In the Abyss: Music for Weddings

Gåvor

Ana Roxanne - I M Every Sparkly Woman

(2024)Fields Of Dreams🚵‍♀️(New improvised work, inspired from Tangerine Dream, Edgar Froese and Vangelis in progress, not finished!)[Update 3!]
*🎹 Software instruments: Synapse Audio "DUNE 3" (sounds and drumloops) and Arturia Analog Lab V. 
*Hardware instrument: "Arturia Keystep 37".
*Inspired by: Kosmische musik/Cosmic music, Tangerine Dream, Edgar Froese, Jerome Froese, Christopher Franke, Johannes Schmoelling, Peter Baumann, Klaus Schulze, Thorsten Quaeschning, John Carpenter, Trent Reznor, Brian Eno, Daniel Lanois, Roger Eno, Roedelius, Moebius, Vangelis, Jean-Michel Jarre, Kate Bush, Terry Riley, Moby, Ralph Lundsten, Ludwig Göransson, Pink Floyd, Enigma, Genesis, Tony Banks, Peter Gabriel, Phil Collins, Gary Numan, David Bowie, Supertramp, Hans Zimmer and Larry Fast/Synergy.

Fields Of Dreams(2024)🚵‍♀️

Whims

Lyrics, 
Maybe if it ended sooner
I wouldn't feel this way
Maybe if I'd said things differently
You wouldn't look away
Maybe if I sang songs sweeter
You'd still hear me
And I wouldn't have to miss you now
 
Maybe if I just stepped back
You'd have come close
Maybe if I slept at night
I wouldn't hold a dream that froze
Maybe if I timed it better
It be you and me
And I wouldn't have to miss you now
 
The moments that we shared,
For me get intertwined
The things we get to keep,
And the things we leave behind
Don't take everything,
Leave me with a sign
That for a moment we did rhyme
 
Maybe if I’d broke the rules,
You’d know what to say
Maybe if I'd just asked you
You'd say you'd stay
Maybe if I'd grown up faster
You’d be here for me
And I wouldn't have to miss you now
 
The moments that we shared,
For me get intertwined
The things we get to keep
And the things we leave behind
Don't take everything
Leave me with a sign
That for a moment we did rhyme
 
The moments that we shared,
For me get intertwined
The things we get to keep,
And the things we leave behind
Don't take everything,
Leave me with a sign
That for a moment we did rhyme
That for a moment we did rhyme

Things We Leave Behind (Monique Studio)

A slipshod agony in being born

As was said of Bachelard. Big moves small pieces.

Returning to the source.

FINAL ENTRY - I ran and hid in a big pile of old bones hoping He didn't see me. But he did I needed to defend myself so as he dashed towards me I snatched a sharp bone and pierced straight into His eye. Letting out a huge scream I just killed my best friend now I'm alone down here in this hell writing these stupid entry's for what feels like 5 weeks. There's no real escape from all this is there?? I couldn't help but to break down in tears. I look at the arm that stabbed James and its covered in the sludge I wipe it off revealing scales my nails are growing and turning black. This is what turned all of them isn't it?

s/o @exsufflation for working with us on this one

left_to_rot1_14_25

A fresh demo from Daniel San. Post Rock vibes with lofi switches.

Deeper Love

♬⋆.˚ wet cigarette — mars argo

You'll Never Get To Heaven - Images 
2016

Still

From the Anne EP, available May 10th on Western Vinyl.

Bandcamp https://josephshabason.bandcamp.com/album/anne-ep-2
iTunes https://itunes.apple.com/us/album/anne-ep/1454522928?ls=1&app=itunes
Apple Music https://itunes.apple.com/us/album/anne-ep/1454522928?ls=1
Spotify http://open.spotify.com/track/6135H26IGiHfqZr6ZiAw2I
Tidal listen.tidal.com/track/104905822

The Anne EP is the afterword to Joseph Shabason’s acclaimed 2018 harmonic suite Anne through which he examined and processed his mother’s struggle with Parkinson’s disease.  Employing a small supporting cast that includes vocalist Dan Bejar (Destroyer) and guitarist Thomas Gill (Owen Pallett), Anne EP spotlights the Toronto saxophonist as he builds empathic tropospheres of woodwinds and synthesizers, deepening the sentiment established by the EP's companion album, which was released in November 2018.  The detail and idiosyncrasy beneath the material's dawn-of-the-CD-era sheen, elevates Shabason's work far beyond mere aesthetic exercise, cementing jazz, ambient sound design, and new age revivalism into a timely new genre all his own.

Anne EP

Joseph Shabason - "1517"

Mats Orveland/"MO-PROJECT": 
Composer, keyboard and drum-programming, (exept where other mentioned). 
My music is often improvised, and several songs are actually unfinished song drafts. But I hope you can ignore that and instead listen to my feelings and my thoughts. I like to play with sounds, ambient, effects, electronic instruments and tools. Drawing influences from different electronic music genres. Mostly Tangerine Dream, Brian Eno, Vangelis, Jean-Michel Jarre and Tony Banks. 
Relax and breathe, to my sound-carpets! <3
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Every track was recorded between 1980 and 2025.
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Some of the instruments and machines: ARP Odyssey Synthesizer, Roland D50, Yamaha DX7+RX11, Korg M3R, Roland tr808, Roland R8, Roland JX3P, SIEL Poly Synthesizer, Roland Digital-Sequencer CSQ-100, TEAC PortaStudio 144. Plus computer software programs.
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"Instead of shooting arrows at someone else’s target, which I’ve never been very good at, I make my own target around wherever my arrow happens to have landed.
You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre."
— Brian Eno
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"Always remember that when you hear a marvellous sound coming from a synthesizer it is not the machine that is doing it - it is the imagination of the man playing it."
/Vangelis
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"Love is the only thing that transcends all dimensions, including time and space." <3