Steamy back porch blues and rockin’ downtown shuffles anchor the folksy, contemporary songs in Tracy K’s collection. A powerful, rich vocalist and harmonica player of the highest order, Tracy K’s talents boast several awards. As a performer Tracy K’ passionate delivery brings audiences to their feet at Blues, Jazz and Folk festivals. She has shared playbills with greats like John Sebastian, Koko Taylor, Valdy, James Cotton, Ramblin' Jack Elliot, and performed twice with the Thunder Bay Symphony Orchestra. First Runner Up in Toronto Blues Society’s Talent Search she was also featured at their Harmonica Workshop and Women's Blues Revue. Tracy K's band and duo are both International Blues Challenge Quarter Finalists (Memphis TN). She's included on 2015 releases Ruf Record’s Blues Harp Women and Mary4Music’s Keeping the Blues Alive Vol.6. Her many awards include a Western Canadian Music Awards Blues Artist of the Year nomination, Winnipeg Blues.com Female Vocalist and Harmonica Player of the Year, and International Songwriting Competition awards for blues and performance. She’s a class act with the energy of someone half her age, and a life’s worth of experience under her belt to sing about. Her songs are well-considered, each of them little stories. Tracy K's last studio album What’s the Rush? hit Number 1 on Folk/Roots/Blues charts, charting for months across Europe, Canada, and the US.

Real name - Peter. Was born in 1986, on March, 18 in Kiev, Ukraine. Already in the beginning of a conscious life he gravitated to music, in the first quarter of the ninetieth year it was something such as Ace of Base, then he has opened for himself 2Unlimited which he listened a long time and then understood that a direction of techno and all coming up is for him. At the end of 90, first time he has heard Hard and Progressive house whom representatives were certain Klubbheads. As he was already 13, he started to understand something and search the same connected. At that time very few people understood him cause these styles just only have started to develop in our country. Constantly at night listening to the Radio-activity 105.5 Fm, making records, He more and more poured in this flow. In one fine day when he once again wrote down the next record from radio, he has understood that in those moment plays something such that he earlier never hear in life before. It was 2Step garage which has filled him entirely and on long time. "Mania" proceeded about two years until then, while one person has not opened to him Deep house and during that moment he has realized what exactly unite those styles and genres which he listened earlier, which sounding only for his spirit & soul. Yeee! It was particle of deep sounds, presented everywhere that he liked till this day. One year has passed and he was going to earn higher education. There was a great meeting with a person, who shows how to transfer own thoughts in music production, he met future Playone & later he understood that their music tastes are not far from each other, but even very close. For that moment Playone already was engaged in a spelling of music 1 year, actually he has let to know him what exactly it is. Seriously he didn't perceived it, but later it has changed his life. He started to write, tried to understand and conquer secrets of electronic music world, a technical question etc. After a while he has written his first track, called "Melodic". Further all went by itself. About day in day he experimented, quite good results also turned out. Later he thought up to himself an alias - "iMotion" and then has found something, which was mainline in his music, it was united in minimal, ambient deep'n'tech house. During the past couple-three years, an active process of acquiring experience in music, meeting with Tomato Jaws, all kinds of performances in clubs and finally in 2006, he published his first debut album "iMotion - deeper tonight" at Innertion recordings (Ukraine), as well as the compilation "Innertion Deep session vol.2" which include 2 tracks and 1 remix of "iMotion". Year 2007 was really productive for him: a contract with the label "Exquisite Music" of well-known Portuguese DJ Luis Novo aka "Bioground", the first debute release — "When EP", second release "Harbour" and three "Exquisite Deep" compilations. At the end of 2007 launched a first collaboration with Playone, project named - "Playmotion". The result was a remix on "Vintage Circuits" of the famous German Deep-Tech House DJ and musician "The Timewriter" and almost instantaneous release of "Vintage circuits EP" on "Plastic city" label which includes the same remix from "Playmotion project". Now - periodic parties in clubs, exhibitions, teaching work, sound production & graphical design at "AIR Studio"(http://www.airstudio.com.ua), graphical design in spare time, active work on new tracks and collaborations with other famous performers from Hungary , Germany, France, Croatia... From 2009 made a new alter ego - "Audioflow", which nourishes souls in exclusively experimental downtempo style.


L' ENFANCE ROUGE. The Red Childhood. A French-Italian Trio, then a Occidental-Oriental Sextet, based in between Reykjavik and Borj El Khadra. More than 1800 concerts from 1995, from Vilnius to Tbilissi, from Berlin to Sevilla as from Paris to Siracusa. Electricity. Blue lights. Still uncontrolled.

Avant-rock. Without boundaries, neither musical nor geographical. The European press talks about them as crossroads between introversion and acceleration, between cerebralism and wildness or barbarity. Unpredictables.

From its beginning, L’ ENFANCE ROUGE performed more than 1800 concerts from Vilnius to Tbilissi, from Swinoujscie to Sevilla as from Prague to Tunis, invited by international festivals, theatres and clubs.

"Rostock-Namur" the last-but-one album of L' Enfance Rouge has been released totally free downloadable on the web site www.enfancerouge.org (with more than 17.000 downloads).

TRAPANI ~ HALQ AL WAADY, recorded in between Tunis (TN) and Lecce (I), is the newest album produced by L' ENFANCE ROUGE. A certain pan-occidental electricity melted with splendorous oriental grandness. An inventive synergy in-between larsens, feed-backs and these famous arabic quarter-tones. The arrangements are signed by Mohamed Abid, unchallenged 'ud master from the "Orchestre National de la Rachidia", composer and teacher at the "Institut Supérieur de Musique" of Tunis.

If the whole occident is to be closed again on itself, its musicians are getting internationalists. By specifying that on both sides of the Mediterranean Sea there was of course no will to carry out a fashionable and well-formatted world-music, nor no orientalist tourism or intellectual colonialism.

Trapani-Halq al Waady : a direct and short from-North-to-South line. Trapani is the last European port, Halq al Waady is the first Ifrikian harbour.

L' ENFANCE ROUGE :
François R. Cambuzat - voice & guitar, Chiara Locardi - voice & bass, Jacopo Andreini - drums
On Tour : Occidental Trio and/or Oriental Electrical Sextet.

SOME CONCERTS:
Montreux Jazz Festival (CH), Fusion Festival (DE), Festival Musicas Do Mundo (Sines, PT), Klangbad Festival (DE), Dour festival (B), festival Garorock (Marmande-F), festival Artefacts (Strasbourg-F), festival Musiques Volantes (Metz-F), festival Rockomotives (Vendôme-F), festival des Volcaniques de Mars (Clermont Ferrand-F), Festival itinérant Trasporti Marittimi (Europe), festival BadBonn Kilbi (CH), festival Bear Rock (Andenne-B), Brise-Glace (Annecy-F), Maroquinerie (Paris-F), L'Antipode (Rennes-F), L'Ampli (Pau-F), Grand Mix (Tourcoing-F), la Laiterie (Strasbourg-F), la Cave à Musique (Mâcon-F), l' Olympic (Nantes-F), Noumatrouff (Mulhouse-F), VIP (St Nazaire-F), Antirouille (Orléans-F), Dachstock Reitschule (Bern-CH), L'Ancienne Belgique ( Bruxelles-B), 4ad (Dixmuide-B), G's Club (Barcelona-E), Col-legi Major L. Vives (Valencia-E) ...

DISCOGRAPHY :
SWINOUJSCIE-TUNIS, L'Enfance Rouge, 1996 Compilation /// « RADIOIRA », il Manifesto, I, 1997 /// TAURISANO-CAJARC, Taccuini C.P.I, Polygram, 1998 /// REUS-LJUBLJANA, L'Enfance Rouge, Tripsychord, 1998 Compilation /// « TRIENNI » TalpClub, G3G Records Barcelona, S, 1999 Compilation "Il Mucchio Selvaggio", I, 2000 /// DAVOS-LEROS, Audioglobe, I, 2000 /// Compilation "Cosmonaute", AnorackRecords, F, 2003 /// ROSTOCK-NAMUR, Audioglobe-L'Enfance Rouge, 2003 /// KRSKO-VALENCIA , Wallace Records, I , October 2005 /// KRSKO-VALENCIA (+ 2 unpublished numbers), T-Rec Records, F , May 2006 /// LA REPUBLIQUE DU SAUVAGE, Irfan (F) + FromScratch (I), 2007 /// TRAPANI - HALQ AL WAADY, March 2008, T-Rec Records, F + Wallace Records, I.

VIDEOS:
- IN SEXTET (+ maghrebi musicians) :
Azizati (live at L'Antipode - F) ; http://www.dailymotion.com/unjour_peutetre/video/x6s7cm_azizati_music
Terre d'élections (live at L'Antipode - F) : http://www.dailymotion.com/unjour_peutetre/video/x6s7gq_terre-delection_music
- IN TRIO :
Barrio Chino (live at Brise-Glace - F) : http://www.dailymotion.com/relevance/search/enfance%2Brouge/video/x3gx3k_barrio-chino
Hurricane Lilly (live at Brise-Glace - F) : http://www.dailymotion.com/relevance/search/enfance%2Brouge/video/x3twz3_lenfance-rouge-hurricane-lilly_music

PRESS CUTS :
...The UFO of the season ! This is the perfume of freedom... Libération-F

Particularly exotic journey : the music is like the Vesuvius downhill after the eruption, guitars got the slow combustion, and explode sometimes into geysers and pierce erratic crevasses... This electric craft - made with pencil more than bludgeon - pushes the notion of the musical violence into its most unseen entrenchments. In France, very few musicians are able of that kind of scenarios... Les Inrockuptibles- F

...Collusion of worlds dives us into a fantasy and unreal landscape, between urban shadows and desertic vertigo, between the warm languor of the arabic chant and the raw urgence of the European electric energies. A lucid and wild music. Mouvement - F

... You are in a trip, cradle exotic with instruments, and - BANG ! -, they awake you like rare into an electric rage worthy from the good days of Einstürzende Neubauten... But you can't find any other more dorsal sharper than this North-south one, that comes a lot further into North and South. From one side: the oriental splendour driven by a 'Oud master, and on the other a pure virtuosity of chaos, completely bursted out, between collapse of larsens and sismic ruptures... Magic-F

...Instrumentists who decided to overtake any genre of any time... La Repubblica - I

...Singularities that give a perfume to reactive compositions, soft and acid, for a dreamlike geography outside of the beaten track. Le Monde de la Musique-F

... pan-mediterranean free-rock ... Il Mucchio Selvaggio- I

...Well celebrated by Sonic Youth and Thurston Moore, L'Enfance Rouge blasted-off the audience... Concert&co.com

...Extra-europeans grooves, occidental & ghoulish feedbacks, oriental & uncut quarter-tones. This new record is huge, but especially unique: nobody before succeed so honestly in blending these genres -and please don't talk about a Kashmir of Zeppelinesque memories. With the musicians of the Orchestre de la Rachidia from Tunis, L' ENFANCE ROUGE went much further, beyond the Western fortress... A.D. / T.M. #08


CONTACT L' ENFANCE ROUGE :
Mail : ibfo@enfancerouge.org
Official websites : http://virb.com/enfancerouge & www.enfancerouge.org

END OF MAN is pure heavy, aggressive music born of the Philippines. They draw influence from Heavy Metal, Thrash Metal, Hardcore and Death Metal music.

Formed last quarter of 2002, END OF MAN is no stranger to the underground scene. The group is composed of ex-members of Mass Carnage, Seven Stitches and Thrash Metal Gods, Discant X. END OF MAN offers Crossover Music to the Underground scene.

Joey de Guzman – Vocals
Yam dela Torre – Guitars
JC Paterno – Guitars
Dennis Maniego – Bass
Search and Destroy – Drums

Born on the Island of Bornholm, Bjarke Mogensen quickly made a name for himself as an internationally acclaimed accordion virtuoso and as a versatile musician with a keen ear for different styles. At an early age he made his debut as a soloist with the Munich Symphony Orchestra in a German TV broadcast with millions of viewers. Since then an unusual curiosity and search for new sounds and expressions has taken him on musical paths where few other musicians have ventured before as a highly sought-after soloist in the classical music world.

Bjarke Mogensen received a long list of international awards such as the The P2 Radio Chamber Music Competition, The Almere International Chamber Music Competition and The Arts Desk ‘Album of the Year’ (2013). He took 1st prize in the European Broadcast Unions “New Talent” competition in Bratislava and a few years later Mogensen received the Danish Music Critics Artist Prize – all firsts for the accordion.

Already during his student years, Bjarke Mogensen had his solo debut-recital at Weill Recital Hall at Carnegie Hall, New York and performed in European venues such as the Concertgebouw in Amsterdam and Barbican Hall, London. 

He has performed chamber music in duo with among others violinist Gidon Kremer, violist Tatjana Masurenko and cellist Andreas Brantelid. As a soloist he has worked with orchestras such as the Moscow Virtuosi, Kremerata Baltica, Slovak State Philharmonic Orchestra, The Tiroler Symphony Orchestra, the Danish National Symphony Orchestra, Prague Radio Orchestra and The Copenhagen Philharmonic.
Bjarke Mogensen’s repertoire is almost unlimited, with a span ranging from folk music and accordion classics over his own arrangements and transcriptions to brand new works for accordion as well as improvisation. 

A long succession of collaborations with prominent living composers has resulted in over 60 new compositions – concertos, chamber music and solo works – dedicated to Bjarke Mogensen.

A series of his award-winning recordings have been released by the British label Orchid Classics as well as the national Danish record label Dacapo-Records. 

Bjarke Mogensen plays the Mythos Accordion No.5 often described as the Stradivarius of the accordion. He is also among the very few accordionists in the world who plays the quarter tonal accordion, an instrument which was custom made in Italy. Bjarke Mogensen graduated from the soloist class at the Royal Danish Academy of Music, where he now is an associate professor of accordion and chamber music.

Future engagements include the Finnish and Russian premiere of Danish composer Poul Ruders’ accordion concerto Sound and Simplicity. Yet another grand new work for the accordion written for and dedicated to Bjarke Mogensen.


http://www.bjarkemogensen.dk

follow Bjarke Mogensen on:
https://www.instagram.com/bjarkemogensenaccordion/
https://www.facebook.com/bjarke.mogensen1

Real name Akulova Alexandra - musician and DJ once existed project Airst8. After the project broke up, she to pursue a solo project - Arika Lane. Has music education in piano, which got in high school. In 2011 has started a radio show TopTrance, Arika discover a new kind of musical activity - DJ.
  From December 2006 to 2007 - a musician and author of the project Ravenport. From late 2009 to 2014 - musicians and DJ project Airst8, from mid-2014 is in solo project Arika Lane.
  In 2013 finished the course PR-manager, provides European workshop showbiz "Master Company", began organization own party.  
  August 31, 2013 in the club Cazanova (Truskavec) has debut Arika Lane.
  Total experience in musical projects - 10 years. Is constantly in search of new ideas, learning all sorts of articles, video tutorials, software and plug-ins. Open to new and interesting. Take away her music and she will lose not only the paint, but also meaningful.
  "Radio show TOPTRANCE exists since December 9, 2011 by two project participants Airst8.
  Airst8 - musical project from Minsk of the two trance-producers: Dmitry Nekrasov (Sledger) and Alexandra Akulova (Arika Lane). Unfortunately the project broke up May 24, 2014, but broadcasting TopTrance is continues.
  'Top Trance' - consist of 4 music part combined in a two-hour program:
  01.'TopTranceMix '- mix by Arika Lane of the best tracks from Tech Trance to Uplifting / Progressive Trance.
  02.'TopTranceNewFaces' - item covering the exclusive composition of the future stars of trans-area.
  03.'TopTrance GuestMix '- guest mix from a recognized DJ our or neighboring countries.
  04.'TopTranceClassics' - last subdivision which show one track into the world of recognized tunes that shaped the modern notion of the direction of melodic dance music ...
  Once every six months is a contest for the best song, which participated in the category New Faces supported by Internet label / online magazine Muz-Flame and radio 109fm - New Faces Contest.
  Once a quarter, lead a contest of mixes participating in the rubric Guest mix. With the support of GTI Radio. Start the DJ-battle in October 2014. Contest has an independent and impartial commission. Therefore, all participants are absolutely identical. Name and fame in this case does not matter, because the Commission will not know the names of the authors.
  Commission: INtrance - broadcast editor GTI Radio, Alex Believe - material moderator Promodj and Sledger - label owner Try More Records.
  The winner receives a broadcast on the GTI Radio."

Pete DRUNGLE - keyboards
Grant C WESTON - drums,
Krzysztof MAJCHRZAK - bass
Biographie
PETE DRUNGLE is a Bessie Award-winning composer and pianist who has made music with Ornette Coleman, The Kronos Quartet, Yoko Ono, the Decoding Society and many others; he has composed scores for theater, television, film and video, and has collaborated with visual and performance artists including Michael Portnoy, Rudolf Stingel, Marianne Vitale, Lilibeth Cuenca Rasmussen, Agathe Snow and others. His music compositions, performances and sound design have accompanied exhibitions in Art-Basel Miami, the Whitney Biennial, and Performa 07, 09 and 11.

As a pianist, Drungle is an intrepid, adventurous improviser - possibly best exemplified by his legendary 24-HOUR CONTINUOUS SOLO PIANO IMPROVISATION; Wire magazine's Alan Licht remarked, "...In as much as free improvisation can be a real-time, stream of consciousness expression, Drungle's epic event pushed it well beyond the limits usually imposed by the customary concert timetable…That he was still functioning at a high level of creativity after 23 hours pays new testimony to the improvisational mindset. Drungle contributed the truest experiment in concert as performance art that PERFORMA had to offer."

Recent accolades include a Bessie Award for Best Composer, a Meet The Composer Commissioning Music/USA commission, an American Music Center grant, and composer residencies at UCross, Wyoming and Chapter Arts, Cardiff Wales.

QUOTES ABOUT PETE DRUNGLE

“...an evolved sound.” - Ornette Coleman

“...Incredible ...the most important solo piano record I've heard in a decade.” - Sean Lennon

“...I was swept away by Pete Drungle’s amazing talent. His breadth and depth of improvisation and creativity at the piano are truly unique. Pete is a true musician and artist above and beyond being a fabulous pianist.” - Philip Lasser, Julliard Professor of Music Composition

“...Pete Drungle is a cosmically wondrous pianist, composer, arranger and visionary. He bridges so many formidable gaps in this fracture-ridden world in which we struggle to live today.” - Daniel Carter, musician / writer

"...a brilliant composer.." - TimeOut NY

"...intensely cinematic.." - New York Times

G. CALVIN WESTON: 
Calvin was born June 6, 1959 in Philadelphia, PA. He became interested in drums at the age of 6, when he (and his neighbors) discovered his talent for rhythm as he beat on every car on the block. He lived in North Philadelphia where he saw musicians like Stevie Wonder, The Jackson Five and James Brown at the Uptown Theatre. Seeing his attention focused on the drummers, his Father bought him a small set. In high school Calvin learned to read music and played second snare in the drum ensemble. He co-founded the group Bad Influence which played in cabarets and clubs around Philadelphia. At age 17, Calvin joined Ornette Coleman’s Prime Time Band, with bass player Jamalaadean Tacuma, a close friend from philly and Charlee Ellerbe, which toured extensively in North America and Europe. After recording four albums with Prime Time, Calvin went on to play and record with guitarist James "Blood" Ulmer, until he joined John Luries Lounge Lizards in 1990. During the late 90s Calvin recorded and toured with Billy Martin of Medeski Martin and Wood, Tricky, Eyvind Kang, Derek Baily, Mark Ribot, and James Carter. He also played on several movie soundtracks including "Get Shorty". For his latest project, Calvin Weston’s Big Tree, Calvin explores the many musical influences of his career as band leader and composer. He also has a new band with world renowned guitarist, Vernon Reid and bass player, Jamalaadean Tacuma called Freeformfunkyfreqs. Their new CD is ‘Urban Mythology Volume 1’. In 2008 Calvin toured and recorded with Jean-Paul Bourelly and Melvin Gibbs in the band Gypsys Reloaded. G. Calvin Weston has played on many recordings. A partial discography Marc Ribot and Trevor Dunn – “Asmodeus, the music of John Zorn”, “Book Of Angels Volume 7”, Ornette Coleman - "Of Human Feelings", James Blood Ulmer - "Are You Glad To Be In America?", James Blood Ulmer - "Black Rock", and "Free Lancing", George Adams / James Blood Ulmer Quarter - "Jazzbuhne Berlin '85", James Blood Ulmer / George Adams / Phalanx - "Got Something Good For You", Grant Calvin Weston - "Dance Romance", Ornette Coleman - "In All Languages", Ornette Coleman & Prime Time - "Virgin Beauty", James Blood Ulmer - "Black & Blues", The James Blood Ulmer Blues Experience - "Blues Allnight", John Lurie National Orchestra - "Men With Sticks", Tricky - "Angels With Dirty Faces", The Lounge Lizards - "Queen of All Ears", Eyvind Kang on Dying Ground Live at the Knitting Factory, Derek Baily / Jamaaladeen Tacuma / Calvin Weston - "Mirakle", John Lurie - "African Swim and Manny Lo", James Carter - "Layin' In The Cut", Soundtracks: Get Shorty, Excess Baggage, Blue In The Face, Clay Pigeons, and Box of Moonlight.
Even a partial list of musicians that Mr. Weston has played with reads like a whos who of modern music: Ornette Colman, Mark Ribot, James ‘Blood’ Ulmer, George Adams, John Lurie, Trevor Dunn, Tom Spiker, Brian Marsella, Jeff Monjack, Dion Paci, Weasel Walter, Elliot Levin, Frosty Spiker, Jeff Monjak, Tony Cosby, Aino Soderheim, Dion Paci, John Medeski, Skerik, Uri Cane, Jamaaladeen Tacuma, Dave Dreiwitz, Brian Haas, Billy Martin, Marco Benevento, Gerald Veasley, Cyro Baptista, Tom Spiker, DJ Logic, Brian Marsella, John Swana, Steven Bernstein, Warren Oree, Jason Fraticelli, Odean Pope, Andrew Weiss, Todd Horton, Elliot Levin, Jeremy Dyen, Byard Lancaster, Bobby Zankel, Jim Ridl, Will Brock, Ben Schachter, Aaron Graves, John Buck, Howard Cooper, David Dzubinski, Billy Martin, Cyro Baptise, Kato Hideki, Eyvand Kang, Shelly Hersch, and Derek Baily to name a few.

KRZYSZTOF MAJCHRZAK:
Bass player, Guitar player, composer, art director and producer Krzysztof Majchrzak was born in Poland. Bass virtuoso, inventor of his own unique sounds,

After a period of active participation in the creation of a new wave of Polish jazz, he has settled in France. His musical universe is at the crossroads of different musical cultures and different sources of inspiration from contemporary music through harmolodic to rock, jazz and ethnic music
He's led and confounded many musical projects, as “WESTON - MAJCHRZAK - GEMBALSKI "MAGIC HANDS ”, "EKSTASIS TRIO" LABIRYNT , GEMBALSKI - MAJCHRZAK - ZDUNIAK, STREET BLUES , DUNE, LONELY KOSMIKS , TIE BREAK, SUNSET, MAJCHRZAK PROJEKT, NEW JAZZ BAND, SYMPHONIC SOUND ORCHESTRA, Edgar Ravahatra Group, D.Y.M. , TOURMALINE, Exagere-Moi-Ensemble, LES LAST X, Grand Duc, Mohican, Z'Ebra, Poesique, l' O.G.R.E., Tom Bergeron QUARTET, M.G.B. Orchestra, Trio YMG. He played with : G.Calvin Weston, Pete Drungle, Philippe Garcia,Tom Bergeron, Henryk Gembalski, Michal Zduniak, Wojciech Konikiewicz, Adam Buczek, Alek Korecki, Michel Godard, Keller Cocker, Walter Lang, Rick Hollander, Stephane Lambert, Stephane Bartelt, Octavian Tzaranou, Laurent Levesque, Mel Brown, Christopher Woitach, Kinior, ….. Participated in tours and festivals in Poland, France, United States, Canada, Germany like “Montreal Jazz Festival”, “Nancy Jazz Pulsations”, “Festival d’été in Quebec City” ,”Jazz Jamboree”, “Jazz nad Odra”, “Garden Blues”, “Jazz a Vienne”, “Francofolie French music festival in La Rochelle” .... invited “Jazz Festival Leverkusen”, “Jazz Festival Bolzano”....

He took part in concerts organized by France Inter, Radio France Internationale and Europe1 , and even appeared in a TV5 Canadian TV show and in USA television program/podcast for PJJ-TV in Portland

Majchrzak attaches great significance to improvisation, thus plays prepared bass, and often includes ethnic elements into his compositions. He's been in constant search for original and unique sounds and has opposed the repeating of jazz patterns.


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