How tired can we get?

Smart

SUMMER SNOWFLAKES: variations on a theme. Intended to be released at the first snow fall, but it never came... So I kept recording.

INSTRUMENTS used: Electric Guitar, two steel 6-stringed guitars, 12s guitar, classical guitar, two hardware keyboards (rendering the pianos, organs, bass guitar, chimes, bells, flutes, strings), pedal effects.

The music grew like a fractal in all directions and became quite vast in scope: should I have split it into shorter tracks? Many would say yes, but I didn't fancy that and instead went for the ”LP option"; an instrumental, meditative journey, inspired by the genre invented by Mike Oldfield in the 70s.

When I first heard his work, many years ago, I didn't first get it, but I was intrigued. "What is the purpose?" was my early reaction. But I couldn't shake it off and became hooked to the complexity of his instrumental music, and how it seemed to constantly mutate into new sections. I kept listening, and gradually discovered the many hidden secrets. And it led me to become very interested in classical music.

SUMMER SNOWFLAKES is made in this tradition. Not explicitly trying to mimic Mr. Oldfield, but admittedly clearly influenced by his method. And why not? Was it wrong that Brahms wrote symphonies just because Beethoven already had done nine legendary ones? Would the world have been a better place if Shostakovich had stayed away from writing Preludes and Fugues for the piano? Should no pop songs have been allowed after Beatles? I say, let us be shamelessly inspired by the gigants and make some efforts to create something! Throw an egg if you must, but I think any sincere attempt to compose is welcome.

When I decided to go for a full length track, my vision was (somewhat childishly) the thought of the younger myself; the days when I was a die-hard Oldfield fan and had stumbled upon a new release: always a rare event, an instant buy, running home, headphones on, expectations high, launching it: the first sacred discoveries ... My track may not live up to this, but is a tribute to those days and that feel.

The recording was quite an undertaking and I didn't want to let myself down. I worked on it since December 2018, and was occasionally quite frustrated about it. I avoided midi, and tried to hand-play it all (for the fun of it) - often leaving me in big trouble. I admit there are some sun spots due to this, but I consider them as my finger prints and evidence that a human did this, not a machine. .

Art cover: by DS 2021, reflecting the heavy reliance and overlaying of pianos and organs, and the combinational nature of the music.

Special Thanks to Mark Hermse, Mike Hilton and Wojciech Langner for support and inspiring discussions!

SUMMER SNOWFLAKES

20210413

1st Version in 2013

Perspectives is the work on several titles
following a certain number of days, months,
years. Research work on possible music,
entirely realized with three keyboards on
Moog and other modulars plus some percussions
also realized with modulars. Multi-track
recording and mixing with sound processing.
Some tracks are old and others very recent.
I wish you joyful listening and discovery of
a music sometimes far from a rigorous classicism,
slightly different, even experimental.

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___

🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork  -  Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space 

❤️Love, 🕊️Peace, 🙏Respect

PerspectivesF

Perspectives_F

A journey to contemplate the relocating 
of all of Earth's inhabitance & start fresh.
Leaving destruction behind.
IF humankind can even lose its pride to reside with 
newness of mindset, 
AFTER...
Damaging Earth!/'

Earth's Inhabitance Relocated

Light-Years Away

My Name Is Jim /Her Name Was Lisa

17 59

You are invited to a piece that combines different styles: the great 90s, piano and other classical elements, pop and trance. I wish you a lot of fun listening!

(Did you know that "Apocalypse" literally means "lifting or lightening of the veil?")

The Lightening Of The Veil

well here is a wonderful collaboration with my friend Xitb , Russell on a different take of Dreams Made of Stone R and I had a lot of fun with this one !!  Its electrifying LOL  Thanks Russell for all you do 
for more amazing music see Xitb @opentrax

Ringtone dreams Gina & Xitb

My idea for the subject matter came from Dan saying the music made him think of mountains and water. In my head I made a leap to a human story I knew of a mother and son who waited for much of WWII at a tiny seaport (Kyle of Lochalsh) in the North Western Highlands of Scotland to occasionally see the husband/father who was on mine sweeping missions with the Arctic convoys. Life expectancy was 6 months but he returned safely. This story would work just as well as a scenario for a fishing village where all the men had been gone for days during a storm.

I can't thank Dan enough for his inspirational piece that triggered these words and likewise Dick made this sound so emotionally charged with his fiddle and harmony vocals. I am greatly indebted to my collaborators for making this possible with endless patience and skill.

Please check out their wonderful clouds. https://soundcloud.com/dan-lockhart/by-the-waters-edge-with-mark-bennett-oorlab-with-video-link
All Music (except for Violin), Vocal - https://soundcloud.com/dan-lockhart
Violin, Harmony Vocal and Video - https://soundcloud.com/oorlab
Lyrics, Vocal and Artwork - me 

Video link - http://youtu.be/UAfy0vtMmsc


By the water’s edge,
All her thoughts are out at sea,
The child in her arms belongs to he,
He who’s gone

Ev’ry storm is a pain in her heart,
Waiting for news that would tear her apart,
Of he who’s gone
By the water’s edge

She is not alone in her wait,
All the women share her fate,
By the water’s edge

Tears of joy from all on the shore,
The ship is home once more.
By the water’s edge

My Name Is Jim /Her Name Was Lisa

Walkin' in Pa's Footsteps