This is my tribute to Edgar Froese, in January is it 10 years since you passed away ...you are and always will be my legend ❤️

Echoes

Somewhere beyond the veils of dawn, a whisper took form.
Born from the breath of forgotten stars and the warmth of a thousand unseen suns,
Aerwyn drifted into being — weightless, timeless, endless.

She dances on the winds where light is memory and silence holds the shape of dreams.
Each motion, each pause, carries the pulse of a soul unbound —
rising ever higher, ever freer, into skies where no words are needed.

Aerwyn is not a voice, but a feeling.
A glimmer at the edge of perception.
A reminder that even in silence, the spirit soars.

Aerwyn

(2025)Make the World a Better Place🌍 #mobygratis @mobygratis (New half improvised work, inspired from Brian Eno, OMD, Moby, Jean-Michel Jarre, Vangelis, Gary Numan, Tangerine Dream and Robert Fripp in progress, not finished!) [Update 2!]
*🎹 Software instruments: Synapse Audio "DUNE 3". Arturia "Analog Lab V", "Solina" and "Chromakey birds", "Kompose Audio" and Roland "JD-800". 
Soundeffects: "Boom" (in the end): freewavesamples.com and "Sunny Day-Birds" at the end from: SoundBible. 
Edited: "130bpm_a place inst mix ab oz-mobygratis", ("The track you have licensed is a place.")@mobygratis
https://mobygratis.com/
*Hardware instrument: "Arturia Keystep 37".
*Inspired by: Kosmische musik/Cosmic music, Floataway, Gary Numan, OMD, Kraftwerk, Trent Reznor, Tony Levin, Brian Eno, Daniel Lanois, Roger Eno, Roedelius, Moebius, Moby, Vangelis, Bladerunner, Jean-Michel Jarre, Tangerine Dream, Edgar Froese, Jerome Froese, Christopher Franke, Johannes Schmoelling, Peter Baumann, Klaus Schulze, Thorsten Quaeschning, Rupert Hine, New Age, Kate Bush, Terry Riley, Ralph Lundsten, Ludwig Göransson, Pink Floyd, Enigma, Genesis, Tony Banks, Peter Gabriel, Phil Collins, David Bowie, Supertramp, Hans Zimmer, Robert Fripp, Simple Minds, The Human League and Larry Fast/Synergy.

Make the World a Better Place(2025)🌍[Updated!]

TBA - instrumental version

🌌Sensus🫀
Latin for feeling – is a journey into the subtle in-between where sound transforms into emotion. Layers of ambient textures intertwine with driving arpeggios and a pulsing sub-bass, while space and depth merge into a hypnotic whole. It captures both closeness and distance, a state between dream and reality. Music to be felt – not just heard.

Sensus

Hallo zusammen.... Ich darf euch jetzt den zweiten Teil der Zusammenarbeit mit O Zero vorstellen. Wir haben, so glaube ich einen Weg gefunden, wo wir uns musikalisch gut ergänzen. Ein Video ist in Planung, kann aber noch dauern. Hört euch das Stück in Ruhe an und fallt dann mit euren Meinungen über uns her. Wir freuen uns darauf... Wir wünschen gute Unterhaltung und bis zum nächsten Mal.... Gruß Robert und Jürgen

Hello everyone... I am now pleased to present the second part of our collaboration with O Zero. I believe we have found a way to complement each other musically. A video is in the works, but it may take a while. Take your time to listen to the track and then let us know what you think. We look forward to hearing from you... We hope you enjoy it and see you next time... Best regards, Robert and Jürgen

Translated with DeepL.com (free version)

Tillmann & O Zero - 02 - The other Side of Silence

My Name Is Ruin

My Name Is Ruin (Live at the Electric Ballroom)

Sorry, for by deleting this track by misstake.

Crystal Orbit

When something intrigues me, I tend to reach for more, but am I overdoing it?

Retrograde

Turn On

Waiting for You (radio version)

Transcendent

Mats Orveland/"MO-PROJECT": 
Composer, keyboard and drum-programming, (exept where other mentioned). 
My music is often improvised, and several songs are actually unfinished song drafts. But I hope you can ignore that and instead listen to my feelings and my thoughts. I like to play with sounds, ambient, effects, electronic instruments and tools. Drawing influences from different electronic music genres. Mostly Tangerine Dream, Brian Eno, Vangelis, Jean-Michel Jarre and Tony Banks. 
Relax and breathe, to my sound-carpets! <3
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Every track was recorded between 1980 and 2025.
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Some of the instruments and machines: ARP Odyssey Synthesizer, Roland D50, Yamaha DX7+RX11, Korg M3R, Roland tr808, Roland R8, Roland JX3P, SIEL Poly Synthesizer, Roland Digital-Sequencer CSQ-100, TEAC PortaStudio 144. Plus computer software programs.
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"Instead of shooting arrows at someone else’s target, which I’ve never been very good at, I make my own target around wherever my arrow happens to have landed.
You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre."
— Brian Eno
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"Always remember that when you hear a marvellous sound coming from a synthesizer it is not the machine that is doing it - it is the imagination of the man playing it."
/Vangelis
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"Love is the only thing that transcends all dimensions, including time and space." <3