July 20  2019

Amour d'été

Post Malone & Quavo - Congratulations (Dramantic Remix)

This collab with my Dear HyLGZ22 - Let him tread only on floors covered with rose petals - is a surrealistic tribal experimenttion on percussions and horns.

Musique : HyLGZ22 & Damga. Texte : Damga & HyLGZ22

"Lactescence lunaire sous les vibrations d'une onde mystique et ténébreuse. Tu t'agrippes à mes chevilles et te dissous en secret dans l'océan de mes pensées chastes et merveilleuses. Cela serait parfait sans les pétales tombés des fleurs pourpres et les herbes couchées sous nos corps qui roulent. Sans les salamandres de nos instincts crépusculaires et émaciés. Sans la circonférence intense de ton sexe démultiplié dans les angles circonflexes de mes possessions démoniaques.

Tu bandes donc tu es ! Je mouille donc j'essuie.

Je danse nue sur le bord de la falaise, sous les lunules concupiscentes de nos espérances polymérisées. Et le chaos des vagues emporte mon cœur béant dans le ressac de tes désirs, dans la polymorphie de nos accouplements, dans la sombre splendeur de ta servitude gynarchique.
Ta langue têtue s’obstine à ma confluence, dans les langueur gluantes de mon plaisir fractal. Ton membre furieux lutte dans la cage d’acier poli qui le contient et le dompte. Moi seule aie la clé de ton assouvissement, mais jalousement je la garde contre ma peau comme un talisman lémurien.

Je plonge de la falaise, dans l’océan primordial de tes créations fantasmatiques. Les tentacules insidieux des poulpes, les algues lutineuses aux ondoiements serpentins, les pinces nacrées des squilles dépècent mes certitudes et coagulent mes perplexités. Ruisselantes et majestueuse, j’émerge des flots pour m’élever à nouveau au firmament des églogues rutilantes. Et, rêveuse et insouciante, je m’allonge à tes côtés, parfumant ta couche d’hésitations et de cyprine.

Comme les foules en sueur devant l’abbatiale, je contemple avec délectation le statuaire grotesque de nos amours indomptées. Les gargouilles s’accouplent voluptueusement avec les stryges, dans une orgie pourprée et foisonnante. Tu bénis mes solerets de platine et ordonne les ardillons dépenaillés de mes spalières. Et ta fougue marmoréenne inonde mes courbures émouvantes de ses jaillissements nacrés. Et nous nous envolons sur les ailes duveteuses de nos longs spasmes époustouflants et synchrones.
Les longues rémiges lunaires s’ébrouent de nos émerveillements vertigineux. Le paysage laiteux nous englobe de sa chaude humidité non-euclidienne. Et les pigments des ailes pulvérulentes des papillons adhèrent à nos épidermes en sueur.

Par-delà les champignons blancs et pelucheux des nuages, nous courons vers les galaxies éperdues de beauté irréelles, vers la blessure sanglante de l’aube, dans le velours uni de la nuit."

Cantique Surréaliste Et Pulvérulent

Llanpysch mix of Innerkey's epic track Pen Lyn. Listen to the original track here https://soundcloud.com/innerkeydj/pen-lyn?si=fd476a0970384cf2a5a28cd280939f14&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Rob composed this a couple of years ago after we'd been on holiday to the Llyn Penninsula, North Wales. Inspired by the wild beauty of Pen Llyn's north coast, this track captures the sound and spirit of the ocean crashing into the land. Photo taken from the cliffs at Traeth Tudweiliog.
Rob - Composition, original mix and production,beats and  synths   
Tez - remix and guitars                          

The Cat and The Sea - by RS Thomas
'It is a matter of a black cat
On a bare cliff top in March
Whose eyes anticipate
The gorse petals;

The formal equation of
A domestic purr
With the cold interiors
Of the sea's mirror.'

Pen Llyn - with Innerkey

2124 by Glenny G's One Man Band  ( Original ) with Video link and Lyrics .
https://youtu.be/123zrxCZics
Lyrics ( 2124 )
In 100 years in 2124 we'll all be buried with our relatives and friends, Strangers will live in our homes that we fought so hard to build , They'll have everything we all own today
Including that car you spent a fortune on, 
Descendance won't know who we are. 
And as the years move on our history , photos and deeds go into the dumpster of oblivion. We won't even be a memory , But maybe if one day we stop to analyze this question we'd understand.
How many of us know our grandfathers father? 
How many of us see his sons and daughters?
SOLO ( Rickenbacker 360 guitar )
Those ungiven hugs and kisses to our children and loved ones is what life 
 is really yes really all about .
Dreams of obtaining everything , Always wanting more and more 
without taking the time for what's worth while in life
How many of us know our grandfathers father
How many of us see his sons and daughters
How many of us know our grandfathers father
Things shinny and new won't even matter , No No . . .

2124 ( Original ) Video and Lyrics Included

Cast of Characters:

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys, including brass, strings, and the sax solo you hear towards the end. 
  JJ invited Stephen Stephen first, who came up with the funky ass wah guitar that also carries the groove. Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. JJ had a rudimentary bass line that he played himself, but decided to get me to do the honors instead. So, I came up with a totally new bass line designed to shake your cheeks.
Once it was in the can, we decided to ask have JJ mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer. 
  We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.
  We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Shag Carpet (The Eclectic Collective with Roy Roy)

Cast of Characters:

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys, including brass, strings, and the sax solo you hear towards the end. 
  JJ invited Stephen Stephen first, who came up with the funky ass wah guitar that also carries the groove. Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. JJ had a rudimentary bass line that he played himself, but decided to get Josh to do the honors instead. So, Josh came up with a totally new bass line designed to shake your cheeks.
Once it was in the can, we decided to ask have JJ mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer. 
  We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.
  We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Shag Carpet-Eclectic Collective

What's In The Coffee

A few things to say.
1. Sorry, this song is a long one: more than seven minutes, too many to expect to have listeners desirous to get to the end of a small marathon. Moreover, it is slow (the first refrain only comes after three minutes or so) and sung in Italian (the English translation is available, but it is never the same thing).
2. The photo shows two actors: Bekim Fehmiu and Irene Papas, protagonists of a wonderful TV series (‘Odissea’) aired in 1968. A show that enriched my childhood and conditioned my imagination (and my reading) forever.
3. I have long wished to be able to write a song about that story within the story of Ulysses' wanderings: his return to Ithaca and his failure to be recognised by Penelope. I succeeded in 1994, then producing a few versions of it. I recorded this one a few years ago, the sound quality was not excellent but now I have taken it up again, singing it all over again and changing the arrangement a little. I hoped at least to recreate an atmosphere musically suited to the story evoked.
Female vocals courtesy of Sound Doctrine.

LYRICS 

he speaks softly from afar
and his voice is like a stray dog
like a boat you can barely see
like a moon on a swing
suspended on the edge of a sea wave
he holds his breath to follow his song

she sings and as she sings she has dozed off
he takes her hand and
whispers ‘welcome back into my life, welcome back’

she still sleeps and dreams of making love
with this morning shadow
of these colourless eyes 
came from an icy adventure
of days that smell clean
of all nights and all days
of spells, escapes, memories 
of days lost without desires

and if she will not listen to his words,
if evil will not slip from her heart
then who knows
where the wind will settle him
where he will lose himelf
where he will rest

[Penelope]
"Are you the night that burns
are you this sky that falls on me
are you this ship that arrives
are you this fire congealed inside me
... (You're all I need) ..."

she squints her eyes and moves slowly
as if to let the world to feel
all the weight of this abandonment
of this vanished illusion 
of her infinite sadness
sadness that perfume the nights and days
spent alone with this wound

but he is not only the thought of every morning
he is in the sand in the waves
that have always bounced on the shore
he is the cement of this house
is the receding fear
is the storm ever closer
he is this morning shadow
and she will listen to his words
and the sea will deposit him on her heart
and then who knows
maybe the wind will settle 
the circle will close
and she will recognise him

[Penelope]
"... (You're all I need) ...
are you the night that burns
are you this sky that still falls on me
are you this ship that arrives
are you this fire congealed inside me
are you my eyes you are my hands
are you my lips my skin of today and tomorrow
are you this peace that rises again
are you this home to recapture
this night to rest
... (You're all I need) ..."

------

Lyrics and music by Michele Ansani (1994).
Posted on SoundCloud: 2024, September 15

Nostos (il ritorno di Ulisse) **

Gravitas

Maggie & Eddy 3.3

When I´ m singing. 1392 ( 1996 ) Margareta Theorin-Eddy Mango ( Margareta )

Hopefully aliens have now got bored and learnt all they can from anal probing and are now learning to play guitar and other instruments in this alien inspired fuzzy guitar driven original electro tribal psychedelic rock instrumental soundtrack styled progression! Peace! :D  


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AliƎn Probe Instrumental 👽

Big thanks to https://soundcloud.com/cosmic-ratzzz for inviting me and my tenorsax to join this awesome retro funk jam !!!
Ratzzz - composition, arrangment, all instruments (except the sax), final mix
joerxworx - tenor saxophone
Release by: Fuchsteufelswildrecords & Hasentot KG
aka Cosmic Ratzzz - with friendly permission to post this too :-D

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