it up
- Breaking Free
- Function At The Function
- Party People
- Sweet Escape (w Kylie Auldist)
- I Must Be Doing Something Right (w Kylie Auldist)
- Be My Camera (w Rhonda)
- What Do You Feel (w Jolyon Petch)
- Warning
- City's Alive (w Kid Massive)
- Only You (w Jolyon Petch)
- Praise You
- The Edge
- XLR8A
- Dimension EP
- Pulsar (w Axen)
- Scream
- Hypertronic
- Combat
- Pretender (w The Famme)
- The Night
- Louder (w The Cut)
- Wild Out (w Demark & Manna)
- 3AM Eternal 
- Sweat (w The Cut)
- Rock da House 
- Infinity 
- Dont Change 
- Gotta Keep On 
- Electrify 
- Dirty Cash 
REMIXES:-
Kuhl Kuhl - Twenty Five Miles (2022)
Vassy - Tuff (2022)
- Mobin Master - Get Away with it (2022)
- Flash - Party Time (2021)
- James Ash - Malibu Shadows (2021)
- Elektrik Disko - Tell me why (2021)
- Mobin Master - Unique (2021)
- James Alexandr - Testify (2021)
- Lou Casablanca - Move to the Beat (2020)
- John Course - Just a little (2020)
- Marcus Knight f Tash Knight - Who Do You Love (2020)
- Boogie Knights - My Love (2020)
- Harpoon - Midnight (2019)
- Amba Shepherd - Something Beautiful (2019) 
- Digital Remedy - Love (2019)
- M1 - If Everybody Looked The Same (2017)
- Bonnie Anderson - Rodeo (2014)
- Justice Crew - Que Sera (2014)
- Bombs Away & Komes - Apple Juice & Vodka (2014)
- Bonnie Anderson - Raise the Bar (2013)
- Jessica Mauboy - Pop a Bottle (2013)
- Q45 - Taken me Higher (2013)
- Tom & James vs Nick Mentes - Bowser (2013)
- Max Freegrant feat. Paul Aiden - Army Of Love (2013)
- Avicii - Fade into Darkness (2012)
- Queen Victoria ft Rae - Found my place (2012)
- Phetsta feat. Reija Lee - Said & Done (2012)
- Timomatic - Incredible (2012)
- Guy Sebastian & Lupe Fiasco  Battle Scars (2012)
- Chris Lake & Lazy Rich - Stand Alone (2012)
- Warehouse & Amy B - Feel It In The Air (2012)
- Those Usual Suspects – My Heart (2012)
- DZ & Joshua Kaye - RockStar (2012)
- The Mane Thing & Sazon Booya - Perect 10 (2012)
- Cedric Gervais - Molly (2012)
- Danny T – Delicious (2012) 
- Spenda C – Getting Dumb (2012)
- Demark & Manna - Music of my life (2012)
- Kaskade – Turn it Down (2011)
- The Famme – Pretender (2011)
- Morris & Venutto – Rock you (2011)
- Micky Slim – Im a Freak (2011)
- Avon Stringer – Spunky Sunglasses (2011)
- Boy Lost - Itza Trumpet Thing (2011)
- Gina G – Next 2 U (2011)
- Titus 1 – Drifting (2011)
- Michael Woods – No Access (2011)
- Ian Carey feat Snoop Dogg – Last night (2011)
- Jam X-Press – I’m Free (Never) (2011)
- Chris Lake & Marco Lys – Running Out (2010)
- Marco Demark – Can you feel it (2010)
- The Potbelleez – Shake it (2010)
- Mark Dynamix & Nick Galea – I Gotcha (2010)
- Bombs Away – Swagger (2010)
- Gina Star – I want it now (2010)
- Demark & Manna vs Terri B - Do you Believe (2010)
- Stonebridge - Trip'en (2010)
- This is Massive - Still Hope for Jackson (2010)
- JRJ ft. Rebecca Lockhart - Run (2010)
- Sgt Slick - Key Gen (2009)
- The Cut - Pucking Bitch (2009)
- Vandalism & Angger Dimas - She Got It (2009)
- Ian Carey - Shot Caller (2009)
- Kam Denny & Paul Zala - Sunday School (2009)
- Sgt. Slick - Right in the night (2009)
- Angger Dimas - Duck Army (2009)
- Tribal Kings - Beat of the drum (2008)
- Evermore - Between the Lines (2008)
- Sharam Jey - Feel Nobody (2008)
- Andre Buljat - I like it (2008)
- Digital Primate - The Crack (2008)
- Zoe Badwi - Release Me (2008)
- Paul Bell - The Melbourne Sound (2008)
- Kaskade & Deadmau5 - Move for Me (2008)
- Dirty Laundry - Disco Infected (2008)
- The Potbelleez - Are you with Me (2008)
- Seany B - Happy Today (2008)
- TV ROCK - Been a Long Time (2008)
- Cabin Crew - Can't Stop it (2007)
- Tom Novy - Unexpected (2007)
- The Potbelleez - Durty Dreams (2007) 
- Mic Newman - Rhythm to Ya Hips (2006)
- Studio B - Spanked By You (2006)
- Vandalism - Never Say Never (2006)
- Playrock - C’mon girl  (2006)

Artist, DJ, Producer, musician and record collector ... since 1980.

Releases on: ZYX, Blanco Y Negro, Best Record, DWA (Dance World Attack), Private Records, Disco Modernism, Flashback Records, Fresh Colour, Giorgio Records, Lusso Records, Special Groove Records,  Analog Language, Vintage Pleasure Boutique, Extravaganza Publishing Srl, Forest Jams, Mordisco records, Italo Moderni, Around My Dream Records, Disco Evolution, Magic Sound Records, Tonight Records, I.D. Limited, Fonogrammi Particolari, Mannequin Records, Pardonnez-nous, SP Records, No More Pop, Opilec Music, Radio Cosmos, Disco Segreta, Mecanica, Bordello A Parigi, Vielspaß, Archivio Fonografico Moderno, Mond Musik, Nadanna, Cyber Dance, Viewlexx, Moustache, Roller Disco, Red Laser, Flight Recorder, Rebirth Records, Panama Racing, Flexx, Mothball, Wuff records, Cargo Records, Centre Neptune, Magic Waves, Medellin Mixage, Space Sound Records, Maschina Records, I Am Private/Universal Music, Lucky Harvest Music Company, Paper Bag Records, Emerald & Doreen, CrunchyFrogDK, Power Dance.

Flemming Dalum, also know as King of the cut, discovered his musical journey at an early age. An interest based out of curiosity for electronic synthesizer legends emerging while he grew up. With his first synth, the Korg Polysix, a lifelong passion was born. He started playing in bands in 1982, experimenting with electronics and the new world of sounds and possibilities. At the same time he started experimenting with records and discovered a natural talent for mixing and blending synths with records, creating his own unique world of sound. In mind that the CD wasn't invented, neither was the HD recorder, the heart in Flemmings set-up was a simple cassette recorder. An invention that should soon add yet another angle to his musical universe. With snappy skills and imagination, the cassette soon became his most important instrument taking him to the next level. The world of mixing. With sampler, echomachine, decks, synths and a beloved cassette recorder, the first true mixes came out of his studio already in 1983. Mixes with so much detail, soon giving him the legendary name "King of the cut". In the same year, 1983, Flemming stumbled across Koto "Chinese Revenge", a discovery that should soon lead Flemming into a brave new world matching his own, with synths and electronics being the heart of the music. The passion became strong and shortly after the Koto discovery, brought him to his first trip to Milan, Il Discotto, Discomagic, Non-Stop, Merak etc. to investigate the Italo phenomenon in detail. The following years Flemming visited the Italian distributors 11 times which later proves to be one of the major reasons to the fact that he has one of the worlds most complete collections of Italo and Disco. Through the years, the synths has been replaced with computers and equipment matching the urge for mixing. Something that has kept the true Italo spirit alive and made Flemming Dalum a legend in mixing today.

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