nice melodic spoken word song, gotta love the lawn!

PARTY TO PARTY
Written, Performed, Produced
by Andrew Borderick Copyright 2024 AB Music
https://youtu.be/wI2iv2hjFQ4?si=7lnQCOjnGV_--ej7

V1
LOOK OUT FOR THE FUTURE
BEWARE OF THEIR PAST
THEY'LL MAKE AN ILLUSION
IT'S ALWAYS UNFAIR
V2
EVERYDAY A DECISION
IT'S ONE TO DISTRACT
WE'RE NOT BORN TO BE FAMOUS
IT'S JUST TO SURVIVE
Ref
EVERYDAY YOUR TAKING SOMETHING FROM MY HAND
THEIR ALWAYS TAKING THE LONG WAY HOME
Chorus
IT GOES
FROM PARTY TO PARTY
THE LIGHTS ARE ON BUT NOBODY IS HOME
FROM PARTY TO PARTY
WE CAN NEVER SEEM TO MAKE UP OUR MINDS
V3
QUESTIONS HAVE NO ANSWERS
THE TAX MAN DONT LIE
WE PAY FOR DISTRUCTION
AND END WITH LIES
Ref
EVERYDAY YOUR TAKING SOMETHING FROM MY HAND
THEIR ALWAYS TAKING THE LONG WAY HOME
Chorus
IT GOES
FROM PARTY TO PARTY
THE LIGHTS ARE ON BUT NOBODY IS HOME
FROM PARTY TO PARTY
WE CAN NEVER SEEM TO MAKE UP OUR MINDS
Break
Ref x1
Chorus x2

INFINITY

PARTY TO PARTY

PARTY TO PARTY - (see info for video link)

Logic Pro, Fender Tone Master, Gibson ES-355, Roland Fantom X8

Elsewhere

You will find the clip on my YouTube channel.

QUANTUM CANTICLE

The third track from my EP CHEMICAL is SCARY TRUTH. 135 BPM. 9m39s. The longest track in this EP. But this is the most psychedelic and rave-like, so this is perfect for listening to while swaying back and forth. In short, this can be used as a good BGM. CHEMICAL Link in Bio!

SCARY TRUTH

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

Mahan Mahan is responible for the orchestration and mix(coverart)
TexMex Shaman on electric guitar and Mastering(coverart)
the poem and voice by stonerjazz(coverart)
 
the nature of their being by jeff gardiner 

 ponder and ponder if you wanna
speculations bout meanings and measures and structure
of time and the present
and yet it remains completely unknown
made no dent in the fabric
of monstrous illusion
collusion of unseen forces
nibbling away with whispers
while meekly we, perish, never knowing
what we're feeding
believers believing bleeding rivers of remorse
and of course, the horses don;t ponder for a moment
the nature of their being--

The Nature of their Being-with TexMex Shaman and Mahan💀Mahan

(no genAI involved - my voice and VST instruments)
At 55 years old, I am a grandfather and am rediscovering the magic of a newborn baby. When we see this innocence and fragility, we retrieve in each of us that simple but wonderful thing that is humanity.
(traduit plus bas)
---
It's not another morning
Not anymore
So deep inside me
I'm only starting to understand
Like never before
  
When living is so real
Your tiny hands are dreaming
And my heart is healing
My baby I can feel
Your soul, the meaning
A world arising  

My love,my son
Born of your ancestors
Now you're the sun, I'm your universe
You'll find me always there

I never knew the silence
Could speak so loud
You breathe, I listen
The world now slows just to hear from you
And time itself bows down

When living is so real
Your tiny hands are dreaming
And my heart is healing
Through my chest I can feel
Your soul, the meaning
A world arising

When living is so real
Your smile becomes the meaning
And hope  is softly ringing
My baby, you reveal
These beautiful things
That you imagine

When living is so real
Your tiny hands are dreaming
And my heart is healing
Through my chest I can feel
Your soul, the meaning
A world arising

When living is so real
I'm dreaming
I'm healing
When living is so real
I see the meaning
The world's arising
----
Ce n'est pas un matin comme les autres
Plus maintenant
Au plus profond de moi
Je commence seulement à comprendre
Comme jamais auparavant
  
Quand la vie est si réelle
Tes petites mains rêvent
Et mon cœur guérit
Mon bébé, je peux sentir
Ton âme, le sens
Un monde qui naît

Mon amour, mon fils
Né de tes ancêtres
Maintenant, tu es le soleil, je suis ton univers
Tu me trouveras toujours là

Je ne savais pas que le silence
Pouvait parler si fort
Tu respires, j'écoute
Le monde ralentit maintenant juste pour t'entendre
Et le temps lui-même s'incline

Quand la vie est si réelle
Tes petites mains rêvent
Et mon cœur guérit
À travers ma poitrine, je peux sentir
Ton âme, le sens
Un monde qui naît
 
Quand la vie est si réelle
Ton sourire devient le sens
Et l'espoir  sonne doucement
Mon bébé, tu révèles
Ces belles choses
Que tu imagines

Quand la vie est si réelle
Tes petites mains rêvent
Et mon cœur guérit
À travers ma poitrine, je peux sentir
Ton âme, le sens
Un monde qui naît

Quand la vie est si réelle
Je rêve
Je guéris
Quand la vie est si réelle
Je vois le sens
Le monde qui naît

When living is so real

SOON to move to Bandcamp as an album - in the meantime, you can also listen in sequence here: soundcloud.com/sonic-textures/sets/scalar-fields
instruments: Jeff Gardiner and jo richter
voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter
note by jo: for very real, material reasons, some people describe living entities as "stardust" and "all vibration". in our current, mentally largely dissociated state, it would make as much sense, though, to describe us as "stellar noise". It will take heartfulls of kindness and mindloads of understanding and nuances of acceptance of letting go and so much more to individually evolve into more harmonic states.

it is time, he said, to address the cosmic egg
the liquid consistency of what it holds
and the fact that insects and crusteceans
are clad in terrean space suits of their very own
and human skin can crack and bleed and peel and heal
and their minds are similar to that in more than one respect

it is also time, he put forth in further understanding
that the very nature of awareness, sentience and connection
to the entities we cannot smell or touch in our tuesday state of mind
and our wednesday protocols and even in our sunday suits
and unprotected glowing selves - unless that little voice trails off

and there is nothing left to win or lose or be or presuppose
and see the inside out in four dimensions, to welcome the upside
round and fingers that can shape the world without a tool

or a machine or automated processes and institutions and free
of data that informs the abstract mind but starves the living tentacles
of kindness and a self endowed with all the silence held to listen

that's why you will have to make a bold decision
to overcome your dizzy spinning sputtering state
of fuzzy feeling and self-involved confusion made
and all that fruitless pro- and inhibition
and turn that little voice off in your head
turn that little voice off in your head

(instrumental, including free static noises)

even in the southern realms and climes
the mongrels at the helm and lost in rhymes
tell wicked tales encumbered only by
some long forgotten memory
buried to the burnished hilt
while in a building built by lords and ladies of the cosmic court
while all the scouts appear as tiny lights
of white and red and blue and green
in smokey dreams of sorcery...........

scalar field pt 8: hide and Seek ---Sonic Structures and Silent Stretches

this is a song I wrote for the Alters, a ragtag bunch of fellow amputees,,,sometimes we put our parts together to make a hole……this is the 2nd take with Don “heavyhand” Jones one of the best one legged drummers on the block……this is as far as we got before we started to get a bit “legless”……good fun though……..
Seems to be a lot of fakery around with just about everything these days,,,but they’ll never be a Rolling Stone,,,,,,,,peace and cheers for listening

Paul St Jack…Bass
Derf Lipskin…Elec Piano, Vox
Lionel Osbourne…Guitar
Jim  Mcgill…Warblin, other guitar




DingDong

ain't no tomorrow without today
yesterday waved, chased it away
now it's been running
through the middle of my mind

standing room only, come take a seat
feeling confused rinse and repeat
scrubbing the skin, and clean it all away

yeah it's there in the morning too
evening and noon
don't pretend you don't see it
it ain't leaving so soon

here's the news, it aint getting better
it's snowing in the Alice, but Don ain't no rolling stone

what will it matter, how will it feel
now that the fake, is the new real
nothing surprises, it's normal to us now

silence is noise, peace is a dream
if you're hearing voices, it's not what it seems
it's just the assistant, talking while you sleep

yeah they're there in the morning too
evening and noon
don't pretend you don't hear them
they ain't going so soon

heres the fake news, it ain't getting better
Harry got a job, but Andy ain't no rolling stone

you felt safe there on your island
where the ocean was so blue
come and going as you pleased
thought none really knew

if you believe it, it must be true
say the liars, speakers of "truth"
the court jester, who's really the king of the fools

and he's there in the morning too
evening and noon
don't pretend you don't see him, he ain't going so soon

heres the news it ain't getting better
the silks get paid and the purse gets fatter now
the uk 35 degrees, the icebergs are melting
but Jeff ain't no rolling stone

DingDong

Cover interpretation of 'Vega-Tables'; written by Brian Wilson and Van-Dyke Parks, and originally due to be part of the 'Smile' masterpiece. This track arranged, recorded and produced by Alan Neale.

- Alan Neale: Drums, Vocals, Cabbage, Carrot, Cutlery, Wine Bottle, Spoken Word, Munching.
- Matt Johnson: Electric Piano, Vocals (chorus.
- Steve Caithness: Bass Guitar.
- Elena Matucci: Second Carrot, Munching, Coffee Drinker.
- Oscar the Cat: Cat Sounds.

When?/ Push Come To Pull

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